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Billy Batson and the Magic of Shazam! #5 [Review]

Mr. WHo? Mr. Atom!

Written By: Art Baltazar & Franco
Drawn By: Byron Vaughns
Inks: Ken Branch
Colors: David Tanguay
Letters: [no credit given]
Asst. Editor: Simona Martore
Editor: Dan Didio
Cover: Mike Kunkel
Publisher: Johnny DC (DC Comics)

This issue, just by not being by Kunkel seems to lose some of its magic. It’s still a solid, fun issue…but for one thing, it felt like I just sped right throughout in about half the time it’s taken on previous issues. While I don’t have the prior issues onhand for immediate comparison, I think a large difference is in panel size and action–the panels seem larger than I remembered for this series, and far more open with less action…almost as if the previous issues were super-compressed compared to this issue’s “standard” sort of appearance.

Billy and Mary battle a giant robot. That’s really the main plot here. Familiar elements are present–the kids’ living situation, Billy’s job, etc. The story’s fairly simple without being overly simplistic. The visual tone remains kid-friendly (as it should, given it’s part of the kids’ line). The art is also quite reminiscent of Kunkel’s…while the interior is not Kunkel’s, it does not seem all that far off from Kunkel’s cover image.

If you’ve enjoyed this book thus far, this issue is a bit of a step down from what it was…but it’s still a good book, and much more enjoyable than a lot of fare out there. With Supergirl: Cosmic Adventures in the 8th Grade done with, I daresay this is my favorite of the Johnny-DC line. We do have a “To Be Continued” on this issue…but it seems more one of those ominous “Not the End” types, not so much a “the-hero’s-in-danger” cliffhanger. As such…this makes for a fine one-off issue….from introducing the main characters and their status quo, introducing the threat, dealing with the threat, and winding down on the action, you needn’t have read prior issues to enjoy this, nor does it make one anxious for the next issue.

Recommended.

Story: 7.5/10
Art: 7.5/10
Whole: 7.5/10

Green Lantern Corps #37 [Review]

Emerald Eclipse part five

Story & Words: Peter J. Tomasi
Penciller: Patrick Gleason
Inkers: Rebecca Buchman & Tom Nguyen
Colorists: Randy Mayor & Gabe Eltaeb
Letterer: Steve Wands
Editor: Adam Schlagman
Cover: Gleason, Buchman & Mayor
Publisher: DC Comics

Sodam Yat uses his Ion powers to transform Daxam’s sun into a yellow sun, thus granting all the Daxamites super-powers so that they can fight back against their oppressors. Meanwhile on Oa, the Lanterns continue battling the excaped sciencell prisoners, with some fairly unlikely alliances forged in the midst of battle. Finally, Scar throws off pretense and sets into motion what she’s been building toward for awhile now.

All in all, a decent issue story-wise. It’s cool to see what the GLs are doing all over the place and not just one or two specific GLs on a single planet. We get to see Yat continue to do spectacular things worthy of the tremendous power he harbors..and the fact of his doing it fits perfectly with a cosmic-level book such as this. Seeing things deteriorate on Oa adds a bit of desperation to things–again giving cause to wonder how the GLs are going to fare against the Black Lanterns soon to rise if they’re having this much trouble now without the Black Lanterns invading/attacking.

As usual–such that I feel completely repetetive even talking of it–the art is not at all to my tastes, and is a serious detraction to the book. I’m sure the style has its place, but for this reader at least, its place is not this book.

Given the story elements, I do recommend this issue for those already following the book and/or following everything related to Blackest Night. It’s not a great jumping-on point in and of itself, though if one wants to jump in amidst the ongoing action, this isn’t a horrible point to do so, either. Still…let’s just get to the “main event,” now, can we? I’m almost ready to just dive on in, and let a “flashback story” fill the gap later.

Story: 7.5/10
Art: 6/10
Whole: 6.5/10

Batman and Robin #1 [Review]

Full review posted to comixtreme.com.

Story: 4/5
Art: 4/5
Overall: 4.5/5

Justice Society of America #27 [Review]

Ghost in the Darkness

Script and Pencils: Jerry Ordway
Inks: Bob Wiacek
Colorist: Hi-Fi Designs
Letterer: Rob Leigh
Associate Editor: Rachel Cluckstern
Editor: Mike Carlin
Cover: Jerry Ordway
Publisher: DC Comics

As the various JSA members go about their lives after the latest incident with Black Adam and their membership issues, a new threat shows up. First, Alan Scott’s son traps several members in the house, forcing the team to act against him, despite his claims of just trying to protect them. It’s quickly discovered that there’s more at play than first suspected, and that it is yet another “ghosts issue” for the team.

I passed on this issue when it first shipped last week–I wasn’t interested in sticking around post-Johns, and was content to go out on the high note Johns left this book on. But guilt at being in a comic shop and otherwise walking out empty-handed, I chose this issue as my token purchase…based largely on noticing Ordway’s name on the cover.

