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The Flashpoint Paradox

flashpointparadoxbrdI’ve kept up with all of the DC animated features since this line started back in 2007 or so with the Doomsday one, loosely based on the Death of Superman story from 1992. And while I’ve enjoyed certain ones more than others (New Frontier and Under the Red Hood immediately come to mind)…I have to say that after first viewing, Flashpoint Paradox is in that upper level.

While I own all 6 paperbacks collecting the entirety of the Flashpoint ‘event’ from 2011, I’ve only yet actually read the original mini-series and the Batman tie-in mini-series. So while hardly immersive, I’m not unfamiliar with Flashpoint in general. And perhaps it’s partially that I’m not overly steeped in knowledge of the entire event that helped me to enjoy this, as from what I recall of the comics, this is quite a good adaptation.

My primary “issues” with this film are story-wise, and the same I had with the comics–specifically the way things play out with Barry’s powers, and that against “usual” the ending is–we as viewers/readers are aware–not the actual ending. The comics’ ending kicked off the New 52, and I believe this film leads into New 52-era followups, leaving stuff based on the “old” DC Universe behind (at least for awhile?).

For the most part I had no problems with the visuals…as an animated features this worked very well for me. There wasn’t really much of anything jarring or offputting to me about the animation itself. Some of the character designs were a bit “off” from what I’d’ve expected…but in and of themselves, nothing bad.

flashpointstack

As said, I’ve only (as of this typing) read the “core” Flashpoint comics and the Batman mini…so the allusion to that actually made sense to me. Other stuff–particularly the cameos–were fine with me, because I don’t know the comics’ stories, so for me, there’s nothing of concern missing. And for what I recall of the comics (and granted, it’s been a couple years now), there’s more context to things given in this film than was in the core Flashpoint mini-series, making this a better package in a way.

The voice cast was good…I sorta noticed the familiarity to Lois Lane’s voice, somehow missed it in Superman, and while no Kevin Conroy, Kevin McKidd pulled off a very good Batman. I’m not particularly “set” on any particular Flash voice, to say nothing of being pretty sure the voice I’m familiar with from Justice League and Justice League Unlimited was for Wally, not Barry.

Just as Justice League: The New Frontier led me to buy and read the source material, The Flashpoint Paradox has led me to pull the source material from my shelf and finally make the time to actually read it.

flashpointcollection

I bought this for the “promo”/”first week pricing” special at Target…probably the cheapest blu-ray/dvd/digital combo I’ve found for any of these films; and for the $13.99 this was quite worthwhile for the film alone, and I anticipate multiple re-watchings.

The bonus materials are so-so, and rather ‘standard” at this point. Several episodes of past DC animated series, featurette(s) on the focal character/story of the film, a lengthy promo/preview/featurette on an upcoming film, plus the usual stuff–commentary, digital comic that I can’t even read on the tv screen, etc–that I typically ignore.

So all in all…I definitely recommend seeing this…but unless you really care about extras, or the HD (which I’ve never noticed difference between blu-ray/dvd with) you’re probably just as well getting the DVD. And unless you’re in a hurry to see this…it’s not unfathomable to expect that by the time the next animated feature comes out, this one’ll be around the $9.99 price point at your local Target/Walmart type stores. And if this is available in a nearby Redbox kiosk, it seems quite worth an evening’s rental!

Astro City (2013) #2 [Review]

Astro City (2013) #2Welcome to HumanoGlobal

Writer: Kurt Busiek
Artist: Brent Eric Anderson
Cover: Alex Ross
Lettering & Design: John G. Roshell & Jimmy Betancourt of Comicraft
Color art: Alex Sinclair
Editor: Kristy Quinn
Assistant Editor: Jessica Chen
Published by: Vertigo/DC Comics
Cover Price: $3.99

$3.99 sucks. I’m really, really very tired of this price point. I think I’m going to keep making sure that’s extremely well-documented in these reviews and other blog posts until I eventually give up on new comics altogether.

That said, if you’re going to pay $3.99 for a single issue of a comic, there are few better series out there than Astro City. Even when you don’t know what the issue will be about or it deviates from the previous issue or whatever…it’s hard not to look back on a given issue without a bit of a smile and some disbelief at how much it was enjoyed and sheds different light on superhero stuff typically taken for granted or outright not often considered.

