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When Will I Learn?

All these years later, and I’m still snagging these when they come out. When WILL I learn?

assault_on_arkham_w_figurine_08122014

I watched this already tonight. I’ve never played the Arkham video games, nor even really know what their story is.

Maybe that would’ve helped.

I hardly noticed that this Batman was again voiced by Conroy. I really don’t like this “modern” visual design for Harley.

Perhaps much as I’ve let most DC comics go, it’s time to start letting these movies go. Next up is Throne of Atlantis. Another New 52-inspired animation.

I’d like to see Kingdom Come parts 1 and 2. Perhaps Prodigal. Or Zero Hour. Maybe a Reign of the Supermen. Or get into Vertigo and give us a Swamp Thing, or better yet–Hellblazer. If part of the appeal of this line is the PG-13 aspect, that they can cuss and show blood and be violent and even show some near-nudity…surely we could get a quality Hellblazer animated film!

At least I have an addition to my miniatures line from this. And if Aquaman–predictably–is the mini for the next one, I may break down and get that, too, if only FOR the mini.

Time will tell.

I’d recommend redboxing this if you’re interested. Or give it a few months and get it cheaper when it’s marked down a bit.

Thoughts on Last Week’s Comics: Week of November 20, 2013

X-O MANOWAR #19

xomanowar019I’ve said before–right now, I’m “all in” with the current Valiant. As such, I quite enjoyed that this is a tie-in to Unity. PLUS, it just makes sense: since Aric–X-O–is the inciting factor OF the events of Unity, it would be rather weird for this book to NOT touch on that. Where I’d thought Unity seemed like a slightly more epic issue of X-O Manowar, with a more expanded cast…this issue does a great job of re-humanizing Aric, keeping him relatable and not being some god-like faceless alien bent on conquering a country. Yet, after Unity #1, Nord‘s art here seems out of place and rather weird to me. The story continues on from earlier issues, and events have built rather organically, so nothing seems forced. I like the cover’s symbolism, as well as the design: the Unity Tie-In blurb is at the bottom of the cover, so looking at the cover, the info is there…but it does not take away from the Valiant trade-dress at the top, and in a typical comics-racking format, it’s probably not even going to be seen, and thus the book sells itself on its own merits without RELYING on being a tie-in.

BLOODSHOT AND H.A.R.D. CORPS #16

bloodshot016I continue to be impressed with this “new direction” and re-titling of the Bloodshot book. While I remember anticipating the supporting cast that I’d thought was being built to, the H.A.R.D. Corps angle is working really well for me. It feels like an organic development and mixing, and the characters seem to fit together quite nicely. Perhaps most of all I greatly appreciate that despite adding H.A.R.D. Corps to the title–literally–the numbering continues onward…Valiant clearly recognizes that the series doesn’t need to re-start to #1 again every few months. Seeing Bloodshot himself amped up with the tech H.A.R.D. Corps sports–albeit more powerful since he can survive stuff normal humans can’t–is an additional treat in finding out what the character can, can’t, and will/won’t do. I’m also liking the ongoing interactions with Harada, as it makes sense that someone like Harada would be involved in far more than just chasing down some kids. I’m hoping the H.A.R.D. Corps crew is around for quite awhile, and that this title keeps up with the quality. I’m certainly around for awhile yet!

ETERNAL WARRIOR #3

eternalwarrior003I noticed an “editor’s note” in this issue, placing the events of the issue/story before the events of Archer and Armstrong #5…and that one little note made me suddenly enjoy this story all the more. Instead of being just some random story, knowing it takes place before the other appearances of Gilad in the pages of Archer and Armstrong, X-O Manowar, and now Unity gives me more context to appreciate. This is in its own way an origin story for the Eternal Warrior…not so much how he came to be (that’s touched on in A&A) but how he goes from one status quo to the “present day” status quo of Valiant in general. I’m also quite appreciating the character interactions, and laughed out loud at the old lady trying to shush Gilad and his daughter for their arguing in public. I’m interested in the conclusion of this arc, but admittedly even MORE interested in #5, seeing the Eternal Warrior of the future…which is kind of a shame, given advance solicitations and “convention announcements” and such, as I’d have more preference on just anticipating the current arc.

TMNT NEW ANIMATED ADVENTURES #5

tmntnewanimatedadventures005I’m finding myself growing to PREFER Brizuela‘s visual style to the actual cartoon itself. The turtles look great in this issue–as they have in the previous issues. While Fishface is one of the more ridiculous concepts of the series, this issue shows what a threat he can be, and is maybe the first time I’ve come this close to enjoying the character at all. I’m drawing obvious parallels between this series and Archie‘s TMNT Adventures; both developing from tv series, both serving as an alternative for fans of the cartoon vs. just the comics. This series has yet to straight up adapt any episodes, yet it’s set in the same continuity, rather than developing its own universe. It works, I’m going to continue on with this title if only for the art…but unfortunately, some of the shininess has worn off for me, and I find myself preferring the regular ongoing IDW continuity. Still, fans of the show will appreciate this most likely, and it’s a good title of one-off/one-issue stories if you want to read something with the TMNT but not have to deal with a lot of continuity or related/tie-in issues.

