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Superman #2 [Review]

Flying Blind

Script & Breakdowns: George Perez
Pencils & Inks: Jesus Merino
Colors: Brian Buccellato
Letters: Carlos M. Mangual
Cover: Perez & Buccellato
Associate Editor: Wil Moss
Editor: Matt Idelson
Published by: DC Comics

From the very first look at this issue–the cover–there’s something that’s been missing for me for a long, long time from Superman comics. I can’t quite put my finger on it, put words to it…but I’m pretty sure it’s something to do with just really liking the look of this new costume as shown here. Maybe it’s just simply that I like Perez‘ art over so much of what I think of with a lot of Superman stuff in recent years and so the cover grabs me. This also seems like the sort of cover, somehow, that “fits” an early issue of a new series, and whatever else to it I can’t find words for…I just simply like this cover.

The interior visuals are high quality as well, and I can’t help but think some of that’s gotta be Perez doing the breakdowns, which makes things fit the story moreso than if the writer and artist were working far more independently of one another. Paging through the issue again, I really can’t find anything that particularly bothers me about the visuals, that isn’t attributable to a generic creature/antagonist or keeping with a “newish” younger look to Clark Kent.

The story itself is good, with all the elements that I’ve tended to enjoy about a Superman comic. And for what seems like the first time in too many YEARS, Clark Kent is actually a part of the Superman story again. Maybe not a huge part, and it’s too soon for me to have much hope of any great emphasis being placed on the Clark Kent personality…but Clark is there, is a part of the story unfolding, and for now, that’s a marked improvement over things during the New Krypton era of the previous DC Universe. I really enjoy that we have Clark, Lois, Jimmy, and Superman all playing parts in the overall story. Cat Grant even appears here, and we at least have a mention of Perry. There’s even a sense of continuity here, that Superman’s got a past, even though in some ways this is like a new beginning of his career. He comes off as a bit unsure of things and yet confident enough to do what he’s gotta do.

As we open the issue, Superman’s awaiting information from Sam Lane, who remains distrustful of the man of steel from their prior encounter (in the “5 years ago” story going on in Action Comics right now). We then transition to Lois and Clark discussing their encounter at the end of the previous issue before returning briefly to General Lane, and then Superman encountering the “monster” of this issue–a creature that everyone but him seems to be able to see. After getting knocked around by the creature, Superman of course figures out a way to deal with this threat, in a fight that rages across 11 of the issue’s 20 pages. Finally, we cut to Superman recording an audio journal or log–his narration has not actually been internal this issue, as it originally appeared to be. This also allows for some more defining of the current relationship Clark has with Lois, and then we’re set up with a mild cliffhanger to lead into the next issue.

All in all…another great issue, which is quickly cementing this as a version of Superman I’d love to read long-term…and somehow, I’m even ok with Superman and Lois not (yet) being romantically involved here. It’s also great that rather than load the back of the issue with a preview I’m not even going to read (yet tend to be annoyed at having to page through to make sure there’s no other RELEVANT content to the issue in-hand), this issue has only a single page advertising Batman: Noel.

Though there’s obviously an over-arcing story building…this is the second issue, and we’ve already had two stories where amidst the other character interactions and details, we’ve had the beginning, middle, and end of a creature’s introduction and battle with Superman, rather than stretch either of these into 4+ issue arcs apiece.

Of the two main Superman books, this is by far my favorite for the story, art, and the feeling of actually getting my money’s worth in content. I expect Action Comics will read as a fast but engaging graphic novel, if you want an actual comic with serialized adventures of Superman, this is certainly the title to get. As an “old fan” I’m greatly enjoying this…but it seems there’s enough here that a new or lapsed reader would be able to figure stuff out fairly easily as well without missing out on anything.

Highly recommended.

Story: 7.5/10
Art: 8.5/10
Whole: 8.5/10

Superman #1 [Review]

What Price Tomorrow?

Script & Breakdowns: George Perez
Pencils & Inks: Jesus Merino
Colorist: Brian Buccellato
Letterer: Carlos M. Mangual
Cover: George Perez & Brian Buccellato
Associate Editor: Wil Moss
Editor: Matt Idelson
Published by: DC Comics

What do you think of when you think of Superman? And more to the point, what do you expect to see in a Superman comic? Speaking for myself–especially for a premiere issue of a new series–I tend to expect to see Superman…but also Clark Kent. Ideally, Lois Lane would be there, and I don’t mind if we have something with Jimmy Olsen, Perry White, and other staffers of the Daily Planet…to say nothing of the Daily Planet itself. I expect to see Clark Kent interacting with people, just as I expect to see Superman being…well, super. Have those elements, and I’m pretty much going to be one satisfied camper.