This issue focuses on a new employee of a hotline–said hotline turns out to be for a call center that weeds out the truly important calls for the Honor Guard, and in other cases outright makes connections allowing Honor Guard to be sent after villains/terrorists before they have a chance to enact plans that would otherwise leave the heroes reactive rather than proactive. We see bits of her training, the sorts of calls she takes, and the excitement with her teammates when they manage to catch a big call and be part of the overall “process” that leads to the saving of so many lives. Though they largely have to keep the true nature of their work secret from family and non-work friends, they find certain perks within their work…but also learn that one mistake can be very costly.

The art is strong as usual for an Astro City issue; everyone who should look familiar does, and those that don’t still look quite good. While the story itself isn’t your usual fare, the sequences with superhero action look as one might expect (if not a bit on the higher end quality-wise) while the normal people look…normal.

Story-wise, this is another great outing, showing that Busiek knows his stuff–and does very well giving us a look at the human side of things, as “normal humans” interact in a world filled with super-powered beings and threats, and how the culture itself is impacted by their very existence.

While I missed this issue on Wednesday and thought “oh well” I quickly realized that no, I actually really wanted to read this, and it became the entire reason of going back to a comic shop Friday rather than simply waiting and picking it up with next week’s books. There really aren’t many series that do that for me.

Provided you have any background at all with Astro City–I’d especially recommend the first TPB Life in the Big City (there’s even a new edition out now)–you’d actually be fine jumping in on this issue without even having read #1…which is another strength of this series: there are a lot of short arcs and done-in-one issues, rather than the “standard” fare from DC and Marvel necessitating 4-6 issues’ investment just for a single story.

I’d largely prefer to hold off for the collected volumes, but for now, this return of Astro City is such a welcome thing, I’m likely to keep going with the single issues for at least a few more months.

Batman/Superman #1 [Review]

batmansuperman001Crossworld

Writer: Greg Pak
Artists: Jae Lee, Ben Oliver
Colors: June Chung, Daniel Brown
Letters: Rob Leigh
Cover: Jae Lee with June Chung
Associate Editor: Rickey Purdin
Group Editor: Eddie Berganza
Published by: DC Comics
Cover Price: $3.99

I bought this issue to meet a credit card minimum. Of everything on the “new” shelf, it was the only thing that really grabbed my attention for a one-shot purchase with potential. Other than setting this apart from the Loeb-launched Superman/Batman from a decade ago, I do find myself mildly curious as to any significance to the title, having Batman listed first. At least BOTH characters are spotlighted on the standard cover…you don’t have to track down two covers to get both title characters in one shot.

Unfortunately, it was a lot more disappointing than I expected. I’d avoided it on Wednesday–I just had zero interest in it from the start. ANOTHER “Superman meets Batman for the FIRST TIME” story. And that’s where it goes wrong; where I go wrong. I am absolutely NOT the “target audience” for this book: I’m bored and put-out by the New 52 at this point…and to ME, the “first meeting” between Superman and Batman happened “One Night in Gotham City” in the 1980s’ Man of Steel #3.

Leaving nostalgia and such aside, I have a real problem with a young Superman–Superboy???–being so…arrogant, angry, violent. To say nothing of the fact that I did read the first-ever New 52 issue, Justice League #1. And I’m recalling a scene in which Batman and Green Lantern talk about some alien in Metropolis, and meet Superman “for the first time.” So that makes this issue essentially a fairly big plothole to a casual such reader as myself.

Clark Kent visits Gotham, and realizes he really does not fit into this dark city. When he confronts some kids bullying another, he meets a drunk, stinking boy billionaire with more street sense than he’d’ve expected. Turns out Clark was looking for Bruce, to see what he knew of several Wayne employees murdered recently. The two part on neutral terms, neither impressed with the other. The murderer strikes again, and Batman leaps into the fray, surprised at the identity…before Superman busts in, throwing around violence and making a bad situation worse. Another entity joins the situation, and just makes things confusing…though that seems to set up what may be the plot for the next few issues.