BEN10 #1

ben10001I was originally drawn to Ben10 upon discovering Dwayne McDuffie‘s involvement, and watched a handful of episodes from a DVD I snagged sometime last year. I never managed to get very far into the series (and I think what I saw was the equivalent of a second or third season), so I’m not all that steeped in Ben10 continuity to know if this is a tie-in or continuation of the cartoon’s continuity, or just its own thing. I don’t suppose it matters TOO much…I zipped right through the issue and enjoyed it in and of itself. However, not being entirely certain of where this is in the larger Ben10 universe/timeline, I’m pretty sure I’m left “on the outside” just enough that I’m not really the target audience for this book. Still, it was worth my trying for being the first issue…but I rather doubt I’ll keep sinking $4/issue into this. If you are or have a fan of the show, I’d definitely say check this out…it’s the premiere issue, after all. But if you’ve never experienced anything Ben10, this issue doesn’t particularly fill you in on stuff so wouldn’t seem the greatest ‘first-introduction-to-the-series/premise’ story to dive in on.

DOCTOR WHO: PRISONERS OF TIME #12

doctorwhoprisonersoftime012I haven’t read issues 1-11, but I bought this issue BECAUSE it’s the last issue…also in anticipation of the Day of the Doctor 50th Anniversary Special. Story-wise, I was fairly lost…not having any details whatsoever of the previous 11 issues. I’m also a bit iffy on the art, with this issue having something just a bit “off” about the various Doctors. Despite that, I could recognize them all, and love the double-page spread of all 11 Doctors. That I could identify each is testament to how far I’ve come as a Doctor Who fan since March of this year. I’d figured I’d probably go for a collected volume of this series, but I’m pretty sure it’s being split into 3 books, so barring a single-edition, I’ll cut my losses with having this single issue that includes all the Doctors and be glad I only spent the $3.99. I imagine if you’ve been following the series to date this puts a nice cap on the series and possibly the entirety of IDW‘s holding of the DW license. In and of itself, I’m kinda “meh” on this…the issue wasn’t bad, but not exactly my cup of tea…yet I hope that’s more my lack of 11 issues’ context than anything of the series itself.

Some thoughts on comics from the week of 10/30/2013

Damian, Son of Batman #1

damiansonofbatman001I’ve said in the past that those 5-page “previews” or really ANY “preview” repeated over and over and over throughout comics I *am* reading will typically NOT get me any closer to buying the comic they’re “advertising.” What I’m noticing that WILL get me, though, is a cover. See the cover to the Shazam vol. 1 enough times, I decided I was interested enough to buy it. Ditto the “main” image for this issue. Now, the issue itself…I wasn’t impressed. The art’s good, I like Damian’s costume in particular. But the story just isn’t doing it for me, at least not as a single chapter of four. And it’s been so long since I even read Batman #666 (which itself is about 76 issues old as of this typing) that there’s no real significance to me other than “hey, here’s a Damian who didn’t die.” Given all that, I don’t think I’m gonna spend $4/issue on the remaining 3 in this series…but I’ll likely keep an ear to the ground and if I hear enough positive ‘buzz’ about it, perhaps pick up a paperback of the full story once that comes out, if reasonably priced.

The Sandman: Overture #1

sandmanoverture001I was really looking forward to this in the few days leading up to its release. Then I was immediately disappointed by the covers. I couldn’t figure out which cover was the “main” cover, and of the two that I saw, neither particularly rang any bells with the (limited) “marketing” I’d seen for the series; neither stood out as “the” “main” cover. While this oughtta be a relatively minor thing, it largely soured me on initial feelings, which is not a good thing…especially as I don’t recall other Sandman comics doing the “variant thing” and The Sandman really doesn’t strike me as something that oughtta have variants…so this suddenly fell out of fitting perfectly with the “classic” stuff and into “just another modern comic.” I typically have not been a fan of this artist, not caring for the layouts and looser style and all that. However…the style works extremely well for this issue, for The Sandman. Though I don’t recall this artist working on the original series, his work fits in quite well on the whole with my recollection of the original series. Story-wise, again, it’s been quite awhile since I’ve actually read anything Sandman…so taken solely as a stand-alone thing, this issue doesn’t really impress me on the whole. Still, I recognize something in it that (thankfully) rings “true” to memory, expectation, and all that. I have the feeling I’ll enjoy this much more taken as a whole someday, when this entire arc is collected into a single volume.

