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Sigil #1 [Review]

Writer: Mike Carey
Pencils: Leonard Kirk
Inks: Ed Tadeo
Colors: Guru eFX
Letters: Rob Steen
Cover: Jelena Djurdjevic
Production: Irene Y. Lee
Asst. Editor: Sebastian Girner
Senior Editor: Nick Lowe
Published by: Crossgen/Marvel Comics

I’ve missed Crossgen. However, until this issue, I don’t recall ever reading an issue of Sigil. So, with this being a new take on things and not a continuation of the old…I come to it fresh. And perhaps for that, I greatly enjoyed this issue.

The issue opens with some disembodied voices talking about some past events, and we gradually move to seeing someone who turns toward the camera with surprise, and cut to a high schooler–Samantha Rey–waking suddenly from the dream, to an impatient father trying to get her up for school. She has an important history exam that day, and we learn she’s having trouble with school since losing her mother. Further exposition follows as daughter/father talk, and then as Sam stops by the cemetery on her way to school. Once at school, we see some of what Sam’s high school life is like, as an encounter with a bully forces her to race to class, where her teacher is not happy at her tardiness. Beginning her history exam, she blacks out to a vision, and finds an hour passed, leaving her in hot water with the teacher. We’re introduced to other students, and then Sam’s bully instigates a situation that causes Sam’s birthmark to flare up, and she finds herself facing the realization that her birthmark is something far more.

The art–perhaps simply for Sam having red hair–reminds me a bit of Spider-Man Loves Mary Jane, and the high school setting certainly contributed to that as well. The art seems fairly simple…smooth, and the coloring somehow lighter or “brighter” than I think I’m used to. Overall, nothing struck me in a negative light, and I had zero issue with the art. The entire art team provides a great piece of work that clearly conveys everything going on, and I really liked the art overall.

The story is quite solid. It’s got a lot of exposition to bring us up to speed on the main character in particular, to work us into her world, and while it’s rather noticeable as exposition…it still works for me. It seems the most important, core elements are presented in this issue as we should get from any first issue. The story provides a nice hook at the beginning, introduces us to the main character, to her family, to her school life, and then takes that extra little leap into what makes this story more than just some slice-of-life about some random high school girl. The cliffhanger leaves me eager for more, and yet I don’t feel shortchanged by what story was provided in this issue by itself.

Overall…this is a fantastic start to the series. For some reason, I have it in my head that this is just a mini-series…but I for one would absolutely love to see this as an ongoing, if every issue was up to the quality of this one.

As said above…I come to Sigil fresh. I recognize the name of the ship Sam sees–and caught myself grinning when I recognized it. Major plot point or simple nod to the past, its presence is a welcome inclusion. The use of the sigil itself reminds me of early issues of the original Crossgen stuff without feeling out of place…perhaps for its stylized modification from the original.

I also come to this just totally thrilled that it carries a $2.99 price.

I don’t often talk about a comic’s cover…but I really like the layout of this, what I believe is the “trade dress” for the new Marvel Crossgen stuff. Having Marvel‘s logo at the very bottom puts it virtually out of site, allowing the Crossgen sigil to stand as its own thing at the top, allowing the “branding” to stand on its own. The logo seems familiar, though I can’t presently recall the original to know how it compares to that. The main image draws the eye to the sigil, as a whole emphasizing that. There’s something to be said about such a close-up on the character, but the image doesn’t truly stray into particularly questionable territory.

This is a complete, totally fresh start…there is zero need to have ever read anything else before this. The art is easy on the eyes, and the story draws one in. While fans of the original Crossgen work may be disappointed at this not being a return to the original series…I think it likely that those fans will be able to appreciate this new start. And for anyone considering this…I highly recommend it! As a whole, I consider this a fantastic first issue that is more than the sum of individual story/art ratings…as seen below.

Story: 8/10
Art: 9/10
Whole: 9.5/10

Booking Through Thursday: Multi-Tasking

bookingthroughthursdaybuttonDo you multi-task when you read? Do other things like stirring things on the stove, brushing your teeth, watching television, knitting, walking, et cetera?

Or is it just me, and you sit and do nothing but focus on what you’re reading?

(Or, if you do both, why, when, and which do you prefer?)

Very rarely, I’ll physically multitask while reading. Sometimes while I’m waiting for water to come to a boil, or waiting for noodles to boil that proper amount of time, I’ll read a couple pages in a book as able. This tends to be if I’m toward the very end of a book, incredibly involved in the book, or particularly antsy or bored with the water/noodles.

On a slightly more passive note, I’ll often read while I wait for something that’s in the microwave for more than 5 minutes, or something in the oven for awhile.

