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Marvel Universe Series IV Revisited, Part 17

There’s not really a whole lot to say about these cards, except that they were among some of the most informative cards of the set, for me, detailing the various conflicts, which included background on some of the characters and their relations to one another.

I think of these nine, my favorite cards are the Spider-Man vs. Carnage, Cable vs. Stryve, Wolverine vs. Sabretooth, and Spider-Man vs. Venom.

Additionally, the War Machine card reminds me that I have yet to read the issue and “experience” Iron Man of this period rather than being aware of Iron Man of this period.

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Superman: Dark Knight Over Metropolis (TPB) [Review]

supermandarkknightovermetropolistpbWriters: John Byrne, Dan Jurgens, Roger Stern, Jerry Ordway
Artists: Art Adams, Dick Giordano, Dan Jurgens, “Sludd” Giordano, Brett Breeding, Bob McLeod, Jerry Ordway, Dennis Janke, Kerry Gammill, John Kalisz
Reprints: Action Comics Annual #1, Adventures of Superman #466-467, Action Comics #653-654, Superman #44
Published by: DC Comics
Cover Price: $14.99

The Action Comics annual, while not bad, isn’t at all my favorite Superman/Batman story. It’s certainly an apt inclusion, being one of the earliest team-ups of the characters…I just don’t care for the vampires thing, and given the volume’s title and the “main” story of the volume, I was eager to get to that rather so quickly waded through the Annual.

Adventures of Superman #466 was the first appearance of Hank Henshaw, and a definite “nod” to Marvel‘s Fantastic Four, albeit with a much more tragic outcome. Three men and a woman are exposed to “cosmic radiation” and crash back to Earth, finding themselves changed–one into energy, one into a monstrous construct of shrapnel, rocks, and branches; one fading out of our plane of existence, one being eaten away by radiation that baffles even his intellect. This is a nice “one-shot” sort of issue, introducing the characters and seeing their apparent end all in one go…though Hank Henshaw would eventually return in Reign of the Supermen/The Return of Superman and go on to be a fairly recurring character throughout the 1990s’ Superman books. Though I can’t be certain of its accuracy, I seem to have a fond memory of having read this issue while it was still new, long before ever being referred back to it during Reign of the Supermen.

I can’t really put my finger on why this issue was included here except that it came out about the same time as the others and so perhaps “adds context,” but as a Superman/Batman-themed volume focusing on the characters’ early interactions, I really would have preferred to see Man of Steel #3 (One Night in Gotham City) included here (the issue/story is even referenced by the Action Comics annual!).

Action Comics #653 serves as a nice prologue to the “main event” of the volume, giving us the key point of the Kryptonite ring having been removed from Luthor’s possession, and how it winds up able to make its way to Gotham City.

Finally, we get to the three issues that are the actual Dark Knight over Metropolis story. Here, Batman comes across a radioactive ring that he traces back to Metropolis. Of course, Metropolis “belonging” to Superman, the two cross paths, and have to work together to uncover the source of the ring and deal with a threat from Intergang. At the story’s end, we see that although their methods differ, Superman realizes that he and Batman are truly on the same side with the same ultimate goals, and we get the key scene that would have ramifications for a decade or more in the DC Universe as Superman gives Batman the means to stop him should the need ever arise.

Overall–on all the issues–the story and art work well together. I can definitely tell these are from the late 1980s/early-1990s, though, visually…both stylistically (square, neat panels, virtually no full-splash-pages, no double-page spreads, etc) as well as the coloring…while the paper itself for this volume are not newsprint, some pages I could practically feel the newsprint, and some of the coloration “dots” are visible in panels from the original printing process.

The look and feel of this volume brings back fond memories for me, as–while different artists had different ways of depicting the characters–the whole seems consistent with nothing outlandish or particularly “off,” and I really had no complaints.

The stories as well are a nice blast from the past…and as I read this, I realized I may not actually have read all of these before this iteration, so it’s nice to know absolutely for certain that I’ve now read this story for myself as opposed to simply knowing it by references TO the story.