Teenage Mutant Ninja Turtles #27

teenagemutantninjaturtlesidw027There’s a certain “meta” thing about this series for me, between the single issues and the collected volumes. Aside from wherever it was I got the impression of City Fall being a 7-parter (online article, perhaps…not sure if it was anything “official” in-print), I find I “see” story arcs by how they’re collected, which thus far has been some “strict” 4-issue cycle, each collected volume being exactly 4 issues without any variance…even for a specific EXTENDED SINGLE ARC like this being split up. This seems to be the penultimate chapter of City Fall, as things come to a head–and we’re set up for Big Stuff next issue. Story-wise, we get some forward momentum, though it does feel a bit like this issue’s kinda “treading water,” with some of the key stuff going on in the Villains Micro-Series rather than here. Often I’ve enjoyed the added stuff in the Micro-Series, “enhancing” the “main story,” but (for example) the introduction of Bebop and Rocksteady would have had more impact, I think, if they’d been mutated in this main book, or had they been introduced here and THEN we got filled in on the backend about their actual mutation and “trial run.) Visually I continue to enjoy Santolouco‘s work almost as much as I’m enjoying Brizuela‘s on the New Animated Adventures title. All in all, not a bad issue, but not particularly impressive in and of itself…though I’m quite looking forward to the final chapter of this arc.

TMNT Villains Micro-Series #7: Bebop & Rocksteady

tmntvillainsmicroseries007bebopandrocksteadyI’ve never been a particular fan of Bebop and Rocksteady. I see them as a key element of censorship in the 1980s, where heaven forbid the turtles should “win” “beating up” a human. The fact that they were never REALLY much threat to the turtles was also a drawback. But the cover to this issue–which I think I first saw in the “next issue” page of the previous Micro-Series issue–went a long way to change my mind on these guys…making them actually look big…and dangerous. We’ve seen the thugs that mutate, before–a couple cameos, and a cliffhanger of them being part of the group told to fight down to the last two for the chance to become “something more.” This issue gives us a bit of a “flashback” of Bebop and Rocksteady and their “gang history” before joining up with the Foot group, their actual mutation, and their “test run” in mutated form. While still the dimwitted, bumbling idiots they were in the classic cartoon, they’re treated much more seriously here, and come off as the dangerous, mutated brutes they should be…a genuine threat to the turtles despite not being the brightest. I liked the art here, and much as I like Santolouca‘s art on the main series, I far prefer Bebop and Rocksteady’s look here than their appearance in City Fall. An endearing touch in this issue is acknowledging the characters’ names/nicknames as musical styles: I still remember the sudden “click” in my mind early in college when I made that particular connection. Definitely a good issue if you want a Bebop & Rocksteady story, as well as a key issue in the overall TMNT continuity from IDW. As with other Micro-Series issues, you can ignore that number on the cover…treat this as a one-shot with timely, in-continuity elements.

Thoughts on Issues First Week of October

QUANTUM AND WOODY #4

quantumandwoody004I’m continuing to quite enjoy this series. I’ve been reading through the original series digitally, and other than consciously noting that they’re different, for what I’m getting of the reading experience of both: this new iteration fits right into the spirit of the original. Even the slightly modified relationship between Eric and Woody works well and does nothing to diminish their interactions…if anything, it adds depth. Despite all the hubbub earlier and the promotional posters, here in THIS issue we finally meet “the goat,” and quickly see why this is the most awesome goat in comics. I’m pretty sure my high enjoyment of the Goat is knowing it to be a running gag from the original series combined with the “hype” from even before I’d read any of the originals. I look forward to seeing both the continuing development of the main characters, as well as how the goat is handled in this iteration long-term/moving forward. This issue wraps up the first arc…if you’ve not read any so far, it’ll definitely be worth picking up the collected volume.

SHADOWMAN #11

shadowman011Of all the Valiant titles, this is certainly the best one TO have a Halloween Special. That it’s another issue of the main title and not some extra issue (say, a $4.99 one-shot with a couple of sketch pages making up the $1 difference from the price of a regular issue) is a huge “plus” for me. The story itself didn’t interest me all that much, yet as a slice-of-life piece, I liked it; it’s the sort of thing I often like to see…so I can’t quite figure out why it didn’t have the expected appeal. The art was good; no complaints from me there. This is a self-contained issue…and Valiant offers a “previously” blurb on the inside cover, so really, you don’t need to have read anything before this to pick it up and “sample” the Shadowman title. Not my favorite issue, but not every issue CAN be. This is still a decent read and I’ll be continuing to keep up with the title.