I was definitely correct in my assumption that the visuals would be top-notch for the issue, given Ordway’s being the artist. This is beyond a passive “no complaints” about the art–this is an active recognition that the art is very strong top-level stuff that I greatly enjoyed.

The story on the other hand feels rather…generic. I’m not a fan of generic “ghosts” stories, and actually avoided the Gentleman Ghost arc that closed out the previous version of this series around Infinite Crisis.

Though the characters here all seem familiar, and I want to like ’em with OR without Johns…there’s still a shift all around, and I can’t honestly say one way or the other whether I’ll be picking up the next issue or letting this title go.

Recommended for the art and for the die-hard JSA fans. Those following the book specifically for Johns’ writing may be disappointed–at the least, don’t leap into this issue thinking it a seamless change from Johns’ tenure on the series.

Story: 6/10
Art: 9/10
Whole: 7.5/10

Superman: World of New Krypton #4 [Review]

Full review posted to comixtreme.com.

Story: 3/5
Art: 3/5
Overall: 3/5

Green Lantern #41 [Review]

Full review posted to comixtreme.com.

Story: 4/5
Art: 4.5/5
Overall: 4/5

Wonder Woman #32 [Review]

Rise of the Olympian part 7: Compound Fracture

Writer: Gail Simone
Artist: Aaron Lopresti
Inker: Matt Ryan
Letterer: Travis Lanham
Associate Editor: Sean Ryan
Editor: Elisabeth Gehrlein
Cover: Aaron Lopresti & Hi-Fi (variant by Francis Manapul & Jeremy Roberts)
Publisher: DC Comics

THere’s a lot going on in this issue, even though much if it is essentially just an extended fight sequence. With six prior issues of build, with fights showing both sides discovering the other’s limits, it comes down to this do-or-die battle as Wonder Woman must overcome Genocide or lose all she holds dear. We also see as other elements come together that will cause plenty of trouble down the road, beyond Genocide.

What initially interested me in this story–the thing that prompted me to see it out from the start–was that Genocide was compared to Doomsday, in terms of the role it would play for Diana. And I must say that the comparison’s a fair one, though obviously with much different characters and story beats and all that.

Simone has a great handle on the character–I’m actually interested in this incarnation of Diana/Wonder Woman; I’m interested in the supporting cast (even though I can’t even remember their names yet), and I’m interested in the Bigger Picture–what’s going on with Zeus and his Olympian(s), and in general find that while Genocide brought me to the table, it’s the writing–the story itself–that has me quite willing to stick around.

The art’s pretty, too–visually, this looks like a comic book, but there’s a quality to the thing that is beyond any “generic” art. One definitely gets a sense from the visuals just how brutal this battle is, and how much of a beating Diana’s already taken. A page toward the end of the battle is particularly gruesome, though due at least in part to not being overly graphic and leaving it to the individual to fill in the extra details.

This both feels like a story ending and yet doesn’t. Elements that have been seen throughout the arc are continuing and probably about to come to far more prominence than we’ve had with ’em so far. But the meat of the story–the battle with Genocide–has a definite ending, while keeping the door open to future stories that’ll certainly reference this.

Though I stuck around for a handful of Rucka’s issues a few years ago and enjoyed them at the time–this current arc is the most I’ve been interested in Wonder Woman and the most I’ve really enjoyed the story overall. If you didn’t follow this arc, I’d recommend considering it in collected volume format, and giving the series a chance with the next issue, whatever story officially kicks off.

Story: 9/10
Art: 8.5/10
Whole: 8.5/10

Superman #688 [Review]

The Fall and Rise of Jonathan Kent

Writer: James Robinson
Penciler: Renato Guedes
Inker: Jose Wilson Magalhaes
Colorist: David Curiel
Letterer: John J. Hill
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Andrew Robinson
Publisher: DC Comics

The first thing to note is this issue’s story title, which is a reversal of the “traditional” phrasing, as one would usually expect to read of the Rise and THEN Fall of someone, rather than the fall and then rise. It also puts me in mind of The Death and Life of Superman for the same reason–the title reversing the order. In the case of this issue, the title is quite literal, as we begin with Mon-El sans powers in free-fall. Though he survives, he is not sure what caused his powers to cut out. Joined by the Guardian, answers are sought, and in a typical comics sorta fashion, an answer is found that is not to the liking of the protagonists.

I’m not a fan of the art style in this issue. It’s just not to my liking, so much so that it does actually take me out of the story as I notice panel after panel the visual style I’m not thrilled with. That’s not to say the art’s bad or anything–for one thing, it’s far better than anything I myself could accomplish–but it is such that I don’t engage with the story as I would one with art I enjoyed a good deal more.

The story itself feels rather cliched here. The revelation of what’s affecting Mon-El’s powers goes a good way toward explaining recent events and accounting for his current status quo. But it’s also not all that original, and left me mentally groaning at just how cliche it feels, whatever original elements are yet present.

I have no problem with this book essentially starring a couple of characters who are NOT Superman himself, with stories that show a world that does not have Superman present, but rather others trying to fill the man’s role while he’s off-planet. It’s just that the story itself here just feels rather weak…especially when held against something like Starman, also by this writer.

