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Green Lantern #46 [Review]

Full review posted to comixtreme.com.

Story: 4/5
Art: 4/5
Overall: 4/5

Blackest Night: Titans #2 [Review]

Bite the Hand That Feeds

Written by: J. J. Krul
Pencils: Ed Benes
Inks: Scott Williams & Ed Benes
Colors: Hi-Fi Design
Letters: Rob Clark Jr.
Assoc. Editor: Adam Schlagman
Asst. Editor: Rex Ogle
Editors: Eddie Berganza & Brian Cunningham
Cover: Benes, Hunter, & Pete Pantazis (variant by Brian Haberlin)
Publisher: DC Comics

There’s a fair amount going on in this issue. Donna deals with the Black Lantern versions of her late husband and child, battling the emotions brought to the surface seeing them back. Dove deals with Black Lantern Hawk who has just killed her sister, a newer Hawk…and of course the implications of a recently-deceased individual in proximity to black rings. Beast Boy deals with the deception presented him, and the whole team winds up facing the imminent attack from old enemies newly risen as Black Lanterns.

This was a pretty good issue, though I didn’t “get” everything that was going on, not being overly familiar with many of the characters…even less familiar with their specific current status quo. However, that doesn’t detract much from the story, I don’t think–just that I’d get more out of it being more familiar with recent stuff. There’s plenty of forward movement story-wise (really, for the middle chapter of a 3-parter, that’s part of what’ll make or break the series). Everything introduced in the first issue that I can recall is followed up on, and we’re left with enough that it’s hard to believe there can be a complete story here with only 3 issues TO the mini.

The art by Benes is top-notch; really no complaint there. The characters are all recognizeable, and even in the yuckiness of the Black Lanterns, this is some of the best I’ve seen these characters…a state of affairs I’ve gotten rather used to in the case of Benes-pencilled works. I wonder just a bit at Williams not inking the entire issue…curious if it’s a timing issue or some such. Despite wondering, I didn’t even notice that UNTIL I specifically looked at the credits for this review, which is saying something (positive) about it in MY book.

This is a bit of a niche book; probably best suited for those familiar with the Titans side of the DCU and seeing how they’re affected by Blackest Night. But if you’re simply following Blackest Night itself, this issue (and the series it’s a part of) seems to serve as a good instroduction to key characters in the Titans family of books.

This is another high-quality issue, well worth getting in context of the above-referenced conditions.

Story: 7.5/10
Art: 8.5/10
Whole: 8/10

Superman #692 [Review]

Down Time

Writer: James Robinson
Penciller: Fernando Dagnino
Inker: Raul Fernandez
Colorist: Blond
Letterer: John J. Hill
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Cafu, Santiago Arcas
Publisher: DC Comics

I feel like I missed an issue somewhere. The way this whole “Mon-El is dead, killed by the Kryptonians” plot thread is getting so much play-time seems somehow out of proportion. To me, the big reveal of Codename: Patriot was Sam Lane being what the story’s title was in reference to. Mon-El being killed, or SUPPOSEDLY killed just was not something that really jumped out to me…so I either missed an issue, or failed to “notice” something that would be played out as so significant.

This issue provides some context on the destruction of Metropolis’ sewer/water system and why it’s not simply being fixed by Earth’s metahumans; we also have some references to other characters of recent significance. We see the Guardian reacting to the apparent death of his new friend, as well as what is surely the premature announcement of Jon Kent’s death, though the in-story context speaks to its timeliness.

The art’s pretty good overall, though doesn’t really strike me as other art teams’ work has. It’s not bad, but it doesn’t stand out as wonderful in and of itself. It gets the story across and does what a comic’s art should, but doesn’t strike me as a “selling point” for this particular issue.

All told, not a bad issue in and of itself, but I didn’t enjoy it all that much. I think the New Krypton stuff is beginning to wear a bit thin for me, and I’m also waxing nostalgic for Byrne, Ordway, Jurgens, and other art teams from the late-1980s and early 1990s…so current artists aren’t measuring up to what I hold in memory and nostalgia.

A worthwhile issue if you’re following the title or the Superman family of books. Nothing really here to justify it as a jumping-on point.