FOREVER EVIL #2

foreverevil002With all the “hype” around the first issue and what it COULD mean for Dick Grayson/Nightwing, as well as buying several of the 3-D covers and figuring context wouldn’t hurt, I bought the first issue, and it wasn’t all that bad…I figured even though I had no intention of following Villains Month into any individual titles, I’d go ahead and check out the next issue of Forever Evil…and here it is. I did. There’s potential…but I have no intention of buying all the tie-ins: whether individual titles’ issues OR specific tie-in minis, and this reeks of Infinite Crisis to me where the main issues might advance things a bit, but also serve as ‘setup’ for many of the tie-ins (which will have the “meat” of the event). I’m not interested enough by this issue to plan on continuing on with the series. Perhaps if it gets good word of mouth from others I’ll jump back in…otherwise, I think I’m pretty much done with this.

BATMAN: BLACK AND WHITE #2

batmanblackandwhite002Normally I’d balk at the $4.99 cover price, especially for “only” a mini-series…and I’d wait for the collected volume. After all, mini-series = short, finite story = better in one go as a single-volume. However, this is an anthology, and each issue is already several shorter stories…and for me that would get a bit grating after awhile, having a thick edition where every several pages begins a new story. So I’m enjoying this format, and getting some nice, short one-off bits dealing with Batman and his cast, by a number of creators with varying name-recognition for me. If this were an ongoing series, I doubt I’d have as much interest in it–I’d wait for others’ reviews and general word-of-mouth as to anything particularly “amazing” to be found in a given issue. But while nothing really stands out to me from this issue, I enjoyed it, and compared to many comics felt I got a good read for my money.

Thoughts on Some Recent Valiants

ETERNAL WARRIOR #1

eternalwarrior001I’m not sure what I expected exactly, from this premiere issue…based on bits of “preview” I’d seen despite my usual aversion to and attempts to avoid such things, I’d figured this would be set in the past, so wasn’t disappointed. That is a definite beauty of telling stories about a functionally immortal character who has lived thousands of years…there is a rich timeframe from which to draw and tell stories from! I suppose in some ways I think of Highlander for stuff like this, so it was kind of odd to consider children as part of the picture, but their placement works, and leaves me interested in seeing what comes next. I wasn’t blown away by this issue’s story, though I enjoyed the art. Even so, I find this a very worthy addition to the Valiant line and look forward to what the title holds moving forward.

HARBINGER #16

harbinger016This was a welcome “next chapter” given the way the previous issue ended, and seemed to make a bit more sense of what went down, giving more “reason” for it, as well as allowing some continued character development for a character I’d figured we wouldn’t be seeing again except as a corpse. Tying the character and their powers into the larger arc gives added depth I’m appreciating, and whatever the final ongoing fate of the character, there’s plenty of “meaning” given to things. I also quite enjoy the depiction of Faith and the reality given the character–smart enough to recognize reality yet willing to indulge in the fantastic. The story and art continue to be quite solid, keeping this title as one of my typical favorites of the contemporary Valiant universe.

BLOODSHOT AND H.A.R.D.CORPS #14

bloodshot014I was expecting something a bit different than what I found here, but quite like what we got. I expected more of a grudging team-up coming out of Harbinger Wars, and something that would feel more like a backdoor pilot of sorts. Instead, this actually came off as a #1 issue firmly rooted in existing continuity…but thankfully there’s no renumbering, only a small rebilling of the title…and there’s actually the continuing story showing the fallout of recent events. I really dig this as a way to introduce another major concept of classic Valiant to current continuity without having to add yet another title, and I’m definitely looking forward to seeing where things go for these characters and the title–especially as I never much considered Bloodshot a team character. Yet, obviously he’s going to (have to) become one, at least of sorts.

X-O MANOWAR #17

xomanowar017I’m not exactly loving the art on this title…while it is not bad, there’s just something that seems a bit “off” about the X-O armor. Yet, perhaps that’s the primary “issue” I have with it, because the characters otherwise do look pretty good on the whole. I’m definitely enjoying the story on the whole, though I’m not exactly thrilled at Aric growing into a sort of villain figure of sorts. However, at the same time, that is definitely a realistic thing for someone that shows up and takes over part of a country, whatever the motivations. As established, I can’t see Aric just backing down or arbitrarily/suddenly shifting an ingrained mindset to fit a contemporary mindset that accounts for 1600 years of change in such a short time. The continued development also keeps the character grounded: whatever his intentions, he’s “just” a fallible human, finding himself rather suddenly with a lot of power, making things up and learning as he goes along.

