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Detective Comics #853 [Review]

Whatever Happened to the Caped Crusader? part 2 of 2

Writer: Neil Gaiman
Penciller: Andy Kubert
Inker: Scott Williams
Colorist: Alex Sinclair
Letterer: Jared K. Fletcher
Assistant Editor: Janelle Siegel
Editor: Mike Marts
Covers: Andy Kubert
Publisher: DC Comics

There’s something to this story that makes it fit in quite well with the stuff that we’ve had from longtime writer Grant Morrison. The abstracts and symbolism, the nods to other eras of continuity and obscurities of the Bat-verse…these are all pretty much at home in my limited understanding of Morrison’s works. At the same time, where this sort of story wouldn’t work for me coming from Morrison, there’s something about the “history” that I have in reading Gaiman’s books and enjoying, understanding, and simply “getting” them that makes this story work very well.

The story is pretty simple, with not very much action here. A large chunk of story is Bruce talking to an image of his mother, sorting out where he is and what he is seeing. As the issue progresses (everything in the previous chapter having set up the foundation for what we get here, now) we begin to see a bit of a cyclical element to the story–one that actually reminds me just a little bit of Ragnarok, the final Thor story a few years ago from Marvel.

The art, though it doesn’t really jump out at me all that much this issue, is still extemely strong, capturing a classic feel without making me feel like this is actually a comic from decades past. Visually, there’s not much of anything I can think of that’d make it much better.

Gaiman references an old children’s book to great effect in this issue. It’s a reference that is fairly key to the whole thing, bringing a lot of stuff to a fitting close…and a reference that to me, makes this that much more a great story.

Though this doesn’t really serve as a hard bookend, closing the door on a version of the character, it still provides a nice breaking point, a send-off of sorts to characters well-known and loved in the Batman continuity. The story that began last year in RIP, continued through Final Crisis and Last Rites actually continues in the mini-event Battle for the Cowl and into some relaunch-type material in a couple months…perhaps the marketing or something else makes this feel like more of a side-story…a “What would happen if we DID decide to end things now?” kinda thing.

On my first read-through of this issue, I was not sold on the ending. Upon further reflection and asking a friend about the book I thought was being referenced, I realized the brilliance of this story. Whether you’ve been a longtime Batman reader or not, you should have no real trouble following this 2-part story. In fact, you might actually enjoy it all the more being aware only of characters’ existence and not being steeped in the history.

Whatever the case, if you can find the story now as single issues, it’s only two issues and so quite worth snagging that way…if you’re unable to get the story as singles, I very highly recommend picking up the collected volume when it comes out this summer.

Story: 9.5/10
Art: 9/10
Whole: 9.5/10

Green Lantern Corps #35 [Review]

Emerald Eclipse part three

Story & Words: Peter J. Tomasi
Penciller: Patrick Gleason
Inker: Rebecca Buchman
Colorist: Randy Mayor
Letterer: Steve Wands
Editor: Adam Schlagman
Cover: Nei Ruffino
Publisher: DC Comics

A Red Lantern causes havok on Oa by busting out the prisoners held there. Meanwhile, Sodom Yat arrives at his homeworld to serve his office, but not for any sentimental value in helping the people there. At the same time, Soranik finds herself confronted by someone she’d rather not have to face.

I continue to dislike the art on this series. As I’ve said before, it feels largely cartooney and exaggerated in such a way that doesn’t really lend itself to immersion in the story. That’s not to say it’s bad in and of itself, just that it doesn’t appeal to me as a reader here, with this particular title.

The story on the other hand is very good, and really continues to ramp things up as we head down this final pathway toward Blackest Night. Players are being brought back onto the board and shifted into position for the next round, and one can feel the tension to things building all around. The portrayal of the various focal characters works really well, and lends affirmation to the time that’s been spent building things since the Sinestro Corps War.

If you’re fine with the art, you’ve got quite the package here. If you’re not thrilled with the art…you’ve got an issue that plays things up on the story side, and is more than worth “putting up with” the art.

Recommended.

Story: 7.5/10
Art: 6/10
Whole: 6.5/10

Action Comics #876 [Review]

The Sleepers Part 2

Writer: Greg Rucka
Pencillers: Eddy Barrows & Sidney Teles
Inkers: Ruy Jose & Julio Ferreira
Colorist: Rod Reis
Letterer: Rob Leigh
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Andrew Robinson
Publisher: DC Comics

This issue is largely one big fight scene as Ursa deals a lot of damage to the new Flamebird, while also showing no hesitation at dealing harm to Nightwing as well. We also get a little bit of Lois tring to get into contact with her sister about their dad while this is going on.

