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Secret Wars (2015) #1 [Review]

secretwars(2015)001The End Times

Writer & Designer: Jonathan Hickman
Artist: Esad Ribic
Color Artist: Ive Svorcina
Letterer: Chris Eliopoulos
Production: Idette Winecoor
Cover by: Alex Ross
Assistant Editors:Jon Moisan & Alanna Smith
Editors: Tom Brevoort with Wil Moss
Published by: Marvel Comics
Cover Date: July 2015
Cover Price: $4.99

Despite a certain grumpiness toward Marvel stuff lately, and being almost entirely out of the loop having consciously AVOIDED most of their contemporary stuff…I couldn’t simply pass this up. I gave DC‘s Convergence a chance, for two $5 issues and a $4…so having been turned off to that, I decided I can at least give Marvel‘s Event a chance for a $5 issue or two.

It’s been a long time since I’ve bought an Alex Ross covered issue of anything, and seeing his work on a Marvel anything again is quite cool. The interior of the issue is about 33 pages of actual story, and additional pages serving as title, credits, character, divider, and memorial pages…with the final pages of story going to black with a few words of text. While that seems at first to be quite a waste of space and pages, I find myself allowing it some leeway as I enjoyed the fade to white effect in DC‘s Zero Hour, and hold to that twenty-some years later.

Story-wise, things are a bit choppy to me, jumping between the 616 Marvel Universe and the Ultimate Universe. I’m not at all caught up on current going-ons in the Marvel Universe, but for the most part was able to follow along and get the “core” stuff out of the issue. Much like recognizing a bunch of characters while yet lacking their recent backstory for stuff like Zero Hour back in the ’90s, or any other event, this is what it is for me–a throwing-together of a universe of characters and I didn’t expect to experience this the way I would something I had more familiarity and interest in.

I’ve rarely enjoyed Hickman‘s work, and consciously recognizing his name on this project left me a bit dismayed the other day. I could compare elements of his work to Priest–the non-sequential storytelling, the caption/header dividing of scenes, the overall sense of the story not just being some straight-forward thing–but where I enjoy it in Priest‘s work (particularly his classic Black Panther and Quantum and Woody runs) I don’t care for it with Hickman‘s…but that truly gets into a whole different thing than this issue. As such, I expected to have a real problem with the issue’s story. Fortunately, I believe my negative expectation ran deep enough that this failed to be that extreme and so I actually enjoyed the issue as much as I have much of anything from Marvel of late.

The art was solid, and while it does not have the “classic” look my mind wanted, it’s mostly clear and certainly modern and on the whole, works for this take on the various characters. There were a few panels where I honestly went cross-eyed trying to visually parse out what was actually going on (especially one with Rocket Raccoon) but the bulk of the thing was good.

This is definitely being billed as the END of the Marvel Universe AND the Ultimate Universe, with a page at the end citing their “lives.” In that regard, this really should have been a 0 issue or something else, as whatever the Secret Wars part is, that begins NEXT issue with a mashup of the various worlds/timelines/whatever. Still…you could do worse. I mostly enjoyed the reading experience, and realizing the next issue is already due out next week, I’m very much looking forward to it. I’m also looking forward to several of the tie-in minis.

As starts go, I think I like this better than any other recent Marvel event I can think of…and if only for the immediate present, it’s certainly got the weight behind it for once as something that does and will matter.

I find myself a bit surprised to say so, but…recommended!

secretwars_interior_credits

secretwars_interior_end1

secretwars_interior_end2

Star Wars (2015) #2 [Review]

starwars(2015)002Skywalker Strikes (part II)

Writer: Jason Aaron
Artist: John Cassaday
Colorist: Laura Martin
Letterer: Chris Eliopoulos
Cover Artists: Cassaday & Martin
Assistant Editor: Charles Beacham
Editor: Jordan D. White
Executive Editors: C.B. Cebulski & Mike Marts
Published by: Marvel Comics
Cover Date: April 2015
Cover Price: $3.99

On the surface, I’m not at all impressed with this issue. This is a #2, so it’s not the first issue, it’s not MY first issue, nor my first-issue-since-I’m-not-sure-when, and it reminds me that it’s just one chapter in an inevitable graphic novel/collected edition (I’m 99% certain it’ll get a shiny hardcover edition–possibly oversized if not a “premiere” edition).

On the surface, there’s not really a lot covered in this issue: Luke fights Vader; Han and Leia stomp around in a Walker; C-3PO is captured by the scavengers dismantling the Falcon; Though Han and Luke proved to be more of a threat than expected, Vader rallies and vows to personally deal with Luke.

The issue is mostly action, with a lot of little details to the fighting and such, to where if I tried to do a more detailed recap, I might as well write a “novelization” of the issue. The story itself is solid, with enough to the interactions to recognize the characters and get a feeling of authenticity that I definitely appreciate, feeling like this is truly stuff that (could have) happened between the films. Along with that authenticity, there’s an element of knowledge of stuff that comes later, sort of wink-and-a-nod toward stuff we as readers are assumed to know (but if one doesn’t “know” nothing is actually lost).