General Thoughts

recentvaliants

Outside of the TMNT comics, the first four Valiant titles of the current crop represent the longest I’ve stuck with any given series in quite a number of years. Factoring in the initial four and the eventual addition of Shadowman last year, Quantum and Woody a couple months back and now Eternal Warrior, this is the largest body of titles I’ve stuck with at length in quite awhile as well. Even when there’d be a valid excuse to essentially “double-ship” a title (a #0 and the next numerical instance) in one month, it seems that Valiant has refrained from doing so; at least with the Shadowman and Bloodshot #0s. Even being up to 7 ongoing titles (which admittedly can seem like a large “commitment” on the surface), one has but to look at Marvel‘s double-shipping and see that Valiant would have to add yet another title just to match the number of $3.99 issues’ commitment one currently enjoys every month for half the number of titles.

Catching up on some recent non-villains reading

ASTRO CITY #4

astrocity004This is exactly the sort of story I absolutely love from this series. Astro City brings to life a certain reality of superhumans existing in ordinary society, and rarely does so better than showing us that not every last individual that develops a power is automatically a hero or villain. We’re brought into a world of individuals who have found other uses for their powers, making a living with the use of their power outside the flash-bang of the constant hero/villain battles. In this case, a telekinetic using her powers to assist in the special effects for film, allowing model movement without cumbersome wires. of course, there are those that would see such use as a waste of talent and seek to round these folks up and force them to use their powers for someone’s gain. But that’s where a network of the non-action folks comes in as they have one another’s backs. Great story, great art, and a fantastic self-contained one-issue story. Even when I tell myself I’ll wait for the collected volume(s), it’s issues like this that keep me coming back for the single-issue Astro City experience!

BATMAN BLACK AND WHITE (2013) #1

batmanblackandwhite001Despite overall enjoyment of the one-shot nature of the Villains Month books this September, as a longer-term thing I’ve been gravitating to DC‘s digital-first stuff that basically exists on its own. I saw and passed on this issue the week it came out, but wound up buying it this past weekend on others’ recommendation and ended up quite enjoying it. While the $4.99 cover price is rather off-putting, it FELT like I had a lengthy reading experience out of the deal. The multiple short stories lend an air of added value, as not only do we not “need” to buy the next issue to resolve a cliffhanger but got several COMPLETE stories in this issue. I quite enjoyed the mix of stories and art, and look forward to the next issue. Also, while I usually hate “sketch covers” and such, which this one would certainly qualify as in my eyes…this one works here because it’s perfectly fitting to the contents of the issue and nature of the book itself. Though I certainly wouldn’t mind seeing this image in full color as a poster or such.

TMNT NEW ANIMATED ADVENTURES #3

tmntnewanimatedadventures003I’m continuing to enjoy pretty much any dose of TMNT in comic form, and this title continues to have exactly what I’m looking for in it. I’m really enjoying Brizuela‘s art as it nicely carries the tone of the tv series while keeping a comic look and being its own thing. I did find the story itself fairly forgettable on the whole here, but in a way that could actually be a bit of a strength: it fits so well with other episodes of the tv series and earlier issues of this series that it just blends right in. The cover made me think we were getting an expanded look at Kraang-Prime, which unfortunately was not actually the case; but still made for a cool, interesting cover. There’s not much in the way of solid “mythology” to this series, as it’s truly a companion of sorts to the tv series…but I’m liking it. Now if we could just get a single-issue edition classic reprint series of the old Archie TMNT Adventures, I’d be all set!

BATMAN ’66 #3

batman66003This issue was fairly fun for me. Usually I wouldn’t much care for this sort of thing, but I enjoyed seeing the Red Hood concept introduced into the ’66 universe. It definitely fit well, and kept the typical tone I’d expect from the classic tv series. Unfortunately, I’m noticing a pattern wherein we have a story taking up 2/3 of the issue and another short filler taking up the final third…and I’ve had to basically force myself through the final story. I appreciate the pagecount for the price, but would prefer more to the main story’s segments. On the whole, I’m still getting a “feel” for this series though look forward to what else we get from it. I suppose I could pick and choose from the digital chapters, but while I’ll buy some comics digitally, since this is a title I’m choosing as a “DC Fix” or “Batman Fix” for the month, I’d prefer to buy it in print for the time-being. I do wonder how long until the visual style wears on me…I appreciate having the characters look like the actors’ depictions and such (note Joker’s facial hair in this issue), but I don’t care for some of the other flourishes.

Not a Poster (and where are the chains?)

supermanunchained001variant001While I was quite impressed by Man of Steel, I found myself rather disappointed (to say the least) in Superman Unchained #1. I think THE primary problem for me with Superman Unchained was the issue of the extra $1 to the cover price (already going to be $3.99, the poster’s inclusion bumped the price an entire $1 to $4.99!)

