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The ’80s Revisited: The Flash (1987) #1

flash(1987)_0001Flash

Writer: Mike Baron
Penciller: Jackson Guice
Inker: Larry Mahlstedt
Letterer: Steve Haynie
Colorist: Carl Gafford
Editor: Mike Gold
Published by: DC Comics
Cover Date: June, 1987
Cover Price: 75 Cents

I’ve been quite aware of The Flash–particularly Wally–since my initial foray into comics back in 1989/1990…my earliest conscious exposure to the character offhand was Adventures of Superman #463. Mr. Mxyzptlk forced the two to race…and this stands out to me because of the fact of Wally constantly eating, the notion that even with the super-speed, he was still burning calories and all that (to my 8/9 year old self, the simple “have to eat to keep going” was enough). I became more aware of the character with guest-appearances here and there, and the “key” role he played at the start of Zero Hour, and as I learned more about “continuity” and such, I became aware of Barry and generally got to where the Flash was an accepted character for me.

I didn’t start picking up any issues of his actual series on any regular basis, though, until #197 (Geoff Johns, first issue of the Blitz arc) in 2003 or so, and I’ve moved forward from there. I’ve become aware of several creative teams, and it was all the positive “buzz” for Mark Waid‘s run and then the (at the time) up and coming Geoff Johns that eventually led to me trying the series. But outside of maybe a couple issues, I really have never actually gotten (around) to reading Wally’s series, particularly from this period.

So jumping into #1 here rather arbitrarily was definitely an interesting experience.

We open on Wally–now 20–at a convenience store and come to find out he’s marking time before a “surprise” party for his 20th birthday. He’s no longer a teenager (and now being The Flash and not Kid Flash, no longer a “teen” Titan). He’s “graduated” into the role, stepping into the costume previously worn by Barry Allen, and he’s got huge boots to fill. Before the party can really get rolling, Wally receives a phone call: a heart is available for a transplant…in Seattle. And conventional technology cannot get it there in time, so it’s up to Wally to race the heart to the opposite coast. He extracts some conditions, pointing out that he’s doing a favor, and these doctors are getting paid huge sums, but he (Wally) could use medical insurance (wow…30 years ago!) and such…that it’s the principle of the matter. (To say nothing of the fact that he needs the calories for such an extensive trip). Along the way Wally encounters someone who was apparently attacked by Vandal Savage, and witnesses other situations he can’t stop for…but he eventually arrives and the transplant’s a success, and (after 17 hours’ sleep) Wally gets to meet the patient, who conveniently has some knowledge of (at least the rumour of) Vandal Savage. After being returned home (via plane), Wally receives a package…with a heart–and meets Vandal Savage.

I just double-checked…and this issue is “only” 22 pages of story. So much in it, and clear to follow, and it’s all crammed into 22 pages. We meet the main character, and start off on this key day–he’s now The Flash (not Kid Flash), he’s just turned 20; we see him with friends/teammates for context; we get details about who he is, what he is, how he got here, limitations of his powers, etc; we see him in action AS the Flash; clear differences between THIS Flash and his predecessor are highlighted; immediate threats overcome and a new threat set up, and close on the introduction of a “big bad” for the upcoming issues. Basically, this is an excellent sort of first issue!

This issue looks and feels like a mid/late-’80s book…which is quite appropriate. Guice‘s art is top-notch, and I really like it here. The detail may not quite be quite the level of, say, George Perez of this time, but it’s quite good and works very well for me, with all relevant characters looking as I’d expect for my contextual knowledge of the time, they look familiar/recognizable, and the visuals never failed me as to what was going on.

Story-wise, as said, this is an excellent first issue with numerous “bullet points” touched on that I would hope and expect a first issue to do…I genuinely want to read the next issue, such that I find myself thinking I’d willingly buy the next several issues at “full back issue pricing” (up to $2-$3 per) just for the sake of immediacy on getting to read them (or $1.99 for digital; same reasoning).

I really like that we get a concrete age for Wally–I’m not sure how old I’d’ve pegged him by the early 200s (probably mid-20s at least), and concrete ages don’t often seem to be established for characters. While I get that many don’t want to nail characters down or “limit” them that way, I’m one that really likes that sort of detail, even if it comparatively “ages” other characters. I also really like that Wally seems young-ish (I’m in my mid-30s myself!) and I truly get that sense of his just now stepping up into the Flash role–I can “see” the Kid Flash there, essentially “trying on” the “real Flash” costume; he wears it but does not seem particularly comfortable in it. (And I know from other stuff I’ve read ABOUT the series that that’s something that largely continues for a number of years of stories, such that the reader gets to see Wally’s progression to where he truly comes into his own as The Flash).