I came to this relaunch this month with a lot of mixed feelings. Probably the strongest was–has been–regarding Superman, and not knowing what he would be in this relaunch…knowing only that the character is one that DC felt the need to change quite a bit from the existing status quo, to update and bring back in a different way (unlike, say, Batman or Green Lantern). Action Comics left me rather cool–especially in retrospect…and there was but a cameo of Superman in the new Justice League book. So, there’s a lot of weight put upon this issue, the first issue of the new Superman comic itself. After Action Comics, and generally lukewarm if not hopeful feelings on a lot of the other #1s, I was prepared to dislike this issue, or at least find a lot of fault with it in and of itself.

The issue opens with a voiceover, discussing the history of the Daily Planet building. We follow the narration to find it’s live coverage of the unveiling of the NEW Daily Planet, recognition being given to the original. At this point, the Planet is an acquisition of Morgan Edge, and in moving things into the present, readying for the future–the newspaper is now “just” a part of the overall media corporation Edge owns. We’re introduced to Lois Lane and Perry White–familiar names and faces (though White looks a good 10-15 years too young), and find out their new roles moving forward with the new Planet. We learn some backstory about Clark’s opposition to the Planet’s acquisition, and that Superman is only just now back in town after some sort of noticeable absence. We get snippets on attitudes toward Superman in this new DCU. We see Jimmy Olsen at work–not as a bumbling cub reporter but as a competent video reporter working as part of a street team. We’re also introduced to new characters that will presumably be a regular part of the supporting cast.

When an alien fire-entity explodes onto the scene, it’s clearly a job for Superman. While the battle unfolds, we learn further detail about Superman–his powers are continuing to grow/develop, and no one knows for sure what can really hurt him…and there’s still a certain amount of distrust…or at least, willingness to believe that he doesn’t care about the very people he’s trying to protect. After the battle, we see the aftermath in the people involved, as we’re introduced to the current status quo of the Lois/Clark relationship.

I love the art on this issue. I don’t recall specifically enjoying Merino‘s art like this before, but in this issue, it feels like he was born to do this. I just paged through the issue again, and I can’t find a panel to dislike. The characters–if looking a bit young, but I knew they’d be, going in–all look recognizeable, and just simply…are. This is Superman–and I actually really enjoy this new costume–it just works, to the point that the ads in the issue showing the classic costume actually look dated. I hadn’t realized how much I like this costume until now.

Story-wise, Perez presents a new Superman with plenty of echoes of the classic. Though this Morgan Edge reminds me of Samuel Jackson‘s Nick Fury from Marvel…this works, too. The character seems to be what he is, or for longtime readers familiar with the name–there’s an extra layer to consider. The opening–the history of the Planet, its being swept away in favor of the new, and even some of Edge’s early comments in the issue–felt like a direct parellel to this entire new DCU thing…which adds levels of depth in and of itself to the story.

Unlike most of the other DC issues I’ve read this month, this issue does what I expect of a #1. We’re introduced to the setting, the characters–main and supporting. We’re introduced to what’s recently happened and given some slight hints as to what may be coming. We get a seemingly arbitrary scene, but a classic-style “footnote” directing us to Stormwatch #1 for more detail (which reminded me that Stormwatch #1 had a footnote itself directing us to Superman #1) which sets up some official continuity between this and another DCU book. And–best of all–despite the huge threat, that seems to be an actual challenge to Superman, we’re not left on some to-be-continued, left dangling to have to buy another issue to find out the (obvious) “fate” of the “hero” (sorry if that’s a spoiler, Superman doesn’t die in this issue).

By the end of the issue, I actually CARE about the status quo. I’m interested more, really, in all the “regular” characters–old and new–than I am Superman himself…and yet, I’m not actually disinterested in this Superman. He’s different from the Superman I grew up on…and thankfully, he’s different from boring post-Infinite Crisis caricature of the last few years that saw me walk away from the character for most of the past couple years. I think I like this character, and this issue. In fact, this has got to be just about my favorite issue of the relaunch so far.

If you’ve never read Superman before…give this issue a chance. It’s well worth it. And if you find you don’t like what you’re introduced to…you’re out a single issue. Only $2.99. No $3.99 let-downs, and no to-be-continued. This is a great single-issue story, and I really think that THIS should have been the “flagship” title of the new DCU. As-is, it certainly lives up to its title…Superman.

