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Superman: World of New Krypton #12 [Review]

Full review posted to comixtreme.com.

Story: 2/5
Art: 2.5/5
Overall: 2.5/5

Supergirl #49 [Review]

Death & the Family

Writer: Sterling Gates
Artist: Matt Camp
Colorist: Nei Ruffino
Letterer: Jared K. Fletcher
Cover: Joshua Middleton
Asst. Editor: Wil Moss
Editor: Matt Idelson
Published by: DC Comics

In many ways, the cover kinda spoils this issue. Then again…perhaps that’s just comin’ from a guy who sees an image that is rather “iconic”–not really in and of itself, but in the sense of an almost archetypal image. It could also be a bit of a cultural thing, at least here in the US. Supergirl collapsed on the floor, her back to us, facing the double-doors reading “Emergency” and the “red cross” signifying “hospital” (and the all-too-familiar hand-rails along the walls). Knowing the Lana Lang subplot that’s been going on in this book for awhile, it’s easy to put two-and-two together and come up with “something bad happens to Lana.”

This issue opens in such a way that if you didn’t have the familiar names of the Superman-family cast of characters, one would not be blamed for thinking this was a comic-book version of House. Lana’s on the phone with Perry, leaving her apartment, and while the doorman hails her a cab, she collapses, bleeding from the eyes, nose, and mouth, and no one quite knows why (though the reader is shown a clue).

We then get back to the Supergirl/Silver Banshee battle where Supergirl has been possessed by the spirits of the Banshee’s ancestors, turning her into a counterpart of the Banshee. Once this threat is dealt with, Supergirl and Inspector Henderson face another threat, and then converse on a rooftop overlooking the city. Public emergency over, Supergirl’s super-hearing picks up on Lana’s plight, and the personal emergency begins as Supergirl rushes to her friend. The clue at the beginning of the issue somehow lessened the impact of this scene, and that feeling of disconnect built as Supergirl dug a bit deeper into the situation, and the issue ends with a cliffhanger that should have seemed extremely obvious from the beginning.

The art for the issue’s pretty good overall. My main gripe is with the colors–for a comic, far too much seems too “shiny” for my tastes. While this may–in some ways–lend to realism, there’s something distracting and off-putting about it. Despite that, the visual style’s good, and does what the art for a comic should do.

The story’s decent, though less impactful than I’d expected going into the issue. If my suspicions from the end of the issue are correct, it represents even more of what I’m disliking about many DC books the last couple of years. Still, the actual execution adds to the characters and the development of the ongoing story, and is still definitely worth reading. Also despite expectations not being met, after reading this week’s Green Lantern #50, I should note that this issue falls into a similar well: years ago, this would’ve been a “gimmicked” cover given the supposed enormity of the interior story, AND this would be issue #50…and the final sequence would be in the next issue and not this one. As-is, the story is thus coming across much more AS story, and not like it’s being entirely padded to occur in a certain issue-number for the sake of happening in a given issue.

New readers may be lost if this is the first issue read…but it’s not impossible to get into the issue. I suspect, though, that one is just as likely to read this as “the latest issue” as to come back to pick it up after they read #50. While #50 remains to be seen as to its own worth, this issue is worthwhile reading if one’s interested in the character and her story.

Story: 7/10
Art: 7/10
Overall: 7/10

The Atom and Hawkman #46 [Review]

Full review posted to comixtreme.com.

Story: 4/5
Art: 4.5/5
Overall: 4/5

Superman #696 [Review]

Man of Valor part three

Writer: James Robinson
Artist: Bernard Chang
Colorist: Blond
Letterer: John J. Hill
Cover: Cafu, Santiago Arcas
Asst. Editor: Wil Moss
Editor: Matt Idelson
Published by: DC Comics

I continue to read this book, though I’m a bit anxious to see if it improves once Superman (assumably) actually returns to it. Mon-El is a character I’ve never cared for all that much–what little I’ve known of him–and given that, I much preferred him as “Valor” from the early 1990s. But that’s from a different continuity and reality, apparently…at least since Infinite Crisis…so we’ve got what we’ve got. Mon-El–despite being written by James Robinson–remains almost entirely uninteresting (aside from the fact that I look forward to him facing off with General Lane). I’m also not much more interested in the Guardian. After the set-up of his apparently having a “daughter” to care for–who has hardly been referenced in I-don’t-know-how-long) and the confusion I have as to his identity (to this day, I have not figured out if this Guardian is a clone of the Guardian I read in the 1990s Superman titles, or if this is that same Guardian, with his origin played up more than ever before). Yet, I don’t really care enough to find out, as neither option thrills me. I also care very little for Nightwing and Flamebird. Despite their potential, there just hasn’t seemed to be much in the way of satisfying development with them…I feel like they’re just pieces being pushed around a gameboard for some inevitable endgame or arbitrary “big sacrifice” or other role in coming events.