Visually, this is a strong issue…I definitely like Cassaday‘s work, though I can’t imagine getting more than one arc with it, for now (see above about the graphic novel). Still, taken in and of itself I like the art and have no real complaint…I flew through the issue without trouble being able to tell what was going on, and simply enjoyed the experience without anything in the art tripping me up.

But this isn’t the first issue, a first issue–it’s very much a second issue. While the opening page recap is good and reminds me of key stuff from the first issue, and I like the style, it’s also of necessity a bit briefer than I’d prefer. Having read the first issue, it works well; but trying to consider the recap and then this issue’s contents by themselves, the brief recap doesn’t quite work for me.

My lack of being impressed comes primarily from this not being a standalone issue as well as being able to “see” how it’ll fit quite well into a collected volume as part of a longer, continuous reading experience. Additionally, I can’t imagine many in this day and age actively seeking this issue and reading it without the context of the first issue.

That aside, the quality feels consistent from the first, though I don’t have that issue handy for comparison. If you enjoyed the first issue, and don’t mind (functionally) getting the graphic novel in 6 or so chunks, this is well worth getting. If  you missed the first issue and don’t already have an interest in seeking that out, I’d suggest waiting for the collected volume or such. With this being a $3.99 comic, I definitely do not recommend seeking out #2 as a one-shot/standalone thing.

Star Wars (2015) #1 [Review]

starwars(2015)001Skywalker Strikes

Writer: Jason Aaron
Artist: John Cassaday
Colorist: Laura Martin
Letterer: Chris Eliopoulos
Cover Artists: Cassaday & Martin
Assistant Editor: Charles Beacham
Editor: Jordan D. White
Executive Editors: C.B. Cebulski & Mike Marts
Published by: Marvel Comics
Cover Date: March 2015
Cover Price: $4.99

I truly was not going to buy this. I don’t like that the license was–in my eyes–“taken” from Dark Horse, and envisioned this being like the “taking” of the various Disney-based books from Boom! Studios. But Marvel‘s immediately gotten into things rather than letting the license(s) languish, so here we are.

Another factor is the cover price–$4.99 is way, Way, WAY too much for a single regular issue of a comic. Where I’d intended to boycott this on principle, it occurred to me that it might just be an extra-sized debut issue…so I asked, and the store owner looked it up, and a later issue is solicited at $3.99, so I decided to step off that particular “moral high ground” and check this out.

It’s been several years since I’ve read a Star Wars comic. I’ve bought ’em here and there through the years, usually one-shots or full mini-series after the fact; though I dabbled for a few months back in 2005 with a couple series post-Revenge of the Sith

This has a completely different feel to me. I don’t know what it is–perhaps the Marvel branding, perhaps the hype; maybe something subconscious with the art and associating Cassaday with Astonishing X-Men and/or Aaron with Wolverine.

The art–by Cassaday–is quite good. I dig the way the characters have a good likeness of my memory of the actors’ portrayals. Yet, while the likenesses are obvious, they don’t feel gratuitously so to me. The characters are thus quite recognizable without feeling stylized or like effort was put into making them more comic-book-like than likeness-based. 

The story itself is solid enough; I know there was time between the films, so there’s room to play with and insert new story content that fits continuity without detracting from the films, so I can accept this. At the least, whether this is being pushed as “canon” or not, I can very readily accept it at face-value on the premise of being set between films; Canon or Extended Universe or New Extended Universe or whatever label might be appropriate.

The classic characters are here; the primaries. The issue opens on Han with a disguised Luke and Leia infiltrating a weapons factory as negotiators. The negotiator they’re to meet with, though, proves to be far more dangerous and certainly no lackey to simply be fooled…resulting in deadly combat and plenty of action throughout.

The issue FELT thick and heavy; though I was discouraged to find a SEVERAL-page “preview” of the upcoming Darth Vader title or one of the other related Star Wars books), this issue itself still manages to carry 30 story pages. If 20 pages are $3.99, then technically this could’ve been a $5.99 book for that page rate; but it’s “only” $4.99, so that makes the price point SLIGHTLY more “tolerable.” We also have a page of credits, as well as a very effective OPENING sequence of pages.

I say effective because I actually sighed and rolled my eyes at the first page and that classic line

A long time ago in a galaxy far, far away….

I thought to myself: Really? Had to go back to that again, huh?

Then I turned the page, and I swear I heard the opening strains of the familiar, classic John Williams score…and found myself smiling.

A fact that certainly lent itself to enjoying the issue overall.

I’m not convinced this issue is worth that $4.99 any more than any standard comic is worth $3.99. But the issue made me smile, I enjoyed reading it, I MIGHT actually try subsequent issues and/or the other titles…I’ll give this round of Marvel‘s take a chance. Issue by issue.

If you’re a die-hard fan of Star Wars, I expect you’ll enjoy this; if you’re thoroughly invested in what’s come before (besides the films) you may be disinclined to enjoy this. Either way…this felt to me like something special in spite of resisting the hype (and for BEING so hyped).

On a buy/borrow/pass rating scale…this definitely gets a “borrow,” and something closer to a “buy.”