I prefer to focus on my reading and ideally have time to read a significant chunk of something in one go. If I’m reading a comic, I want to read the whole issue at once—or at least the main story if the issue has more than one story in it (such as Specials, One-Shots, Annuals, Anniversary issues, etc). If I’m reading a graphic novel or collected edition, I like to also read at least a fully issue’s worth of pages. If I’m reading a book, I prefer to be able to read at least a full chapter.

Mostly, my “multi-tasking” with books is the fact that I rarely have one finished when I start another. And through the years, I’ve found myself with dozens of books that I’ve started, but to this day have not finished. I get distracted by life, or another book, or other books, or comics, and eventually a book that’s sitting around waiting to finished will get shelved, and for the most part forgotten.

Because of more than two decades of reading comics—typically this tiny chunk of a much larger story, with at least a month between issues—I usually have very little trouble with picking a book up after weeks or even months away and simply resuming where I left off…even if I’ve read another book since putting this one down.

This tends to be the primary reason I find myself BUYING most of the books I read, and rarely obtaining them from a library. Library books have an odd feel to them for me, as I see the “due date” as a “deadline,” and a deadline implies “forced” reading, and I have trouble trying to read something that may not be IMMEDIATELY engaging, AND/or that I feel like I’m being forced to read. The library’s due date comes and goes, and being just a few pages into the book or not yet fully engaged, I’ll return it with the best of intentions of checking it out again later.

R.E.B.E.L.S. #3 [Review]

Quick Rating: OK
Story Title: A World of Hurt

Dox continues to assemble his grouping of individuals to assist reclamation of his former organization…with little regard for his methods, focusing on the end result.

rebels003Writer: Tony Bedard
Artist: Andy Clarke
Colorist: Jose Villarrubia
Letterer: Swands
Asst. Editor: Rex Ogle
Editor: Brian Cunningham
Cover: Andy Clarke
Publisher: DC Comics

This issue continues to show Dox as he acts on the information he’s been given, but doesn’t really let anyone else in on it. He’s building a new team, focused on the final result and apparently not all that concerned about what steps he’s gotta take to achieve it. After changing someone into an energy-being, Dox heads off with her to see some old allies and recruit them–after explaining that he did not orchestrate the attacks on them that they recently survived. Ultimately, they find that they face quite a formidable foe.

The art on this is quite good, and very consistent with the earlier issues. Its style fits the story, while adding its own "flavor" to the overall product. There’s a sort of dirtiness to it that contributes to the atmosphere, setting this apart from other books visually.

You could do much worse than this book, but then, I’m also finding myself quickly losing interest. While the nostalgia factor prompted my initial interest in the book, I’m not finding these characters to be familiar to me (other than by name/concept), and really not connecting or engaging with ’em. Something about this story feels like it will be much better when read as a complete arc, but on the issue by issue basis, I’m just not feelin’ it.

I suppose if you’re enough of a fan of the writer or artist this’d be worthwhile; ditto if you’re particularly interested in or informed as far as the characters go. As a casual reader, this doesn’t really seem to be anything essential.

Ratings:

Story: 2/5
Art: 3.5/5
Overall: 2.5/5

R.E.B.E.L.S. #2 [Review]

Quick Rating: Not Bad
Story Title: The First Recruit

Vril Dox and Supergirl take on the mercenaries, while Dox finds out more about his benefactor and what he’s expected to do moving forward.

rebels002Writer: Tony Bedard
Artist: Andy Clarke
Colorist: Jose Villarrubia
Letterer: Swands
Asst. Editors: Rex Ogle
Editors: Marts & Cunningham
Cover: Andy Clarke
Publisher: DC Comics

Resuming where the first issue left off, we find Vril Dox and Supergirl fighting the mercenaries that are trying to capture Dox. Dox finds himself faced with a message from the future intended to help him, but opts to use his own methods to go about attaining his goals. Making for Starhaven, Dox’s recruitment drive is in full effect, as we see that this is not a character we’re meant to like overall–he’s a real jerk (to put it mildly).

The story itself isn’t bad, though I’m not all that familiar with most of the characters overall (except Supergirl). Though I recognize Dox and a couple others, I don’t recognize most of the characters, and so am not all that interested. The writing seems solid so far–there’s enough foreshadowing that at least for this arc, it seems there’s a build toward some decent payoff–though I’d prefer to be more engaged in the story.

The art’s not bad, though it’s a bit different than what I’m used to, particularly on the Superman family of books and their depiction of Supergirl. Clarke’s art does bring just enough grittiness to make this seem like a book that doesn’t just fit in general into a generic DCU, but has an edge that reminds me of the earlier issues of Outsiders from 2003 to Infinite Crisis.

All in all, a decent book. Unfortunately, as it’s failed so far to really engage me, I suspect I wouldn’t miss it much (if at all) if I simply skipped it. If you’re interested in the cosmic stuff, you’ll probably enjoy this a bit more; ditto if you’re more familiar with Vril Dox as a character.