Highly recommended!

Story: 9/10
Art: 9/10
Whole: 9.5/10

From the back of the bandwagon: My DC New 52 thoughts, Week #2

Batman and Robin #1

batmanandrobin001This was not on my original plan to pick up. But there was something to the cover, and the logo, and even the concept in general that I decided I actually WAS interested in at least checking out. I was too late to snag this at my usual comic shop, but went to another across town (where I wound up buying 5 more #1s that I’d not intended to get). I think what ultimately got me about this issue was that the concept is sound, and I’ve tended to like Tomasi‘s writing…I just haven’t cared for Gleason’s art, and grudgingly put up with the art when this team was on Green Lantern Corps. But given the dynamic between Batman and Robin–I rather enjoyed it with Dick and Damian, and was intrigued at seeing Bruce and Damian interacting. The villain of this issue triggered a huge sense of deja vu for me–I’d swear I’ve seen this villain before, but I cann’t place him as to where. An early issue of the Batman Reborn saga, perhaps? And despite my general dislike of Gleason‘s visual style, I think that was particularly on the Green Lanterns, with the human faces. His Batman is much more to my liking, though still not 100% thrilled with Robin’s look. Still…I hate to say it, but I think I’ll be back for Batman and Robin #2. (7/10)

Green Lantern #1

greenlantern001This was yet another title that I was not planning to pick up. A couple months into Brightest Day I decided to drop the singles and just keep up with GL through the collected volumes. So I was going to hold to that with this relaunch. Instead, I was totally hooked at the concept of Sinestro as a GL again. And with this supposedly a jumping on point (even if the GL books aren’t actually rebooting story-wise), I decided to jump in. And I have to admit–I’m hooked. Sinestro as an unwilling GL, forced to deal with the fact of being a GL even though there’s an enemy corps with his name makes for a lot of potential. Seeing him deal with some of the Sinestro Corps and the reflection of what he himself once did to his homeworld leaves a lot of room for exploration. Hal being stuck home and ringless doesn’t feel like anything new…and by the end of this issue, looks to be potentially a limited engagement sort of situation. Though I’ve generally really enjoyed Mahnke‘s art, especially on the Blackest Night stuff–it didn’t seem nearly as stand-out here. Of course, this wasn’t nearly as action-packed as the early issues of Blackest Night, and perhaps in my time “off” I’ve built up expectations that are a bit too high. Yet, the art’s not bad at all in my eyes. I don’t know that I’ll stick around for the entire arc, but I’m pretty sure I’m going to pick up GL #2 to see where things head from here. (8/10)

Resurrection Man #1

resurrectionman001I vaguely remembered this title from the 1990s, back when the New 52 were announced. A few weeks earlier, I’d wound up snagging a copy of the original Resurrection Man #1 (with the little circle “hologram” on the cover) from a bargain bin, so decided I would be interested in checking this new series out. Given the character’s been in limbo for a lot of years, I was curious at what would bring the character back to being an active part of the new DCU. Add to it that this is Abnett and Lanning, and I was basically sold on it, sight unseen. Now, something to Dagnino‘s art really gave me a sense of ’90s deja vu in the early pages of this issue–perhaps because (again) this is such an unfamiliar character I’m not used to seeing as part of a mainstream DCU. As such, the visuals fit the book quite well. The story’s a bit more unfamiliar, and I really have no clue who anyone is. But seeing the main character die and come back with some new “ability” each time he “resurrects” has something to it that keeps things interesting. I’ll be back for #2. (8/10)

Superboy #1

superboy001I’m not sure what I expected of this title, exactly…but what I got wasn’t it. I can’t tell if this is supposed to be the same Superboy (essentially, despite the reboot/relaunch) that I’ve known. But this seems like a whole new character, almost a new “origin.” Given that the New 52 seem to have varying degrees of newness about them, I’m a little put off here. Among other things, this feels a LOT like the introduction of the new Guardian (during the 7 Soldiers stuff?) where the “original” had been killed and this is a new character cloned from that one. Particularly with the “loss” of Jonathan AND Martha Kent, this comes off as a much different and less personable character to me. The art’s not bad, and the story isn’t bad in itself–just that it quickly comes off as something I’m not all that interested in. Maybe another perspective or some clarification would pick that up for me…but for the moment, I’m just not all that engaged or interested (all the more having read “Superboy Goes Bad and Beats Up the Teen Titans” back in 2005 heading toward Infinite Crisis. I can’t speak to new readers 100% new to the concept, but as a “clone” of Superman, this is NOT “the adventures of Superman when he was a Boy” but it does not feel, either, like the likely adventures of Connor…and I really have no interest right now in a brand-new Superboy. (6/10)