Visually I’m not all that impressed…Lee‘s art is not particularly “up my alley,” it’s very stylized and just not what I would choose. Because it’s so…what it is, this feels like it ought to me some sort of Elseworlds book, or some intercompany crossover in the vein of these characters meeting the Aliens or Predators. I’ve never really cared for the jeans, t-shirt and cape get-up for Superman; the look is done no favors here, in my eyes. There’s also something to the way Lee depicts the “S” that bugs me–like it’s trying to be a mash-up of the overly-lined Man of Steel film logo and the more stylized Superman Returns film logo.

Lee‘s art gets the job done, though…even depicting the violence fairly disturbingly (something Lee‘s style does well with). So while it’s not my cup of tea and I have nitpicky issues, I won’t fault it too heavily in and of itself.

I don’t care for the art shift toward the end of the issue. It fits reasonably well given the shift in scenery and all–but I find myself wondering if this is an issue of timing or a planned function to serve the story itself (or just happened to work as it is).

The story itself roughly fits a fairly standard mold for these characters…the idea that while they come to work together when more seasoned at the whole “super-hero” thing, they clash in the early days of their careers is not new. What little I know of the New 52 incarnation of Superman kinda fits, though again I don’t like it much. Batman I’m less sure on–this Bruce Wayne sorta fits with Year One, and probably perfectly fits with the upcoming Zero Year stuff. Given Clark’s readiness to cut loose with his powers it’s sort of astonishing that he doesn’t (seem to) recognize Batman as a mortal man and “reveal” him or at least peek under the cowl with X-ray vision. (Then again, I realize I don’t know the origin of this version of Superman, so maybe he didn’t have access to that power yet).

All in all, I imagine that if you’re a fan of Jae Lee‘s art, of the New 52 early Superman, and/or Pak‘s writing, and have no particular “attachment” to ’80s/’90s Superman and Batman, you’ll probably enjoy this. You might have to overlook that this is yet another $3.99 book…but hey? $2.99 seems to be an exception rather than the rule, these days.

Superman Unchained #1 [Review]

Superman Unchained #1The Leap

Writer: Scott Snyder
Penciller: Jim Lee
Inker: Scott Williams
Colors: Alex Sinclair
Letters: Sal Cipriano
Cover: Jim Lee, Scott Williams, Alex Sinclair
Assoc. Editor: Chris Conroy
Group Editor: Matt Idelson
Published by: DC Comics
Cover Price: $4.99

So…$4.99 for this Superman Unchained #1. It’s functionally a 20-page story with a 2-page “epilogue” or “backup” or “extra feature.” 22 pages for $4.99. BUT there’s what was billed as a “tipped-in POSTER” included. This poster is just a double-sided foldout allowing for two single images roughly 4x the size of a normal-sized page, the most “poster-like” loaded with caption boxes. Maybe technically this counts as an extra 8 pages…but that STILL only brings the pagecount to 30…for $4.99. Removing this so-called “poster” involved peeling it off a bound-in piece of tagboard–something which I would assume complicated the printing/binding process in itself to put in, plus the folding, placement of the glue, and the placement of the “poster.” And the “poster” itself had a couple dots of this glue, keeping it from flapping open.

All this hassle, and it’s basically for one side of a “poster” being this huge image of Superman crashing through a satellite, and then an extra-large image of him narrating the situation on the other side. Hardly something that would really make sense on the wall as a poster, more just some comic page pulled out of an issue and stuck on the wall.

$4.99. Five dollars. And while I read the first arc of Superman when the New 52 began–so have a BIT of context of Lois, Perry, and Clark’s relationships…I’m not even that clear on what things are here. And the issue’s big “reveal,” the thing that’s such a big deal, isn’t. Not to me. It doesn’t fit. It doesn’t interest me. It doesn’t change things.

So, objects are falling to Earth. Superman’s trying to stop them, letting one go since he sees it’ll fall “harmlessly” while he stops this huge “Lighthouse” satellite that’s gonna hit like a gigantic nuclear bomb. He confronts Lex Luthor, who has an alibi, and as he seethes over this, learns someone stopped that object he’d let go–but if it wasn’t him, Wonder Woman, or Green Lantern–then who, exactly, WAS it that stopped the thing? We learn of General Lane’s involvement, and of a secret weapon against Superman that goes back to the beginning of things.