And yet…the poster is not at all what I personally would consider an actual poster. To me, a poster is a stand-alone image, where the art speaks for itself. It might be an oversized (or same-sized) cover image, or reproduced from interior art–a panel or splash-page.  It might be a wholly original image, perhaps an artist’s work not usually associated with a character. And if it is captioned, it’s intended as a stand-alone.

What we got with this issue is simply a detachable fold-out to allow for two panels at 4 times the usual page-size (or double the size of a 2-page splash).

supermanunchainedposter01

The first side is simply a falling satellite with Superman smashing through…but just looking at the image, I can’t even tell what it’s supposed to be. Some sort of spaceship exploding or otherwise breaking apart…but no CONTEXT. Can’t even tell that it’s Superman there…and it’s certainly no poster-worthy Superman depiction–no heroic pose, nothing that truly “says” Superman here.

supermanunchainedposter02

On the reverse side, we do get a MUCH closer-up view of Superman…you can tell that it’s Superman, that he’s punching…something, so we’re a little closer to expectation. But the image is spoiled by the awkward, off-center pose, and all those text boxes. They may not be overly noticeable at first glance from a distance…but while that MIGHT be a slight strength at first, it leads into another problem: you have to get up close to the poster to read anything on it, and it’s hard to un-notice the text once you notice it.

supermanunchained001variant002And since this comes from within the issue itself, is a part of the story, this does not at all stand alone–you lose the context of that story that ties to the text boxes. It also means that you’re missing these details from any later re-read of the issue itself if you’ve removed and hung the poster, rather than tucking it back into the issue where it–obviously–is intended to belong.

Basically, the reader is asked to pay extra so that the artist can have art shown off at an abnormally over-sized perspective for no real gain to the story itself (to say nothing of losing all flow of story by having to take the time and hassle to remove the thing from the issue in the first place! Why not a clear polybag? DC already uses those for the “combo pack” editions, I believe!)

Then, the issue is swamped with variants–many actually appealing for their nostalgia factor AS a comic book. Rather than simply having a different image under the company logo, title logo, and UPC box…the entire trade dress of the cover is redone in the classic styles, with the classic company logos and so on.

Granted, the visual style would evoke different periods of the comics. But going with the different logos and trade dress, you truly wind up with an entirely different comic by the cover alone–whether something that looks like it came out of my grandpa’s cabinet, or from the midst of the era of Superman I most enjoy.

supermanthemanofsteel050But the variants aren’t stopping with the “celebration” of this first issue–nope, they’re continuing with the next issue at minimum, if not beyond. And while I’d thought to “give in” and give the issue a “pass” for being a #1…keeping this up–especially with RATIOED variants–is absolutely not gonna keep me around (in fact, it’s soured me entirely!)

Add to all of the above that I didn’t pick up on anything within the first issue to really warrant the title Unchained, vs. the long-rumored Man of Steel or something else. Depending even on where the story goes based on the first issue’s cliffhanger, I don’t see Unchained coming from that–perhaps if we actually saw a Superman breaking free of SOME sort of imprisonment (chains or otherwise)–or being imprisoned (and so having something to break free from) it would make sense.

The standard cover at least has debris and sorta looks like chains on it at a glance…but unless that’s a requirement for every standard cover to justify the title, even that sort of gimmick will likely wear thin its welcome in quite a hurry.

In the end, I suppose all of this is simply further indication that I’m not the target audience. And since I’m not enjoying what’s being done at present–I’ll stick to my back issues.

Man of Steel: Initial Thoughts

manofsteelwalmartpremierenightfrontI’ve said for awhile now that based on the trailers alone, this film looks far better to me than “the last one.” While Superman Returns has its place, I never cared for the costume or the weirdly-stylized “S.” And the film was long, kinda dragged, and seemed too much like it was trying too hard to BE the ’78 Donner film.

And this new film?

There’s plenty of homage; I thought of a bunch of other films at different points throughout watching this. I saw what I interpreted as a number of influences–from Alex Ross’ art to The Matrix to Star Wars and Gladiator…some things more subtle than others.

But mostly, I saw Superman. I didn’t see an actor molded to be as similar as possible to another actor playing Superman. And because of that (at least in part) I enjoyed the film a lot more.

alexrosssupermanThere’s a lot of sci-fi to this film; more than I think I’ve ever seen in a live-action Superman film before. And a lot of it–especially early on–put me heavily in mind of Star Wars Episode III. Shortly after I was put in mind of moments from 2009’s Star Trek as well as (for what should be an obvious reason) Gladiator.

In large part due to the broad strokes of the conditions behind Superman’s reveal, I was put in mind of the Superman: Earth One graphic novel from a couple years back. As a fan of ’90s Superman, I certainly missed one character in particular…and yet, the way that gets handled by the end of the film leaves huge potential for the inevitable sequel, and I daresay I’d be highly interested in a comic series set in this film’s continuity.

