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Action Comics #904 [Review]

Reign of the Doomsdays Finale

Writer: Paul Cornell
Artist (pp 1-16): Axel Gimenez
Artist (pp 17-20): Ronan Cliquet
Colorist: Brad Anderson
Letterer: Rob Leigh
Cover: Kenneth Rocafort
Associate Editor: Wil Moss
Editor: Matt Idelson
Publisher: DC Comics

Hard to believe it, but this is the final issue of Action Comics. Sure, Action Comics (vol. 2) #1 comes out in a couple weeks, but that’s a whole different thing. It’s not this same title. It’s not the actual title with its roots in the dawn of the comics industry, the dawn of the super-hero, going back to even before World War II, touching on eight decades. But that’s mostly a discussion for the new Action Comics.

This issue wraps up Superman, and Action Comics, and is basically the send-off for this title and these characters, at least for what I’m currently reading (I have not read Superman #714, nor the final issues of Supergirl or Superboy).

We open with Superman discovering that the current threat to the world still ties back to Lex Luthor’s recent actions in the Black Ring arc. Talking with this willed-to-existence entity, Superman is restored to solid existence, to lead the heroes in a final attack on the Doomslayer to save their world. While Superman and the Eradicator (in a different but familiar form) take on Doomslayer, the others attend to the multiple Doomsdays. When all’s said and done, Clark and Lois talk over dinner, bringing this era of Superman, and aspects of the character going back a quarter-century, to a close.

The main story seemed to wrap up a little too quickly for my preference. It’s not bad, mind you–but it just seemed a little quick. Perhaps it’s the time between issues combined with all the other stuff I’ve (as an individual) had on my mind and looking toward with the pending relaunch–but it doesn’t feel like the potential with this Doomslayer really had a chance to take off, and the heroes (as with a couple years back in New Krypton) handle the Doomsday threat a little too easily for what the character was created to be. That said, I found the closing to be a great touch and appropriate epilogue to this lengthy Doomsdays thing, which has been going on all year now, since that Steel one-shot back in early January.

Given that it was the Death and Return of Superman “trilogy” that most firmly brought me back into comics in a way that I’ve never truly left since, it’s rather satisfying that Supergirl, Superboy, Steel, the Eradicator, Doomsday, and the Cyborg Superman were all brought into what turned out to be the final story of this title, and these characters.

Visually, I’m not really impressed with the art on the main story segment. I’m not really disappointed, either…it’s just not a style that clicked well with me in reading this issue–something about it just felt off. The characters and action isn’t hard to follow, everyone’s recognizable and all–so it does its job as it should. The epilogue segment worked quite well, though–I’ve mostly enjoyed Gary Frank‘s work on Superman, and Cliquet does an excellent job of emulating that style.

All in all…this issue’s for the longtime/ongoing readers. This is the end of Cornell‘s run on this title; this caps off a quasi-crossover sort-of-“event.” This is the end of Lois & Clark, at least the Lois & Clark of the last 15 years. This is likely the last of a lot of other familiar elements and possibly actual characters that have been part of the Superman story for a generation of readers. This goes out with neither whimper nor bang…but leaves things so that maybe someday, this iteration of the characters can be revisited.

Story: 7/10
Art: 7/10
Whole: 7/10

Action Comics #901 [Review]

Reign of the Doomsdays part 1

Writer: Paul Cornell
Artists: Kenneth Rocafort, Jesus Merino
Colorist: Brad Anderson
Letterer: Rob Leigh
Cover: Kenneth Rocafort
Associate Editor: Wil Moss
Editor: Matt Idelson
Published by: DC Comics

The first thing I noticed about this issue was the banner at the top advertising the Green Lantern film due out June 17 “only in theaters.” Now, I know Marvel has done this for YEARS, but they’ve generally done it by way of the upper corner box by the issue’s number and such. And I appreciate this on the GL books–it’s most appropriate there. But on a Superman title, it’s less appropriate, except as the full-DC-wide blast of the advertising. After all, why hide the ad on an interior or the back cover when by having a banner at the top, you’re advertising off any and all ways of displaying comics that allow the top portion to be seen?

That aside…the cover doesn’t impress me all that much. I do appreciate that Doomsday looks a lot closer to what I’m used to than it has in awhile. But the image does seem rather generic to me–Doomsday standing amidst wreckage, the bodies of the Superman Family sprawled at its feet. Something about the imagery just doesn’t do it for me. Then again…the cover is not why I bought the issue.

The story picks up where the lead story of Action #900 left off–the Superman Family has found that they are facing several Doomsdays, each tailored to a diffeent power set, but all set on destruction of the entire group. Cyborg-Superman welcomes destruction, the chance at death. The others, however do not–so after Superman neutralizes the Cyborg, the group gathers up and heads away from their attackers into the depths of the prison they’ve found themselves in. Meanwhile, on Earth, an imminent extinction-level event is detected, and (in contrast to the controversy over a short in the previous issue) the American President proclaims the country’s need of Superman, of any super-powered beings able to help. As Superman & Co. realize their prison is fast approaching Earth, they encounter yet another threat, who steps forth to prevent them from saving the planet. Without wasting time arguing, he delivers a shocking blow to the group, leaving their reaction as our cliffhanger.