This is probably one of the most “bare-bones” volumes I’ve noticed as such in awhile…I was surprised to get to the end, and there aren’t even any ad pages or lists of OTHER Superman or Batman volumes that I usually ‘expect’ to see. Additionally, there’s no table of contents, introduction or anything…not terribly surprising since the “specialness” of collected volumes has gone away, though for such a specific story I’d almost expect some “extra” stuff to be included (since this isn’t “just” “the next” volume to contain several issues in a series).

All told, though…it’s quite gratifying that this volume now exists, and it’s well worthwhile for anyone interested in a quality glimpse into “early” Superman/Batman interaction from the post-Crisis on Infinite Earths DC Universe. This is a standard-size TPB, with the “standard” $14.99 cover price that one would expect for a 6-7 issue volume. In an age of collected volumes increasingly reflecting a greater-than-$3.99-per-issue price, this is a more than fair price point. I already own all of the single issues, and would really consider them to be quarter-bin/50-cent-bin issues, yet I still bought this, and consider it a very worthwhile purchase!

TMNT New Animated Adventures #4 [Review]

tmntnewanimatedadventures004Story: Erik Burnham
Art: Dario Brizuela
Colors: Heather Breckel
Letters: Shawn Lee
Edits: Bobby Curnow
Cover: Dario Brizuela
Published by: IDW
Cover Price: $3.99

After April brings cell-phone video of a lone Foot ninja sneaking around, the turtles investigate. Unfortunately, it turns out to be a trap, as the Foot test a newly-rendered poison on them (delivered via blow-darts). Raphael is hit, which leads the turtles to race to find ingredients for the antidote. Of course, archnemesis the Shredder is behind things, and sends Dogpound to prevent the turtles from obtaining the final ingredient.

Story-wise, this isn’t all that deep…but then, being based on the animated series I wouldn’t expect much depth. As this continues the trend of the done-in-one format, there’s also not much room for a lot of depth…and I’m ok with that. This issue particularly (over the previous issues) feels like it would fit in equally well with the original ’80s animated series or the current, and I even found myself “hearing” the ’80s voicecast as I read the turtles’ dialogue (Dogpound was a mix of Bebop and Rocksteady).

Visually, this continues to be one of the best-looking “adaptations” I’ve seen as Brizuela‘s art continues to carry the spirit and design of the animated series while keeping its own look that just “is.” I find myself increasingly preferring Brizuela‘s visuals to the animated series itself.

All in all, yet another solid issue, likely enjoyable by any fan of the current tv show, and even a bit to those who prefer the original animated series.

Injustice: Gods Among Us #10 [Review]

injusticegodsamongus010Betrayals

Writer: Tom Taylor
Artists: Tom Derenick, Mike S. Miller, Bruno Redondo
Colorists: David Lopez, Santi Casas of Ikari Studio
Letterer: Wes Abbott
Cover: Mico Suayan
Cover Colors: David Lopez, Santi Casas
Assistant Editor: Aniz Ansari
Senior Editor: Jim Chadwick
Published by: DC Comics
Cover Price: $3.99

Given the way I was drawn into this series, I almost hate to admit that it seems that even as things with the characters heat up, the series itself is cooling down for me. I have yet to get to play the game this is based on, so only have the story as this comic series to go on, and the premise is wearing a bit thin.

This issue gives us the next three chapters that were originally presented digitally…two dealing with the “main” story and one that’s really just a “side” story for “perspective.” In the main stuff, Superman’s group has learned that the Hawkgirl they were working with was actually the Martian Manhunter in disguise, while Batman’s group had taken out the original. In retaliation, Superman reveals Batman’s identity to the world. This doesn’t go over well with anyone–least of all Bruce–and prompts additional harsh action. Martian Manhunter confronts Superman and Wonder Woman, and uses his shape-shifting ability to threaten Wonder Woman’s life, prompting quick/deadly action from Superman. In the third part, we get a story of a kinder, gentler Superman of the past and how he went to extraordinary lengths to help a kid who fell off a bike.

Art-wise, no particular complaints. The art fits the stories the issue gives, and I never found myself trying to figure out what was going on due to confusing visuals. The “classic” Superman seemed slightly off, but I’m a lot more “forgiving” of that given this series is entirely its own thing…and I’ve gotten used to seeing a lot of visual interpretations of the character that don’t quite fit “my” preferences.