This issue continues the “Man of Valor” arc from Action comics…which at least in itself is kinda refreshing–though it renders the cover “shield numbering” fairly irrelevant (Parts 2 and 3 of this story are “shield #23” and “shield #25” respectively). Mon-El, Nightwing, Flamebird, and Guardian make sure everyone is ok after the blast that seemingly took ’em all out. Mon-El and Guardian send Nightwing and Flamebird away, preparing to hold off General Lane’s forces while the Kryptonians make their getaway…unfortunately, the two lovers double back fearing for their friends, but ultimately leave at Mon-El’s urging. While Mon-El and Lane trade words, Guardian finds someone apparently named “Control,” and Mon-El rushes to their side to face the horror of what has happened to this character.

I don’t know who this “Control” is, though I suspect she is just one particularly forgettable character that never made any real impact on me whatsoever in my reading. As stated above, the writing inspires no real sense of connection to any of these characters, nor any interest in them.

The art comes across as better than some recent issues, though it’s still not something I’d categorize amidst my favorite work.

I can’t help but wonder if this story being more of a “crossover” with actual Story Name and chapters crossing from Action Comics is an effort to tie things together, get things over with quicker, or both.

If you’re already following the events of this ongoing “World Against Superman” mega-arc or the Superman/Action Comics Man of Valor arc…this issue’s probably worth getting. Otherwise, nothing special or spectacular here to warrant picking up outta the blue.

Story: 5/10
Art: 6/10
Overall: 5.5/10

Blackest Night: JSA #2 [Review]

Full review posted to comixtreme.com.

Story: 3/5
Art: 3.5/5
Overall: 3/5

Superman: Secret Origin #4 [Review]

Writer: Geoff Johns
Penciller: Gary Frank
Inker: Jon Sibal
Colorist: Brad Anderson
Letterer: Steve Wands
Covers: Gary Frank, Brad Anderson
Asst. Editor: Wil Moss
Edior: Matt Idelson

Lex Luthor has a lottery. Each day, he’ll pick one person from the assembled crowd outside his building, and attempt to make their dreams come true, putting his expansive resources to full use. The latest “winner,” Rudy Jones, has already been shown to be a bit of a parasite, leeching off those around him. Thanks to his disgusting disregard for things better left to common sense, he finds himself victim of a chemical spill that transforms him into the being that will become known as The Parasite. Amidst this, Luthor has summoned Lois and Clark to question them about the “flying man” spotted around Metropolis. As The Parasite’s threat escalates, Clark bows out and the “flying man” returns, saving many and yet winding up looking questionable to the city as Luthor hurls accusations at him. When he takes some time for himself atop the Daily Planet building, he finds he’s not alone–young Jimmy Olsen is there, saying goodbye to the city he’s failed to become a part of…not realizing what an important friendship he’s about to enter into with another necomer to the city…and reaps the reward of taking a chance and asking a favor.

There’s something that’s lost by this being an origin tale in years-old continuity where much has already been questioned. We’ve already seen much of the change this origin would essentially set up, losing any real discovery, revelation, or chance to follow a huge, unfolding story. While Byrne‘s Man of Steel significantly altered the details of Superman’s beginnings in the mid 1980s, it was also the opening chapter, the actual foundation, of the official Superman story. This series, while altering the details of Superman’s beginnings yet again, feels like more of a plug-up-the-holes sort of thing than a foundation.

This issue doesn’t feel quite like the earlier issues. We have some origin-like stuff in terms of The Parasite, but there’s not much character development. Parasite’s an unlikable, uninteresting character to me–rather two-dimensional, really–and seems to serve little more here than plot device to give Superman something to fight, to punch…and to be more directly “outed” as existing to the public of Metropolis.