Demon Knights #1

demonknights001Maybe I just don’t pick up on certain subtleties…especially when it’s a subtlety buried in the midst of one issue when I’m actually reading a bunch back to back. But this one just doesn’t stand out to me the way it seems to be to others, and I don’t see the tie to Stormwatch here. Of course, I didn’t much enjoy Stormwatch, so…yeah. It was the cover that “sold” me on this–when I had to go to a second comic shop to get Batman and Robin, I told myself that if they had this in stock, I’d give it a try. The art wasn’t bad, and definitely fit the tone of the story. The story itself was semi forgettable, but not bad. There’s an air of “fantasy” with the supernatural here, and this is definitely a side of the DCU I’m less familiar with, as it really gets away from the “superheroics.” I also found Etrigan to be more interesting NOT being a “rhyming” demon. But I do think that overall, this title’s one that while not entirely uninteresting, I’m just not hooked enough to arbitrarily come back for a second issue. (6.5/10)

Deathstroke #1

deathstroke001My first exposure to Deathstroke was his appearance in an issue of Superman back in 1992, shortly before Superman’s death. At the time he was just another colorful character, and it was a bit of time before I even realized he was a “villain,” given that he had his own ongoing series. Mostly lost track of him until Identity Crisis, and since then I’ve had mixed feelings on the character. This was one that I picked up having decided to grab a few extras to take advantage of a promotion (buy 5, get 1 free). The cover’s not terribly impressive, nor is the logo. The story wasn’t all that thrilling (though humans modified with “Clayface DNA” does seem ‘new’). The “twist” at the end drastically affected what I thought was shaping to be an interesting sort of supporting cast for the title, and in its own way does a disservice to holding my interest. The art’s not bad (though doesn’t blow me away), and something about Deathstroke’s current design seems somewhat “off” from what I’d “prefer” for the character. All in all, not a bad issue–this seemed to somewhat stand alone as a “pilot” and while I don’t necessarily want my time back, unless someone else does a job in “selling” me on it, I don’t see picking up #2. (6/10)

Red Lanterns #1

redlanterns001I have to admit–when this title was announced, I was quite excited. A Lantern Corps other than Green getting its own book! Of course, it’s been well over a year since I stepped off the monthly following of all the Brightest Day stuff, so my interest has cooled a bit. Until the New 52 was announced, I’d figured this title had been scrapped. But I opted to give this first issue a try, as I’ve found myself particularly drawn back to the Batman and Green Lantern sides of the DCU. There’s some potential here, but this feels like something better suited for an official mini-series than ongoing. The story here seems to be coming out of the War of the Lanterns–which I’ve not yet read–but I can follow along well enough. The art’s good, too–I’ve generally enjoyed Benes‘ work. All in all, I think I’m going to probably pass on later issues. I see this being a limited story that’ll make a decent collected volume, and that’ll be the preferred way to read it, for me. (7/10)

Grifter #1

grifter001I’m not sure why I picked this up instead of Legion Lost #1. Perhaps because I’m avoiding the Legion of Super-Heroes, as they’ve never really been my “thing” on the whole. I really don’t feel like I know anything new of this Grifter character than I knew before the issue, and can’t totally separate him from being one of “those Wildstorm characters,” especially with the multiple Wildstorm relaunches and events and such I’ve read through the years, a couple of which I’ve tried to get into. The art’s not bad, but the story doesn’t grab me at all. I can’t tell if the character’s crazy, or who the “voice” is really supposed to be; nor how much this may be dredging up characters or concepts from early Wildstorm stuff (Daemonites, perhaps?). I have enough knowledge to feel unfulfilled here, though I wonder if there’s enough in the story to hook those unfamiliar with any of this. Maybe things’ll improve, but this was one issue too much for me, at present. (4/10)

Animal Man #1

animalman001I passed on this one for the first week. But heard plenty of praise for it and so decided to check it out for myself. Wound up being fairly impressed–I’ve never read Morrison’s run on the old Animal Man series, nor did I read the recent mini-series; but I kinda enjoyed what I saw of the character in 52. The story and art for this issue weren’t bad; I was interested to see Buddy’s family interactions, and it was neat seeing some of the ways he can use the animal powers in every-day life–both instinctively as well as to serve his own purpose (such as getting to sleep). The ending of the issue was thoroughly creepy, but served to hook me–I am highly interested in the next issue and where this is going…there’s something to the involvement with animals that gets to me. Offhand, I think this was one of my favorite of the New 52 so far, in the overall experience and stuff sticking with me. (8/10)