Aside from simply being one chapter in an ongoing narrative….this is not an issue I’d recommend in general.

Story: 5/10
Art: 4/10
Whole: 4.5/10

The Brave and the Bold #23 [Review]

Shadows of Tomorrow

Writer/Artist: Dan Jurgens
Finished Inks: Norm Rapmund
Colorist: Brian Miller of Hi-Fi
Letterer: Rob Leigh
Assoc. Editor: Chris Conroy
Editor: Joey Cavalieri
Cover: Jurgens, Rapmund, and Tom Chu
Publisher: DC Comics

It’s been a long time since I picked up any issues of this series–it’s one that seemed to have a promising concept, but just didn’t strike me as “mattering” all that much, and so I didn’t keep up beyond the first couple issues and a random issue or two I’ve scored from a bargain bin. This issue is one in which the cover was extremely influential–far, far moreso than most comics (since I usually walk into the store already having decided what I’m going to buy).

This one I saw on the shelf, and the combination of the cover image and the characters being put together (Booster Gold & Magog) made for something I was actually interest in checking out. The cover image of a grim Magog–shadowed face, angry-Booster reflected in his armor–reminds me a bit of that classic Wolverine vs. Hulk cover (whether it was intended to or not). I’ve enjoyed the most recent incarnation of the Booster Gold series, and his post-52 status quo has been interesting and really done a lot for the character in my mind–giving him a lot more purpose and credibility. And given the events at the tail end of the Thy Kingdom Come epic in Justice Society, I’m quite interested in seeing how the “new” Magog is handled, as there’s more to this version of the character than what had been running around the DCU for much of the past decade.

This issue opens with Booster and Skeets racing to the time lab in response to alarms, and finding mentor/leader Rip Hunter materializing, apparently in battle with someone. Working the Time Platform, they isolate Rip, bringing him back without his assailant…but with a scrap of a Superman costume from another time/world. When Rip forbids Booster from investigating Magog’s future (the assailant), Booster decides he can at least begin researching Magog in the present. Booster’s investigation leads to an encounter with Magog where the two–with vastly different methods–attend to a hostage situation and terrorists.

On the whole, this issue really felt like an issue of Booster Gold. Jurgens and Rapmund on writing/art are quite familiar to me recently for their work on the Booster Gold title. That said, the art for this issue is quite enjoyable–the visuals by this creative team make for my favorite depiction of Booster & co., and the take on Magog leaves me with no problems, either.

The story, too, felt like (despite being a single-issue/on-off tale) it really belongs in an issue of Booster Gold (and would have been a perfect filler in place of what we got in Booster Gold #20. As the creator of the character, Jurgens knows the character and supporting cast, and seems to have a good grasp of what makes for a good story with them. He also adds some depth to Magog, and sets up what could be an interesting relationship between Booster and Magog, given the nature of the characters and time travel.

This seems a great issue to snag for a single-issue enjoyable read. It doesn’t seem to be directly continued from any prior cliffhanger, and it leaves on a satisfying ending that does not require one to jump right into the next issue for a cliffhanger’s resolution. As a one-shot, regularly-priced ($2.99) comic, this is easily the best comic of the week for me.

Highly recommended for readers of Booster Gold, or fans of either character.

Story: 8.5/10
Art: 8.5/10
Whole: 9/10

Supergirl #41 [Review]

Who is Superwoman? part five: Daughters of Krypton

Writer: Sterling Gates
Pencillers: Fernando Dagnino
Inker: Raul Fernandez
Colorist: Nei Ruffino
Letterer: Jared K. Fletcher
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Joshua Middleton
Publisher: DC Comics

This issue “concludes” the “Who is Superwoman” arc. Basically it’s a drawn-out fight sequence between Supergirl and Superwoman, with some drama for Lana thrown in to round things out a bit. In a way I wouldn’t expect much else–the two have come to be enemies of sorts, especially given Superwoman’s role in the way things went down when Zor-El was killed during New Krypton.

The cover seems really flat and a bit stylized…definitely not an image that would “sell” me on a comic (the way Brave and the Bold #23’s did). Better than I could draw, but not all that appealing.

The art’s prett good for the issue–no real complaint from me on it. It fits the story, conveys what needs to be gotten across, and though largely seems like a darker/heavier color scheme, it feels like a story set in a world where Superman could exist.

The story isn’t nearly as enjoyable. I don’t for one second buy the identity of Superwoman (and even if I were to buy into it, it merely continues an unfortunate trend toward the unbelievable in comics that I can easily otherwise suspend my disbelief for).

On the whole, this isn’t all that enjoyable an issue–I’m hoping that now we’re past this silly “mystery” of Superwoman, we can get into more story and character exploration for Supergirl herself.

If you’ve followed the arc thus far, it’s worth snagging this issue as well. This is certainly not a good jumping-on point for new readers, and whatever your status, should not be taken as a representative issue for this series.

Story: 5/10
Art: 7/10
Whole: 6/10