Visually…the art’s good. It’s Jim Lee, whose art I’ve tended to almost always enjoy. Maybe I’m just irked about the “poster,” and/or the price and/or my own lack of context for not keeping up with Superman the last 15 months, but the art doesn’t blow me away. It’s good, but it’s not the “great” that I’d’ve hoped for. It’s not the Jim Lee art that a decade ago prompted me to NOT drop the Superman titles but rather keep up a few more months until Lee‘s run on an Azzarello story would begin.

Story-wise, I’m just not interested. I know a lot of people are loving Snyder‘s work, and will consider this to be great Superman…but unfortunately, this is NOT “my” Superman. Perhaps the collected volume(s) will end up being my thing, if I myself hear enough good about it to warrant checking them out. But for now…this issue just doesn’t do anything (positive) for me.

I have no intention of grabbing the next issue, and it’ll depend on others’ reviews whether or not I even bother returning to this title in any form, outside proper bargain bins. For your page count, you’d be better off grabbing the first Superman: Earth One graphic novel and reading that, especially if you’re looking for a specific tie-in to the Man of Steel film.

Astro City (2013) #1 [Review]

Astro City (2013) #1 [cover]Through Open Doors (Part One)

Writer: Kurt Busiek
Artist: Brent Eric Anderson
Cover: Alex Ross
Lettering & Design: John G. Roshell & Jimmy Betancourt of Comicraft
Color Art: Alex Sinclair
Editor: Kristy Quinn
Assistant Editor: Jessica Chen
Publisher: Vertigo/DC Comics
Cover Price: $3.99

I’m pretty sure it’s been a few years since I’ve read Astro City. The last I recall, I left off during the Dark Age saga: as I’m typing this, I don’t even recall why I never finished. Might be I’d grown bored; maybe I was “protesting” a cover price if they were $3.99, whatever.

This new #1 is $3.99, but since it seems EVERYTHING is $3.99…I’d really have to just give up comics entirely, now, to “protest” the price point (and I am a lot quicker to find any “excuse” to outright “drop” a title as a result).

But Astro City! The series is back–after awhile under Image/Homage, then the Wildstorm banner and limbo when Wildstorm was terminated, I’d wondered where we’d see the series pop up. And now it’s under Vertigo, which while I wouldn’t consider this a title exactly fitting with Vertigo (moreso that I wouldn’t limit this series to the older crowd) means it’s still under DC, which is what it is. And as a new #1…I’ll bite for the first issue…particularly given the nostalgia factor and that I’ve generally enjoyed Astro City stuff that I’ve read.

We open with a strange man speaking to us of some looming threat, and we’re introduced to American Chibi, a sort of “overlooked” heroine of Astro City (that when you focus on the big ones, obviously some are going to be missed). We’re re-introduced to some familiar faces as well as new; see the city introduced to some powerful new alien, and a “common citizen” chosen to befriend him and be his guide to understanding the Earth. And finally, against his protestations, we learn a potentially disturbing fact about our narrator that can cast the whole story in a new light.

The creative team behind this issue is quite familiar, lending a continued consistency to the title as it’s been bounced from imprint to imprint: the cover logos may change, but the story, the art, the characters–those remain constants, creatively.

As the art is “standard” Astro City art by Anderson, everyone who should look familiar does, and I had no trouble following along…and there was no weird anatomy to throw me off with anyone (well, no weird anatomy that shouldn’t be there), no weirdly constructed pages/panels to leave me scratching my head. Basically, the visual side was a smooth ride all the way through the issue, with nice detail and all the right “touches” I expect of an Astro City comic.

The story left me a bit hesitant at first, but quickly drew me in. I quickly found myself first thinking of this narrator in terms of Doctor Who, which (to me) was rather amusing in a way, and then another sort of familiarity set in, and just when I felt I was getting to “know” the him, the end of the issue changes things rather dramatically.

Overall, the issue does what I’d want in a first issue, especially one like this where it’s an older, continuing property, but the RETURN of that property after several years’ hiatus. We get new characters and old; and we get the details pertaining to the story, that we need, in the story. Having a “history” with Astro City, I pick up on allusions to other stuff, other characters–but even so, I haven’t read any of those in years myself, so I’m foggy on details. But that in no way hinders this story; if anything it just makes me want to go back and re-read some older Astro City stories.