Wolverines #1 [Review]

wolverines001Writer: Charles Soule
Artists: Nick Bradshaw, Alisson Borges
Inker: Walden Wong
Colorist: FCO Plascencia
Letterer: VC’s Cory Petit
Editors: Katie Kubert and Mike Marts
Cover: Nick Bradshaw, FCO Plascencia
Published by: Marvel Comics
Cover Date: March 2015
Cover Price: $3.99

In a lotta ways, I’m lost. I recognize some characters, of course (at least by name/vague recollection)…but it’s rather difficult to reconcile this as taking place in the same continuity as the stuff I grew up reading in the ’90s and early/mid-2000s. It’s also quite a challenge to consider that Wolverine–Logan–is really, truly, permanently, not-coming-back-ever-never dead-is-dead DEAD. Moving on…

Thankfully, the “Previously…” page is there–I don’t have to track down all those Death of Wolverine follow-up minis I skipped. Sure, they’d flesh out the DETAILS, but for where this series and this first issue in particular picks up, that’d be superfluous for me.

We open on a bloodied Mystique getting psyched to go through a door; then jump “back” to present. Where we find Mystique, Sabretooth, Daken, and X-23 being forced to work with some escapees from Dr. Cornelius’ experimentations. The mission is to locate/retrieve an object to help them survive. Unfortunately, the Wrecking Crew has also appeared in the vicinity, and confrontation ensues. Though the object sought is located–the adamantium-encased remains of the late Wolverine–this success is short-lived with the appearance of an old villain I certainly would not have suspected. The villain absconds with precious bounty, leaving our protagonists’ situation in disarray.

I picked this up to give it a shot–I’m currently buying all 3 weeklies from DC Comics, might as well give Marvel‘s a try. Moreso than that, though…the cover intrigued me. Kinda generic in a way, but it certainly grabs my attention, seeing the adamantium-encased body of Wolverine surrounded by individuals tied to him (from life, and from what he gave it for). We only get the arms of Deathstrike, Sabretooth, Daken, and X-23 (with a couple of the Weapon X kids in the background)…no Mystique. But that’s not something I even noticed until writing this review.

The actual story is ok enough…where I’d thought the premise of the series might be the characters tracking the body, the cover suggested otherwise, which was why I bought this. And since (thankfully!) the cover suggests these characters around the body and the opening of the issue has them seeking it…hardly spoilers to say that yeah, they find the body IN THIS ISSUE. However, the villain that showed up and left the group in bad shape gives the characters a new quest/hunt, which should sustain the weekly nature of the series for a bit.

I appreciate Soule being on this, given my understanding that he’s the architect of the death of Wolverine…good to see that he’s the one to follow-up “long term” on the development, rather than just killing the character and moving on. And while I wouldn’t think I’d care about the characters involved, have not kept up with them (for example, the last I recall of Sabretooth, he was beheaded by Wolverine…though I’m loosely aware there was a recent-ish story that saw his return) the interactions are not too bad here and I’d be interested in seeing more, seeing these characters in a world without Wolverine.

The issue’s visuals are not bad…there’s a cartooney quality at points that’s mildly distracting and reminds me of Humberto Ramos‘ work. Not a terrible thing, but not entirely my cup of tea. On the whole this simply has the look of a comic book…I credit that to the strong linework (and I suppose that’s a shared credit with the inking). Ultimately the art’s relatively neutral for me…neither a significant turn-off nor a draw. It’s just there, it does its job, and I’m satisfied with it.

Had Marvel priced this at $2.99 as an enticement to investing in FOUR issues monthly, I might’ve been tempted to give it a shot on a weekly basis. Unfortunately, this is a $3.99 book…and a large contributing factor to my having been almost completely driven me away from Marvel stuff is their pricing. Their $3.99 price point combined with frequent double-shipping was a huge turnoff…and if 2 issues at $3.99 apiece each month is enough to frustrate me away from Marvel books, DOUBLING that frequency does nothing positive to my mindset.

I did see somewhere (Bleeding Cool, perhaps) that this series is scheduled to be collected in monthly volumes…provided those are not $20 apiece and I can find ’em at a discount, there’s a possibility I’ll go a bit further into this series that way…or perhaps consider an advance/pre-order for a discount on almost certainly inevitable Marvel Omnibus.

If you don’t mind the $3.99 and are a fan of Soule‘s work with Wolverine and/or Wolverine’s death so far, this may be a decent series to consider. As a single issue this fits the norm…the overwhelming part of the price comes from the realization of the series’ shipping frequency.