From the back of the bandwagon: My DC New 52 thoughts, Week #1

STORMWATCH #1

stormwatch001While I can appreciate what this is likely building toward, it just doesn’t grab me. Something about it reminds me of my experience reading SHIELD #1 a year or two back. Sure, it’s well-written, in and of itself. But as one who has never really read Stormwatch at any great lengths in any of its incarnations–this does about as well at sucking me in. I think of all the new DC books this week, this was my least favorite. Thankfully, it was a late grab (my 4th comic shop) and not something I’ll feel like I’m backing out of. I wasn’t planning on getting this to begin with, saw some comments online and decided I actually did want to check it out, but cool as the last page may be, it’s not “enough.” Art’s not bad, either (didn’t sway me one way or the other). If this title turns out to be something worth getting long-term, I can backtrack or grab a collected volume. (4/10)

STATIC SHOCK #1

staticshock001Though I wouldn’t say this is my favorite debut issue, it was relatively “fun” going through. I’m not all that familiar with Static in general–about half of what I know comes from reading a book one of my college professors wrote about the Milestone Comics line–but I knew enough to enjoy this. “But why did you need to know anything beforehand?” you ask? Because this character seems relatively established in his book. First issue, blah blah blah…we don’t see him meeting Hardware (though I gotta say, it’s totally awesome seeing Hardware in here!), or discovering his powers. And I gather from this that Dakota is now an established city in the DC Universe. Story’s not bad–has a lot of potential. Art’s good, and I like that it feels like a cross between the cartoon and the “classic” original series. (7/10)

BATGIRL #1

batgirl001This was a last-second book for me. Originally I’d figured I wasn’t even gonna bother with it. I don’t care for Babs as Batgirl–she was already Oracle (or at least, she was in a wheelchair) the first I became aware of her back in the late 1980s when I was introduced to comics. I can appreciate the character in terms of the ’60s tv series, and as a former library student myself, love the imagery when she represents librarians. But this is the first “current continuity” I’ve seen in my life of her as Batgirl, and it’s so-so. Simone’s a great writer, and I have faith that if I stick with this series long enough, she’ll likely sway me into liking this take on Babs. That the “home invasion” from The Killing Joke is kept works well, and though I prefer Oracle, this plays out as an alternate take on the permanent injuries of the continuity that just ended. Syaf and the whole art team put together a great visual product…and I far prefer Syaf‘s Batgirl to Hughes‘ cover. (7.5/10)

DETECTIVE COMICS #1

detectivecomics001This issue was one I was gonna grab pretty much whatever. *Detective Comics* #1. Of course, it now lacks any great pedigree–it goes from being “the longest comic ever published” to being just another #1, and just another title amidst so many. Still, it’s a Batman book, and it’s got Batman vs. The Joker. Yeah…just another battle. But the end of the issue leaves me “curious” as to what’s to come for the Joker, disgusting as that was. I doubt it’ll lead off to any great changes–even in this relaunch, I can’t DC letting the Joker’s image be changed all that much. The art on the issue is pretty good, and there were some panels with Batman that I really liked, and the Joker certainly carried a familiar look. All in all, far from being a horrible issue, but nothing that stands out as anything iconic or all that remarkable. (6.5/10)

JUSTICE LEAGUE INTERNATIONAL

justiceleagueinternationalLike Batgirl, this was a last-second book for me. I dropped Booster Gold a year and a half or so ago, tired of the meandering and figuring I’d “just catch up” from bargain bins. I also got burned out from Blackest Night, and so after a couple months of trying, decided to give all the Brightest Day stuff a pass to maybe catch up in collected volumes. As such, I missed the past year of Booster Gold and virtually all of Generation Lost. And I missed Booster, so with this being his new book, I figured I’d give it a look-see. This is another title where the art’s good, but not fantastic. And the story’s almost forgettable. I certainly didn’t enjoy this as much as I’d hoped to…but I think I’ll probably be back for the next issue. (7/10)