Though the series is cooling off for me, the story isn’t bad. It’s a bit jarring to see these characters–especially Superman–take things as far as they do; and to see where there can be more drastic, shocking consequences since this isn’t the “main” continuity (characters can be killed, maimed, etc.). I’m finding Flash to be a bit more of a “voice of reason” and the most true-to-form of the various characters; certainly “vocally.”

By and large, this far in, the story is steeped in its own continuity so there’s not much of a jumping-on point, and it seems rather unlikely that anyone would be randomly jumping in at a 10th issue without context of the earlier issues; there’s no real recap–externally or within the story itself–which works for me, having read all the earlier issues…but it wouldn’t seem likely to truly “clue in” a new reader looking for context.

Superman allowing–even instigating–the revelation of Bruce’s identity, particularly as retaliation seems uncharacteristic of Superman, given likely ramifications. I’ll buy it for the sake of the story, but with a healthy dose of skepticism. My favorite part of the issue was the flashback which is a rather strong Superman story, period–Injustice and otherwise.

All in all, not a bad issue…certainly nothing to disgust me into dropping the book, but nothing that particularly drives me to recommend someone jump in on this issue, or even the series, without already being interested in the concept to begin with.

As the issue re-presents 3 chapters that were originally 99-cents each, I’m paying a $1 “premium” to get/read this in print. Yet given the page count, it’s in line with (or has more than) other $3.99 books, so no huge issue there.

Harbinger #17 [Review]

harbinger017Writer: Joshua Dysart
Art: Clayton Henry
Color Art: Moose Baumann
Letters: Dave Sharpe
Assistant Editor: Josh Johns
Executive Editor: Warren Simons
Cover Artists: Barry Kitson, Sean Chen, Matthew Waite
Published by: Valiant
Cover Price: $3.99

After the last couple issues, I really thought things were going one way…but this issue turns that on its head in a way that I didn’t see coming, even from the ending of the last issue. It was actually the “previously…” text on the inside front cover that clued me in…but seeing that, I think, caused me to ‘dive in’ on this issue all the more eagerly.

We flash back to the end of the stuff in Las Vegas–the Harbinger Wars–and see that what we THOUGHT happened…didn’t ACTUALLY happen. Harada was far more prepared than we thought, and what our heroes have experienced since then has been to keep them quiet and calm…prisoners of Harada. Yet, while savoring his victory, we find out that Harada’s resources–including Harada himself–are spread quite thin, and as he approaches a deep exhaustion, the danger to all around him grows exponentially.

The art on this is good…truthfully, I hardly even noticed it as I read…I was simply engrossed in the story and all the potential it holds. It does what the art should, conveying what’s going on, getting the story across where words don’t or can’t, and keeps the reader moving through the issue.

Story-wise…I’m really enjoying this. It’s hard to believe we’re already 17 issues in…sure, that’s not a HUGE quantity, but looking back we’ve had quite a bit of ground covered. And in this day and age where it hardly seems anything lasts much longer than 12-15 issues, this is a real treat with (thankfully) no end really in sight.

This issue’s story drew me in, revealed answers to questions on my mind, and left me honestly curious about where things go from here.

As the third issue of the current arc, this issue isn’t in and of itself the greatest jumping-on point…but it’s definitely not an issue to pass on if you’ve enjoyed things thus far, and especially if you found yourself thinking the last couple issues indicate a repetition of the classic, original series.

Recommended, and I’m looking forward to #18!

Velvet #1 [Review]

velvet001Writer: Ed Brubaker
Artist: Steve Epting
Colors: Elizabeth Breitweiser
Letters: Chris Eliopoulos
Published by: Image
Cover Price: $3.50

I’m not sure what caught my eye about this–perhaps the Brubaker/Epting combo, maybe some ad, maybe just something when I was on the Comixology site recently…but this was in my Comixology pull-list that gets emailed Tuesday nights, and since I often check my stack against that, I was able to snag a copy. I don’t usually buy Image #1s as I tend to wait for the collected volumes, but given this was only $3.50 (beats the $3.99 Marvel standard), I got and read it.