I enjoyed this issue, and it was honestly a real treat to read. I know I snagged this copy from a quarter bin, and it’s absolutely worth 25 cents, or $1…as a #1 from when such things were treats and rarities, I’d say this would even be well worth getting up to $5ish. As you can get it digitally for about $2, I wouldn’t recommend going much above that, though, unless you’re particularly interested in owning this issue. It’s well worth the $2 to at least read, and I very much look forward to digging up the next few issues, either from my own collection or re-buying in some form for the immediacy.

The ’80s Revisited: Captain Atom Annual #1

captain_atom_annual_0001The Dark Side of the Force

Writer: Cary Bates
Co-Plotter: Greg Weisman
Penciller: Pat Broderick
Inker: Bob Smith
Colorist: Carl Gafford
Letterer: Duncan Andrews
Editor: Denny O’Neil
Published by: DC Comics
Cover Date: 1988
Cover Price: $1.25

I’ve long been aware of Captain Atom, and have even read some issues here and there with the character. I believe he was in some Justice League (America) issues; I know he was in Armageddon 2001; I read at least most of the Captain Atom: Armageddon series he was in, blowing up the Wildstorm universe some time back; there’s the parallel with Dr. Manhattan in Watchmen…and of course, the character’s brief but pivotal role in Kingdom Come, to name a few offhand. I think I may even have read the first issue or two/few of his 1980s ongoing series at one point, though I don’t consciously remember much beyond the basic origin (so I probably read it around the time I read Watchmen back in the early 2000s).

Going through a stack of comics recently, I happened across this issue–certainly a quarter-bin find–and it struck me as interesting "in the moment" to read due to the cover proclamation: "Enter: Major Force!" I’m more familiar with Major Force as the character that killed Kyle Rayner’s girlfriend (stuffing her body in the refrigerator) back in the early days of the new direction for Green Lantern. Having briefly revisited that era recently in covering the Zero Hour crossover, I was all the more curious about how long the character had been around. This issue seems either a first appearance, or at least a post-Crisis on Infinite Earths (CoIE) first appearance. Given the character tying into Captain Atom’s origin and some guessing, I’m pretty sure this is the first appearance of the character.

The issue opens with a conspiracy-theorist radio show, the host talking about a corroborated incident of a UFO crashing in a quarry. We then move to Captain Atom arriving on the scene, and something emerges–an alien creature that the Captain winds up fighting. Meanwhile, an anonymous Major joins the scene, and we see that events are being manipulated to create an apparent origin of a new super-hero: that of a Major helping Captain Atom and being fused with an alien creature. When, in fact, this is the result of a later experiment like the one that created Captain Atom, but with different variables…and the "alien" is in fact another test subject. Due to his position and government involvement, Captain Atom goes along with things, introducing/endorsing this new guy to the public…as they get Major Force. Predictably (this comic is from 28 years ago!) Force doesn’t "work out" in the role of super-hero, as his methods are violent and don’t account for innocents/civilians. When CA tries to rein things in, the Major fights back. Captain Atom emerges from the battle victorious…though in its course he seems to have made a decision, delivering his message ("I quit!") along with the unconscious Major Force to his government handlers.

The issue has page numbers, with the story ending on a page numbered ’39’ so this is basically a double-length issue. As an Annual, it’s a ‘special’ issue, with a bigger story (but relatively self-contained) than just another issue of an ongoing series. Being from the late 1980s, and evaluating this (having read it), it seems to be an Annual from when such things "counted," and were truly a bonus or special issue along with the ongoing run, and having stuff important to the character’s ongoing status quo. In this case, the issue seems to be the point at which Captain Atom has had enough of just going with the flow and taking orders, and after seeing what the government/his handlers are up to, he can’t stick around simply accepting the status quo.

As an Annual (and a first one, at that), I figured this to be a decent sort of one-shot, though a lot of that comes from my own experience with comics, and DC history/continuity. We don’t get a lot of context/background on Captain Atom or a supporting cast in this issue, but we do get some slight references such that knowing what I do, it all fits.

I’m good with the art–it neither blows me away nor disappoints…it just "is." This looks and feels (visually and story-wise) like an ’80s comic, and something to it (such as the introduction of a character I know gets used more and in key ways years later) feels a lot LIKE the start of a new super-hero universe…which at this point, the then-current DC Universe essentially was. And I like that.

The story itself is decent, and seems to draw on existing continuity (at least from the Captain Atom series) and expects the reader to at least somewhat know what’s going on; introduces a new villain/antagonist or opposite version of the hero with an origin, background, some character/world-building, and ultimately resolution…while leaving things open for later use of the character as well as modifying the status quo (presumably, at least!) for the ongoing series. I notice that quite unrelatedly, this is the second issue in the last few days I’ve read written by Bates (the other was Action Comics #428) and am pretty sure the co-plotter (Greg Weisman) is the same who eventually did Gargoyles for Disney years after this.

For an issue that I only paid a quarter to purchase, this was definitely a good value for the time it took to read, and I enjoyed adding this piece to the puzzle–I’ve now read the introduction of Major Force and this also re-kindles a bit of my interest in the early Captain Atom series (I believe I have the first year or so of issues SOMEWHERE in my collection).