SWAMP THING #1

swampthing001I’m not sure what initially grabbed my interest for this title–probably the Search for Swamp Thing mini-series that served as an aftermath to Brightest Day. And yet, it was the fact that I had put this issue on my pull list that I picked up Search for Swamp Thing. Chicken, meet Egg? This issue certainly didn’t blow me away or anything, but it’s got potential. There’s something to this version, to knowing this take on the character has him within the main DCU, that somehow has me enjoying it more. I’ve never really gotten into the Vertigo version of the character, however good the writers/stories may have been. Never have been opposed, but just never really got grabbed…except for the ties to Hellblazer. And with John Constantine back in the DCU as well (or a version of him, anyway), I figured this title was worth checking out. I am glad that I picked up and read Search for Swamp Thing, as this does make some vague references to it, and does seem to sort of follow on it. At the least, this does not contradict that series. I’ll be back for #2 to see how things continue playing out, though unless I really get grabbed, I don’t know if I’ll last an entire arc. Will take it an issue at a time. (6/10)

ACTION COMICS #1

actioncomics001This takes place 5 years in “the past.” Planting this square in my final semester of grad school. Which is really disconcerting when I think of it in those terms, today.  Though this is not the Earth One Superman, he feels equally unfamiliar. I’m willing to read this story, to take it for what it is, in and of itself…but especially as the character is at this point, this is far from any Superman I’ve really ever known, or cared to know…history be darned. Morrison is hit or miss for me, and I can’t quite decide which this is. Other than the “meta” significance of this being Action Comics #1 (and for the first time in 73 years, a distinction now must be made as to WHICH Action #1), this doesn’t feel like anything special…just another story with a much different take on the character. Of course…I’ll be back for #2, unless something comes up that REALLY turns me off from this series. And given my history with Superman, even if I don’t keep up with the singles as they come out…I can’t imagine I’ll be able to stay away from the title long-term, whatever develops. (6/10)

Flashpoint #5 [Review]

Flashpoint part 5 of 5

Writer: Geoff Johns
Penciler: Andy Kubert
Inkers: Sandra Hope and Jesse Delperdang
Colorist: Alex Sinclair
Letterer: Nick J. Napolitano
Cover: Andy Kubert, Sandra Hope, Alex Sinclair
Asst. Editor: Kate Stewart
Assoc. Editor: Rex Ogle
Executive Editor: Eddie Berganza
Published by: DC Comics

Flashpoint #5 was a rather quick read for me. For now, not much in the way of emotional investment: I read #1 a few months back, but that was the last I’d read. I picked this issue up solely for the promise of it “explaining” the transition to the New 52. In and of itself in that regard…I probably could have done just as well to not bother buying this.

The story moved pretty fast, and was mostly this epic final battle between Barry and Thawne (Flash and Reverse-Flash). Thawne had screwed with Time–killing Barry’s mother–and Barry had tried to set things right, resulting in a the screwed-up “present” of the Flashpoint universe. When Barry realizes what he has to do to TRULY put things right (at great personal cost), he gives it a shot–and seems to succeed. Of course, what he doesn’t know is that there are minor differences–while some things are as they should be, others are drastically different…as will be discovered throughout the New 52.

That the story feels like primarily one huge fight scene, an ambiguous “emotional moment” with Barry and his mother, followed by an ambiguous epilogue scene doesn’t give it much to go on in and of itself as a single issue. That hurt my enjoyment of it–and my rating of it–but I’m sure it’s got much more resonance with someone who has read the entire series.

The art on this book looks great overall, and I really enjoyed it. Of course, as with the writing, most nuances were lost on me at this point, not having read issues 2-4 nor any of the tie-ins. I do intend to read the full story when the collected volume comes out, and perhaps the tie-ins as well. I just wasn’t going to follow this entire event as single issues with numerous issues to buy at full price every single week for months. (I also hadn’t initially realized the significance of this particular event until things were underway, or I MIGHT have considered otherwise).

My core quibble with the art is “the” 2-page spread that’s supposed to explain things: there’s reference to 3 timelines, though I feel like I saw 4…not sure which was doubled, or if there were 3 timelines PLUS the Flashpoint line (which may be, but not having read the core of Flashpoint, I can’t quite tell visually).

If one were to read this issue “in a vacuum,” that is, without knowing about the New 52 and such, the ending would seem on the one hand to be pretty much a non-issue: Time gets screwed up and put back, Barry remembers, and the main thing beyond that is to impact Batman. on the other hand, it would seem to be rather open: with multiple timelines instead of just changing one line back to another, there seems to be a new timeline formed, ripe for exploration.