We’re introduced to a group of black op spies. When one is killed, it kicks off a bit of a chain reaction as we follow a character that in most other stories would be minor, and learn that she–Velvet–is actually a Pretty Big Deal. She looks into the death herself, and quickly finds herself caught up in a bigger mess than expected, that kickstarts the foremost conflict of this first arc, if not the series in general.

Visually, this is quite good. I had a good ‘taste’ of Epting‘s work during the Captain America run a few years back, and this has a similar look. In and of itself it works well with the story, and as a new property like this, it DEFINES the characters and story. No complaints here.

Story-wise, I enjoyed this issue. It does what I feel a first issue should, introducing the world, the protagonist(s), the conflict(s), gives us some “in” on the characters, and leaves the reader interested in the story and where things will go from here. As with the art, no complaints from me.

As an issue, this is one where it’s the creative team rather than the title or concept that “sold” me. I wouldn’t particularly care for arbitrarily trying some new series about a “female spy” or any “spy story” for that matter, in and of itself. But on strength of their Captain America run, I’m interested in “anything” by Brubaker and Epting (particularly having been reminded OF their Captain America run).

Knowing most such series read better in collected volume, I can’t help but liken this single issue to the pilot of a tv show; yet as a pilot, I’m interested, and will probably check out the next issue. Given Image using the $9.99 first-arc TPB trick, for the price of the singles, I can probably expect to be able to buy the first two issues, opt for the collected volume, and still not exceed the individual issues’ cost…which is also a ‘selling point’ for me.

Definitely a recommended read if you’re looking for a quality spy thriller/adventure by Brubaker and Epting, particularly with an absolute lack of “superheroes.”

Marvel Universe Series IV Revisited, Part 16

I’ve commented mostly on the visual/art side of the cards in this set so far…I don’t care at all really about the “stats” given to the characters, and kind of had a blind eye to the lack of truly informative value of backgrounds for the characters…at least they had the first appearance listed, team affiliation, and a random factoid for context.

But with these 9 cards we actually get some real “meat” in the way of text with some detail about the “mysteries.”

These all were mysteries in 1993 when these cards were published. In the 20 years since then, I’m pretty well aware of the revealed origin of Wolverine (Origin); the background of Cable (Adventures of Cyclops and Phoenix, The Further Adventures of Cyclops and Phoenix, and much of Cable’s own series); that more was touched on with Ghost Rider in his series and the Midnight Sons stuff; we’ve had Onslaught as I believe the “official” revelation of the X-Traitor (Xavier himself), though the issue was brought up again in Messiah Complex with Bishop turned into a villain. I’m not sure if we’ve seen Doom’s face as yet.

I believe that the sixth member of the Infinity Watch was actually revealed in 1992 as Thanos, unless the Reality gem was passed to someone else after the Magus rather than given back to Thanos.

I remember being disappointed at the revelation of Spider-Man’s parents and the involvement of Norman Osborn. And while I believe I own the arc, I have yet to read the actual issues with Nightcrawler’s “true” origin, though I’m aware of it, as penned by Chuck Austen.

Other than the discrepancy on the Infinity Watch, these are–to me–some of the better cards in the set, simply for there being more TO them than the single-character cards.

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Superman vs. Shazam! TPB [Review]

[Reprints All-New Collectors’ Edition #C-58, DC Comics Presents #s 33, 34, 49, and DC Comics Presents Annual #3 (1984). Cover Price: $19.99]

supermanvsshazamtpbMy initial criteria for choosing this volume? “Cheap” and “Superman” and “Shazam”/Captain Marvel. Also, “new.” As in…this just came out a few months ago (March, 2013 as far as I can tell) and thus qualified as “shiny and appealing,” so to speak. I also have to admit to appreciating the Shazam logo I’m most familiar with at the moment for pre-New 52 stuff (primarily due to Jeff Smith‘s Monster Society of Evil but have noticed for other Shazam items). Surfacey stuff, sure, but it yielded the sale and put the volume into my hands.

The art’s fairly standard-ish, especially for what I tend to “picture” as the generic “pre-mid-’80s” type visuals. Not horrible or anything, but nothing that blows me away by “today’s standards.” Yet, I certainly appreciated that often–while they appear QUITE similar otherwise, I COULD distinguish Captain Marvel’s face from Superman’s face…certainly something QUITE good in my book! It could be argued that the art is limited a bit, constrained by the standard-ish panel structure…that is, a lack of contemporary creative layouts and full/half/double-page splashes and the like. With most everything being in individual panels, there’s not a lot of room for much of the artistic impressiveness that would grab me with more recent art. While that’s a bit broad considering this volume spans a number of years, I largely read it in one go, and the visual style kinda blurs for me on older stuff.

