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Invincible #144 [Review]

invincible_0144The End of All Things (part twelve of twelve)

Writer: Robert Kirkman
Pencilers: Ryan Ottley, Cory Walker
Inkers: Cory Walker, Mark Morales
Colorist: Nathan Fairbairn
Letterer: Rus Wooton
Editor: Sean Mackiewicz
Covers: Ryan Otley, Cory Walker, Nathan Fairbairn
Published by: Image Comics
Cover Date: February 2018
Cover Price: $5.99

I’ve read relatively few issues of Invincible over the years. Off the top of my head, I remember reading some sort of #0 issue when the main series was in its 20s on numbering. Whether I read them or not, I remember when Invincible guest-starred in a couple of Marvel issues Kirkman was writing. I want to say I read #50 or so, and I remember the one-issue-summer-crossover-event Invincible War thing. I have the first paperback of the series, and recall getting the first couple hardcovers to read from a library. And at one point, I had the title on my pull list, though that didn’t wind up lasting terribly long. Without digging all that deeply, I’ve previously covered several issues:

And now it’s been a number of years since the last time I read an issue, consciously–I believe there was a 25-cent issue last year that I got but do not recall reading. So offhand, it’s been more than 1/3 of the series since the last I read, and here I went and bought the last issue, and read the last issue. The final issue "ever," until some follow-up special or mini-series or such is done.

I don’t know what I expected, but this wasn’t it. I knew I was buying the final issue, that it comes at the end of the series, the end of a 12-part story, etc.

Needless to say…spoilers ahead!

spoiler_warning_transparent

Again, I have NOT read the previous 11 chapters of The End of All Things.

This issue picks up with Mark Grayson–Invincible–telling his son about where he comes from. The sense of deja vu that I got reading this makes me almost certain it is a recreation of a scene from the first issue of the series, as Nolan told Mark about himself and such. A fitting bookend sort of scene. We find that Mark is leaving, and Markus–his son–will be remaining on Earth with Scott, a character I’m not familiar with, but suspect was a fairly major character around #100, and apparently Markus’ acting father, or "real dad." Mark himself is now leader of the Viltrumites, and is leading them off into space to a new sort of greatness–as a peaceful people, rather than a warring empire of domination and conquest. And then the bulk of the issue is vignettes of the years that follow–as we see moments from the various characters’ lives, defining incidents, etc. Mark and his daughter visiting Earth, Markus getting his costume, incidents in space, a revelation about Mark’s wife, and finally, a reflective moment as Mark looks out upon the peace that he has led.

This is definitely a final issue sort of thing. It feels more like an epilogue…but then, an epilogue is still part of the story, so, we’re getting into stupid little technicalities there. In part through the use of the slice of life/vignettes, I suspect a number of lingering plot threads were dealt with, albeit over my head as of this first reading, addressing probable concerns such as Mark’s son, what Markus’ life might be like and if he’d follow in Invincible’s footsteps; and of course we see a number of things play out in broad strokes. In some ways, this seems to offer answers long-term and by covering so many years (centuries?) it effectively lays to rest the story as a whole. Maybe there’ll be other Invincible content or revisitations in years to come, but the broad strokes have been established; we see where everyone ENDS UP, even if we don’t have the page by page issue or story-length details.

I’m sure this is not nearly as satisfying for me as it would be if I was a lot more invested in things, if I had read more of the series and more recently. That said, I really like the way it ended, doing all this–while it gives me some idea of a handful of characters that survive, and some idea of those who don’t, and broad strokes of where things wind up, it also intrigues me–makes me want to find out the details, to go back and get to read the entire series from the start, all the way through. Even if I obtain the compendium volumes–and I suspect 3 of those would get the whole series, possibly with room for spinoffs–I have no idea when I’d actually get around to such an undertaking.

That Invincible gets to end like this–on the creators’ terms, that it gets an ending on their timing, and it becomes a "finite story," I think makes it a lot stronger in some ways, and as long as the series as a whole is kept in print, it will be interesting to see how it lasts, and what sort of fans come in "after the fact," that jump into it knowing/seeing it to be a finite story instead of just another indefinite ongoing series without end.

I’m not thrilled with high priced single issues, and this was $5.99 with multiple covers. I’m not even sure if I got the "main cover" or not, so I’m a bit less thrilled with that. But assuming I did succeed on that front, and given the extra length of this issue AND that it IS a final issue, a finale, a sendoff…I’ll give it a lot more leeway for a one-time "incident" of high pricing, as it’s definitely double-length, so at least justifies its cost.