The art by Gary Frank, of course, is stellar…on the whole, I really enjoy his art, and it brings a great look to this series and this issue. My primary gripe is the seemingly obvious use of Christopher Reeve as a “model” for this depiction of Clark/Superman…there are panels–such as on page 7 where Clark suggests to Perry’s question of the man actually flying “Um, up, up and–away”–where the imagery just SCREAMS Christopher Reeve. On the one hand, a fitting tribute, and acknowledgment of the man’s legacy and impact on this character, especially in the eyes of the public in and outside of comics. On the other hand…it seems another sign of Superman being “stuck” and unable to really grow and develop beyond a decades-old image that’s clung to, returned to, after decades of actually growing and developing the character beyond simplistic and hokey stories/concepts.

If I were a new fan of Superman, or at least new to the comics, I suspect I would find this a great, thrilling issue and enjoy it very much. As it is, as a longtime DC reader watching the character I’ve grown up on over the past two decades being phased into something of an amalgamation of every possible version of the character…it’s frustrating and discouraging. Johns is a great writer, and obviously has a knowledge of much that is Superman–from the comics, from tv, from the movies–and I can appreciate that effort’s being put forth to reconcile many versions into one cohesive whole.

Usually for me it’s the story that makes the issue…but in this case, the art’s the primary draw for me. I don’t like where the Superman books are headed, nor the revamping and loss of “my” Superman–but this is at the very least the best-looking Superman book out there these days.

Story: 7/10
Art: 9/10
Overall Enjoyment of the issue: 6/10

Green Lantern #50 [Review]

Full review posted to comixtreme.com.

Story: 4.5/5
Art: 4.5/5
Overall: 4.5/5

Green Lantern Corps #44 [Review]

Red Badge of Rage part 2

Story & Words: Peter J. Tomasi
Penciller: Patrick Gleason
Inkers: Rebecca Buchman, Tom Nguyen, Keith Champagne & Gleason
Colorists: Randy Mayor & Gabe Eltaeb
Letterer: Steve Wands
Cover: Gleason, Buchman, & Mayor (Variant by Greg Horn)
Editor: Adam Schlagman

We left off in the previous issue with the arrival of Mogo at Oa. Mogo, of course, being the Green Lantern that “don’t socialize,” due to…well, being a planet. Gravitational pull and all that. Of course, the Black Lanterns devouring will, intent upon destruction of the central Green Power Battery, seems to be enough of an emergency to bring Mogo. While the GLs deal with the arrival of their largest representative, they also have a rage-fueled Red Lantern Guy Gardner to contend with…and the fact that Guy is currently filling the role of the Red Lantern he and Kyle initially sought to unleash upon the Black Lanterns. Though one problem gets at least a temporary solution…the GLs are left with the other problem, which is ready to do them great bodily harm.

The story here is interesting enough, if not entirely entertaining. I certainly appreciate Tomasi’s keeping focused on the events of Oa–while other Blackest Night books focus on Earth and other individual characters, much of the battle at Oa unfolds in this series. If the Sinestro Corps War applied significant change to Guy and Kyle, Blackest Night will certainly leave a mark on them, and the potential–at the very least–is exciting.

Unfortunately–as I seem to be commenting on with every single issue I review of this book–the art is not to my liking. It’s not bad in and of itself, but it is very stylistic, and I just don’t care for the look. A double-page spread of Guy flying at the reader, for example, seems so much like a caricature that I have to remind myself that it is supposed to be Guy Gardner.

Important as the issue’s events are, this is hardly the best chapter tying in to Blackest Night. Obviously if you’re following the event as a whole, this’ll be worth picking up; ditto if you’re following the series itself. As a new entry point, though, I definitely cannot recommend this issue.

Story: 7/10
Art: 4/10
Overall: 5.5/10

Superman/Batman #68 [Review]

The Big Noise, part one: Rumble Face

Writer: Joe Casey
Pencils: Ardian Syaf
Inks: Vicente Cifuentes & David Enebral
Color: Ulises Arreola
Letters: Rob Leigh
Cover: Syaf, Cifuentes and Arreola
Assistant Editor: Rex Ogle
Editor: Eddie Berganza

I wanted to like this issue. I was even looking forward to it, on hearing the book would come back into continuity with stories revisiting previous events. In this case, Summer 2001’s “Our Worlds at War” crossover event. I couldn’t remember which issue would begin this new “format” or “focus” of the series, but when I saw the Our Worlds at War banner across the top, I was excited. A bit of nostalgia flooded in seeing the tag “Casualties of War!” included–several of those Casualties of War issues back in 2001 were among the most powerful comics I read that year. So to say that I had high hopes for this issue would probably be an understatement.