While this issue won’t hold the reader’s hand, it’s a solid piece with a nice length, and is definitely worth a read if you’re interested in the title character, villain, or this period in DC‘s history. If you find it in a bargain-bin–MAYBE up to $2ish–its well worthwhile. At a higher price, I’d say you’d have to really have a specific interest in this, rather than anything casual.

The ’70s Revisited: Action Comics #428

action_comics_0428Whatever Happened to Superman?

Story: Cary Bates
Art: Curt Swan and Murphy Anderson
Editing: Julius Schwartz
Published by: DC Comics
Cover Date: October, 1973
Cover Price: 20 cents

The Plot to Kill Black Canary!

Story by: Elliot Maggin
Drawn by: Dick Giordano
Edited by: Julie Schwartz

GBS has had a new satellite launched. Superman flies into action to stop a fire raging far above easy reach of firemen, and conveniently (and extremely quickly) locates and flies in an iceberg, melting it with his heat vision to put out the fire. But the world sees just a storm cloud and rain. As Superman investigates this phenomenon, he becomes aware of the fact that everyone believes Superman hasn’t been seen in ten years–even going so far as to (as Clark Kent) do a shirt-rip on live TV…but all anyone sees is Clark revealing an undershirt. Of course, the real villain turns out to be Lex Luthor. Luthor mouths off, revealing his plan when Superman poses as a newly-assigned inmate occupying the "empty cell," convincing Luthor he’d been double-crossed and had himself been "forgotten." All’s well that ends well, right?

Meanwhile, in the Green Arrow (and Black Canary) portion of the issue, we see Ollie on the phone, declaring "Listen, Trump–when Ollie Queen says his Public Relations Agency will make your motorcycles sell…they’ll sell!" He then springs into action, recruiting Dinah Lance (aka Black Canary), and convinces her to participate in a stunt for a commercial. Later, Ollie’s made aware of a planned attempt on Dinah’s life, so he goes back into action and saves her (though she’s not at all happy about it, as he should’ve just told her what was going on). Again, all’s well that ends well, right?

Visually, this issue simply "looks like" one of Grandpa’s comics. And I’m pretty confident that that literally is what this one is–one of Grandpa’s comics, from back in the day, that somehow got mixed into stuff that wound up in my family’s garage, where I found it recently.

And that obviously makes sense–Curt Swan? Murphy Anderson? Dick Giordano? Big names I recognize from the time period and associate (particularly) with DC Comics; Swan all the moreso with Superman. And of course, I recognize the other credited names as well from the time. For where I’m at, the credits read like a roll call of classic creators, all of which have a good name to me when it comes to comics.

I’m not the fondest guy when it comes to pre-Byrne Superman comics–I was introduced to and grew up on the post-CoIE Superman, and hold that as my favorite to this day. But I also have plenty of fond memories of laying on a bed, having pulled out many of Grandpa’s comics from a cabinet, literally surrounded with more comics than I could truly hope to read in the limited time(s) I had there. For the 8-9-year-old-Me, that was a key time for me, when Superman comics were just Superman comics, and I had no clue who any of the creators were, never noticed any of the credits, and hardly even noticed any numbers or saw much distinction, say, between Action Comics or Superman or such…they were just titles on a cover, and I don’t recall ever sorting the comics to put them into numerical order or systematically reading through any given title. I just looked for the coolest-looking cover, or whichever character(s) I was interested in reading at the time.

So, I can definitely say that this issue held up to that. It’s not the craziest or silliest or most out-there story. It’s–as many such were, and particularly compared to modern post-2010 comics–a highly-compressed story. Thirteen or so pages, and I could easily see how this would be grounds for a six-issue (at least) story nowadays*.

(*As a de-compressed story, I figure the first issue would include a bit more detail of Superman doing super-feats and perhaps a bit more foreshadowing with the satellite and such, and likely end with an initial revelation/question like "What are you talking about? Superman’s been missing for TEN YEARS!"–To Be Continued. We’d then get several issues of Superman investigating the phenomenon while performing further super feats and being increasingly stressed at not being "seen" as Superman; we’d get details of it affecting him in private life, and possibly relationships with others, as he starts questioning his own sanity. There might even be one-shots or a JLA mini-series to see how other characters are reacting to a world seemingly without Superman; how their attitudes toward the hero gig are affected by believing Superman’s been missing for a decade, and so on; and maybe even a couple new characters introduced that are trying to follow in the legacy of the "missing" hero.)

As-is, it’s fast-paced, introducing the problem, exploring it, and resolving it, with little deep exploration of the implications of stuff, and we’re done start-to-finish in just this issue, half the issue.

