• February 2026
    S M T W T F S
    1234567
    891011121314
    15161718192021
    22232425262728
  • On Facebook

  • Archives

  • Categories

  • Comic Blog Elite

    Comic Blogs - BlogCatalog Blog Directory

Superman #689 [Review]

The Tourist

Writer: James Robinson
Penciler: Renato Guedes
Inker: Jose Wilson Magalhaes
Colorist: David Curiel
Letterer: John J. Hill
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Andrew Robinson
Publisher: DC Comics

This issue focuses primarily on Mon-El exploring the world and encountering trouble all across the globe. He tries to visit one place, and winds up in the middle of a metahuman conflict; he goes to help with a conflict and gets to visit something significant. Meanwhile, the Guardian deals with Morgan Edge calling out the public on Mon-El’s presence…something which Edge then spins back into his own favor once again. We also see General Lane interacting with the Prankster about getting another hero out of town…and preparing for yet another of Metropolis’ heroes to take the big dirt nap.

The art as usual isn’t much to my taste, not really enjoying Guedes’ style, nor that of the rest of the art team surrounding his pencils…though that’s personal taste, and is not to say that the art is horrible: it just doesn’t suit me, and thus detracts from my enjoyment of the book. It still gets across what it needs to–and does so effectively.

The story itself gives me mixed things: on the one hand, it’s doing a good job of keeping me interested in Mon-El’s development as well as the Guardian, especially as the two outright take the place of Superman in his own title for the fourth or fifth issue of at least a year’s worth. On the other hand, I find myself more and more skeptical of the General Lane subplot–whatever the character was depicted as prior to Our Worlds at War, now he seems like a derivitive rip-off of General Ross from the Hulk book(s)…and by his associations in this issue, begins to feel like he’s being shoehorned into the role of a new Lex Luthor quasi-archetype…the primary human enemy of Superman/Kryptonians, including having metahuman “lackeys.” We also get a return of a character at the very end that I didn’t care for the first time around.

If you’ve been following the title, may as well stick on with it–this shows Mon-El experiencing the world he’s sworn to protect as he avoids facing the fact of his mortality. If you’ve not been following things…well, you may not really care for this.

Story: 5/10
Art: 4/10
Whole: 4.5/10

Action Comics Annual #12 [Review]

Writer: Greg Rucka
Artist: Pere Perez
Colorist: Mazi
Letterer: Rob Leigh
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Renato Guedes
Publisher: DC Comics

I bought this comic out of a combination of “habit” and the fact that it is part of the ongoing narrative of the Superman family of books these days (even though it sports a black “S” in place of a number for this issue’s place in the overall sequence of things).

This issue’s story details how Chris Kent went from the kid we saw in “Last Son” to where we saw him during the initial New Krypton event as the new Nightwing. It also details how Flamebird got to be what/where she is. Since the point of this annual IS the filling in of those gaps in info, I’m not going to dance around the plot being all vague and such beyond what I’ve already said.

The art works quite well on the whole here–I especially liked the depiction of the Phantom Zone as compared to the 3-D crap foisted on us with the Last Son arc. The way it was depicted here gets the same effect across without resorting to the stupid stunt of needing 3-D glasses to see panels clearly and such. I’m not a fan of the newer costumes for Nightwing & Flamebird…something about the looks just doesn’t work for me, regardless of the in-story explanation for them. Despite that complaint, the way they’re depicted is about as good as I suppose I can expect of these costumes.

While this story sheds further light on the characters (even adding a bit to Non, which I liked) it doesn’t seem entirely essential. One could almost see it as one of those guides to a new DVD player’s remote: the buttons on the device are fairly intuitive and you can get by without the guide…but the guide fills in that much more and does give you a different overall experience for having read it than not.

However, I do think the $5 price tag on this issue was just a bit steep–even just the difference to $4.50 would be preferable, steep as that is as well. If the price doesn’t bother you too much, this is a good issue to pick up.

Story: 7.50/10
Art: 8/10
Whole: 7.5/10

Brave and the Bold #24 [Review]

Last Time I Saw Paris

Writer: Matt Wayne
Artist: Howard Porter
Colorist: Tom Chu
Letterer: Rob Leigh
Assistant Editor: Chris Conroy
Editor: Joey Cavalieri
Cover: Howard Porter
Publisher: DC Comics

Though I’ve “heard” that Static’s been appearing in the Teen Titans book, I’ve not been reading that corner of the DCU…so this is one of the first times I’ve seen the character interact directly with the other DCU characters. Offhand, the only other instance I’ve seen of Static in the mainline DCU was a reference somewhere by Black Lightning about being asked about his relation TO Static. So seeing the two teamed up for this issue was something that seemed interesting enough to check out.