The story is solid, as said, and seems to wrap up numerous plot threads and the like. Visually, this shares art by the two artists associated with the series, which is a nice touch, giving both a chance to handle this final issue.

All in all, I enjoyed the issue, I’m glad I got it, I’m not overly troubled by the price (only the use of variant covers), and would certainly recommend this to anyone already following the final story. It may be worthwhile also for you if you’ve read the series here and there, TO see where things have wound up and where they go. Yet, as a #144, if you’ve never read the series, this is hardly the place to start.

I wouldn’t consider this a masterpiece, but it seems like a solid wrap-up to a series, and caps off the series well while transforming it into something it would never be able to be as an indeterminate-length ongoing series.

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Astonishing X-Men (2017) #1 [Review]

astonishing_x-men_(2017)_0001Life of X – Part One

Writer: Charles Soule
Penciler: Jim Cheung
Inkers: Mark Morales, Guillermo Ortego, Walden Wong
Colors: Richard Isanove, Rain Beredo
Letterer: VC’s Clayton Cowles
Cover: Jim Cheung & Richard Isanove
Graphic Designers: Jay Bowen, Anthony Gambino
Assistant Editor: Christina Harrington
Editor: Mark Paniccia
Published by: Marvel Comics
Cover Date: September 2017
Cover Price: $4.99

I was a sucker. I’d seen a poster-image of this issue’s cover, and I vaguely recall the image grabbing me initially when it was first debuted with solicitation or shortly after. Archangel has always been a striking figure for me, and despite the last ten or so years, Bishop (especially looking as he does here) rings quite nostalgic for me. Then there’s Rogue, and while I don’t much care for the “Old Man” version, seeing ‘a Wolverine figure’ here drove it home. But in addition to that, there’s something about the blending of the coloring–the rich orangey-yellow background and the yellow and blue of the logo…and that the logo may not be the “classic” X-MEN logo, but it has a certain blend of the old and new while being its own thing…and NOT coming off as “pretentious” (as if text CAN be pretentious) to me.

I was ALSO a sucker because a local comic shop had sent out an email informing us that any Marvel purchase would get a free “cosmic cube,” and while I am actively disinterested in the current comics Event, I’m a sucker for plastic comic artifacts (such as Lantern Corps Rings), and the Cosmic Cube goes way back. And with Astonishing X-Men #1 being out this week and already having the against-my-better-judgment interest, I figured hey…fine. I tried X-Men: Gold #1 and X-Men: Blue #1, so I could give Astonishing X-Men #1 a go. Especially at $3.99.

After I’d bought the issue (amidst my other purchases), and gotten it home AND read it…THEN I realized that no…this was NOT a $3.99 issue. It was $4.99…so for that, I’m not a happy camper. But where even comic shops are lucky to return comics, it’s not like I can “return” the issue, so I’m sorta stuck with it, whatever “principle” I want to take with it.

I’m not happy that my inattention to detail had me ignorantly buying yet another $5 #1 issue from Marvel (in an industry when other publishers proved $10 vol. 1 collected editions with 5-6 issues).

Buuuuuut…

I enjoyed this issue.

I actually did!

We open on a quick scene, learning that mutant psychics all over the world are dying. Then we come to Betsy Braddock–Psylocke–who is one of the STRONGEST mutant psychics, and the force that’s killing the others isn’t able to subdue her until after she’s sent out a psychic cry for help. We’re also (re) introduced to Bishop; to Angel/Archangel, Gambit and Fantomex, Old Man Logan and Rogue; four of whom are on the receiving end of Psylocke’s cry for help; which draws them all in to her location. The force that’s been attacking the psychics is concentrated, and no longer constrained to just the local psychics. As the group converges, they must face the psychic energy-outlash while saving civilians and surviving themselves. Working together, the immediate, outward threat is resolved…but Betsy reveals that she now knows who is behind it–and that things are worse than even this was. Some of the group must go to the Astral Plane to stop the Shadow King. No time to seek shelter or plan–she sends them immediately, with Angel and Bishop remaining behind to protect them all. Meanwhile, we confirm that yes indeed, this is definitely Shadow King. And he’s got quite a secret…which provides a major “hook” for me regarding subsequent issues of this series!

While I was incredibly skeptical of X-Men Prime, X-Men Blue, and X-Men Gold, I bought the one-shot and #1s to “try,” to go against my anti-Marvel negativity and give the things “a shot,” an ISSUE, at least. And that way I could at least judge for myself how things seemed, and feel like I had more room to criticize–at least I’d have bought the big, over-priced first-issues, and have SOME hands-on “experience,” not just second-hand stuff.

