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Defiant Card Albums – #0 Issues

I’ve known about the (Warriors of) Plasm card set that–completed and in 9-pocket card pages–makes up a #0 issue since it came out back in the day (1993 or so). But I don’t think I knew about the Dark Dominion one until this year.

defiant_zeroissue_card_albums

I happened across a regular sized standard-ish comic edition of Plasm #0 in a quarter bin that I decided to get for the novelty of it. The issue seemed like it had been an insert in something, without proper binding of its own.

The store owner noticed it and asked if I was interested in these, and while I declined at the time, they stuck in my head, and a week after, I decided if he still had them, I’d ask about the price he’d quoted…since that stood, I bought ’em.

Getting these for roughly the price of a contemporary comic…reminds me once again how much my comic shop puts CONVENTION dealer rooms to shame…the every-day stuff I can get, the organization and cleanliness and extremely reasonable pricing–I often find myself quite DISAPPOINTED at cons.

Now, of course, I try to remember if I’d passed on a run of both of these series and think it’d be interesting to track them down and compare the "zero issue" to the main series for myself.

Adding to the Thanos Collection

infinity_gauntlet_number1

I’ve been on quite the Thanos (and Warlock) kick lately, finally "pulling the trigger" on gathering up a number of the collected volumes associated with the characters, with my favorite stories involving them…or at least ones that I’ve known of but not yet read, and want to (and anticipate their becoming favorites).

On Free Comic Book Day 2015, while out with friends, I spotted a simple but extremely effective display in which a copy of the Infinity Gauntlet paperback was propped up next to a giant coin bank of Thanos’ infamous gauntlet sporting some pretty, shiny Infinity Gems (aka "shiny plastic," in this case). I’d seen this before and I’d passed on it…but Free Comic Book Day tends to be an "extra" thing where I’m more likely to try new stuff than usual, or to buy stuff I don’t normally buy in the course of visiting comic shops. Unfortunately, someone a dozen-or-more people ahead of me in line picked it up and claimed it, so I wasn’t able to buy it there and then.

thanos_bank

At another shop I did spot a Thanos bust bank, and while it wasn’t what I’d decided I wanted, I decided to make do with what I could get and bought it. Still Thanos, and he IS sporting the gauntlet…but it’s hardly a "life-size" piece.

After parting ways with my friends, I went to visit my parents and help out with some stuff…and fortuitously put me in range of two other comic shops. The first one did not have the Gauntlet bank…but the second one did.

infinity_gauntlet_bank

And of course, since it had become my most-coveted item for the day and was the entire reason I went to the fourth shop, I bought it.

I don’t specifically collect banks or busts…but they ARE functionally plastic statues, and since I’m not going to pay hundreds of dollars for a single item, I’m quite content with the plastic variety.

thanos_and_infinity_gauntlet_banks

Sadly, I only later realized that whoever OKed the Gauntlet screwed up–THE Infinity Gauntlet was on Thanos’ LEFT hand…while this bank is clearly a right-handed piece. The Thanos bust has it correct.

I actually looked online for some images to see if I was just misremembering or such, and found more recent pieces that DO show Thanos with a right-handed gauntlet…so I’m just gonna go with it on the notion that it’s Starlin‘s Thanos, and that depiction of the character that wields the left-handed one…and a more generic Thanos that uses the right.

As such, the bank isn’t entirely inaccurate, but it does bother me a bit, in that I-didn’t-think-this-sort-of-continuity-detail-WOULD kind of way. But that sort of continuity thing is a discussion for some other post, some other time.

Suffice it to say these are a couple of cool items for my collection, and their coolness to me IS entirely based on Thanos appearing in the Marvel Studios films…and nostalgia for the ’90s Thanos stuff. (Other than the FCBD Infinity issue a couple years ago, I have yet to actually read Infinity and don’t presently have any great intent to seek it out).