And as one might expect from my phrasing…this issue was extremely disappointing in its execution. Other than the time-frame it’s supposed to be set in, and references to the world having just been through a war, there’s not much that seems to solidly place this issue’s events as coming on the heels of Our Worlds at War itself.

I suspect this is another “standard” story arc…that is, six-issues and well-paced for the eventual “graphic novel,” which might even have some sales crossover with the 2-volume collected edition of the event, or the large “omnibus” TPB. As a single issue, though…this is entirely forgettable.

The story doesn’t even begin to hook me–the “hook” was the OWAW tie-in. The hope that I’d see something that would make this feel like a long-lost chapter of that story. That expectation never did deliver. I’m confident that once all 6 issues are assembled, and read in one-go, possibly following a re-reading of the original event…the OVERALL story is likely to come across much better.

The art is very solid throughout, and not at all a bad depiction of Superman nor Batman. I really have no complaint with the visuals…they’re actually quite good overall. Nothing memorable, exactly…just good, clean work.

Unless you don’t mind a slow build, and an issue that’s nothing more than introduction to a standardized-arc format, I’m highly disinclined to recommend this issue.

Story: 4/10
Art: 8/10
Overall: 5/10

Action Comics #885 [Review]

Divine Spark, part 3

Writers: Greg Rucka and Eric Trautmann
Artist: Pere Perez
Colorist: Javier Mena
Letterer: Rob Leigh
Cover: Cafu with Santiago Arcas
Asst. Editor: Wil Moss
Editor: Matt Idelson

With Chris safe (for now) from the aging that was killing him, Nightwing and Flamebird confront The Guardian and his Science Police as well as Mon-El. The confrontation sees revelations shared as to what the two are doing on Earth, and new alliances as the “true” “enemy” emerges. Lois confronts her father, and everyone’s lives are in jeaopardy at issue’s end.

I continue to hope for another spark of enjoyment of this title like I had during the Brainiac arc. While I still don’t like that Jonathan was killed off, there was something to Johns’ story then, and Frank’s art, that as a whole made for a very enjoyable product. Fair or not, that’s the standard I find myself holding this title to, and it’s a standard that–for me–is not met.

The story itself is fairly straightforward, and well within the bounds of the overall story being played out in the Superman family of comics from the past year-plus. It continues to hold potential, but somehow just doesn’t quite fully take off and actually do anything with it.

The visuals also are pretty solid, but not much to my liking–but as with all art, that can be very subjective. Characters are all recognizeable and no one comes across as particularly abnormal-looking, and there’s little trouble following the action. The art certainly fulfills its role that way…it just doesn’t have anything that leaves me in awe or particularly marveling at the issue’s visuals.

Taken in a vacuum, the story’s worn thin and worn out its welcome with me–I’m ready to see Superman restored to the blue and red as well as to his own title and this one. Taken in context of solicitations, previews, and the like…it’s great to know that the “status quo” is about to change, if only to see what the next “phase” of the overall Superman corner of the DCU will be like.

Captain Atom, Chapter Seven
Writer: James Robinson
Artist: Cafu
Colorist: Santiago Arcas
Letterer: Rob Leigh
Asst. Editor: Wil Moss
Editor: Matt Idelson

In this issue’s second feature slot, Captain Atom battles a number of other DC super-heroes in typical fashion before ultimately having a chance to explain himself and what he’s doing here. Others then step in, leaving us on a “cliffhanger.”

Visually, this segment isn’t all that bad, though the characters all come off with a somewhat generic appearance, almost a lack of some sort of detail I can’t quite put my finger on. The story is typical and seems to break no new ground, and really just serves to fill in a continuity hole, bridging events involving this character over the past six years.

While Captain Atom’s story is presently tied to the Superman books by story itself as well as being a second feature, it seems that his segment shortchanges the lead story, taking valuable space from that. It’d be preferable to have a separate bi-monthly or quarterly regular-sized-issues series to tie this character into things.

As a whole, this is another standard issue of the title. If you’re already following things, it’s worth continuing. If you’re on the fence…I can’t say this issue would really convince you to hop on in. I’m obviously not blown away by the issue…but neither am I convinced to drop it. Just disappointed that this doesn’t in any way feel like required Superman reading.

Action Comics
Story: 4/10
Art: 5/10

Captain Atom
Story: 4/10
Art: 5/10

Overall: 4.5/10