Story-wise, some super-powered villain called Holocaust bursts onto the scene, and both Black Lightning and Static are present and leap into action to protect those around them and deal with the threat. The relationship between the two changes during the issue, winding up with a mutual respect.

The visuals aren’t bad–at some points, they seem a bit “off” to me ever so slightly–but on the whole make for a solid visual experience. The story itself is ok, if a bit cliched. However, given that this is essentially a one-off issue–we have a complete “story” told in this one issue that does not require one to have bought the previous issue nor a need to buy the next issue for continuation/conclusion. Your $2.99 cover price investment nets you the entirety of this particular Black Lightning/Static story.

On the whole given all that, this was a nice fun issue and well worth its cover price. I’d been under the impression that this title was still doing ongoing arcs, just with different pairings of characters taking the lead/spotlight. As a book that gives complete done-in-ones spotlighting such pairings, I’d totally be on-board. After the Booster Gold/Magaog issue last month and now this, I’ll be keeping my eye on the book.

Well worth picking up if you’re a fan of either/both characters.

Story: 8/10
Art: 8/10
Whole: 8/10

Supergirl #42 [Review]

Who is Superwoman? conclusion: epilogues & homecomings

Writer: Sterling Gates
Penciller: Fernando Dagnino
Inker: Jamal Igle
Colorist: Nei Ruffino
Letterer: Jared K. Fletcher
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Joshua Middleton
Publisher: DC Comics

We see more wrap-up on stuff from the Who Is Superwoman? arc here as Supergirl faces Lana and Lois–telling the latter about the death of her sister. Lana fills Supergirl in on the relationshp between Lois and Lucy, while we see General Lane dealing with the death of his daughter.

This issue worked a lot better for me than the previous issue–while I don’t totally “buy” Lucy’s military career and role as Superwoman, it’s a lot easier to “buy” the fact that something horrible happened (her death) and someone having to break the news to Lois. This also adds a bit of depth (cold as it is) to General Lane’s character as he comes to grips with what he’s lost.

Gates seems to hve a good handle on these characters and the relationships they have between one another–such as in Lois’ handling of the news she’s presented with. Though on the book less than a year now, Gates has turned this from an outer-rim sorta book almost embaressingly tied to the Superman family into one integral to the family of books, making Supergirl into a real-seeming teenage girl (albeit alien and with tremendous super-powers). Igle’s style continues to work very well with the stories–though my sole gripe continues to be the way ears are drawn, for whatever reason.

All in all, another strong issue of this title, well worth reading if you’ve been following the book. If you’ve not been following it, you’ll likely be fairly lost, as much of the action in this issue comes from what’s transpired in the last few issues.

Story: 7/10
Art: 7/10
Whole: 7/10

Batman: Streets of Gotham #1 [Review]

Full review posted to comixtreme.com.

Batman: Streets of Gotham
Story: 4/5
Art: 4/5

Manhunter
Story: 3.5/5
Art: 3.5/5

Overall: 4/5

Booster Gold #21 [Review]

Full review posted to comixtreme.com.

Booster Gold
Story:
3.5/5
Art:
4/5

Blue Beetle

Story (Blue Beetle): 3.5/5
Art (Blue Beetle): 3.5/5

Overall: 4/5

Red Robin #1 [Review]

Full review posted to comixtreme.com.

Story: 3.5/5
Art: 4/5
Overall: 4/5

Batman #687 [Review]

A Battle Within: an epilogue to Battle for the Cowl

Writer: Judd Winick
Penciller: Ed Benes
Inker: Rob Hunter
Colors: Ian Hannin & JD Smith
Letterer: Jared K. Fletcher
Assistant Editor: Janelle Siegel
Editor: Mike Marts
Cover: Tony Daniel, Sandu Florea (variant by JG Jones)
Publisher: DC Comics

Though this issue boasts the Batman: Reborn banner at the top of its cover, it actually ought to be labelled with the Battle for the Cowl logo, the word “epilogue” clearly spelled out beneath. Though this issue takes place after the events of the Battle for the Cowl mini, it’s not all that firmly set into the territory of this new Batman: Reborn “era.”

We open on a flashback of Bruce and Dick, then move into Dick and Damian, juxtaposing the two relationships. We also see Alfred reacting to changes, as well as Dick and Tim having words over Damian’s new role as Robin (reminds me just a bit of things during the early issues of KnightQuest: The Crusade back in 1993). We also get to see Dick in action, having accepted the need for a Batman while still struggling to embrace the cowl. Damian shows his brashness, and Dick–as Batman–reveals himself to the city as he shows up to face the Scarecrow.