After the film’s opening, I was a bit put off by what I imagined was the route the story was taking…and braced myself for a long off-putting film. This concern was quickly put aside as the story unfolded and things were presented contrary to my expectations.

manofsteelwalmartpremierenightbackI was honestly surprised by a couple of deaths in the film–though they certainly fit the story, and definitely leave things ripe for potential…and my own mental tying in of a digital prequel comic I read thanks to the Walmart Premiere Night ticket code makes me wonder at the possibility of even a loose adaptation of the first “current” Superman story I ever read (parts of) back in ’89.

You want out ‘n out spoilers? Plenty of those out there. And I’ll likely have other thoughts once I see the film at least one more time; to say nothing of how others’ thoughts will rub off on me and give me different perspectives to come at this with…as well as the simple passage of time. (I’ll be particularly looking forward to hearing what Michael Bailey and Raging Bullets have to say on the film!)

Superman vs. Zod TPB [Review]

supermanvszodtpbI bought this volume for full cover price at Book-A-Million a couple weeks ago. Which is something EXTREMELY rare for me to do, as I’m highly disgusted at the (over-)pricing of collected volumes these days.

I look primarily at Marvel (as I have most of what I want from DC, find what I yet want from DC quite reasonably price, and/or don’t much care for their newer stuff). With the Marvel volumes, it seems that where once a 6-issue arc could be had for about $15 (making it a better value than the single issues), now the standard TPB is $16.99-$18.99 and hardbacks $20+ for 4-5 issues, making the single issues an equal or better value.

As such, THE vast majority of my collected volume purchasing is done through Amazon, InstockTrades, CheapGraphicNovels, Half-Price Books, M&P Used Books, bargain bins, or other bargain purchasing conditions…typically seeing me paying only about 50% of printed cover price on average.

Which brings me back around to (ostensibly) the main point of this post: Superman vs. Zod, a new TPB collecting several “classic” Superman-vs-Phantom-Zone-villains stories. Despite my above-mentioned purchasing preferences…I still enjoy taking a peek at the “regular” bookstores (Barnes & Noble, Books-A-Million) to get a look at some of these volumes “in-person” in a way that can’t be duplicated by solicitation and other info online.

supermanthemedclassiccollectionsSo I was looking at the Superman volumes, and happened to notice this Superman vs. Zod volume. I’ve been increasingly interested in some of these classic “themed” collections–Superman/Batman: Saga of the Super Sons, Superman: The Bottle City of Kandor, Superman vs. Brainiac, Superman vs. Lex Luthor, pretty sure there’s a Daily Planet volume–so this one being new, I was curious. I pulled it out, glanced at the table of contents (determined it was mainly “classic” material in the vein of these other books), but because it was a bit thinner, glanced at the price–figuring it was a $15 book (the others being a bit thicker were $20 books, I believe).

I was surprised to find that this was priced at $9.99…and bought it. $10 is not nearly as off-putting as “more than $10,” be it $10.99-$19.99 and on upward. And because Amazon and other places often seem to have a $10 minimum–typically I see Amazon at least keeping to the $9.99 pricing on such-priced volumes–I don’t mind “paying full price” on a $10 book that feels worthwhile, as this one did. Had it been even $12.99, I’m quite certain I would have put it back on the shelf. But it had the “magic” reasonable price where the sheer thickness of the book feels worth $10 compared to volumes maybe 2/3 its size commanding twice the price.

The stories themselves were definitely “classic.” We get The Phantom Superboy from Adventure Comics #283 (1961), The Great Phantom Peril from Action Comics #473 (1977), Escape from the Phantom Zone and Superman Meets the Zod Squad from Action Comics #s 548 & 549 (both 1983), Phantom Zone: The Final Chapter from DC Comics Presents #97 (1986) and then jump 21 years to The Criminals of Krypton, a segment from Action Comics #10 (2007).

While I can “appreciate” these stories for what they are–stories involving the Phantom Zone–I was not particularly enamored with any of them. The cover certainly doesn’t quite fit–it’s a very modern take on the characters, compared to the very silver/bronze age art on the inside. Which isn’t to slam the art–it’s a product of its time(s)–but it’s not much a visual style I tend to enjoy these days.

The story themselves also are products of their times–particularly the first four, which were largely “painful” to read…the first most of all. The DC Comics Presents story struck me as the most mature of the classic bunch, and actually put me very much in mind of the Last Days of Krypton novel I read a couple years ago by Kevin J. Anderson, making me wonder if he drew inspiration for his story from this one.

These were all stories that I’m pretty sure I’d NOT previously read, except the last one, which I recall as I bought/read the original Annual. I haven’t much cared for all the “going back to silver-agey elements” of the post-Infinite Crisis DC stuff, but can’t deny that its presentation of Non makes that character a bit relatable, rather than just some mindless brute.