Art, Pagecount, and Price in Comics

I’d picked up the first several issues of the new Marvel Star Wars and Darth Vader comics, and while I enjoyed them “well enough,” the “new & shiny” has worn off and I’m back to the fact the things are $3.99 and not feeling as “worth it” to me. (the rapid expansion of the “line” is a contributing factor as well).

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I recently caught up on some of my reading and quickly realized how FAST I was blowing through the issues. I flipped back through and realized how there was a definite LACK OF words on many pages.

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I love the art, and the fact it has a nicely “cinematic” look is certainly appealing–VISUALLY–but AS it does a great job, I can see it, appreciate it, but I blow right through, taking stuff in like quick single frames of a movie.

darth_vader_03c

I don’t even notice much in the way of “visual sound effects” (possibly the tradeoff for not “covering up” the art) so there’s even less to slow the eye from passing quickly over stuff, taking it in and continuing on; seeing and ‘hearing’ stuff in the back of the mind.

darth_vader_03d

Granted, for the purposes of this post I’m only providing photos of some of the pages-other pages do have a lot more in the way of dialogue/word balloons–but the fact that so many of the pages go so quick is highly problematic for me as we ONLY get 20 pages of story for the $3.99 cover price.

darth_vader_03f

[Above pages all from Darth Vader #3; below are from #4]

While I certainly like and enjoy good art in comics–for me, bad art can taint a story, but good art merely adds to a story. I buy comics for the story…without a story that interests me, I don’t care how beautiful the art “in general” is.

darth_vader_04a

Particularly when I re-read comics from the ’90s and earlier I notice just how “wordy” they seem compared to a lot of modern comics. Caption boxes, plenty of dialogue, even some labels and occasional editorial notes.

Moreso with pre-’90s comics I notice the more consistent “standard” panel layouts where panels seemed primarily contained to boxes…sure, the layouts might not be as dynamic as present-day, but having more distinct panels (in my mind and memory as I type this post) seems to mean “more” panels on a page.

darth_vader_04c

Particularly when there’s a lot of quick action in-story, just like I’m not going to hit pause or switch to some half-speed mode watching tv or a movie I don’t feel any need or desire to pause in moving through an issue to look closely at every little detail that might be present or marvel at the sheer quality of the detail, etc.

darth_vader_04b  darth_vader_04d

If you’ve read my blog at any length you certainly know that I have a problem with $3.99 as a price point for comics (especially for Marvel and DC, while I’m more lenient on other publishers). Only 20 pages for my $3.99 gets quite annoying; and $3.99 when I can breeze right through an issue in 5-6 minutes would mean I’m paying the equivalent of $40/hr for entertainment. That’d be like spending $60-$80 to watch a movie!

I can buy a prose novel–a STORY–for $8 and carry the thing around reading for those 5-10 minutes at a time here and there for WEEKS before finishing it.

Not all comics are quite so quick a read (and they are certainly of varying quality)…and as said earlier, I really like the art on these issues; it’s just that I don’t find the art alone to be enough to justify the cost in and of itself.

I was already figuring I’d cut my losses and drop the Star Wars books/avoid newer ones–I can pick single issues up later from bargain bins or I can buy the collected volumes or I’ll outright forget ’em and life will simply go on.

The page count and lack of story PER ISSUE just doesn’t work for me.

Giving In: I Bought the Thanos Pop Vinyl

I don’t think I even knew about the Thanos Pop vinyl previously; I happened across it in mid-March in a Hot Topic when I was walking at a local mall.

pop_thanos_vinyl

I was unwilling to pay the $18.99 or $19.99 or whatever the price was. In December 2014 I’d found one of these "oversized" Pop figures of Nicol Bolas (Magic: The Gathering) for about $16, which didn’t seem too bad for what it was. But I was not willing to pay a full $19/$20 for one of these.