As far as I’m concerned, this is a great return to the series’ existence. I’d originally thought to just try this first issue, “for old time’s sake,” and let that be that…but I’m pretty likely to actually go ahead and snag the next issue.

Superman vs. Zod TPB [Review]

supermanvszodtpbI bought this volume for full cover price at Book-A-Million a couple weeks ago. Which is something EXTREMELY rare for me to do, as I’m highly disgusted at the (over-)pricing of collected volumes these days.

I look primarily at Marvel (as I have most of what I want from DC, find what I yet want from DC quite reasonably price, and/or don’t much care for their newer stuff). With the Marvel volumes, it seems that where once a 6-issue arc could be had for about $15 (making it a better value than the single issues), now the standard TPB is $16.99-$18.99 and hardbacks $20+ for 4-5 issues, making the single issues an equal or better value.

As such, THE vast majority of my collected volume purchasing is done through Amazon, InstockTrades, CheapGraphicNovels, Half-Price Books, M&P Used Books, bargain bins, or other bargain purchasing conditions…typically seeing me paying only about 50% of printed cover price on average.

Which brings me back around to (ostensibly) the main point of this post: Superman vs. Zod, a new TPB collecting several “classic” Superman-vs-Phantom-Zone-villains stories. Despite my above-mentioned purchasing preferences…I still enjoy taking a peek at the “regular” bookstores (Barnes & Noble, Books-A-Million) to get a look at some of these volumes “in-person” in a way that can’t be duplicated by solicitation and other info online.

supermanthemedclassiccollectionsSo I was looking at the Superman volumes, and happened to notice this Superman vs. Zod volume. I’ve been increasingly interested in some of these classic “themed” collections–Superman/Batman: Saga of the Super Sons, Superman: The Bottle City of Kandor, Superman vs. Brainiac, Superman vs. Lex Luthor, pretty sure there’s a Daily Planet volume–so this one being new, I was curious. I pulled it out, glanced at the table of contents (determined it was mainly “classic” material in the vein of these other books), but because it was a bit thinner, glanced at the price–figuring it was a $15 book (the others being a bit thicker were $20 books, I believe).

I was surprised to find that this was priced at $9.99…and bought it. $10 is not nearly as off-putting as “more than $10,” be it $10.99-$19.99 and on upward. And because Amazon and other places often seem to have a $10 minimum–typically I see Amazon at least keeping to the $9.99 pricing on such-priced volumes–I don’t mind “paying full price” on a $10 book that feels worthwhile, as this one did. Had it been even $12.99, I’m quite certain I would have put it back on the shelf. But it had the “magic” reasonable price where the sheer thickness of the book feels worth $10 compared to volumes maybe 2/3 its size commanding twice the price.

The stories themselves were definitely “classic.” We get The Phantom Superboy from Adventure Comics #283 (1961), The Great Phantom Peril from Action Comics #473 (1977), Escape from the Phantom Zone and Superman Meets the Zod Squad from Action Comics #s 548 & 549 (both 1983), Phantom Zone: The Final Chapter from DC Comics Presents #97 (1986) and then jump 21 years to The Criminals of Krypton, a segment from Action Comics #10 (2007).

While I can “appreciate” these stories for what they are–stories involving the Phantom Zone–I was not particularly enamored with any of them. The cover certainly doesn’t quite fit–it’s a very modern take on the characters, compared to the very silver/bronze age art on the inside. Which isn’t to slam the art–it’s a product of its time(s)–but it’s not much a visual style I tend to enjoy these days.

The story themselves also are products of their times–particularly the first four, which were largely “painful” to read…the first most of all. The DC Comics Presents story struck me as the most mature of the classic bunch, and actually put me very much in mind of the Last Days of Krypton novel I read a couple years ago by Kevin J. Anderson, making me wonder if he drew inspiration for his story from this one.

These were all stories that I’m pretty sure I’d NOT previously read, except the last one, which I recall as I bought/read the original Annual. I haven’t much cared for all the “going back to silver-agey elements” of the post-Infinite Crisis DC stuff, but can’t deny that its presentation of Non makes that character a bit relatable, rather than just some mindless brute.