The Green Arrow piece looks remarkably good…though I guess I shouldn’t seem surprised (yet, I was!) The character looks exactly as I like him, with the hat and goatee and such. I looked up the dates, because it felt like the Ollie from the Green Lantern/Green Arrow run, but I suspect this was from just after or near the end of that run…this being 1973, while that run started in 1970.

The GA story itself is rather simplistic, and seemed a little heavy on pushing whatever dynamic it is with Ollie and Dinah. Being such a short story and characters I’m less familiar with from this time, it’s a bit short to try to dig in and analyze much…suffice it to say I wasn’t enamored with it as a singular, stand-alone story. It seems like something that would read better in a group of stories for longer context. Of course, there’s also the fact that it was a Green Arrow story when I set out to read a Superman comic. That said, I was quite grabbed by the opening with Ollie yelling into the phone to Trump.

THAT Trump.

The Liberal Oliver Queen, Green Arrow, enthusiastically doing business for Donald Trump.

What a difference 40+ years makes, right?

All in all, this issue was an enjoyable read, and a nice trip down memory lane. I’m glad to have read the issue, for myself. I’m awed at considering the timeframe, that the cover references 35 years of Superman, and here it’s been another 43 years since then…this issue is from less than HALFway into its run and Superman’s existence and all that.

Other than the Trump reference in the Green Arrow/Black Canary piece or interest in the actual reading experience of the Superman story given my lack of brevity discussing the issue, I don’t really see or know anything of this issue to make it singularly a stand-out issue or to overly differentiate it from any other issue from the early-’70s with the creative teams. Still, it’s not a bad issue, and if you find it cheaply, it’s not a bad one.

TMNT Revisited: TMNT Adventures (Mini-Series) #3

tmnt_adventures_revisited

tmntadventuresmini003Heroes in a Half-Shell!

Written and Pencilled by: Michael Dooney
Adapted from the Scripts by: David Wise and Patti Howeth
Inked by: Dave Garcia
Lettered by: Steve Lavigne
Color by: Barry Grossman
Cover by: Kevin Eastman, Peter Laird, Steve Lavigne
Published by: Mirage/Archie
Cover Price: $1.00
Cover Date: December 1988

This issue picks up with the rock soldiers interacting with Shredder, Bebop, and Rocksteady. Krang freaks out upon learning Neutrinos are loose on Earth. Meanwhile, the turtles have just about found the technodrome when they’re buzzed by flying cars and opt to chase these instead. The rock soldiers show up and rather than put up a fight, launch a weather-making device (which our heroes promptly ignore), and everyone meets back in the technodrome (where Donatello instantly figures out the alien controls, opens the portal, and the rock soldiers are thrown back through to Dimension X and the Neutrinos voluntarily follow, to continue the fight against Krang (but without ever dealing with Krang in the technodrome). Shredder and his forces leave rather than confront the turtles here in the heart of the technodrome, and the turtles simply leave rather than even trying to find and deal with Shredder or Krang.

The next day, the Shredder re-baits the turtles, who wind up fighting Bebop and Rocksteady again. The turtles and Splinter split up to deal with different facets of the current threat. Krang gets put into the stomach of an android body and electrocuted (er…the body is activated). Shredder then sends Foot robots after the turtles as a diversion until Krang wakes. After having the turtles on the run while growing to a gigantic size, Krang simply turns and punches his way to the surface so the turtles can follow him, rather than dealing with them where they were. Donatello shows up with a blimp he’s been working on, and turns it loose with the others while he and Leo enter the android body to shrink it down. Krang calls Shredder for help, Shredder abandons his imminent victory over Splinter and shows up to point his retromutagen ray at the turtles, Splinter shows up as well and destroys it, then the story shifts back to the technodrome where the Donatello finishes some complicated thing with the portal, and everyone gets out as the whole thing is sucked into Dimension X. We see Shredder and Krang bicker, the turtles chill at home…and the story (mercifully) concludes.

Much as with the previous issue, this is ultra-compressed with an extremely fast-pace and abbreviated scenes such that the characters–from simply reading this–seem interchangeable and inconsequential. As noted also with the previous issue, this is not so much a fault of the writing of the comic as it is a shared problem between the writing of the episodes this issue is based on and trying to cram the contents of more than one episode into a single issue.

The art continues to be good–it’s a welcome visual style that as I’ve said before, holds its own without mimicking the art of the animated series. Yet, the characters are all recognizeable and nothing’s so far off as to seem otherwise (except the coloring can be kinda iffy…especially on a comic that’s got slightly yellowed pages and carries a cover date from nearly 26 years ago).

The cover would make for a decent poster, and the image alone promises something a lot more dramatic than what I read inside.

While in recent years I’ve found the “classic” TMNT animated series rather hokey and have been rather put-off by it, revisiting this miniseries and the episodes themselves has admittedly made me rather nostalgic, and rekindled my interest in the old series. I may not binge-watch the entire thing or even finish tracking down all the seasons…but I’ve been reminded of how much my younger self loved this stuff, and failed to notice the level of hokiness my present-day adult self sees.