Finding this one for about the price of Nicol Bolas and not finding other stuff I was interested in while visiting a comic shop, I decided to just get this before it became a way-expensive hunt later or I paid more including shipping buying online than just buying it and having it in-hand for the instant gratification.

This joins my 1990s Silver Surfer animated series Thanos, my Marvel 3.75" Thanos, and my Marvel Select Thanos…leaving me offhand still seeking the blind box "mystery mini" Thanos and the Mighty Muggs Thanos that was out some years back.

Comixology and Me, One Year Later

One_Year_Later_logoIt’s been just a couple days over the one-year mark. Just a scant handful of weeks after the Amazon deal, Comixology up and with no warning, no advance notice, took away “in-app payments” from Apple device users. I can’t and won’t speak to whatever the situation is with Droid/Google users, as I’m firmly rooted on the Apple camp.

With that one single change, for a number of factors including the simple PRINCIPLE of the thing, I bailed.

Oh, there were arguments for and against the situation. Like how it’s only a couple extra steps to go to a website, even on a tablet/phone browser and do a purchase that way. Or the arguments against, including the hassle of the browser, and having to go through steps of purchase and then still locate/download in a reader, blah blah blah.

My initial gut-reaction? Walk away. Boycott the thing. I’m not spending one more CENT on Comixology purchasing. If they want that extra 30% or whatever by screwing up what seemed (to me, at least) to have even made them what they were, fine…an extra 30% of 0 is still 0, coming from ME.

But I meant it. I wasn’t just saying it because it was some trendy thing to say, or something to be said and gone back on later.

It’s been a year, and I have not spent one more cent on anything Comixology-related. I’ve bought no random full-price issues. I’ve not kept up with anything on a couple months’ lagtime for the $1 off cover price discounts. I’ve bought no bundles, I’ve bought no digital bargain trades, and I’ve not participated in one single 99-cent sale, of which they seemed to have 2-3 per week where I usually bought at least one or two things, often spending $5-$20+ in a given week just on 99-cent sales.

And to make it worse? Thanks to Comixology‘s ‘stunt’, I don’t trust any OTHER digital comics platforms. At least, not enough to “invest.” I participated in a “Humble Bundle” thing some months back for a bunch of Valiant comics on another digital platform, but I never followed up with anything else. I believe I have those comics loaded to my tablet, but I’ve yet to put any serious time into trying to read them, lacking the “guided view” that was a huge part of my buying into Comixology.

Comixology‘s move was one heckuva wake-up call that things could radically change without notice, just literally wake up one morning and “dealbreaker” specific points are different. As “minor” as many would argue the payment vehicle shift was, who’s to say many comics don’t suddenly become unavailable…like if Marvel decides to “take its ball and go home” not allowing Comixology (or another digital platform) to renew a license? (Plenty of other questions along those lines, but that’s a different topic).

Considering where I started on the notion of digital comics, and how quickly I’d turned toward liking them and was beginning to experiment with and think more seriously about flat-out embracing the medium, I can’t even guestimate how much I would’ve spent–and increased my spending over time–since a year ago…especially while ignoring/refusing to consider questions of perpetual availability and Other Change and whatnot.

I refuse to use Comixology…yet other platforms’ lack of Comixology‘s “guided view” makes them less than ideal; and PDFs and the like on my computer don’t work well due to having a “widescreen” that results in–having a PDF viewer “maximized” onscreen–barely being able to see even half a page without manually scrolling around.

And ultimately…where once I was considering a shift to “mostly digital” I now resist the format almost entirely. Though perhaps in a minority and holding to an unpopular view…I’m sure I’m not alone with it.

The Right and Wrong Way To Do Interlocking Covers

I’ve made it more than clear (and will continue to do so) that I hate variant covers as a general thing and on principle.

The worst "type" of variant cover to me is the "interlocking" variant. This forces one to–IF they actually want the "whole" image–to purchase MULTIPLE copies of the same exact issue.