[ My thoughts on the final issue of The Death of Wolverine (the week it came out) ]

Magneto #12 [Review]

magneto012AXIS tie-in

Writer: Cullen Bunn
Artist: Roland Boschi
Colorist: Lee Loughridge
Letterer: VC’s Clayton Cowles and Cory Petit
Cover: David Yardin
Assistant Editor: Xander Jarowey
Editor: Daniel Ketchum
Published by: Marvel Comics
Cover Price: $3.99

It’s the cover that did it. I’ve had absolutely no purchase-level interest in Axis nor any of its tie-ins…but the cover of this issue grabbed my attention. Onslaught, with the Red Skull’s face, dwarfing a defiant Magneto. Talk about hitting the right buttons for me. The original Onslaught story was HUGE in my youth–in scope, in tying back to Fatal Attractions, in tying into that X-Traitor subplot that even touched the cartoon series, that played with the matter of Xavier, his relationship to Magneto, to “The Dream,” etc. The reason Magneto as a character is interesting to me is the way the character was handled in Legion Quest and the Age of Apocalypse and afterward–as well as the “Joseph” period and all that. I’d also seen some sort of “preview” or “solicitation” text on the issue referencing Erik dealing with his friend, and all that–I recall an apparent plot point being the Red Skull stealing Xavier’s brain–so that plus the cover, and I couldn’t bring myself to NOT buy the issue.

Getting into the issue was a different matter. I haven’t read anything else involved with this Axis “event”–Axis itself or tie-in issues–nor have I read the last 8-9 issues of this series, so my reading this issue was functionally jumping in “cold,” so to speak.

Apparently Magneto’s already mid-battle with “Red Onslaught” (how original, that name), and he’s gathered other “villains” and allies (Carnage, Doom, Scarlet Witch, Dr. Strange, etc) to combat the Red Skull in Onslaught mode. He has his daughter (Scarlet Witch) cast a spell meant to access whatever there is of Xavier and bring that to the forefront. While this is going on, he recalls a happier time, in his younger days, when he and Xavier were new friends in Israel. The issue goes back and forth, present to flashback and we see an episode where Magneto revealed his powers to Xavier as they fled Baron Strucker and the two men sought to save Xavier’s lover Gabrielle Haller. Something happens and Magneto’s knocked unconscious, coming to to find the other villains gone and the Avengers present. As he wonders if the Scarlet Witch’s spell worked, he encounters the mind of Xavier–apparently the spell worked–and the two converse, the psionic image of Xavier essentially passing the torch to Magneto and telling him his way was right all along.

The art for the issue isn’t horrible, though I’m not terribly impressed–particularly compared to the cover. I know my attitude toward the visuals is partially the actual style and partially that I don’t care for some of the character designs or “new looks” or such. It’s also “tainted” by my presently re-reading old X-Men issues from late 1994 and loving those–for the nostalgia and the art and familiarity from my past. There’s really no way this issue can hold up visually to the likes of Kubert or Jim Lee or other artists whose work I particularly enjoyed twenty years ago. Yardin‘s cover drawing me in the way it did makes me think I’d enjoy his work on the interior, though.

The story itself seems solid enough, and I was absolutely THRILLED at the actual use of CONTINUITY, that the notion of Xavier and Magneto having become friends while working at a hospital in Israel is still there, and the presence of Gabrielle Haller. Stuff that I’d almost have “expected” to be swept under the rug in favor of some other “take” on the characters’ relationship, some other period of time instead of something that’s been touched on before. While I don’t care whatsoever for the Baron Strucker stuff, and struggled to recall what little I knew/know or thought I knew/know, I know the characters didn’t jump from what we see in Legion Quest to a “present day,” and so it makes sense they’d have other adventures and such. I just don’t much care for the constant “inbreeding” of the same body of established characters being constantly revealed to have had earlier and earlier and earlier interactions/involvements with each other, knowingly or otherwise.

But ultimately, while I WANTED to like this issue, it manages to fall short of my expectations–perhaps because this IS just a single chapter of something much larger, and I’m out of the loop and all that. I’m not overly thrilled to have spent $4 on the issue and had so little Magneto/Xavier as well as so little Magneto vs. Red Skull in direct confrontation, etc. I might be somewhat interested in this Axis event later if I can get a collected volume or the single issues cheaply, but despite being a bit intrigued (was it actually Magneto that set the entire Axis thing in motion, I’m curious about and don’t know from just this issue) I’m not motivated by this issue to chase down anything else for Axis, nor am I left with any particular desire to get the next issue.

This is probably a great issue for ongoing readers of the title; I can’t speak to its place or value in the overall Axis story, though…this doesn’t seem to convey anything one can’t get from the main series, and I actually have the feeling one would appreciate this issue more WITH the main Axis series being read.

There are worse issues one could randomly grab from the middle of a run, inside the middle of an event, I’m sure. But unless you’re specifically following the event or this title anyway, this does not seem particularly worth its $3.99 cover price and I am not going to keep chasing the bait of hoping to see more Magneto/Xavier stuff.

Spoilers on The Death of Wolverine

deathofwolverineshiny004b

Yeah…spoilers.

I’m gonna spoil the thing.

That means I’m definitely giving away how the issue ends.

Talking about how it ends means the issue and series will be spoiled.

Beyond the title itself being a spoiler.

‘Cuz I’m gonna spoil the details of how he dies, etc. And I’m going to assume you’ve read the issue if you’re reading this, or you don’t care.

From here on, the blame’s on you, Bub.