From looking at this simply as a comic series, it’s nothing special for the content by itself. What makes this special is that it’s a color series starring the turtles, designed and aimed at the audience of the 1980s cartoon, and is a #1 issue I can actually afford (and have a duplicate or two somewhere, too).

Though I missed this mini-series when it was originally published, it was still something I was able to track down relatively easily a number of years ago, far moreso than ever the original Mirage #1, which I content myself to this day with reprint editions of that.

I can’t imagine something like this mini-series–or this issue–being published today; but it’s certainly a product of its time, and quite worthwhile to get as a fan of the TMNT in general, and the Archie-published stuff in particular.

The Weekly Haul – Week of October 5, 2016

This week I made it back to my usual comic shop, where I had no problems with getting any of the issues I was after, nor problems with "the wrong cover" in cases of variants, etc.

I even decided to try a new Image title for the heckuvit because I’d not been immediately put into a sour mood over variants.

weeklyhaul_10052016_a

I keep thinking what a great feeling it is, actually looking forward to a new Superman comic each week, whether it’s Superman or Action Comics–basically back to a "weekly" thing for me. Sure, you have different creative teams telling their own in-title stories, but it’s the same, familiar character in both and fails to come off as entirely different versions of the character!

I’m not thrilled at the $4.99 price on the TMNT Universe series…I think I thought the first issue was oversized or such. However, I’ve long held the TMNT up as an exception, so it’s basically the one book I will NOT drop or refuse to buy over the price point…I DO retain the right to complain about the pricing, though and "make noise" about it! That said, I’m digging the main story…just not so much the "backup" bit.

I believe I’ve "topped" my previous stint following the Spawn title now…I’m right around the 1-year mark now following the title this time, where I think the longest I’d gone previously was 6 or 7 issues (maybe 8 or 9). I think I’d read that this would be the final issue with Erik Larsen on art, which is a bit of a shame, but we’ll see what comes next. I do think something as simple or "arbitrary" as the title’s price jumping from the current $2.99 to $3.99 would be immediate grounds for me dropping it–part of its appeal that got me going on this run was THAT it’s $2.99 and high-numbered; from before any announcement of Rebirth or reverting Action and Detective Comics to "legacy" numbering.

Finally, Moonshine caught my attention from recent hype online (though I never once clicked on or checked out ANY "previews!") and for being a #1–because it is a wholly new, brand-new, not continuing from anything, this is the cold opening, absolutely the beginning of the story, first appearance of the title, characters, story, etc first issue. AND the $2.99 price point. I was curious given the creative team–I’ve read the first volume or two of 100 Bullets and liked it, and have heard little but good about the creative team in terms of that title…so figured I’d check this out. I don’t think I want to go "on the hook" adding it to a pull-list given my life right now…but I’m inclined to check out the next issue. Pretty sure this will–like so many others–read much better in a collected edition, BUT with Image‘s $9.99-first-volumes, for about the price of 5-6 issues, I can still buy the first couple single issues and the collected volume without doubling up on price anywhere.


In addition to these issues and several others I doubled up on for immediacy, my DCBS September box arrived, with all of the September-shipped Rebirth issues.

I also snagged 18 25-cent books from the quarter-bins; mostly DC post-Zero Hour #0s and a couple other things that caught my eye. Slightly regretting not doubling back through the boxes for the One Million issues, but I really need to go through my boxes and figure out what exactly I’m truly missing. (I’m more likely to get to the #0 issues sooner for this blog than get to reading the One Million issues).

Yet another solid week, though I expect next week will be relatively small, primarily the new Action Comics issue.

TMNT Revisited: TMNT Adventures (Mini-Series) #2

tmnt_adventures_revisited

tmntadventuresmini002Heroes in a Half-Shell!

Written and Pencilled by: Michael Dooney
Adapted from the Scripts by: David Wise and Patti Howeth
Inked by: Dave Garcia
Lettered by: Steve Lavigne
Color by: Barry Grossman
Cover by: Kevin Eastman, Peter Laird, Steve Lavigne
Published by: Mirage/Archie
Cover Price: $1.00
Cover Date: October 1988

As noted in my post about the first issue, this mini is based on the first 5-episode mini-series/season of the animated TMNT cartoon. However, where that was 5 episodes, the comics adaptation is a mere 3 issues…leading to a couple weird issue-breaks that do not match up with the episode-breaks in the cartoon.

This issue picks up with the turtles facing some random/weird robots. After dispatching these, they deal with another deathtrap, and then find Splinter…and meet Bebop and Rocksteady. Escaping to the surface, the turtles are followed, but quickly trap Bebop and Rocksteady, and that’s that.