Story: 3/10
Art: 5/10
Whole: 4/10

The Web #1 [Review]

Full review posted to comixtreme.com.

The Web
Story: 3/5
Art: 3/5

The Hangman
Story: 4/5
Art: 3/5

Overall: 3/5

Superman: Secret Origin #1 [Review]

The Boy of Steel

Writer: Geoff Johns
Penciller: Gary Frank
Inker: Jon Sibal
Colorist: Brad Anderson
Letterer: Steve Wands
Assoc. Editor: Wil Moss
Editor: Matt Idelson
Covers: Frank w/ Anderson
Publisher: DC Comics

I don’t know how to describe it, really…but there’s something special just about the look of this issue. The cover’s fantastic–Gary Frank is by far one of my favorite Superman artists. The logo on the gradient-blue sky background stands out very nicely (and yet does not look out of place). This is the first issue of a mini-series…the Secret Origin part tells us we’re going back to the “beginning,” and seeing a young Clark on the cover, happy and with his parents, also both looking happy–speaks volumes to the characters. Perhaps it’s that this really gives credence to that saying about a picture being worth a thousand words–a thousand words to the positive thus hit before one’s even looked inside the issue.

Then again, perhaps it’s none of that, and simply the anticipation for this issue–after it was announced last year, and I thought it would be out by early summer and had to wait these extra months for it, and I just so enjoy finally getting to begin reading a definitive origin for the character since the Byrne stuff was chucked awhile back.

The story begins with Clark playing football in answer to challenge from classmates. Peter Ross breaks his arm tackling Clark, and guilty as Clark feels for that, he’s guilted further by facing Pa (in a scene that somehow put me VERY much in mind of that scene with Peter and Uncle Ben in the Spidey film as Uncle Ben lectures Peter on Responsibility). We see other elements introduced–Lana, and the school, Ma and Pa, Smallville itself, Lex Luthor, to name a few. These all come together as the issue progresses and we see first the discovery and solution to some newly-developed/discovered powers on Clark’s part (and how his parents play a strong role in that) and then the implementing of his powers as disaster strikes Smallville. Finally, we see the development of the costume.

The art–as I said above about the cover–is just fantastic. There’s a detail and realism to the visuals that works so well with the story and getting things across…and yet, it doesn’t feel like it’s being overtly realistic. It just captures a level of detail that makes it easy for the mind to fill in the blanks and set these static images to motion as you read.

For newer readers, this is simply an “origin” story–telling the beginnings and background/motivation to things we’re seeing play out in the current issues of the Superman books.

For long-time readers, it may be much more. This seems set to be THE origin, the definitive story of Superman’s background in the books’ current incarnations. Forget Man of Steel and Byrne…forget Birthright and Waid…for that matter, forget Smallville. This is none of those…and yet, it seems to be quite respectful to them all, acknowledging them subtlely and taking key elements from them as the story requires.

Though I’ve looked forward to this series–and yes, delivered extremely well, meeting (and maybe exceeding) my anticipation/expectation–I remained skeptical. I grew up on the 90s Superman, beginning while the “Byrne revamp” was yet FRESH…and there are several key moments to that interpretation of the character that have been done away with in recent years that I’ve greatly disliked. While this fails to RESTORE them…something about Johns’ crafting of the story puts other things in a light that begins to redeem the changes, making them sit much better with me.

The return of what I consider “silver age elements” is handled nicely, and in a modern way that makes things quite plausible in the present.

I don’t think I could’ve asked for a better opening chapter of this mini.

Even if you’re not following the current New Krypton stuff in the ongoing titles, or any Superman comic at all…this is a book to pick up. The writing, the art, the story as provided by the blending of both…makes for a great read, and I’m already eager for not just the entirety of the story, but to see this thing put into a single volume.

Highly, highly recommended.

Story: 8.5/10
Art: 9/10
Whole: 9.5/10

Blackest Night: Superman #2 [Review]

Full review posted to comixtreme.com.

Story: 4/5
Art: 4/5
Overall: 4.5/5

Blackest Night #3 [Review]

Full review posted to comixtreme.com.