Story-wise…by contemporary standards (again), can’t say I’m all that thrilled with this. Characters didn’t seem all that deep to me (some seemed to just come out of nowhere, with little or no context), and there were plotholes one could drive a truck through. Characters were all too quick and willing to “accept” something at face value with seemingly no consideration for the depth or scope of the issue at hand…and villains’ motivations seemed extremely thin.

All that said, or despite saying all that, I rather enjoyed the volume in and of itself. Even with the extremely limited prior exposure I’ve had to Captain Marvel, I know enough to recognize Sivana, Mr. Mind, Black Adam, the multiple Earths, and have recently learned a bit about Hoppy and the extended Marvel family (Uncle Marvel was–like Hoppy–quite a bit on the far-fetched side, but I recognized the character as Billy’s uncle from Shazam: The New Beginning).

While the stories may have been published years apart, in the general sense of the pre-Crisis DC Multiverse of the ’70s/early-’80s, these fit together well enough, and it was cool to see the nods to continuity.

I don’t know that I’d really recommend this to a new fan of the Shazam or Superman stuff as any sort of ‘essential reading’ (unless you’re particularly interested–specifically–in “digging in” and “experiencing” the historical element of the characters’ earlier interactions). But this does fit in quite nicely with other “themed” classic Superman collections that take a particular element (Lex Luthor, Brainiac, Zod, the Phantom Zone, the Daily Planet, the Bottle City of Kandor, etc) and present some stories focused on it.

For the price (especially if discounted) the volume is quite a good value for the time it’ll take to read, even though the art and stories don’t hold up real well with contemporary comics. This is a time-capsule showcasing Superman/Captain Marvel (Shazam) crossover/team-ups of the past, and for me, upon filing, will be a welcome addition to my bookshelf.

Marvel Universe Series IV Revisited, Part 15

I’m not too fond of this page…though the backgrounds fit together, and there’s some carry-over of the various energy-blasts from one card through others, for the most part these don’t really seem to fit together as a clear singular image/scene…the characters seem staged more simply to be their own cards, and not much else.

Other than Death’s Head II and Die-Cut, who I believe I’ve seen on some “fancy” covers of Marvel UK comics in bargain bins, I’m really not familiar with these characters. Motormouth sounds vaguely familiar…though even as I type that, I think that might be due to Dark Horse‘s Comics’ Greatest World title Motorhead.

While I believe Death’s Head had some sort of interaction with the Transformers, I can’t think of any real interaction between these characters and what I consider the “mainstream” Marvel Universe…outside of a half-recalled image of Wolverine involved with Death’s Head, perhaps.

These characters all reek of the ’90s to me, and really not in a good way. Mostly my memories of the ’90s carry a certain fondness, if not outright recognition of a certain hokiness and such, but these just don’t even hold much interest for me, with the character names themselves seeming extremely “dated.”

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The ’80s Revisited: Shazam: The New Beginning #s 1-4

shazamthenewbeginning001Writers: Roy and Dann Thomas
Artist: Tom Mandrake
Inker: Jan Duursema
Letterers: Agustin Mas
Colorists: Carl Gafford, Joe Orlando
Published by: DC Comics
Cover Dates: April/May/June/JUly 1987
Cover Price: $0.75

Until this month, I’d really only known DC‘s Captain Marvel (Shazam) as a guest-star…an important figure, but I’d only really ever stuff where he was a guest-star, not THE star, of a book. While memory may fail me, I’m pretty sure my first real introduction to the character was Action Comics Annual #4 (a 1992 Eclipso: The Darkness Within crossover).

I saw him again pictured in Death of Superman stuff–the funeral stuff at least. I believe I would have seen him in Zero Hour, and I was aware of the Power of Shazam series though I’ve yet to actually read any issues except the Blackest Night issue from a few years ago. Maybe his most significant–and to me, emotional–appearance was in Kingdom Come.