The first one that ever really caught my attention, and totally ticked me off and turned me off to the series as a result, was Justice League of America with #1:

interlocking_jla1

Then there was Geoff Johns wrapping up his run with JSA/Justice Society of America. To "celebrate" his time and commemorate the "end of an era" a large group shot of the many characters that had been a part of and defined during his run was used…split across three covers for the issue:

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This also turned me off to buying Boom! Studios/Boom! KidsThe Incredibles. This team of four, a family, as a GROUP starring in the title–was split across two covers for #0…

interlocking_incredibles000

…and for #1. If they wanted to be cute or "fun" or such, these could’ve been the first four covers, or done as a wrap-around cover. I refused to support this and so never ended up buying any of the single issues.

interlocking_incredibles001

Of course, this wasn’t an entirely new concept. It was done for 1991’s X-Men #1…with FOUR different covers. (Icing on the cake? A "deluxe" edition was also available that was a double-gatefold-wraparound combining all four into a single piece on a single copy of the issue).

interlocking_xmen1991

More recently, IDW did this with Teenage Mutant Ninja Turtles #1…four covers and a "deluxe" version combining the four…or so I hear (I haven’t seen a physical copy myself as yet).

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Bringing all this back to my attention MOST recently was that Valiant pulled this stunt with X-O Manowar #31…

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…AND with #32! And these aren’t even anything special (not to me, anyway!).

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Both could easily have been gatefold covers, which would have been nifty and amusing enough for a change of pace. Or they could have simply been covers for separate issues of the story arc.

Aside from the principle of the thing is that there are some GREAT examples of the interlocking images being used very well! Instead of having to buy multiple copies of the SAME ISSUE, they can reward one buying an entire story, or at least getting the first couple issues of a series.

My first experience with this was the United We Stand crossover story in the early 1990s between the Teenage Mutant Ninja Turtles Adventures and Mighty Mutanimals books from Archie:

interlocking_tmnt_mutanimals.jpg

Next to that, probably my next favorite was the start of the New Krypton arc awhile back in the Superman books:

interlocking_new_krypton

We also had that with the first two issues of All-New X-Men (I cannot figure out where the third panel was used–these were part of a single image on a promotional postcard at the time).

interlocking_allnewxmen

Last summer I found a bunch of Kid Eternity issues and when I’d laid the issues out to photograph for this blog, I was surprised to REALIZE the mini-series provided a single image across the three issues.

interlocking_kid_eternity_mini

I’m sure there are many other examples of both types of interlocking covers; and this does not even get into other problems I have with variants, nor the notion of the pin-ups (vs. variant covers) , wraparound covers, and other gimmicks.

Ultimately, to me there should never be interlocking VARIANTS. Interlocking COVERS are ok but lose all sense of "cuteness" or "funness" when done as variants.

Ninjak #1: Then and Now

It was a little over 21 years ago as I write this that yet "another" chromium-covered #1 issue of a series debuted: Ninjak #1. The November 1993 issue sported a chromium wrap-around cover in the vein of X-O Manowar #0 (which I already had), and was supposed to be this great new series…but at least in my experience, it was nothing special or valuable or such.

ninjak_1993_2015_covers

I actually can’t even remember for sure if I had my own copy, or if I’m only remembering a friend getting it, though I remember him not being particularly enthused by the issue. I now own several copies, scattered throughout my collection–obtained from bargain bins over the years. But while I clearly remember getting and reading X-O Manowar #0, Ninjak #1 sparks no such memory.

I missed the premiere of a number of the "original Valiant" books, "joining in" well after the original Unity (I believe X-O Manowar #0 and Deathmate in summer 1993 were my introduction to Valiant as a publisher) and never got beyond the first issue of Bloodshot (which was purchased because someone recommended it as a "hot" thing akin to the Superman #75 I was in line with my friend and mom for). At the time I simply didn’t particularly care about Valiant‘s output beyond what I was reading about in Wizard magazine or picking up in "buzz" at the comic shops. The issues were expensive–$2.50 or so in a world of $1.50 comics; and I was into the Ultraverse stuff that I DID get to be there from the start.