So, I’ve never bought into this, not really. For one thing, we JUST HAD a Death of Wolverine in 2008, and a Wolverine Goes to Hell in 2011.

deathofwolverinetpb2008 wolverinegoestohelltpb

But now, hardly 6 (and 3) years later, after whatever the heck’s gone on in the last couple years’ worth of Wolverine comics with Marvel Now and such since AvX…we have an event mini-series showcasing the death in the title itself.

deathofwolverineshiny004b

I might have bought the entire mini at $3.99 an issue with the shiny covers. They can even kinda get away with it, in my mind, on the notion of shiny covers = shiny metallic claws. But for $4.99…nope, no thank you.

And I only bought this issue to read the conclusion for myself before having it spoiled for ME, and to gauge my interest in the series in general. But I’d already been put off at the notion of a 4-issue “event mini-series” followed by a 7-issue follow-up mini, and then the various other tie-ins.

I was greatly disappointed at the LACK of a “previously” page for this issue–having grown QUITE accustomed to them in Marvel’s single-issues, given their easy omission for the graphic novel. So I don’t really know in any detail what came before in this particular mini, nor much of the recent past for the character, except he’d become “killable” with the apparent loss of his healing factor.

This issue lacked much of any substance for me as a result–picking up simply with Wolverine entering a lab facility much like the one so integral to his own history, and finding Cornelius–presumably and contextually the “mad scientist” doctor who was so integral to Wolverine’s past–experimenting on numerous subjects, STILL seeking to perfect the adamantium bonding process.

The hurt-able Wolverine fights a guard–enhanced/upgraded by Cornelius–where blood is shed and it looked like Wolverine lost his claws…or some sort of add-ons. With Cornelius facing ruination once more, he begins the adamantium process on his subjects, and it seems Wolverine tries to stop it–cutting the feed, but as a result being bathed in the liquidized metal.

Cornelius flees, and the adamantium-drenched Wolverine follows. Extracting Wolverine-like justice on the doctor, he then walks to the edge of the facility to face the sunrise/sunset (whichever) where he sinks to his knees and “dies,” the liquidized metal hardening around him.

Whether he suffocates, or the metal was hot and he was burned to death, or what, I’m not actually sure “just” reading through. And while PERHAPS there’s something “fitting” to him being killed encased in the stuff that he was famous for having inside him, it doesn’t work for me. Not at initial reading, not right now. Not for this EVENT.

Had this been just another issue of an ongoing Wolverine series, where he happened to die…an issue UN-hyped and simply ending leaving the QUESTION of “is he dead?!?” hanging, and THEN having followup books to deal with his apparent death…maybe that’d work better for me.

I’m also quite bothered by the price point to the feeling of lack of story. There are a bunch of pages of “checklist” of the numerous variant covers for this series. Unneeded pages, because you don’t need so darned many variant covers (or any at all!)

For Marvel‘s pricing–the $3.99+ cover prices–I’m not about to buy into a minimum of 19 issues of followup to a 4-issue mini-series. Maybe if I find collected volumes cheaply, or happen across stuff in a bargain bin, or perhaps for one or two issues pick ’em up another week when I haven’t already busted my budget. But no certainty.

I “get” that they (Soule in particular, it seems) want to convey the illusion that Wolverine is actually, fully, totally, completely, definitely, really, no-joke dead Dead DEAD not-coming-back-ever-never-Never…but nope, I don’t buy that.

Maybe he’s “off the table” for the final couple months of 2014, all of 2015, and into 2016 (so far planned). Two years? Ok.

Throw in an extra year, let’s say he’s dead through late 2017. Three years. He’ll be back. I honestly, truly CANNOT imagine a Marvel “capable” of resisting the urge to keep THE Wolverine–Logan, James Howlett, whatever his name is–the character that’s been around since the ’70s and all–off the table for more than a few years. Granted, I thought for sure Jean Grey would be back within a year or two and we’re going on 11 years now. But Jean never supported an ongoing solo series, and Wolverine’s topped 300 issues of solo-ongoing issues.

So…I blew $5 on a crappy single issue with a shiny cover. I read the death for myself, and I’m basically back to no Marvel for a bit. Looking back into the issue, I will probably pick up the Nightcrawler “tie-in” as that will likely be a meaningful story, and if it’s just one issue, all the better…I don’t have to invest in a bunch of issues.

On the whole? This is what it is. I shouldn’t be surprised; I’m certainly not at all impressed, and while “they” got me for this issue…I’m thankful that I KNEW BETTER than to get the entire series. All those tie-ins? Maybe if there’s a Death of Wolverine Omnibus or something I’ll consider it.

After all…the lasting element of the Death of Superman 22 years ago wasn’t the death itself–that was just the vehicle to get to stories of what happened once Superman was gone; how the people around him reacted and got on with their lives, etc. And I might’ve just talked myself into an interest in the follow-up stuff with that analogy…but for Marvel’s pricing, frequency of shipping, and driving stuff into the ground in big clusters rather than spread out and “paced.”

So long, Wolverine…see ya soon.