This volume’s titled Superman vs. Zod, but seemed to be more generically a Phantom Zone volume. As something involving Zod, I’d’ve expected at least an issue from Byrne‘s run, with the Matrix/Supergirl stuff and the pocket universe, if not specifically Adventures of Superman #453 from the Exile story where Superman hallucinates an encounter with the ghosts of Zod & co. There’s also stuff from around Our Worlds at War with that version of Zod, (which I honestly don’t recall if it was different from the Zod used during For Tomorrow) or not, that seem more fitting to me for this volume, if not as neatly self-contained.

The Zod presented in these stories seemed a bit generic, if not outright a lesser character than Faora. Yet, it seems to me that Zod in general pop culture is defined by Terrence Stamp‘s performance in the Donner films with Christopher Reeve, particularly the infamous “kneel before Zod.” (There was also the Smallville depiction of the character late in that series that may be just as or more familiar to contemporary audiences).

So overall…for a $10 volume, I found this to be well worth the purchase. The stories are a bit on the lame side to me, but they’ve added to the range of Superman stories I’ve read, now, and given me just a little more knowledge of the actuality of these characters; and the more I think about it, the more I do think I rather enjoyed the Phantom Zone: The Final Chapter story (which must’ve come out in that in-between as the original Superman stuff was wrapping up and things were being put in place for the Byrne relaunch and the version of the Superman stuff that I grew up on and consider to be “my” Superman).

This is sort of a “classic-lite” volume–I’d say it mostly fits with those other themed volumes of classic stuff, though it’s far from comprehensive and is not quite as large; but at half the price, not bad to be an “intro” volume. Cover copy suggests “Before Superman takes on General Zod in theatres, read here a collection of classic Zod tales spanning nearly fifty years!” So the pricing and mere existence of the volume seems more a promo type thing to tie in to this summer’s Man of Steel…I would unfortunately assume it’ll be someone “lost in the crowd” of all the other DC books and Superman/Justice League stuff, and definitely be victim to the “spine-only” trouble so many volumes face in comic shops and the bookstores.

Batman Incorporated #8 [Review]

batmaninc(vol2)008The Boy Wonder Returns

Writer: Grant Morrison
Artist: Chris Burnham
Art (pgs 6-9): Jason Masters
Colorist: Nathan Fairbairn
Letterer: Taylor Esposito
Associate Editor: Rickey Purdin
Group Editor: Mike Marts
Covers: Chris Burnham with Nathan Fairbairn
Published by: DC Comics
Cover Price: $2.99

DC suckered me.

I’d read and heard rumors throughout the Death of the Family stuff going on that we might get a “big death” in the bat-family, and it seemed like most guesses were going toward either Alfred or Damian. Of course, that proved to be yet another Major Joker Story where the scary madman doesn’t actually kill any major characters.

Then I caught wind of this issue–and as the bulk of the comic fans On The Internet learned a couple days ago…this issue gives us that “big death.” Thanks to DC, the “news” was out days before the issue, SPOILING its otherwise surprise for many comic readers–myself included. I’m almost ashamed to say that the spoiler/confirmation of the “big death” prompted me to get this issue.

I recall picking up the reprint of Son of the Demon a few years back, when Morrison‘s run started–and I’m pretty sure I picked up the first couple issues, at least, of his run, not long after Infinite Crisis. With this slightly-muddled memory of being there at the beginning, I wanted to be here at the end. And…my very first Batman comics were less than a year after the death of the second Robin, Jason Todd.

So, Batman Inc. #8…that’s what this review should focus on, right?

This is my first issue of the title. Batman Inc. was not part of the first wave of New 52 titles, and so I gave it a pass when it did premiere. I don’t think I even got around to reading any issues of the original iteration preNew 52. So other than the loose concept–that Batman has agents all over the place in a more formalized structure–I come to this cold.

This issue opens with Robin (Damian…I’m still not totally used to Robin NOT being Tim Drake) flying into an ongoing battle, and connecting with Nightwing. Meanwhile, Batman is fighting against Talia al Ghul (Ra’s al Ghul’s daughter, mother of Damian). Red Robin’s part of the mix, fighting elsewhere. Nightwing and Robin have a moment–the original Robin and current Robin, on their own time as Batman & Robin. Enter an armored warrior from Talia’s end, and the two realize they’re in trouble. Nightwing falls, leaving Robin to stand against this Goliath-figure.