I’m not a huge fan of the split art duties on the issue. Rocafort‘s visual style seems a bit “off” to me, and reminded me of my least favorite art from #900, though on a double-checking, it’s not the same. There’s something to this style that makes the characters seem overly generic, Superman especially. Somehow it looks to me more like some guy in a Superman costume, and the face alone doesn’t say “Superman” to me. Merino‘s art in the middle of the issue stands out, and is far preferable to me–the characters look a lot more “on” on those pages…and it makes it rather jarring to then shift right back to a different visual style.

Cornell‘s writing is solid…I haven’t yet read much of his work…the first issue of the Black Ring arc and then the lead in Action 900. But I do like the concept, at least, that’s at play here…and I really enjoy having Superman teamed up again with Supergirl, Eradicator, Steel, Cyborg, and Superboy. And given the first time these characters all got together, it’s fitting that they’re dealing with Doomsday. Given this context–their teamup, and the Doomsday situation…I’m tentatively hooked. I came back for this issue, having figured to only pick up #900 as the anniversary that it was.

While much of the story is fairly serious and played straight…there’s a part where we actually get a thought balloon for Superman, which seems somewhat out of nowhere–especially as I’ve grown used to the LACK of thought balloons in favor of “voiceover” narration and such. The use of the thought balloon in this issue seemed hokey and a bit forced; and momentarily took me out of the story while I thought about it. Not a huge deal, but noticeable.

Where the story is most hurt in my eyes is that I have no idea how many chapters to expect…just as I had no clue how many to expect, really, with the Reign of Doomsday hopping along through various other books without really meaning much. I certainly hope this arc is not dragged out…though this is labled Reign of the Doomsdays part 1 (escaping Reign of Doomsday which was around a half-dozen issues), it’s essentially the same story continuing, so this feels like the 7th chapter, and I’m not sure I’ll want to stick around long-term if it’s simply a dragged-out slugfest or punch-and-run-and-punch-again kinda thing.

While this doesn’t really hold a candle to Reign of the Supermen, if you’re a fan of these characters, this packs a good bit of nostalgia and hope of a new classic. Worth picking up if you enjoy seeing these characters all brought together, and/or if you read #900 and want to follow this Doomsday story.

As of now, I’m interested enough to see where this goes that I plan to come back for #902.

Recommended.

Story: 7/10
Art: 6.5/10
Overall: 7/10

Action Comics #900 [Review]


Full review posted to cxPulp.com.

Story: 3/5
Art: 4/5
Overall: 3.5/5

Action Comics #890 [Review]

The Black Ring, part one

Writer: Paul Cornell
Artist: Pete Woods
Colorist: Brad Anderson
Letterer: Rob Leigh
Cover: David Finch, Joe Weems & Peter Steigerwald
Asst. Editor: Wil Moss
Editor: Matt Idelson
Published by: DC Comics

This issue opens with Luthor strung upside down over the edge of a building…many, many stories above the ground, being threatened. He takes it in stride, though, knowing that if they wanted him dead, he’d already be so, and that his captors want something else. While he waits to see what that is, he reflects on how he wound up in this position…from his deputization as an Orange Lantern during the Blackest Night, to his growing obsession with learning the secret of the rings–any ring, but particularly the black ones–as reflected in a conversation he has with “Lois” before he gets ready to suit up (remember, he has that goofy purple and green battlesuit) and head off in search of a ring.

The story is fairly reasonable…after having access to such incredible power, Luthor naturally would not want to give it up…and being stripped of it, would naturally seek to get it back. That it was an orange ring (avarice/greed) makes this all the more fitting. And as Luthor is supposed to be this evil genius, one of the smarter men on Earth in the DCU, he’s likely to find a way to at least get close to a ring again. This makes for an interesting status quo, and a show of actual repercussion from the recent event. Though I’ve yet to see any numbers or time-frames…no one has said “for this arc” or “for the next year” or anything regarding how long…Lex Luthor is presently the star of Action Comics for awhile, as Superman is embarking on a lengthy walk across America in the main Superman book under Straczyinski‘s direction.

The art is familiar…I got fairly used to Woods‘ work during the New Krypton stuff. Something about the style works a lot better for me here with the Luthor cast than involving Superman/Kal-El. And even apart from comparisons…it looks good here. Nothing to really complain about.

Though this is issue #890 of Action Comics, it’s essentially Lex Luthor #1. As first issues go, it’s not bad…though one jumping in totally fresh might lack info about Blackest Night, and one should note that this takes place–apparently–after the events of July’s Superman #701 which I assume is when Superman will leave everything behind to walk across the country. This is very much a “spin-off” of Blackest Night and not just some arbitrary “new title.” It continues Luthor’s story and does not try to reinvent it. The cover even sports the Blackest Night trade dress, albeit with the word “Aftermath” added.

If you’re a fan of Luthor, this is a good point to jump on and dig in. However, if you’re “only” a fan of Superman and only want to read about the adventures of Superman himself, this is not a book for you.

Story: 7.5/10
Art: 7/10
Overall: 7/10

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