Thanos Annual #1 [Review]

thanosannual001Damnation and Redemption

Writer: Jim Starlin
Penciler: Ron Lim
Inker: Andy Smith
Colorist: Val Staples
Letterer: VC’s Joe Caramagna
Cover: Dale Keown & Ive Svorcina
Assistant Editor: Jon Moisan
Editor: Wil Moss
Published by: Marvel Comics
Cover Price: $4.99

It’s safe to say that Thanos is one of my favorite Marvel characters. However, perhaps that’s something to be further quantified: Thanos as written by Jim Starlin is one of my favorite Marvel characters.

While I have yet to read the entirety of Annihilation or Annihilation Conquest; or the Thanos Imperative, or even the more recent Infinity, I’ve been loosely aware of the character’s recent appearance and involvement in Marvel stuff. I’ve been sucked into buying various issues solely on the appearance of Thanos on the cover, the promise of the character within.

So it was the almost random “notice” of Jim Starlin writing and Infinity Gauntlet artist Ron Lim on art that prompted my purchase of this issue.

Despite the aforementioned favoriteness, it’s been a long time since I’ve read most of what I vaguely recall having once read–maybe 15 years since the original Infinity ____ volumes, a decade since the shortlived “ongoing” series…a fact that’s rather “idealized” Thanos for me, and coated things with that sweet nostalgia of childhood memories that so often props something up IN memory but leads to disappointment upon revisitation.

As such, I was prepared to be quite disappointed in this issue.

I’m not a fan of the standard cover…however, I opted to purchase it over any of the variants I saw. In the short term gratification sense, I probably would have preferred the Ron Lim cover…but I feel strongly enough on the “issue” of variants that I would have been quite disappointed having something LABELLED as a variant rather than the “real” cover. Particularly given the “core” creative team of this issue being Starlin and Lim, it’s truly beyond me why neither of their covers were “the” cover and instead shuffled off as variants. Starlin‘s own cover actually fits the interior story, and Lim‘s is equally as fitting visually…whereas Keown‘s cover is a generic (and not even particularly “iconic” to me) image far more suited as an interior “pin-up” page if not a variant cover instead of being the standard cover.

This issue is essentially a prologue, setup, for the forthcoming graphic novel Thanos: The Infinity Revelation. We open on Thanos upon his first major defeat in Marvel continuity–having lost the Cosmic Cube. Dealing with the massive failure, he is approached by Mephisto, but the intervention of an Infinity Gauntleted avatar of Thanos appears and takes this Thanos on a journey through time and space, as it processes various events and how they play into the younger, defeated Thanos’ future. We’re ultimately given setup for a new event in Thanos’ life, which presumably will be chronicled in the OGN this Fall.

I recall being pleasantly surprised at the ease with which Starlin brushed off several years of less-than-ideal characterization and use of Thanos in Infinity Abyss–that the appearances of Thanos in Ka-Zar, a Hulk Annual, and even a Thor-versus-Thanos arc in Thor’s own title proved to be duplicates of the ACTUAL Thanos; less than perfect at that. So this issue referencing multiple “avatars” of the Infinity Gauntlet Thanos fits right in with past precedent and gave me no pause at all, where it may have with other characters.

As a fairly simple one-off story, this worked well for me, giving me a chance to dip back in with Thanos without feeling like I actually missed anything from Infinity or anything else I didn’t feel lost, and actually quite enjoyed the touches on continuity that I recognized.

Visually, this entire issue was quite a treat. It had a feel of the familiar that I appreciated–and EXPECTED. While familiar, the coloring and such certainly showed through as “modern,” keeping this from feeling entirely like some ’90s throwback. I don’t much like Thanos’ appearance without his headgear, but having seen imagery of him without it before, everything fit. In the various detailing other than noticing how ugly he looks without the headgear, nothing of the art itself jumped out as a distraction. 

I enjoyed seeing familiar scenes and characters, and the only one I really didn’t recognize offhand was what I believe to be a “current” version of Adam Warlock that I’ve not actually read in-continuity yet.

The $4.99 price of this issue is a bit steep; I read the thing cover to cover in under 20 minutes…but then, these days, that’s par for the course to me with a Marvel issue. Steep price point for a quick read, whether it’s good or not.

To best of my knowledge, this is not a follow-up to Infinity, and that story seems to be solely referenced by the “previously” page, so you need not have read any of that to enjoy this. Similarly, if you’re looking FOR Infinity follow-up, this isn’t really gonna meet that expectation. 

However, if you’ve read or are familiar with the Thanos stories from the late-’70s and 1990s to early 2000s, and you’re a fan of Starlin‘s work in general and Thanos in particular, this should be a pretty enjoyable read and whet your appetite for an original graphic novel apparently due out in August this year.

Amazing X-Men (2013) #1 [Review]

amazingxmen(2013)001The Quest for Nightcrawler part 1 of 5

Writer: Jason Aaron
Penciler: Ed McGuinness
Inker: Dexter Vines
Colors: Marte Gracia
Letterer: VC’s Joe Caramagna
Cover: McGuiness & Gracia
Assistant Editor: Xander Jarowey
Associate Editor: Jordan D. White
Editor: Nick Lowe
Published by: Marvel
Cover Price: $3.99

I bought this because of Nightcrawler, and because of the cover. Well, the regular cover, anyway–the wraparound/double-page-spread-sized image (see below). I usually hate the “return” of dead characters, but given recent indoctrination to the “well, how LONG are they gonna STAY dead?” thing I’ve simply been waiting for this; knowing it WOULD come about, just not sure which year it’d be (turns out, 2013 into 2014). And darn, that’s a nice cover!