As Robin leaps to the attack, agents outside the fight interfere, and the boy is wounded numerous times, while calling out to his parents to stop this fight.

And for the third time…Batman finds himself with a dead Robin…perhaps the most personal of all, as Damian was his own flesh-and-blood son.

Story-wise…this is a painful issue. Most of the fighting fits, and seems like just another large-scale incident with superheroes involved in some city-wide invasion or such. But the scene of Damian’s battle is just…brutal. Despite all I know of the character–and the character certainly being “old before his time,” this is still a child…and it’s (to say the least) not at all a comfortable scene. I have no idea what Batman and Talia are fighting about this time, the details of their present issues…maybe I’ll find out via Wikipedia or listening to the inevitable podcasts covering this issue, etc.

Visually, I have no problem with the art–even the multiple artists didn’t throw me at all. Reading the issue, I just kinda sped through, taking in what’s going on, and honestly would not even have NOTICED there were multiple artists had I not specifically read the credits to list above for this review.

It was probably a mistake for me to give in and allow much weight be given to this issue. “The death scene” is only a couple pages, and easily recapped. Unlike 1988’s A Death in the Family, I’m reading only a single issue, so it’s not like this is the culmination of several issues’ reading, building to a climactic moment. This is me having a specific moment spoiled by mass media and deciding to read the issue for myself rather than simply read ABOUT it.

As a standalone issue, I’m not all that thrilled with this. I didn’t really pick up on much context of the “why” to the fighting or other context (I’m sure this’ll make more sense read in a collected volume, in-context). But sadly…I got what I paid for. I witnessed the brutal death of another Robin…a visual I’m uncomfortable with, yet get to live with today, and moving forward.

The Rest of the Stack: Week of July 4, 2012

The Rest of the Stack is my general mini-review coverage of new comics for any given week. It’s in addition to (or in place of) full-size individual reviews. It’s far less formal, and more off-the-top-of-my head thoughts on the given comics than it is detailed reviews.


X-MEN: LEGACY #269

avxxmenlegacy269Taking on Iceman’s powers. Rogue does her part to help the Phoenix Five fix the world. Unfortunately, she walks into an ambush by Ms. Marvel, and the two have a slugfest and a bit of a heart to heart amidst the punching and such. By issue’s end, Ms. Marvel’s planted a seed of doubt in Rogue that might just cause some issues with the Phoenix Five. Now, it’s been a couple weeks since this came out (oops…slacking a bit in my reviewing) but this didn’t seem like a bad issue, though it didn’t really do much for me. I’ve yet to read the original stuff of Rogue vs. Ms. Marvel, and I can appreciate (and like) the fact of it being brought up again, but I’m growing tired of the fights, and I’ve never much cared for Ms. Marvel, nor am I quite sure what’s up with the character given the pending Captain Marvel series coming up. Still, I’m liking the focus on Rogue, and this continues to pique my interest toward the original Rogue stories as well as stuff from the last few years. I’ll be curious to see if this title (or its numbering) exists with the Marvel Now stuff coming up post-AvX…but for now I’m on board if only for the fact of this being an AvX tie-in. (7/10)

WOLVERINE AND THE X-MEN #12

avxwolverineandthexmen012I’m really beginning to lose track of what’s happened where in what tie-in or official chapter of AvX. This issue gets into the detail of the Avengers invading to “capture” Hope for her own good, as we see how much of that unfolded, and Rachel Grey’s part in it all. We also have more on the Gladiator/Kid Gladiator stuff. I continue to not really care for Bachalo‘s art…there’s just something to the style that I don’t like, and I really think that’s my #1 turn-off to this title at this point (other than the $3.99 price). Otherwise this is a decent issue with conflict for a goal rather than just the characters beating on each other. But another issue snagged for the AvX banner rather than the title or content itself. Nearly two weeks after reading and it’s virtually forgettable. (7/10)