The story is fairly straightforward. It’s not all that moving exactly–I definitely wish that Final Crisis had not had the epilogue it did–better to have been left guessing at the truly definitively final fat of Bruce to make this stuff more moving and impactful. It is nice, however, to see some of these moments happening given how entirely RUSHED the ending of Battle for the Cowl felt.

The art’s quite high-end…it’s good to get Benes’ art again on something I’m reading; I’ve enjoyed his work pretty much since I first started recognizing it in particular.

As an epilogue story, this will probably be more enjoyable/fitting for longer-time readers (particularly those who followed the Battle for the Cowl stuff in any form). The next issue I believe will kick off the action within the new status quo, and so will probably be a better jumping-on point for new readers.

Not a bad issue, but nothing to get terribly excited over.

Story: 7.5/10
Art: 8.5/10
Whole: 8/10

The Flash: Rebirth #3 [Review]

Rearview Mirrors

Writer: Geoff Johns
Artist: Ethan Van Sciver
Colorist: Brian Miller
Letterer: Rob Leigh
Assistant Editor: Chris Conroy
Editor: Joey Cavalieri
Cover: Ethan Van Sciver, Alex Sinclair (variant by Van Sciver & Brian Miller)
Publisher: DC Comics

The “Rebirth” bit is losing its shine with me here. While expectations have been that the trumpeted return of Barry Allen is the focus of this series–that he’d be restored as Hal Jordan was to Green Lantern in that title’s “Rebirth” mini–my expectations are steadily dropping.

This issue sees reaction to Barry apparently interacting with the speed force in such a way that others tapping into it are dying as his body seeks more and more speed power, in an almost vampiric sorta way. While everyone else hustles to figure a way to separate Barry from the speed force–sure, he’d lose the speed, but at least he’d be ALIVE–Barry determines to go his on sacrificial course…one that puts him back in the familiar role of essentially racing Superman. The issue’s ending puts Barry face to face with who the villain of the piece likely is, in a way that also reminds me very much of the Green Lantern: Rebirth series.

The story, somehow–perhaps I just don’t want to like it–seems one of the weakest I can think of from Johns. While I’d known Kyle as Green Lantern longer than Hal, I’d still known Hal as Green Lantern first. However, the first real exposure I had to the Flash, it was Wally–and in restrospect, had BEEN Wally for bout 3 years before I owned my first comic. While the situation presented in this story is mildly interesting, I do not find Barry himself interesting…certainly not the way I did Hal. And I make the comparisons given the creative team and the title of this series–obviously meant to BE compared to GL:R.

The art by Van Sciver–ESPECIALLY the cover–is top-notch; I really can’t complain about it. Much as Van Sciver brought in the glowing/projected imagery for the GLs of the Lantern logo, he brings that to bear on the Flash with the lightning. Not that it’s original, but something about it really pops.

As a whole, this is a higher quality book than the first couple issues of the post-Bart-as-Flash title that I actually read. It’s not bad for those new to the Flash family of characters (I am myself learning more of the character grouping than I’d known of them prior), so overall accessible to new readers. It’s just lacking a certain excitement and enjoyment factor. With Green Lantern, it felt like the return/rebirth of Hal Jordan mattered. With Barry…it feels like we’re looking for a reason FOR his return to matter.

Story: 7/10
Art: 9/10
Whole: 8/10

Action Comics #878 [Review]

The Sleepers Part 4

Writer: Greg Rucka
Artist: Diego Olmos
Colorist: Rod Reis
Letterer: Rob Leigh
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Andrew Robinson
Publisher: DC Comics

This issue finds a couple of the “Sleepers” (the ones Nightwing and Flamebird are after) house-jacking (cuz hey, they’re Kryptonian and powerful…so let’s go that step above and beyond car-jacking). Lois and Thara talk a bit as Thara explains a bit about her relationship with Chris (K’riss to her). General Lane reacts to recent goings-on and continues to show questionable judgement. Nightwing and Flamebird find themselves back in action (no pun intended) and before long come across an ambush that may or may not pose a significant threat to them.

This issue continues to hold plenty of promise, though the execution is definitely flawed. I’m not all that engaged with the characters, nor do I particularly like them. The abnormally-fast-aging thing with Chris isn’t all that original to me (and I enjoyed the dynamic of him being a much younger child in Clark/Lois’ life, but as a semi-adult super-being…he’s just not that interesting). The story is decent, but not wonderful.

The art’s also in the good-but-not-spectacular sorta category. It fits the story and conveys what needs to be gotten across.

This remains an ok title, and mostly lives up to its name. It’s just not the most engaging, enjoyable thing you’ll find out there these days.

Story: 7/10
Art: 6.5/10
Whole: 7/10