Unfortunately, I must leave it to others for now to determine if this was a good ending to Flashpoint as a whole. As an ending to the DC Universe I’ve spent the last 23 years with, it’s not a horrible ending, but it’s almost unneeded. Probably the main thing for me about having this issue is to have it–to be in on the end and the beginning this week, having also grabbed Justice League #1.

If you followed Flashpoint, obviously this’d be an issue to get. If you’re just jumping into things for the relaunch, you’d be just as well-served to find the image of “the” spread online rather than buy this issue out of context.

Story: 5/10
Art: 8/10
Whole: 6/10

Justice League #1 [Review]


Full review posted to cxPulp.com
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Story: 3.5/5
Art: 4.5/5
Overall: 4/5

DC Retroactive: Superman – The 1990s [Review]


Full review posted to cxPulp.com
.

Rating: 4/5

Brightest Day Aftermath: The Search for Swamp Thing [Review]

Brightest Day Aftermath: The Search for Swamp Thing

Writer: Jonathan Vankin
Pencils: Marco Castiello
Inks: Vincenzo Acunzo
Art (Issue #2): Renato Arlem
Colors: Barb Ciardo
Letters: Sal Cipriano, (Issue #3) Dave Sharpe
Cover: Ardian Syaf, Vicente Cifuentes, Ulises Arreola
Editors: Rex Ogle and Eddie Berganza
Published by: DC Comics

I haven’t finished Brightest Day yet, but I know that the big hubbub over the final issue was the return of Swamp Thing and John Constantine–after a lengthy absence–to the mainstream DCU. And waiting for the collected volumes of Brightest Day, I opted to pass on this series. But this weekend, I found myself looking for something “extra” to pick up, and the comic shop I was at had all three issues, so I decided that rather than spend only $3.99 for a one-shot, at “only” $2.99/issue, I’d snag this entire 3-issue mini.

John Constantine finds himself the butt of his pal Chaz’s jokes for having bought a newspaper–though this particular newspaper had literally called out to him, the Swamp Thing’s attempt to make contact with him through the plant fibers in the paper. The trouble apparently caused by the Swamp Thing draws Constantine into a quest for his old acquaintance. After all, John saw the Swamp Thing through a couple other major events, so only fitting to be part of whatever this latest go-round is. Constantine makes contact with Batman to enlist the detective’s aid. When this doesn’t go as planned, he finds himself in Metropolis seeking the Man of Steel’s brand of assistance. Upon realizing what may actually be going on, John finds himself on a path that neither Superman nor Batman can condone as he seeks to set things right in a way that only he–John Constantine–can do.

It’s been ages since I’ve read any Hellblazer stuff–at least a year and a half, maybe 2+ years–so this was a welcome reading experience. Vankin has a good feel for the character, I felt like I was reading Hellblazer…except this is set within the DCU, with John interacting once more with a world that includes Superman, Batman, and other super-powered people, unlike the world the character’s Vertigo counterpart inhabits. This version of Constantine is younger, though still quite recognizeable as the character he is. There’s plenty of reference to the past to establish the character’s roots, to remind those familiar with the characters past of what they are. And if one is unfamiliar, it serves to establish that this character has a past in the DCU, though he’s not cropped up in a DCU book in quite a few years.

Though the series’ title emphasizes the Swamp Thing, this feels fully like a DCU-based John Constantine/Hellblazer story, and does so far more than I’d anticipated, expecting there to be a lot more focus on Swamp Thing (especially with Swamp Thing being one of the “New 52” in DC’s relaunch in September). Of course, I’ve long been more a fan of Constantine than Swamp Thing, so this focus didn’t bother me and I think my enjoyment of this series was higher than it would have been if it actually did focus more on Swamp Thing).

The story itself felt pretty basic, and even a bit choppy, almost as if it should have been stretched to at least another issue. Given its timing at the very end of this version of the DCU, though, there seems to have been a need to compress it into only three issues. The first two issues had a nice build, reintroducing us to Constantine, as well as putting him back on the map for Batman and Superman. The third issue held a good bit of promise to it, but after 2 1/2 issues’ build, the end seemed to be anticlimactic, almost negating the purpose of having this series to begin with. This could change depending on the status quo in the new Swamp Thing ongoing, but that would almost make this series seem a prologue and worthy of an altered title.

The art was a sort of mixed experience going through the three issues. Offhand, I’m not familiar with the art team(s) behind this series. The style was not unattractive, and seemed to fit the characters involved. Batman and Superman, if only for the amount of Vertigo Hellblazer that I’ve read seemed a bit out of place by existing, though the artists had a good blend that allowed them to visually work with Constantine and Swamp Thing (or vice-versa). Though the second issue had a different artist, the style’s similar enough to the first and third that I honestly didn’t even notice until pulling the credits to write this review.