G.I.JOE: A REAL AMERICAN HERO #180

gijoearealamericanhero180While this issue has the usual volley of variant covers such that there’s actually a “checklist” of all the covers (this is one of my primary gripes with IDW and their $3.99 pricing)…the main “gimmick” of this issue is that the Joes go to Comic Con. As in…their mission actually sends them to the San Diego Comic Con, where they spray-paint the tip of Snake Eyes’ uzi orange and the group then fits in perfectly with all the other cosplayers. Overall, the story is fairly forgettable in a general sense…but it’s rather amusing and makes for quite a fun issue just seeing the Joes in a comic convention. There’s even a page where Snake Eyes is separated from the group, and you can actually do a “Where’s Waldo?” searching out the missing ninja on the page (yeah, he’s in there!). It’s been quite awhile since I’ve checked in with this title, and I’m not sure I’m going on to the next issue…but for a single-issue purchase, I quite enjoyed this, and found it surprisingly accessible on the whole. The story worked and the art’s good…and the issue on the whole is fun, and met expectations. (8.5/10)

AVENGERS VS. X-MEN #7

avx007The X-Men do their best to make good on Cyclops’ deadly three words: “No More Avengers.” Of course, the way they go about accomplishing this isn’t the best, and is met with varying degrees of commitment. The Avengers learn what–or who–the Phoenix Five fear and make use of that, though ultimately, things continue to spiral quickly outta control. We’re into the second half of things, and the story remains fairly solid, though my overall interest is waning. I really like Coipel‘s art in this issue, though it looks better in some parts than others. All in all, not a bad issue, but having followed all the tie-ins so far, I find myself wondering how well this will read when all is said and done, and without the tie-ins as things unfold. At this point, I doubt anything I say about this core series or any of the tie-ins will bring you into the story…though this issue would not send me into dropping the series at this point, either. (7.5/10)

UNCANNY X-MEN #15

avxuncannyxmen015The Phoenix Five decide it’s time to deal with Sinister, so they begin to seek the villain. Of course, Sinister has his own plans in the matter–such as making things difficult–but the X-Men prevail and the battle is assured. While this is officially a tie-in to AvX, this is really more of an “in the midst of AvX while we have this particular status quo to play with…” story. This isn’t the X-Men (or even the Phoenix Five) dealing with stuff with the Avengers…this is them dealing with a classic X-Men villain with a new status quo, but under their own new status quo AS the Phoenix Five. So this isn’t a bad issue if you want to jump into a story during AvX without it having much tie to the crossover–just that the characters are presently in their Phoenix Five mode rather than standard. I still loathe (as always) the $3.99 price point, and the renumbering of this series…yet if it continues beyond Marvel Now, given my investment and the series’ “age” I may track down back issues or at least collected volumes, and possibly even continue beyond AvX. (8/10)

LEGENDS OF THE DARK KNIGHT #5

legendsofthedarkknight0052012 has really been the year that “sold” me on digital–for books as well as comics. I have no idea if LotDK is going to get print editions (the way the Batman Beyond, and Smallville Season 11 do). But I’m quite enjoying this weekly digital comic. The way the panels are all separated out for the “Guided View” in Comixology on my iPhone, I don’t even know the approximate pagecount I’m getting for my $.99…but the price is right, at $.99 I don’t mind buying the next chapter each week (for now). The first three “issues” were standalone stories, but this is part 2 of a 3-parter. I’m not sure if this is set in any particular continuity, but given recent hype over stuff with the Batman titles in the New 52, this seems closer to the “old” DCU or at least to be outside the New 52…which makes it that much more enjoyable for me. I’m not a huge fan of the art for this story, and would surely balk at it in a print edition. But given the nature of this series, I’m accepting it with this story and just enjoying a weekly Batman comic again. I keep forgetting to look for the new issue, but wind up thinking to over the weekend, which also adds to this series’ appeal: I’ve already bought my “regular” weekly comics and generally have already read those–so this is something new to get at the midpoint before the next Wednesday’s new releases. If not the 3-parter, I’d highly recommend checking out the first “issue” at least! (9/10)

Batman: Earth One [Review]


Full review posted to cxPulp.com
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Story: 4.5/5
Art: 4.5/5
Overall: 5/5

Batman Annual #1 [Review]

Full review posted to cxPulp.com.

Story: 4.5/5
Art: 4.5/5
Overall: 4.5/5