And so, too, I figured for this. $4.99 is too much for a single issue, for a first issue. MAYBE for an Annual, or an oversized special/one-shot. But a $5+ issue should be rare and special…not plentiful as water. Marvel has abused the price point to where I virtually NEVER even bother to look at their comics, because I just KNOW they’re basically the most ridiculously-priced premium-priced things in the market. Real or perception, but that’s where I am.

But I’ve got the issue, I read it, and I actually enjoyed it. We have some prologue. We have character introductions. We have an immediate threat, and we see a group of disparate mutant figures come together, face the threat, and emerge victorious. We then have the setup for an even bigger threat–the one that carries beyond “just” this issue…and it looks to involve other nostalgic elements that work organically with the Shadow King character, as well as perhaps grabbing onto continuity and yanking on a loose thread, in preparation of some re-stitching and mending.

The story is engaging and keeps stuff moving; I can and will allow any “inconsistencies of character” to be credited to the last decade or more of mutant comics and lack of continuity and the apparent attempt here to play with the existing status quo. Visually, I dug this issue. Everyone’s recognizable and I like the visuals; there’s a sense of modernity with the aforementioned nostalgia; new and old, simply making this a good-looking comic. The multiple inkers do not take away from that–I only even know there were multiple inkers due to seeing the credits.

I don’t want to like any Marvel series right now. The X-Men are old favorites, and I’ve felt largely let-down by everything that’s been done with, to, and involving them for years, such that many of them are hardly recognizable to me anymore. I do not TRUST Marvel to not “yank the rug out” from under me, or some sorta bait-and-switch with this. I’ve already seen one or two of the other X-titles tie in to a major crossover event…and I want nothing to do with that, either. So…I might come back for the next issue of this arc, or at least check it out if I notice it on the rack. I am honestly very interested in what this particular story arc holds, and if I’m gonna pay Marvel‘s too-high inflated/”premium” price point, I can justify it a bit easier in smaller doses as single issues than collected volumes.

I actually don’t feel I can really speak to whether old fans or new fans or both would care or not care about this issue…I’m a weird creature when i comes to Marvel, and the X-Men. Suffice it to say that even at that $5 price point and $3.99 otherwise with possible bi-weekly shipping, I’m hooked here where even the likes of Blue and Gold didn’t grab me at this level. That makes this a definite “light in the darkness” of X-Books, and if you can stomach the $4.99 price point, this is about as good an issue for that as any that Marvel‘s put out of late!

astonishing_x-men_(2017)_0001_blogtrailer

Infinity #1 [Review]

infinity001Infinity

Writer: Jonathan Hickman
Penciler: Jim Cheung
Inkers: Mark Morales with John Livesay, David Meikis and Jim Cheung
Colorist: Justin Ponsor
Letterers: Chris Eliopoulos with Joe Caramagna
Cover: Adam Kubert & Laura Martin
Assistant Editor: Jake Thomas
Editors: Tom Brevoort with Lauren Sankovitch
Published by: Marvel Comics
Cover Price: $4.99

I wasn’t going to buy this issue. I physically picked it up from the shelf last Wednesday, and then put it back. It’s a $4.99 issue, which is $1 more than “usual” for most Marvel fare these days (though to its credit it’s a thicker than usual issue, even factoring out full-page “chapter headings”). But Thanos’ face is featured prominently on the cover (it IS the cover image, really!), and darned if I’m not a fan of classic Marvel Cosmic Thanos stuff! So despite other online chatter, I decided to go ahead and buy this Friday after all, in the interest of giving it a fair chance.

On the whole, I’d have to say that it was a passively neutral read for me. I did not particularly enjoy it…but I did not actively dislike it the way I’d somewhat expected to.

We see a world apparently destroyed by Avengers…then move to Titan, to a creature whose existence seems to be solely its mission–Thanos’ bidding. With the success of one mission, it is now sent to Earth after other secrets. Various events unfold–Space Knights face an unwinnable situation, SWORD and Captain America and Hawkeye bust a group of Skrulls hiding out, and we see the current status quo of the Inhumans and their King, Blackbolt. The spy creature delivers a message, and we get a hint of Thanos’ plan.

After not enjoying SHIELD #1 a few years ago, not being able to “get into” his early Fantastic Four issues, and being completely turned off to his Marvel Now Avengers and New Avengers launches, I’ve pretty much decided Hickman‘s work in general just is not for me. As such, his name attached to Infinity was a big red flag…one that somewhat holds true even now, having read this issue.

Despite Thanos’ face on the cover, he may as well not even actually appear in the issue for the near-zero on-panel time he gets. For that alone I’m disappointed with the issue. Additionally, there are plenty of characters that I’m not familiar with that I get the feeling I “should” be to truly “appreciate” this issue/story.