My expectation for this issue was pretty low going in, despite recognizing the potential, and “knowing” this is the “return of Nightcrawler,” from snippets I’ve spotted online–that I’ve come across without specifically seeking out. I figured hey, I’ll give this issue a shot. ONE issue, a first issue of a new series…a few pages to “convince” me to come back for another issue, without leaving me further disillusioned with Marvel Stuff.

The issue opens with an extremely basic summation of Nightcrawler, then picks up with Nightcrawler himself, and the beginnings of this grand adventure. Some demons launch a raid on the edge of this afterlife realm, and Nightcrawler fights back. Turns out his father–Azazel–is leading the campaign. Of course, Nightcrawler opposes him, a yet-unfinished task before he can “move on.” Back on Earth, Angelica Jones (Firestar) arrives at the Jean Grey school as a new member of the staff…but finds things are not nearly as simple as she’d expected. Amidst other goings-on, the staff–led by Beast–find that the Bamfs infestation is much more significant than they’d thought, and leads them to realizing something rather big is touching off.

Now, my first thought, slightly tangential: if there are plus Bamfs for sale anywhere, I totally want a blue one! I don’t know when these things showed up, but I think I was only just aware enough of their existence that I’m not scratching my head here…maybe I’m drawing on some metatextual knowledge as well that made ’em amusing…and Really Darned Cute!

Visually, I highly enjoyed this, from the cover on through. As said above, the cover “sold” me on this issue, and the art fit the cover and the story, and I was never once taken out of the story by some weird panel or not being able to follow what’s going on. (And darn if those Bamfs aren’t cute lil’ critters!) I don’t care for Storm’s look, but that’s the mohawk and such, not the art itself. Despite Beast’s relatively new look, I had to remind myself that it WAS his new look…he just looked like Beast. And I couldn’t help but grin at Nightcrawler getting the swords and swinging into action…the cover isn’t itself an exact scene from the issue, but it conveys some of the spirit of what went on.

Story-wise…The characters themselves are not (yet) reunited with Nightcrawler, sure. But we (the readers) get the first few pages of this issue to spend with him, before being “stuck” with the non-Nightcrawler characters of the title. We get Firestar brought into things, some context of her past with the characters (including Iceman), and stuff like that; context that Bamfs have been around the Jean Grey School for awhile and not a major problem til now. And by issue’s end we can see what’s coming, and left off with a cliffhanger that I don’t HAVE to see the resolution to…it’s a cliffhanger I WANT to see the resolution to.

The issue begins the return of Nightcrawler. We get Nightcrawler IN THIS issue–no waiting for #2 or #3 to so much as see the character. We get a great cover that fits the issue. We get immediate gratification while being primed for more to come. It’s a great balance. We get exposure to other characters that will feature in this title, despite also being featured in other titles…we get setup for coming issues.

I had planned to skip this issue. I’m tired of $3.99, I’m tired of double-shipping books (no clue offhand if this is going to be a double-shipper or just an old-style once-a-month title), but couldn’t resist checking this out. And for this first arc at least, I’m on-board. The story’s good and gives plenty I like in my first-issues; the art’s very much to my liking (and I don’t remember specifically liking McGuinness‘ work this much previously), so all in all I’m quite satisfied with the issue and definitely looking forward to the next issue.

All in all, you don’t really need to be up on a lotta current continuity, I don’t think. Knowing all the recent goings-on throughout the X-books will surely lend a richer experience and contextual knowledge. But the core stuff is given in this issue and/or looks likely to be able to be picked up further as the arc continues. Especially if you’re a fan of Nightcrawler, whatever you thought of his demise in Second Coming, this is very much an issue to get. And even taken alone, this is a solid first issue if you want to jump into an X-book fresh with a #1 issue. Highly recommended!

amazingxmen(2013)001(full)

Infinity #1 [Review]

infinity001Infinity

Writer: Jonathan Hickman
Penciler: Jim Cheung
Inkers: Mark Morales with John Livesay, David Meikis and Jim Cheung
Colorist: Justin Ponsor
Letterers: Chris Eliopoulos with Joe Caramagna
Cover: Adam Kubert & Laura Martin
Assistant Editor: Jake Thomas
Editors: Tom Brevoort with Lauren Sankovitch
Published by: Marvel Comics
Cover Price: $4.99

I wasn’t going to buy this issue. I physically picked it up from the shelf last Wednesday, and then put it back. It’s a $4.99 issue, which is $1 more than “usual” for most Marvel fare these days (though to its credit it’s a thicker than usual issue, even factoring out full-page “chapter headings”). But Thanos’ face is featured prominently on the cover (it IS the cover image, really!), and darned if I’m not a fan of classic Marvel Cosmic Thanos stuff! So despite other online chatter, I decided to go ahead and buy this Friday after all, in the interest of giving it a fair chance.