Ratings:

Story: 2.5/5
Art: 3/5
Overall: 3/5

The Walking Dead on DVD/Blu-Ray

walkingdeaddvdSo…The Walking Dead came out for home media today.

I’d debated awhile whether I wanted to get it as DVD or Blu-Ray, especially with the pricing being so comparable (and I think Best Buy most closely fought Amazon, matching the Amazon prices in their weekly ad).

Ultimately, I went with the DVD version.

And I have to give AMC EXTREME GRATITUDE for their stand-up way of releasing this.

See…virtually any and every other media release—movie, tv seasons, whatever—it seems that publishers feel the need to force one toward the Blu-Ray edition, to intentionally MAKE the DVD an INFERIOR PRODUCT.

They “stack” the blu-ray with EXCLUSIVE “extras” intentionally left off the DVD release; whether it’s brief featurettes, bonus episodes of something, or whatever…stuff that at the SAME resolution as the DVD content, would FIT EASILY onto the DVDs included in the DVD release.

AMC has put out the first season of The Walking Dead on both Blu-Ray and DVD.

But looking at the packages, I couldn’t find anything different between the two. The extras all looked to be the same. The two versions contain all 6 episodes. Even the box art is the same, except the Blu-Ray edition has that blue stripe at the top, and the cases are obviously the respective DVD or Blu-Ray size.

And given that…AMC has totally earned my respect all the more.

Let the formats speak for themselves. That’s ALL it should be about. FORMAT. Not the CONTENT.

I went with the DVD…but in this case…because I don’t know of any friends who have a blu-ray player, and if we get together to watch this as a group…DVD is virtually “universal.”

walkingdeadtv

R.E.B.E.L.S. #1 [Review]

Quick Rating: Decent
Story Title: The Future is Now

Vril Dox (Brainiac 2) arrives on Earth with pursuers on his tail, and seeks out Supergirl for a special purpose even he doesn’t know.

rebels001Writer: Tony Bedard
Artist: Andy Clarke
Colorist: Jose Villarrubia
Letterer: Travis Lanham
Asst. Editors: Siegel & Ogle
Editors: Marts & Cunningham
Covers: Andy Clarke
Publisher: DC Comics

This is the second time offhand that I have bought a R.E.B.E.L.S. #1. The last time I did so was way back around September 1994. L.E.G.I.O.N. was rebooted during Zero Hour as R.E.B.E.L.S., and was one of the series I’d decided to jump on to check it out from the very beginning. Fourteen-and-one-half years later, this new incarnation of the title had my curiosity, if only for nostalgic value.

This issue opens with a bit of a cliche–people going about normal life, talking about something that then sorta comes true with the arrival of an alien or whatever (in this case, Vril Dox), who asks for something rather simple that I for one normally wouldn’t expect an alien to ask: "Where’s the nearest restroom?" We quickly find out that Dox is being pursued, that his own organization has been taken from him and is now being used against him. Being rather cool and calculating (or rather, not-so-compassionate) he is prepared to see numerous human lives lost to attain his goal. Once Supergirl enters the fray, a couple secrets come out, and we find that there is a good deal at play, just waiting to be revealed.

Overall, I like Clarke’s visuals in this issue. There’s a certain level of detail and a style that seems to fit the story very well. The main complaint I have is that Supergirl looks a little "off," but characters I presume will be main/starring characters for this title have a good look about them that does NOT seem "off." One of the aliens reminds me a bit of both the Aliens as well as Arkillo from the GL books, and yet still has enough of a unique look to be its own thing, while evoking those others–regardless of the intentionality of the similarity.

The story is fairly basic, dealing with a bit of cliche–at least on the surface. Cliche or otherwise, there are some hints dropped as to stuff-to-come, and at least one bombshell drawn from existing continuity that casts characters in a new light. I’ve not read much of Bedard’s work, but recall liking what I have read. This issue really–aside from Supergirl–is playing in its own sandbox away from other DCU books. That sets it apart for me as it is not directly involved in other current stories that I’m following and thus has room to develop and build a bit.

There’s not enough here in this issue to convince me that this’ll be a great title nor that I’ll want to be in for the long haul, but there’s just enough of something to it that I’ll probably give it a couple more issues to pan out and really hook me. In the meantime, it’s a debut issue of a new series and it’s still within my $3 general threshold.

Worth checking out if you’re curious, but doesn’t seem an essential read.

Ratings:

Story: 3/5
Art: 4/5
Overall: 3.5/5

Library Haul, part two

Yesterday, I posted a photo of some of the books I’d snagged from a local library.

Here are several I snagged from the other local library. Between the two, the books are around $180.

$180 worth of graphic novels I’m reading, enjoying…but not having to (directly) pay for.