Visually I definitely enjoyed the art overall…I’m not a huge fan of some of the costumes (specifically Captain America and Hawkeye) but they look about as good as I can expect here, leaving me only to dislike the costumes themselves rather than the depiction. As for the many characters I’m not familiar with, I suppose the visuals don’t do them any disservice…they look how they do, and I’m cool with that.

The title Infinity–and featuring Thanos’ face on the first issue and other marketing as well as the Free Comic Book Day issue–seem clearly chosen to draw association with past Thanos-centric stories like The Infinity Gauntlet or Infinity Abyss. As such, the comparison is there, and as a first issue, this does not do for me here what those did in their respective stories. Plus, about 10 pages of this issue are what we were given in that FCBD issue, so that wasn’t even a prologue so much as “just” some random scene over 3 months before the arrival of #1.

While I imagine things will pull together and make sense by the end of the six individual issues of this “main story”/mini…as a single issue, Infinity #1 leaves me let-down. If I come across positive enough reviews of the later issues and/or tie-ins, I’ll likely be interest in a collected volume of the entire story; but as it stands, I don’t plan on picking up any of the subsequent single issues for this event/story.

Infinity FCBD 2013 [Review]

infinityfcbd2013Writer: Jonathan Hickman
Penciler: Jim Cheung
Inker: Mark Morales
Colorist: Justin Ponsor
Letterer: VC’s Joe Caramagna
Assistant Editor: Jake Thomas
Editors: Tom Brevoort with Lauren Sankovitch
Published by: Marvel Comics
Cover Price: $0.00

Given my history with Thanos, Adam Warlock, the Infinity Gauntlet (and the Infinity Gems’ involvement in the Ultraverse)…even though I REALLY don’t want to get sucked into another Marvel Event, I wasn’t about to ignore the Infinity issue Marvel‘s got out as one of the Free Comic Book Day 2013 offerings.

The cover has a rather iconic look about it, a shattered pane falling away to reveal Thanos’ grin behind it–and images of a bunch of characters from around the Marvel Universe looking rather disconcerted.

The story is fairly simple, as we’re introduced to some aliens, including one whose latest mission was a success. The alien is given another task, which it sets about accomplishing quickly. A “tribute” is extracted from another alien people–who are but thousands where they were once millions. This tribute is presented to Thanos. And on Earth, we learn that tribute will be demanded there as well, or the world will burn.

This issue certainly serves its purpose–to be a “teaser” of sorts, something within the main story of Infinity yet probably not absolutely essential to understanding the story. This reeks of “prologue,” and other than seeing Thanos, I was honestly not very interested here. I don’t consciously know anything of any of these aliens or their worlds. I’ve yet to get through all of Annihilation, Conquest, or the Thanos Imperative, so other than tidbids of spoilery stuff, I’m not really current with Thanos…but this issue doesn’t hold up, considering I’d expect from the cover to either have more of Thanos himself, or of the general Marvel Universe presented.

The issue also reprints a Thanos backup story from Logan’s Run #6 in which Thanos once more survives the wrath of Drax the Destroyer. This was more to my liking, in that at least the focus was on Thanos, not a bunch of characters I didn’t know. Also, I’d never read this particular Thanos story, so it was still new material to me.

The art of the main story is pretty good, and quite to my liking. Thing is, I’m more interested in a story that I enjoy than I am pretty pictures, so it doesn’t make up for the lackluster story snippet. Meanwhile, the art from the Logan’s Run backup at least looks like classic Thanos, and while not entirely to my liking, is easily forgiven as a product of its time.

All in all…I’m not at all impressed with this “preview” or “prologue” or whatever-the-heck-it-is for Infinity. However, as a free issue, this is certainly worth it, if only for the reprint of the classic Thanos story.

A+X #1 [Review]


Full review posted to cxPulp.com
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Story: 3/5
Art: 4/5
Overall: 4.5/5

Avengers vs. X-Men #12 [Review]


Full review posted to cxPulp.com
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Story: 3/5
Art: 4/5
Overall: 3.5/5

Avengers vs. X-Men #11 [Review]


Full review posted to cxPulp.com
.

Story: 2.5/5
Art: 4/5
Overall: 3/5

Thor #1 [Review]

Quick Rating: Average, but there’s still potential.
Story Title: Untitled

Thor returns.

thor001Writer: J. Michael Straczynski
Pencils: Olivier Coipel
Inks: Mark Morales
Colors: Laura Martin
Letters: Chris Eliopoulos
Asst. Editor: Alejandro Arbona
Editor: Warren Simons
Editor-In-Chief: Joe Quesada
Cover Art: Olivier Coipel, variants by others.
Publisher: Marvel Comics

This issue–and by extension, the series–holds a lot of potential, and seems to have some good ideas to give us, as readers. The execution seems a bit off, though, and despite some good conceptual ideas, just doesn’t seem to make a lot of sense.