On the whole, I’d have to say that it was a passively neutral read for me. I did not particularly enjoy it…but I did not actively dislike it the way I’d somewhat expected to.

We see a world apparently destroyed by Avengers…then move to Titan, to a creature whose existence seems to be solely its mission–Thanos’ bidding. With the success of one mission, it is now sent to Earth after other secrets. Various events unfold–Space Knights face an unwinnable situation, SWORD and Captain America and Hawkeye bust a group of Skrulls hiding out, and we see the current status quo of the Inhumans and their King, Blackbolt. The spy creature delivers a message, and we get a hint of Thanos’ plan.

After not enjoying SHIELD #1 a few years ago, not being able to “get into” his early Fantastic Four issues, and being completely turned off to his Marvel Now Avengers and New Avengers launches, I’ve pretty much decided Hickman‘s work in general just is not for me. As such, his name attached to Infinity was a big red flag…one that somewhat holds true even now, having read this issue.

Despite Thanos’ face on the cover, he may as well not even actually appear in the issue for the near-zero on-panel time he gets. For that alone I’m disappointed with the issue. Additionally, there are plenty of characters that I’m not familiar with that I get the feeling I “should” be to truly “appreciate” this issue/story.

Visually I definitely enjoyed the art overall…I’m not a huge fan of some of the costumes (specifically Captain America and Hawkeye) but they look about as good as I can expect here, leaving me only to dislike the costumes themselves rather than the depiction. As for the many characters I’m not familiar with, I suppose the visuals don’t do them any disservice…they look how they do, and I’m cool with that.

The title Infinity–and featuring Thanos’ face on the first issue and other marketing as well as the Free Comic Book Day issue–seem clearly chosen to draw association with past Thanos-centric stories like The Infinity Gauntlet or Infinity Abyss. As such, the comparison is there, and as a first issue, this does not do for me here what those did in their respective stories. Plus, about 10 pages of this issue are what we were given in that FCBD issue, so that wasn’t even a prologue so much as “just” some random scene over 3 months before the arrival of #1.

While I imagine things will pull together and make sense by the end of the six individual issues of this “main story”/mini…as a single issue, Infinity #1 leaves me let-down. If I come across positive enough reviews of the later issues and/or tie-ins, I’ll likely be interest in a collected volume of the entire story; but as it stands, I don’t plan on picking up any of the subsequent single issues for this event/story.

Superior Spider-Man #10 [Review]

superiorspiderman010Writer: Dan Slott
Penciler: Ryan Stegman
Inks: Stegman & Cam Smith
Color Art: Edgar Delgado
Letterer: Chris Eliopoulos
Cover Art: Marcos Martin
Assistant Editor: Ellie Pyle
Editor: Stephen Wacker
Published by: Marvel Comics
Cover Price: $3.99

Ten issues in, and now we’re suddenly, supposedly…um, back where we started, I guess. The new, the superior, Doc Ock is Spider-Man, in Peter Parker’s body…and there is no Peter. Wasn’t that what the original premise seemed to be? But then we had Force-Ghost Peter, revealed that last page of #1, and I was excited for this series, beyond the tentative trying-it-out.

So, here we are, tenth issue…11 if you count the Age of Ultron issue I skipped/ignored. And while Ock continues to smooth out his process of being proactively superior as Spider-Man to Parker’s ways, we see a recurring tattoo, obviously a reference to the Green Goblin. And Ock continues improving things in the personal life of Parker, reveling in his solidified superiority. And that cliffhanger…

Well, ok, I admit some sarcasm’s leaking through in this post. Even though I’m being the usual, purposeful vague in summarizing things–I prefer not to spoil an issue, and heck, too much detail in the summary sorta defeats the purpose of you reading the issue yourself. But having read this issue…I’m just feeling rather sarcastic toward the issue, and the series.

The art’s pretty much consistent with the run so far, so nothing really to complain about, there. It fits the title, and the story, as it’s been what we’ve had. I have no real issue with it overall, though it’s a bit stylistic and such…not what I’d necessarily choose or want specifically for Spider-Man, but after taking a half-decade sojourn from the Spidey-verse and coming back in for the Ock-and-Parker-Swapped bit…it’s worked.

Story wise…I’m just disengaging. Disinterested. I hesitate to use the word “bored,” but I’m just losing interest so fast in this title, and even the status quo.

I remember reading Amazing Spider-Man #700 at the turn of the year, backtracking almost immediately to #698 and #699, and having to wait til mid/late January for the premiere of Superior Spider-Man #1. but here we are, not even June yet, and we’ve got 10 issues. That’s basically 2 issues per month for January through May…at $3.99 apiece.

That’s 3 1/3 issues’ difference in pricing at this point…or another way of looking at it, for only $1 less per issue, I might go another 5-10 issues before burning out on sheer price point alone.

But I’m no longer impressed. My patience has worn out. And this issue, toted as a jumping on point from what I saw in stuff “about” the issue this week…well, I should’ve left this on the shelf. And while I’d be tempted to at least give it til issue #12… Well, where’s the “wholeness” in 12 anymore, what USED TO be a single, full year of a title…when at this pace that’s a mere 6 months?