As I have not yet finished reading Brightest Day, this doesn’t honestly seem or feel connected to that, except that it would sort of explain an apparent resurrection that lies at the core of this story (even as it reminds me a bit of The Spectre’s character shortly after Green Lantern: Rebirth). If this ties to the new Swamp Thing series as I think it might, I’d hope to see this collected either as a Swamp Thing vol. 1 or 0, or somehow simply not as just a Brightest Day companion volume. If you’re a fan of Hellblazer, this series presents a chance to see a younger Constantine interacting with the DC Universe he came from, and get away from the intricate mythology that’s built up over the last 200+ issues of Hellblazer. If you’re interested in Swamp Thing, this wouldn’t seem a horrible story, but Swamp Thing seems a bit player at best, though you’ll find plenty with Constantine, a character with some key ties to Swamp Thing’s past.

Recommended.

Story: 7/10
Art: 8/10
Whole: 7.5/10

Action Comics #904 [Review]

Reign of the Doomsdays Finale

Writer: Paul Cornell
Artist (pp 1-16): Axel Gimenez
Artist (pp 17-20): Ronan Cliquet
Colorist: Brad Anderson
Letterer: Rob Leigh
Cover: Kenneth Rocafort
Associate Editor: Wil Moss
Editor: Matt Idelson
Publisher: DC Comics

Hard to believe it, but this is the final issue of Action Comics. Sure, Action Comics (vol. 2) #1 comes out in a couple weeks, but that’s a whole different thing. It’s not this same title. It’s not the actual title with its roots in the dawn of the comics industry, the dawn of the super-hero, going back to even before World War II, touching on eight decades. But that’s mostly a discussion for the new Action Comics.

This issue wraps up Superman, and Action Comics, and is basically the send-off for this title and these characters, at least for what I’m currently reading (I have not read Superman #714, nor the final issues of Supergirl or Superboy).

We open with Superman discovering that the current threat to the world still ties back to Lex Luthor’s recent actions in the Black Ring arc. Talking with this willed-to-existence entity, Superman is restored to solid existence, to lead the heroes in a final attack on the Doomslayer to save their world. While Superman and the Eradicator (in a different but familiar form) take on Doomslayer, the others attend to the multiple Doomsdays. When all’s said and done, Clark and Lois talk over dinner, bringing this era of Superman, and aspects of the character going back a quarter-century, to a close.

The main story seemed to wrap up a little too quickly for my preference. It’s not bad, mind you–but it just seemed a little quick. Perhaps it’s the time between issues combined with all the other stuff I’ve (as an individual) had on my mind and looking toward with the pending relaunch–but it doesn’t feel like the potential with this Doomslayer really had a chance to take off, and the heroes (as with a couple years back in New Krypton) handle the Doomsday threat a little too easily for what the character was created to be. That said, I found the closing to be a great touch and appropriate epilogue to this lengthy Doomsdays thing, which has been going on all year now, since that Steel one-shot back in early January.

Given that it was the Death and Return of Superman “trilogy” that most firmly brought me back into comics in a way that I’ve never truly left since, it’s rather satisfying that Supergirl, Superboy, Steel, the Eradicator, Doomsday, and the Cyborg Superman were all brought into what turned out to be the final story of this title, and these characters.

Visually, I’m not really impressed with the art on the main story segment. I’m not really disappointed, either…it’s just not a style that clicked well with me in reading this issue–something about it just felt off. The characters and action isn’t hard to follow, everyone’s recognizable and all–so it does its job as it should. The epilogue segment worked quite well, though–I’ve mostly enjoyed Gary Frank‘s work on Superman, and Cliquet does an excellent job of emulating that style.

All in all…this issue’s for the longtime/ongoing readers. This is the end of Cornell‘s run on this title; this caps off a quasi-crossover sort-of-“event.” This is the end of Lois & Clark, at least the Lois & Clark of the last 15 years. This is likely the last of a lot of other familiar elements and possibly actual characters that have been part of the Superman story for a generation of readers. This goes out with neither whimper nor bang…but leaves things so that maybe someday, this iteration of the characters can be revisited.

Story: 7/10
Art: 7/10
Whole: 7/10

Superman #712 [Review]


Full review posted to cxPulp.com
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Story: 3.5/5
Art: 3.5/5
Overall: 4/5