I’ll be one of the first to stand up and complain about “decompression” and generally dragging stories out unnecessarily across multiple issues…but this issue felt like it actually should be at least 2, if not 3 or 4 issues in length.

The issue’s story–boiled down–is fairly simple: we as readers are introduced to Thor, his alter ego, shown how he returns, and follow his alter ego into a “new neighborhood,” so to speak.

The way the title character is first encountered seems to go against his last appearance, from what I recall (given 2 1/2 years’ separation from my last reading of that story). The way he returns has the potential of some epic, legendary thing that could bring a lot to the character…but is over so quickly that one may wonder why it’s taken so long (both in real time and comic-time) for this to happen. There’s some good setup that leads me to assume we’re meeting some new supporting cast, and we’re introduced to what solicitations lead me to believe will be the new regular locale for the book, which will nicely separate it (I hope) from being “just” another super-powered entity operating in New York City.

The art is good…I have no real complaints with it. I like the look of the characters, and can follow what’s going on visually. I also really, really like Thor’s new get-up. It has a much more realistic look, more practical for a “warrior” and somehow evokes more of a feel that Thor has Norse ties (if only through popular cultural depictions of Norse stuff). To me, it also makes the “classic” costume look fairly hokey.

This issue moves quickly along, going from lack of a title character to his return to setup of a new status quo, all in one issue–something that almost seems a feat in itself, in an age when title characters sometimes don’t show up until the final page (if even at all) of their own debut issues.

This is far from a perfect issue…and taken alone, I’m not entirely enamored with it. However, there’s still a lot of potential that I can see…and so I’ll give a couple more issues for Straczynski to kick his magic into gear and really hook me before I bail on this title.

Ratings:

Story: 2/5
Art: 4/5
Overall: 3/5

Captain America #1 [Review]


Full review posted to cxPulp.com
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Story: 2.5/5
Art: 4/5
Overall: 3/5

Siege #2 [Review]

Writer: Brian Michael Bendis
Penciler: Olivier Coipel
Inker: Mark Morales
Colorist: Laura Martin
Letterer: Chris Eliopoulos
Cover: Coipel, Morales & Martin
Associate Editor: Lauren Sankovitch
Editor: Tom Brevoort
Published by: Marvel Comics

This issue is largely a lengthy fight-scene. Ares vs. Balder. Ares vs. The Sentry. Dark Avengers vs. Thor. And while these battles are going on, Steve Rogers rallies the Avengers, with Nick Fury providing transportation. And the issue ends on a ridiculously annoying note.

While I like the visuals overall, something about the Sentry comes across like some totally ticked-off child, if not some sort of demon-possessed child. The other characters all look pretty good–and are quite recognizable. The only part where I really had any trouble following the action in the visuals was the most gruesome image of the issue–you’ll know it when you see it. Though the gore makes it clear the character has been killed, it seems to come out of nowhere. If the final page of actual comic store didn’t have “To Be Continued” I’d be asking why a page was left out–what seems to be done for cinematic/dramatic effect feels extremely anticlimactic, and does nothing to make me want to get the next issue. The sequence–in my eyes–should have been played out.

The story itself seems very simplistic…we see things going awry and Norman losing control of the situation as he’s closer to being exposed publicly. Characters fight, someone dies, etc. The fight sequences make the issue read far too quickly–there’s too much quick action and too little dialogue. I’d almost prefer to see a tie-in mini to flesh out the action, and let the main series involve more dialogue and interaction as the event goes down.

In and of itself, there’s not much of anything here to recommend this issue. Marvel only makes it worthwhile as it’s part of the story that ends the Dark Reign, and we’re almost–almost–to the point where Osborne’s gonna start to get some of what’s coming to him. This is an “event book,” and the “core mini” at that–this seems the bare minimum one should get if specifically following Siege. While there’s loads of other stuff surely going on, this has been doing a decent job–for what I’ve read–of having the main stuff unfolding here rather than in the tie-in/crossover issues.

Not wonderful, but there’s plenty worse out there to be read…plenty that doesn’t at least have as its end result a brighter tone to come for the Marvel Universe.

The text piece at the end held no interest to me–it may have some stuff for context, but I couldn’t even get through it.

Story: 3.5/10
Art: 8/10
Overall: 5/10

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