Of course, he again wound up on my radar with the Superman/Shazam: First Thunder story shortly before Infinite Crisis, and then during the magical side of that story. I was aware of (but again have yet to read) the Trials of Shazam series. I was aware of the “corruption” of Mary Marvel with the Final Crisis stuff, and recall seeing Captain Marvel in the I Can’t Believe It’s Not the Justice League, as well as an issue or two of Giffen/DeMatteis‘ original Justice League. And of course, I was aware of the property from various things I’ve read about the history of comics, and seeing solicitations for the various collected volumes (such as the Showcase volume).

And most recently, probably getting my hands on the collected edition of Jeff Smith‘s Shazam and the Monster Society of Evil and a few issues of the Johnny DC Billy Batson and the Magic of Shazam series.

shazamthenewbeginning002I saw the Monster Society of Evil and Billy Batson stuff as stand-alone/out-of-continuity things, so haven’t considered those.

Which brings me to my recent acquisition/reading of the New 52 Shazam vol. 1, which in turn led me to an immediate reading of the serendipitously having-just-bought this entire 4-issue mini in a quarter-bin…which I understand backtracks a bit from the Legends crossover and tells the origin of Billy Batson and Captain Marvel in context of the then-new DC Universe post-Crisis on Infinite Earths.

All of the above to get to actually talking about the issues this post purports to be about.

Much as I wanted to LIKE this, much as I was interested–at least conceptually–in reading this, and appreciate HAVING read it, now having the “experience” of the series as part of my Shazam/Captain Marvel knowledge-base…the series was ROUGH to get through.

First and foremost, this is a series from some 25 years ago–more than 1/3 of the character’s entire existence ago. It’s very much a product of the ’80s, and quite verbose…there were times I was taken out of the story simply being overwhelmed by the density of text in any given 2-page section I’d turn to.

shazamthenewbeginning003I’m honestly quite convinced that this same story told in present-day with all the main elements would easily be done as at least 12 issues (a 3-issue mini per issue). (Given that density, I’m honestly not going to attempt to recap the story itself in this post!).

Yet, rough as it was to get through–having read primarily “new” comics for a number of years now and rarely actually delving into anything older than 1993 for more than a single issue at a time–I’m quite glad to have read this. Sure, it’s a lot packed into few pages…but while that drives against what I’m “used to,” and so gave a bit of negative by way of my having to “force” myself to stick to the series rather than read something else and then come back to it…ultimately, I am glad I did so. 

There were plenty of plot holes and “leaps” of logic, stuff that wouldn’t fly today…but there was a lot more to ’em than I imagine there’d’ve been to similar concepts a decade or two earlier, or even at the beginning of the property in the 1940s.

But we got the “essential” stuff: Billy, the Wizard, Sivana, Black Adam…even reference to Hoppy. And with the density of narration and dialogue, while not as smooth as a modern depiction, we get quite a bit of detail and motivation. Not so much “shown” as “told,” but the end result is largely the same…especially combined with my pre-existing knowledge of the character.

shazamthenewbeginning004Visually, I can’t say I was all that impressed. The art wasn’t bad, by any means…but it really didn’t stand out all that much to me (especially not compared to Gary Frank‘s art on the New 52 volume, and my memory of the cover to Action Comics Annual #4). Sure, those may be unfair comparisons, but they are what they are. It also certainly did NOT help that the copy of the issues I read are very much “reading copy” condition…with much of the art a bit faded and blurred due to the ink/newsprint paper quality from the time.

Barring specific interest in this take on the character–time period or creative team–I don’t know that I’d particularly recommend seeking these out. However, if you find ’em in a bargain-bin in readable condition, they’re worthwhile, and if you can get the set for $4 or less, the time you’ll likely spend reading one issue would “value” the issue far beyond a modern $3.99 issue.

Having now read this, I’m definitely interested in reading/re-reading other Shazam stuff…though beyond the recent Superman vs. Shazam tpb, I don’t think I’m gonna go “older” than this series…I’ll stick to the Power of Shazam run I bought a year or two back, and whatever collected volumes I can get my hands on. I’ll also be seeking out more on Black Adam, having come to like that character quite a bit under Johns‘ writing, in 52 and in JSA.