The art for this issue is pretty good–while it’s not my favorite, it certainly serves the story quite well, and fits on the whole.

The writing isn’t bad, but doesn’t really blow me away. Rucka’s no stranger to the Superman universe-and the supporting cast–but I’m not giving an automatic pass for history. There’s still a huge amount of potential to the overall story–especially the meta-arc touching into all of the Superman books.

As a whole, this issue’s not much to recommend in and of itself. But if you’re following the title, writer, artist, or just the overall Superman-universe story right now, this is a worthwhile pickup.

Story: 7.5/10
Art: 7.5/10
Whole: 7.5/10

Supergirl: Cosmic Adventures in the 8th Grade #5 [Review]

Graduation Day, Part 1

Writer: Landry Q. Walker
Artist: Eric Jones
Letterer: Pat Brosseau
Coloring: Joey Mason
Asst. Editor: Simona Martore
Editors: Jann Jones & Elisabeth V. Gearlein
Cover: Eric Jones
Publisher: Johnny DC/DC Comics

Like most mini-series do, this one is coming to a close. In earlier issues, we’ve been introduced to a rich supporting cast of fun characters–Lena and Belinda, teachers and students, even Streaky the super-cat…as well as (of course) Superman, Lex Luthor, and even Supergirl’s parents. These characters being part of things help to define and add character to Supergirl herself, and her interactions with these characters are what makes this book work.

Having this foundation laid, this issue is billed as Graduation Day, Part 1…lending feeling to this “series finale” (though I’d hope that “season finale” will be a more appropriate term before long!). Taking elements built through the first few issues, we see payoff for a number of characters: Belinda dealing with being a duplicate of Supergirl; Lena realizing who her roommate is, Supergirl encountering her future self, even Streaky returning to play his own (rather amusing) role.

The art is perfectly consistent with earlier issues, maintaining the style and tone I’ve come to expect of this book, and havin the visual style of a contemporary cartoon series.

The story itself draws nicely on elements put in place with earlier issues, moving things to a bit of a resolution this issue. By issue’s end, a lot of the tension and conflict built up so far is dealt with, even as a new threat (that I feel I could have seen coming, but didn’t) is introduced that has loads of grat potential for the final issue.

If you’ve not been reading this series…get the collected volume when it comes out. For longtime fans of the Superman books or just those familiar with the Superman “lore,” this is a fun book for adults, and quite suitable for the younger crowd. Along with Billy Batson and the Magic of Shazam, these Johnny DC books are providing much more fun in comics for me today than most other comics from the big publishers.

Highly recommended!

Story: 9/10
Art: 9/10
Whole: 9.5/10

The Mighty #3 [Review]

Dirge

Story & Words: Peter J. Tomasi & Keith Champagne
Art: Peter Snejbjerg
Colors: John Kalisz
Lettering: Rob Leigh
Assistant Editor: Chris Conroy
Editor: Joey Cavalieri
Cover: Dave Johnson
Publisher: DC Comics

This issue sees Cole move fully into his new leadership position, accepting the “signal-brand” of Alpha One, and learning more about his hero and ally. After being able to relate to a child who Alpha saved but whose parents weren’t, Cole helps Alpha to relate to the kid, and Alpha reveals his own need for Cole’s presence on the job. The two spend some time in Alpha’s home/headquarters (male bonding and all that), and we see a new “normal” settle in for all.

The art for this book works really well, and fits with the characters. I’m not all that familiar with the artist, though, so don’t come in with any expectations…I almost like it better that way, as it contributes to letting the art be the art, with no other expectations of quality or style heaped upon it. There’s a certain feel to it that does not make me think of super-hero comics, and I think that adds to a nice realistic tone to this book, putting my mind in more of a place to see the characters as entities that “could” exist in a real world somewhere that isn’t full of the usual super-hero figures.

The story is surprisingly good. On the one hand, I’d expected this series to be much more generic and like any other comic with a “realistic” super-hero in a world NOT chock full of super-heroes. However, while there is a bit of a generic feel, it seems to be because the title is still so young, and virtually anything new dealing with any kind of super-hero is going to feel like something we’ve seen before. There’s a lot of potential–at least for my own experience–for this to move away from anything I’ve read in super-hero comics in the past.

That the creative team co-created the character and are the ones setting things up–this isn’t just a new team on an established character/series–is a definite bonus. This is only the 3rd issue–if you can find the first couple of issues, this is well worth checking out, and a very good read so far.