Continuing on, Shredder has a new scheme, and coopts bumbling scientist Baxter Stockman’s “mouser” invention. He sends some after Splinter, but the turtles rescue their master with no problem. However, Shredder’s built hundreds more and they do prove to be a problem. Michelangelo “volunteers” to infiltrate the mansion Shredder’s commandeered, but is captured the the villain…though set free behind his back by Krang. The Mousers are stopped, no one’s dead, and again, that seems to be that. Shredder still won’t give Krang a body, and initiates yet another scheme: opening a portal to Dimension X he lets a flying car into the Technodrome (which promptly blasts a hole and skidaddles), followed by a flying tank of sorts with rock soldiers…and that’s the end of the issue.

The art for this issue is consistent with the first…much of my thinking on the first issue applies here as well (cool to see the Mirage team on the issue, etc). While the visuals are stylistically their own thing, they are clearly based on the cartoon and fit well without seeming particularly “off.” Essentially they’re simply comic versions structurally, but based on the cartoon elements.

The story is where most of my problems lie…particularly where the cartoon itself seems choppy and just runs from points ‘A’ to ‘B’ to ‘C’ and following that so closely, the comic seems super-compressed, well beyond any preference I’d have to avoid “decompression.”

And therein I find the issue–it’s not so much the writing of this comic that’s the problem as much as it’s the source material. I’m consciously aware that this issue’s story is itself based on another story, and the writing keeps faithfully TO said source material. The faults come from the ludicrous, goofy, weird stuff that (in remaining faithful) had to be translated into this adaptation.

While the first episode of the cartoon–and therefore, the bulk of the first issue–was charming enough in its own way (and gave a roughly whole story without tying up plotlines and such), this is the middle chunk of the overall 5-episode arc and middle of this particular 3-issue series. Sadly, it’s really choppy and all over the place, and the only real fondness I find in it is the art as mentioned, and its “place” as an artifact of history.

Taken by itself, I had to force myself through the issue, and force myself not to just quickly eyeball the pages and move on.

Remembering a Kitty

Kayla had a documented birthday, and the novelty of that and the impact it made on me (barely 11 at the time) stuck with me, cementing the date in my memory. October 4th, 1990. She was basically 15 months old when we got her in January of 1992.

kayla_weep_not_for_me

We had to say goodbye to her in early May 2010. While I’d known we didn’t have much time left with her, the exact timing still came as a shock, and crushed me. She’s still with me, often in thought, often in memories. One of extremely few constants in my years of life.


But it’s not the loss I’m noting here…it’s her life. Though I have far too few photos of her, those I do have are too many for a post like this. I’ve selected a quick few to share. I’ve probably shared at least some of these previously, but I do so in the moment today without regard for prior sharing.

kayla_october_10_2009_on_comics02

In one of my "go through a bunch of longboxes" projects in October 2009, Kayla joined me, curious about all the activity (if not just seeking attention/company…we were the only two living soul in that house at the time). I had the boxes piled around, and she seemed to have a great time climbing around, checking them out. Kayla rarely would allow any box (or bag or other container that she could get into) last long without her getting into it or on it (or both).

kayla_october_10_2009_on_comics01

At one point, I’d left a longbox open without a lid, and she found it, and loved the texture of the comics–she hunkered down and pawed madly at ’em. Some folks might’ve been horrified at the cat doing that to their comics…but me? I grabbed the camera and caught her in the act, comics be darned. My kitty was engaging with the comics.

kayla_pooped_on_wolverine_01Now, back in the early 1990s, there were a bunch of "local one-day events" for comics, including a "First Thursday of the Month" recurring event, held at a local hotel. I’d convinced Dad to take me several times, and one of those times, I found what was at the time a true treasure for me–a $6 copy of Wolverine #1.

Turned out it was a bit water damaged, hence the price at the time. Still, I had Wolverine #1!

HAD.

Kayla did not approve, and one day, I found the issue laying out on my bedroom floor.

Kayla had pooped on it.

Even though it was in a bag/board…I threw it out. I’d not been happy with the waterlogged nature of the thing anyway, so she did me the favor of providing an excellent excuse to trash the thing. (I later obtained a much better-condition copy for a whopping 25 cents!).

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Here she is kinda looking up at me taking the photo.

kayla_july04_2009_by_water_and_food

And here she’s simply settled in by her ‘feeding area’…in the later years, she’d sometimes sleep here…it was an out of the way corner where she wouldn’t be bothered; she had the cool floor and often a sunbeam…and she was already by the food and water.

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I really like this photo of her in a recliner. Big ol’ chair, small little cat. Like a throne. And she was definite royalty, at least to me.

kayla_and_me

This one’s not the greatest photo of either of us…not my best, and she’s turning to squirm away from being held as the photo was taken. But it’s one of extremely few photos that I have where I am actually in the photo WITH her, as I’m 99.9+ percent of the time the one doing the photography with cats…

kayla_laying_in_my_arms_sept_29_2009

This one’s also less than wonderful of me, but has me holding Kayla. She was a ‘purebred’ Himalayan…but I’d swear she was part ‘Ragdoll’ the way she’d let me pick her up and she’d just go with it, totally chill. (By contrast, present-day, I pick Ziggy up and he squirms almost immediately to be put back down).