Story: 4.5/5
Art: 4.5/5
Overall: 4.5/5

Blackest Night: Batman #2 [Review]

Full review posted to comixtreme.com.

Story: 4.5/5
Art: 4/5
Overall: 4.5/5

Green Lantern Corps #40

Heart of Darkness

Story & Words: Peter J. Tomasi
Penciller: Patrick Gleason
Inkers: Rebecca Buchman, Tom Nguyen & Prentis Rollins
Colorists: Randy Mayor, Gabe Eltaeb
Letterer: Steve Wands
Editor: Adam Schlagman
Cover: Gleason and Buchman (variant by Billy Tucci & Mayor)
Publisher: DC Comics

This is another high-action issue as we see a lot of things going on all at once. The Black Lanterns continue attacking the living on Oa, with strategically-chosen individuals facing those living, seeking the most powerful emotional response. Kyle faces old flame Jade, while Arisia faces lost family, and Guy Gardner faces old comrade Bzzd. While this battle is going on we also see other events unfolding, as the Star Sapphires help Kryb, seeing the genuine “love” Kryb has for her “children” and the various lanterns face the Black Lanterns.

While I continue to find Gleason’s art not quite to my personal tastes, there’s something to it here in this issue that actually doesn’t put me off the way it has with other issues recently. In and of itself, the artwork is certainly solid, and the style has a sort of consistency that adds to the “history” a number of these characters have–with each other, and in the recent DCU.

The story’s solid, as we pick up on earlier plot threads and they’re given more depth, while the overall scope of Blackest Night continues to ripple outward as the threat-level ratchets upward beyond even what we saw in the Sinestro Corps War. The scene with Bzzd–though rather morbid–actually made me laugh at first, with the way it just makes perfect sense, showing how Bzzd WOULD be so extremely dangerous to one who underestimates him.

While this doesn’t really move the overall plot of Blackest Night forward, it’s a solid issue that fleshes things out, developing the situation and showing how this is more than just any other threat the GLs have faced in the past.

Well recommended.

Story: 8/10
Art: 7.5/10
Whole: 8/10

Magog #1 [Review]

Lethal Force

Writer: Keith Giffen
Penciller: Howard Porter
Inker: John Dell
Colorist: Hi-Fi Designs
Letterer: Pat Brosseau
Assoc. Editor: Rachel Gluckstern
Editor: Mike Carlin
Cover: Glenn Fabry (variant by Porter & Dell)
Publisher: DC Comics

I was rather surprised at this issue. I almost passed on it, figuring the character to not be something I’m interested in following long-term. But I gave it a shot, and I’m pretty much glad I did.

We open on a scene that provides us with some exposition–who Magog is, his recent past and what he’s about. We also see him into action with a couple pages that were seen originally in the “preview” in the back of a bunch of DC’s books a few weeks back, showing the more military/black ops side of Magog as the soldier. What he finds there leads him back to his current home and to confrontation with the JSA. After an exchange with Alan Scott, and an introduction to supporting cast members, we see Magog back into action. He’s currently the agent of the JSA who can or WILL get his hands dirty in ways the others can’t or won’t. Magog is not a super-hero; he’s a metahuman in a world of super-heroes, but he’s a soldier. (It would be interesting to see Magog interact with The Shield, come to think of it!).

Storywise, this issue is largely setup and contextualization. It does a good job of that–bringing one up to speed on the basics of the character, putting into place a supporting cast and status quo.

The art is high quality…I really like the visual style we’re presented with here. It’s not totally some grim ‘n gritty visual, but it’s not bright, hopeful and flashy, either. It feels very down-to-earth, and appropriate for the title character.

While this Magog is not the exact same character introduced in Kingdom Come nearly a decade-and-a-half ago, the similarities are there in tone as well as name and costume. One could envision this character developing into that one, but the differences are what add a layer of interest. Differences…or simply more information and insight into the individual…giving him depth rather than being a plot-point in someone else’s story.

Giffen seems to have a good handle on this character, and though I’m not entirely ready to “commit” to this series, I’m sufficiently hooked for at least another issue to see if the magic holds beyond this premiere issue.

Story: 7/10
Art: 8/10
Whole: 7.5/10