Story: 8/10
Art: 8/10
Whole: 8.5/10

The Flash: Rebirth #1 [Review]

Lightning Strikes Twice

Writer: Geoff Johns
Artist: Ethan Van Sciver
Colorist: Alex Sinclair
Letterer: Rob Leigh
Assistant Editor: Chris Conroy
Editor: Joey Cavalieri
Cover: Ethan Van Sciver, Alex Sinclair
Publisher: DC Comics

We open with a mystery in this issue, as someone with a tie to or fixation on the Flashes attacks and kills people in the Central City crime lab. As other police storm the lab, the killer–who was gathering certain chemicals–seems to reenact the accident that gave Barry Allen his powers. We then move to a “welcome back!” parade being held in honor of the recently-returned Barry Allen; while those closest to him also revel in the hero’s return. Barry resists the attention and importance placed on his return. When an old foe returns, Barry is onhand to deal with the foe–though what he gets is far from what he expected.

The art for this issue is quite good…but somehow for me fails to hold up to my expectations for how much I enjoyed the art on the OTHER Rebirth mini. Very solid stuff here, and you’d be hard-pressed to find much better, though!

I’m quite underwhelmed with the story so far. With the exception of a handful of my grandfather’s old comics more than a decade ago, the only instances I’ve ever had reading Barry have been few and far between, with him making brief appearances in Wally’s life…so I don’t know how the characterization holds up (ore doesn’t) by comparison. At the moment, I’m really not interested in Barry, even after this issue, and while the issue’s end leaves me curious as to what’s caused what happened, I can’t help but wonder if it’ll come across more cliched than not.

It was Johns’ focus issue on Zoom a few years back that first really drew me into the world of the Flash, and it’s Johns’ Flash that developed any interest I really have in the character–so I’m holding out hope that my interest will develop a lot more as this series progresses.

Probably the main drawback of this issue as a whole is that it feels–more than a lot of comics–like it IS a story chopped into segments. If you ReallyHaveToKnowRightNowAsItUnfolds what’s going on, jump on this issue. If you’re just looking for what’s hopefully going to be one of THE Flash stories with great art, I suspect you’ll be better off waiting for the collected volume.

Story: 7/10
Art: 8.5/10
Whole: 7.5/10

Justice Society of America #25 [Review]

Black Adam & Isis part three: Family Feuds

Story: Geoff Johns, Jerry Ordway
Pencil art: Jerry Ordway
Ink art: Bob Wiacek & Jerry Ordway
Colors: Hi-Fi
Letters: Rob Leigh
Assistant Editor: Harvey Richards
Editor: Michael Siglain
Cover: Alex Ross (variant by Jerry Ordway)
Publisher: DC Comics

We resume the story with “Black Mary” asserting influence on Billy–creating “Black Billy” and illustrating an interesting point of the nature of the Marvel Family’s use of the power that flows through them. While the Marvels clash with the JSA, Jay Garrick accompanies Billy’s father as things race toward pivotal “Marvel family” events.

The art on this issue is fantastic, and for me works perfectly with this story. In addition to being high quality art, the fact that it is Ordway–who has more than just passing familiarity to the Marvel family–is icing on the cake.

The story itself is accessible to me as a reader who never paid much attention to any of the Marvel family characters until relatively recently, and yet it is so obvious that this draws on continuity put down over the past couple decades (Ordway’s involvement is testament to that!)

As part three of an only four or five-chapter story, this isn’t the best point to simply jump in exactly, but as a whole if you’ve any interest in the Marvel family, this is a story you ought to be reading. And if you’re looking for a crash course or playing some wikipedia-catchup and the cover intrigues you, give this a shot!

Highly recommended.

Story: 9/10
Art: 9/10
Whole: 9/10

Billy Batson and the Magic of Shazam! #4 [Review]

Words, Pics, Heart: Mike Kunkel
Letters: Steve Wands
Assoc. Editor: Adam Schlagman
Editor: Jann Jones
Cover: Mike Kunkel
Publisher: Johnny DC (DC Comics)

This issue sees the culmination of elements from the first several issues come to a head as Billy and Mary confront Theo Adam with the help of the Wizard. Of course, it’s no easy task since the 7 Deadly Evils are along as part of Black Adam’s gang, and Captain Marvel is seemingly outnumbered.

The art is at once an annoyance and a delight. It’s annoying because I’m not a fan of the exaggerations it embraces visually. At the same time, it’s a delight–it’s far from my usual preference, but this issue (and those before it) make me feel like I’m parked in front of a tv watching a fun cartoon.