Certainly allows me to read a heckuva lot more than if I were sticking only to what I could purchase myself!

eastlakelibraryhaul20110306

Marvel Zombies: Dead Days [Review]

Quick Rating: Good
Story Title: Dead Days

The Marvel heroes assemble to take down a threat to the entire universe…aw, who’s kidding who? Marvel Heroes become Marvel Zombies, and there’s lots o’ good eatin’ going on!

marvelzombiesdeaddays001Writer: Robert Kirkman
Artist: Sean Phillips
Colors: June Chung
Letters: VC’s Rus Wooton
Production: Marvel Bullpen
Zombie Food: John Barber
Editor: Ralph Macchio
Editor-in-Chief: Joe Quesada
Cover: Arthur Suydam (after Jim Lee)
Publisher: Marvel

I assume that if you haven’t heard of ’em, you’ve been hiding for the last couple years, or just ignoring everything Marvel. Otherwise, who hasn’t heard of the Marvel zombies? (No, not the readers…the zombified Marvel heroes!) When I first heard of the concept, back when the 2006 mini-series was announced, I thought the idea sucked.

I couldn’t see how there’d be any point, or any fun, to the concept. Fifteen some months later, that mini is on an extremely short list of series that I’ve read one issue, and could not stop myself from reading every other issue that I had in my possession.

What’s that got to do with THIS issue, you ask? This is a prequel to that series, that shows us pre-zombified versions of the characters…how certain ones came to be bitten, and even some gruesome scenes of them eating loved ones or trusted butlers and all that…stuff mentioned or alluded to in last year’s mini.

Does it live up to the hype, and the quality, of that series? I’m not sure it does. While good…for me, this was just lacking something; though I can’t quite put my finger on it.

The story itself is really straight-forward as stated above. It cuts from one scene to another, as we see the rapid progression of the super-powered zombie plague. The scenes jump around a bit, with little time spent in any one space, though certain characters receive much more time than others in the spotlight. Even though this is a larger-sized issue, it’s still just a single issue, and it packs in what could fairly easily drawn out into a 6-12 issue series, if not more. Dense content means lack of deep characterization. But in the end, when you get right down to it, it seems that the point of this issue is the "fun" and the random gore and gruesome zombified heroes depicted on the page…if you want deep characterization, there’re six volumes of the writer’s other zombie series available, and loads of other superhero books with more room for characterization.

On the art-end, we’ve got some good quality stuff from Phillips…in and of itself, I really have no complaints visually. Where there might be some complaint would be the amount of visible gore and all that…this is not a comic to hand to the target audience of a Marvel Adventures book, and well deserves its "parental advisory" note on the UPC box.

The cover is an homage to 1991’s X-Men #1-E…the version with the double-gatefold/4-panel cover. While yet another cool zombified piece, it’s not my favorite.

I’m not sure exactly where in the Marvel Zombies timeline this fits, with the still-running Marvel Zombies vs. Army of Darkness, so perhaps more will be made clear with that in the grander tapestry. Taken alone, this issue offers key scenes that impact Crossover and the original Marvel Zombies mini, and provides an extra-sized issue’s worth of violence, gore, and hero-eating-hero action. If that’s not your thing, don’t bother with this. If you do enjoy the concept (or enjoyed prior exposure,) this issue’s well worth getting.

Besides…there’s far worse (and less ‘fun’) out there you could give up your money for.

Ratings:

Story: 3.5/5
Art: 3.5/5
Overall: 4/5

Library Haul, part one

While their non-manga graphic novel selection is extremely…shall we say…”limited”…I did find several gems at the Willoughby Public Library today.

One of the Millar volumes of Fantastic Four, and two of the McDuffie volumes. I probably oughtta look toward requesting the Hickman volumes that’re out there.

And then several of the IDW GI Joe volumes.

All told, over $100 I don’t have to spend to read.

willoughbylibraryhaul20110306

Seeing my DC collection ‘going green’

gagl

It’s sorta interesting to look at what books make up a person’s collection.

Though I generally don’t really pursue any given character’s collected volumes, several have wound up becoming significant portions of my collection.

Superman, of course, is tops in terms of my DC stuff. Batman follows behind. And the last few years, Green Lantern (and Green Arrow) have come to be a far more noticeable part of my collection. Green Lantern in particular, but I lump Green Arrow in as I just sort of see the two fitting together so well. Plus, if I alphabetize, they’re together anyway.

At present, my non-vertigo DC volumes break down roughly into 4 categories. Superman, Batman, Green Lantern/Green Arrow, and DC Universe/DCU “other.”

After well over a year of NOT being in any particular order, I’ve finally decided to get my shelves properly organized again. And since I have the (now-defunct?) Infinite Heroes figures, I decided to show off the green portion of my collection.

glgabooks