But despite all that and plenty of other thoughts looking back…I remember that darned COVER. It is–for me–a rather "iconic" cover…in terms of Valiant, in terms of "the ’90s" and in terms of my childhood and early days in comics, becoming aware of stuff beyond Marvel and DC.

And now we have a NEW Ninjak #1 and series with no such gimmick to the "main" cover of the first issue…this one I read immediately, and reviewed earlier in this blog.

An Extremely Rare Exception to my No-Variants Rule

I hate variant covers, and have really strongly disliked the way some publishers seem to have variants for EVERY SINGLE ISSUE of pretty much EVERY SINGLE SERIES they publish, while other publishers (particularly Marvel and DC) seem to do "theme month" variants.

DC‘s March 2015 "theme" was "movie posters," with variants for various titles spoofing famous movie posters. While it was probably the most appealing theme to me–I’d probably be interested in buying an issue of such images, or a posterbook or such–I’d still had no intention of buying any of these.

But then, the week of March 11th saw the release of Bill & Ted’s Most Triumphant Return #1, and being in a nostalgic mood over BIll & Ted as a property, seeing the Action Comics #40 cover totally grabbed me.

bill_ted_superman_doomsday_actioncomics040

Yet, with the way I rail on about variants, and see them as quite ridiculous to just be thrown in a box or lost in a pile somewhere, and I REALLY dug this cover…since I’ve been framing posters lately, I justified this very specific, limited exception to my usual by immediately buying a small "document frame" in order to frame and hang the cover as a small print.

Now I have a fun image hanging in my apartment that on the whole wasn’t terribly expensive.

Not Actually A True Believer…With Only a Partial Issue

Bad enough the pricing of Marvel‘s books–paperbacks, hardbacks, single issues generally.

But now that even extends to “promotionally-priced” reprints.

xmenalpha001  truebelievers_ageofapocalypse001

Gearing up for the big Secret Wars 2015 thing, Marvel is publishing a bunch of $1 promo-reprint-issues of some of the events/worlds that will play a major role. Of course, these are just sample chapters, basically–intended to hook you, and direct you into the far more expensive full collected volume/graphic novel.

But…they aren’t even all full first/intro chapters.

I was highly enthused at the notion of the X-Men: Alpha reprint. Yeah, nice big issue for “only” $1…X-Men: Alpha was THE issue that truly kicked off the original Age of Apocalypse–introducing the reality, introducing all the major players that would then have their own stories unfold across eight 4-issue minis before the entire thing wrapped up in the companion X-Men: Omega issue.

But turns out, the True Believers: X-Men Age of Apocalypse issue reprints material from the original X-Men: Alpha but is not actually a reprint OF X-Men: Alpha.

This True Believers edition reprints 27 pages…out of 48. Granted, that’s more than HALF the issue…but it just seems to me like a copout, takes the “fun” out of the reprint, etc. Heck, for the pricing, I’d take two issues at least–do each at 24 pages to reprint the entirety…and heck, the wraparound cover could be split with half the image on part 1 and half on part 2.

Of course, I’m absolutely NOT the target audience here–I have multiple copies of the original edition, at least two handy as of this typing. And also as of this typing, I’m nearing the tail-end of my Age of Apocalypse Revisited project, re-reading the entirety of the original saga.

We get what we pay for, though…

The Mighty Mutanimals

I’m a sucker for random scenes in a book, movie, tv show, even comics–where the title is actually used within the story itself.

Reading TMNT: Mutanimals #2, I absolutely loved this scene. The mini-series itself simply uses the word “Mutanimals,” but getting the ‘mighty’ reference thrown in totally made my day.

All the more for a re-reading project I’ve had lately with the classic Archie-published TMNT Adventures series.

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