The story itself is fairly simplistic on the surface, but carries a lot of deeper stuff if one cares to look deeper. Like a well-crafted cartoon, there’s plenty to be enjoyed here even by adult readers, while holding what presumably would be attractive to the younger crowd. SUre, there’s violence, and sure, there’s fighting…but there’s no cussing, the violence is “cartoon violence” rather than “realistic,” and I daresay one would find much more enjoyment sharing this comic with them than a half hour on the couch with any of a number of contemporary cartoons.

Most comics that I really enjoy migrate to the top of the stack when I sit down with new books. This one makes its way to the bottom–it’s a great “happy book” or “palate-cleanser,” and with all the little panels and dialogue and such takes awhile to read–a great ending to a stack of new comics that otherwise flash by far too quickly. What gets this issue its rating is the overall enjoyment that transcends simply looking at the art or the story/writing.

Highly recommended.

Story: 7.5/10
Art: 7/10
Whole: 9/10

Battle for the Cowl: Commissioner Gordon #1 [Review]

A Cold Day in Hell

Written by: Royal McGraw
Art by: Tom Mandrake
Colors by: Guy Major
Letters by: Sal Cipriano
Asst. Edited by: Harvey Richards
Edited by: Michael Siglain
Cover: Ladronn
Publisher: DC Comics

I came on way late with GOtham Central back in the day, though after reading the first hardcover realized it should have been tops on my list years earlier. Given the nature of that title, I had high hopes for this issue…hopes that weren’t entirely realized, but not really dashed, either.

We begin with Gordon prisoner of one of Batman’s foes, before flashing back a bit to show us how it is that he came to be in this position. It’s not long before Gordonrealizes that his confrontation with this foe comes down to just them–Batman’s “dead,” after all–and we see James Gordon the cop here, not just a figure calling in Batman with a spotlight on top of a building.

The story’s fairly straightforward here; nothing spectacular. But we do get a look at Gordon and how the GCPD is faring without Batman in town. This doesn’t strike me as a definitive Gordon story–but it’s nothing that seems to really counter anything that’s come before. In fact, it seems to affirm many of the elements of the Batman “universe” I enjoy.

The art’s pretty good, and fits the story. I particularly liked that it managed to in a few particular panels take my mind exactly where I think it was supposed to, invoking other comics and even the Batman animated series from the 1990s (a series that absolutely cannot be ignored in the staging of this issue).

All in all, this was a solid issue, but not really integral to anything. It’s a nice look at supporting elements, but it doesn’t seem likely to inform events of the core mini. Well worth it if you’re a fan of the character or want to see the wider scope of the Batman/Gotham “universe” but not something you’d need if you’re just along for the core Battle for the Cowl series.

Story: 7.5/10
Art: 7.5/10
Whole: 7.5/10

Oracle: The Cure #1 [Review]

Home Again, Home Again

Writer: Kevin Vanhook
Pencillers: Julian Lopez & Fernando Pasarin
Inkers: Bit & Hi-Fi’s David Bryant
Colorist: Hi-Fi
Letterer: Steve Wands
Assistant Editor: Harvey Richards
Editor: Michael Siglain
Cover: Guillem March
Publisher: DC Comics

We open on a view from outside Barbara Gordon’s new apartment building, as residents all react to flickering availability of power. We then move into seeing Barbara interact with her father, some other allies, hacker contacts, and so on, showing us much of what makes up the life of Oracle as she adjusts to being back in Gotham City after being gone for quite awhile.

The story isn’t bad, though I’m not terribly enthused by it. Nothing really blows me away…in fact, a couple points actually strike me as extremely cliche. There’s a point that’s brought up several times throughout the issue that screams foreshadowing to me (and cliched foreshadowing at that). Additionally, what happens with one of Barbara’s hacker friends seems laughably unrealistic to me, like a plot point jammed in because there was no other way to have such a point occur otherwise.

The art’s not bad. It seems vaguely generic at points, but comes across smoothly for the most part. Aside from some…questionable angles…you could really find a lot of art in comics out there that is far less appealing. What we have in this issue works for the story, and fits.

The way the foreshadowing pays off in the next two issues will really inform how integral this series is to the Battle for the Cowl story as a whole. For now, this seems to be at least a nice tie-in that takes the context of the overall story and is telling a smaller aspect of that story with a particular focus that needn’t include the entire Bat-verse.

Could be much better, but not a bad read if you’re interested in the character or having all the tie-ins and such.

Story: 7/10
Art: 7/10
Whole: 7/10