This volume’s titled Superman vs. Zod, but seemed to be more generically a Phantom Zone volume. As something involving Zod, I’d’ve expected at least an issue from Byrne‘s run, with the Matrix/Supergirl stuff and the pocket universe, if not specifically Adventures of Superman #453 from the Exile story where Superman hallucinates an encounter with the ghosts of Zod & co. There’s also stuff from around Our Worlds at War with that version of Zod, (which I honestly don’t recall if it was different from the Zod used during For Tomorrow) or not, that seem more fitting to me for this volume, if not as neatly self-contained.

The Zod presented in these stories seemed a bit generic, if not outright a lesser character than Faora. Yet, it seems to me that Zod in general pop culture is defined by Terrence Stamp‘s performance in the Donner films with Christopher Reeve, particularly the infamous “kneel before Zod.” (There was also the Smallville depiction of the character late in that series that may be just as or more familiar to contemporary audiences).

So overall…for a $10 volume, I found this to be well worth the purchase. The stories are a bit on the lame side to me, but they’ve added to the range of Superman stories I’ve read, now, and given me just a little more knowledge of the actuality of these characters; and the more I think about it, the more I do think I rather enjoyed the Phantom Zone: The Final Chapter story (which must’ve come out in that in-between as the original Superman stuff was wrapping up and things were being put in place for the Byrne relaunch and the version of the Superman stuff that I grew up on and consider to be “my” Superman).

This is sort of a “classic-lite” volume–I’d say it mostly fits with those other themed volumes of classic stuff, though it’s far from comprehensive and is not quite as large; but at half the price, not bad to be an “intro” volume. Cover copy suggests “Before Superman takes on General Zod in theatres, read here a collection of classic Zod tales spanning nearly fifty years!” So the pricing and mere existence of the volume seems more a promo type thing to tie in to this summer’s Man of Steel…I would unfortunately assume it’ll be someone “lost in the crowd” of all the other DC books and Superman/Justice League stuff, and definitely be victim to the “spine-only” trouble so many volumes face in comic shops and the bookstores.

Another X Book

x2013000I remember 1993 or so–Dark Horse launched their Comics’ Greatest World 16-week event. 16 weeks, 16 books, $16. At the time, many new comics were in the $1.50-$2 range, so even then $1 was a bargain of sorts.

This event introduced a bunch of (I presume) new characters to the company’s stable of titles; each had its own logo and a few actually went on to support ongoing books for a time; Barb Wire I believe even got a movie.

The year after, they did a 12-week single-title series Will to Power, following one character in particular–I believe the character was Titan (one of the characters from CGW).

Anyway, the one that most stood out to ME was X. This masked guy who would “warn” his “victims.” If I recall correctly, one slash across the face was a warning. But when you were marked with two–forming the letter X–you were marked for death. And it was criminals who were marked; X was a vigilante, an “anti-hero” of sorts.

comicsgreatestworldweek01xI recall getting a couple of promo issues with Hero Illustrated magazine, and having an issue or two of the ongoing series. Mostly I was familiar with its existence moreso than the book itself.

I noticed the X Omnibus last year or the year before, and was quite interested recently to hear the character had returned in Dark Horse Presents…and grabbed the single-issue X #0, collecting those DHP-serialized story segments. And then last week despite my usual avoidance of MINI-series and even telling myself to wait for the “graphic novel” edition, I bought X #1.

It took me a few days to get around to reading it, but Sunday night I read #0, then went on to #1, and then just because I had it handy from a recent bargain bin purchase, I read the original Comics’ Greatest World: X issue, and quite thoroughly enjoyed the thing.

x2013001While typing this post, I got curious–I don’t remember ever seeing Comics’ Greatest World itself nor Will to Power collected into single volume editions. While doing a bit of digging, I came across a Dark Horse Heroes Omnibus, that appears to collect both stories into a single volume. Including shipping, I paid about $14, which–when you think about it–is less than the cost of 4 contemporary $3.99 issues.

And there are two volumes in the X Omnibus series (the second seems recent-ish)–near as I can tell, those together collect the character’s ongoing series from the mid-1990s, including those Hero Illustrated promo issues. So I may eventually seek to acquire those. There seem to be several volumes of Omnibii for Ghost, which seems to have been THE most successful property of the 16 introduced in CGW.

Thinking on it the last couple days…X is a character I know next to nothing about, though; I couldn’t even tell you the character’s “real name” if he has a “secret identity” or such; nor anything about his “origin” and all that. Could be a good thing (i.e. this is the beginning of a journey-of-discovery regarding the character) or a bad thing (perhaps the character is actually really boring).

I suppose time will tell.