I could pick Kayla up randomly, and she’d just settle into my arms–even when I’d pick her up and hold her like this on her back.

kayla_october_10_2009_on_comics01b

Miss Kayla Krystal. October 4, 1990 – May 10, 2010.

Today is the 26th anniversary of her birth. And as far as I can tell, and as far as I did my best in my part to do so, she had a great life…19 1/2 years, just over 18 of which she was part of my life.

Way to Miss the Point, Amazon!

I’ve been in a fair bit of a "fight" with Amazon for nearly a week, now, this time around.

On Monday, September 26th, 2016, I placed an order for the newest Overstreet Comic Book Price Guide (Vol. 46). I don’t usually buy these, certainly not as an annual thing, but the other one I have is from mid 2011, PRE-New 52, and I figured I could handle one every half-decade or so in terms of owning.

More specifically to be able to know "Guide Value" for various books that I’d be interested in as I look toward the "back issues" side of things on an increasing basis…and unfortunately, far too many comic shops don’t bother to "price" their stock, leaving the poor customer unable to actually KNOW what price they’ll be quoted at the counter, and surely impacting what they’ll try to or consider buying. Buuuut that’s a topic for another post.

amazon_open_box_01     amazon_open_box_02

Anyway. I am an Amazon Prime customer. That means that I pay the annual fee, to be a part of Prime, and I do so for the physical shipping, to get stuff shipped "free" with 2-day/ASAP shipping. It may be labeled as or considered "free," but it is paid for by paying for the year TO BE a Prime member.

Nowhere that I have seen or heard of, does it include anything regarding some sort of "lesser" form of shipping as a result.

So, order placed on Monday, 9/26. Item arrived Wednesday, 9/28. The book’s damaged because it is over 1150 pages, very thin paper, and heavy. Since it was NOT packed to remain immobile…it slid around and was damaged in transit (beyond any damage prior). I requested a replacement immediately.

The first replacement arrived two days later, 9/30. This one was in the same sort of mailer, but with gaping wide openings (it was NOT properly assembled) and I could see daylight THROUGH the thing as well as clearly see the book contained within. Which was, of course, damaged in transit.

overstreet_46_third_time_damages_againI immediately requested another replacement, once again citing the damage and leaving "packaging feedback" about the issue with "heavy book + room to move = damage" and waited.

The second replacement (3rd copy) arrived the next day, 10/1. The mailer was slightly better-assembled, but I could still check out the book without even opening the package…and the book was damaged. I requested yet another replacement.

Meanwhile, I’d separately ordered a Green Arrow tpb, which arrived separately on Saturday. That one was in a flimsy yellow bubble envelope a good 50-75% larger than the book…and with no inserts or markings, it was folded and stuck into the mailbox. (So it earned a replacement-request as wel!)

The second copy of the Green Arrow book arrived the same way–overlarge flimsy envelope, folded and stuck in the mailbox.

It was then that I realized I had not seen any notification of the replacement of the Overstreet book being on its way…it was still held up in some hold status, apparently for my having requested multiple replacements.

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When I contacted them about it, through their site, through their process, as a question on the item checking on "Where’s my order"–I was told that they would issue me a refund, please send the other books back.

To which I complained that it is not a satisfactory resolution–I’m now out a week of time (I could’ve bought the book from two different bricks-and-mortar stores and had a satisfactory CONDITION copy long before this). And to make me do the administrative thing of juggling receipt of packages and re-ordering, and then my own printer/ink/paper and gas to drive packages to a drop-off, and after 8+ days be back at square one? NO!

Their response to my continued explanation of the situation and emphasis on the fact that the book keeps arriving damaged because they refuse to use packing material and a proper sized box?

They made it entirely (temporarily) unavailable for sale "while they investigate the issue."

HELLO! 1. use a box 2. put packing peanuts or crumpled paper or several air pockets or foam or stick it between a couple sheets of cardboard, shrink-wrap that and toss it in the box, where the book itself will stay put, and any banging/beating suffered will be by the cardboard and not the book that I have paid for.

Halting their sale of the book entirely is so totally, completely missing the darned point!

Supposedly they’ll "resolve the issue" within 7 days; I can only imagine they’ll find that their stock is in undamaged condition (it’s getting damaged in transit for their inadequate packaging process).

Meanwhile… wonder if any of those 3rd party sellers will jack their prices up significantly, thinking the thing is outta print?

And my apologies to anyone else who might’ve been planning to order this from Amazon right now and using Prime shipping. It seems I’m the reason the book is (temporarily) not available for purchase through Amazon itself at the moment.

TMNT Revisited: TMNT Adventures (Mini-Series) #1

tmnt_adventures_revisited

tmntadventuresmini001Heroes in a Half-Shell!

Written and Pencilled by: Michael Dooney
Adapted from the Scripts by: David Wise and Patti Howeth
Inked by: Dave Garcia
Lettered by: Steve Lavigne
Color by: Barry Grossman
Cover by: Kevin Eastman, Peter Laird
Published by: Mirage/Archie
Cover Price: $1.00
Cover Date: August 1988

It’s rather interesting to consider that this was–I  believe–the first color TMNT comic. Sure, First Publishing had colored the original black and white issues, but this issue began as a color production rather than the color being a conversion. And where the original Mirage TMNT comics were certainly of a more mature nature for violence and language, this is based on the animated series that was aimed fairly squarely at kids.

Reading back through the issue, it has–for this fan of 26+ years–a lot of familiarity, both from the cartoon as well as the visual style of the art. Which ultimately makes sense, given Dooney‘s involvement with the Mirage stuff in particular. The character designs are obviously those of the cartoon, though.

Being such an old comic–at least a quarter-century–it’s immediately clear some differences from modern comics physically; and my copy in particular isn’t a particularly clean copy…it definitely is a bit yellowed from age and all that, as the paper is classic newsprint, one can see the dots to the coloring, and so on.

As a whole, the art’s not bad in and of itself, though the style is a bit “interesting” having gotten used to more “modern” renditions of these characters. I rather like the realization that even though this was published by Archie, it was created by the Mirage folks…thus lending a certain authenticity to this as a Ninja Turtles thing, rather than just being some thrown-together adaptation of a kids’ cartoon.

Story-wise, this suffers the same as the cartoon itself does in my mind…overly-simplistic and full of glaring plot-holes and such, requiring a lot more suspension of disbelief than most comics I’m used to. There’s also something rather wonky about the pacing, with this first issue covering maybe an episode and a half of the cartoon, rather than just one episode. In that way it’s a rather “compressed” storytelling that (especially looking at it now) really needs a lot more room to breathe. And as a comic, it misses so much potential in terms of “enhancing” the cartoon with narration or thought balloons or such that just wouldn’t fit the cartoon but would a comic.

Other than some abbreviated dialogue and missing the show’s music, this is absolutely a straight up adaptation and it doesn’t begin to even try to be anything else–different or additional. In and of itself, unfortunately, I can say with honesty I find this issue rather hokey, choppy, and other than the art “working” it’s nothing particularly stand-out or impressive to me.

At the same time, this goes back to the very beginning of the TMNT in tv and “popular” comics, so it has a huge bit of historical significance and is in itself quite the “artifact” of its time. This is the first issue of 3, a mini-series, which adapts the entire first “season” or 5-episode mini-series of the TMNT cartoon. At a time when home media (VHS) was still relatively rare (especially compared to our contemporary age of everything being on DVD and so readily available to purchase and watch whenever we want) this was the closest I personally would get to “owning” the episodes to consume whenever I chose. Back in the late-’80s/early-’90s, though, I’d acquired a rather thick comic that came with an audiocassette, which actually collected all 3 issues into a singular volume…but was not itself a bookshelf volume or graphic novel…it was more an 80-page Giant or such.

Publish this as-is today and I’d be rather disappointed. But looking at it as a singular piece, and in context of its time, it’s not bad, and makes for a fairly interesting sort of read.

The ’90s Revisited: Zero Hour

I recently (finally) finished covering the entirety of the Zero Hour: Crisis in Time event…DC‘s 1994 event/crossover. While my posts spanned July, August, and September 2016, I’m endeavoring to have several points in this blog to gather them together and keep them accessible. This is one such post. Below is a "grid" of the covers, linking to the Page indexing this. Below the grid are text links to the individual posts (same as indexed).


zero_hour_grid_all


Showcase ’94 #8 | Showcase ’94 #9 | Zero Hour: Crisis in Time #4 | Batman #511 | Flash #94 | Green Lantern #55 | Legionnaires #18 | Outsiders #11 | Superboy #8 | Superman: The Man of Steel #37 | Valor #23 | Zero Hour: Crisis in Time #3 | Batman: Shadow of the Bat #31 | Hawkman #13 | Justice League America #92 | L.E.G.I.O.N. ’94 #70 | Steel #8 | Superman #93 | Zero Hour: Crisis in Time #2 | Adventures of Superman #516 | Detective Comics #678 | Justice League Task Force #16 | Team Titans #24 | Zero Hour: Crisis in Time #1 | Green Arrow #90 | Guy Gardner: Warrior #24 | Darkstars #24 | Damage #6 | Legion of Super-Heroes #61 | Robin #10 | Justice League International #68 | Catwoman #14 | Action Comics #703 | Anima #7 | Showcase ’94 #10 | Booster Gold #0 | Zero Hour: Crisis in Time #0