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Ultraverse Revisited: The Solution #2

Posted on July 16, 2018 by Walt

ultraverse_revisited

solution_0002Showdown

Writer: James Hudnall
Penciller: Darick Robertson
Inker: Mike Miller
Letterer: Tim Eldred
Color Designer: Tim Divar
Interior Color: Violent Hues
Editor: Hank Kanalz
Published by: Malibu Comics
Cover Date: October 1993
Cover Price: $2.50

Rex Mundi realizes he and his people are being magically spied on…by The Solution! The scene then moves to the Shinjuku district in Tokyo…where we see The Solution in action! They’ve got a plan, and everyone seems to be in place as things unfold. Dropkick and Tech communicate, while Shadowmage  sits by to use her powers in a room next to the group’s target, who is dealt with by Lela Cho–Tech–herself. As Tech begins to realize something’s wrong, Shadowmage confirms that someone’s there, and both Outrage and Dropkick are forced into immediate action away from the building. Shadowmage fights an opponent named Book, while Dropkick deals with a red-clad woman with swords…who seems to recognize his fighting style. Outrage’s opponent seems to be of his own alien race (I guess Outrage is another alien…I did not remember that!), and he’s got some sort of bounty on his head. While Tech gets her client out of the building and we see them trying to escape this ambush, the unfolding battles of the other three unfold as well. In the end, their client is killed, so while The Solution survives, their case is a bust.

This issue is largely a huge fight scene. The previous issue really being the first time I’d ever read an issue of this series (despite owning issues and being aware of the team–mainly from getting Rune #0 and it coming with The Solution #0 as well) I’m still figuring out the characters. And of course, that’s not helped by the way I’m undertaking this reading project–trying to read ALL titles in release-month order, rather than zeroing in on just one series at a time.

So this issue served to really “show off” a lot more with the team. We already know Shadowmage can use magic, but we see more of that here. Lela Cho has a certain skill set, which is also shown off. We see Dropkick in action, and some hints at him being more than he appears. And we see Outrage similarly, as he faces someone that knows more about him than we do, which leaves another question in the air, further details to be sussed out presumably in subsequent issues.

Visually, I thoroughly enjoyed this issue. The detail’s great, the layouts are dynamic, the characters seem consistent and it’s easy enough to follow the general action of it all. Seeing that it’s Darick Robertson art, though, I suppose I should not be surprise, enjoying his work on the likes of Transmetropolitan. I can’t quite figure out a better phrasing, but I felt like the main characters especially were “full” while “sleek” in the way they’re depicted in this issue. Ultimately, the issue in general is nice to look at, as it also totally carries a ’90s vibe.

Story-wise, there’s not a lot: the characters fight, their client is killed, everyone goes home. That’s the broad strokes view. The details are where the depth is, and I’m definitely interested in learning more about these characters. Maybe I’m the odd guy out, but I’m pretty sure I’d totally enjoy several issues of the characters simply interacting with each other and learning of them that way, without even needing a lot of action.

rune_0kRune [K]: The Fury – Part Two
Plotted by: Barry Windsor-Smith & Chris Ulm
Drawn & Colored by: Barry Windsor-Smith
Scripted by: Chris Ulm
Inked by: John Floyd
Computer Color by: Albert Calleros
Lettered by: Patrick Owsley
Text Pages Designed by: Jim Chadwick
Edited by: Steve Gerber

Wayyyy back (it seems) with the start of the Rune stuff (Sludge #1), the cover showed the open mouth with fangs, and the words “The Stones are Cast…” Here in the final issue, we again have that cover image (the 9 issues between being the “poster image” pieces) but with the text “…And Death Walks the Earth.” A fitting sort of symmetry. “The stones are cast and death walks the Earth.” That’s Rune.

This final chapter of the Rune #0 issue, we see a kid named Erik talking with his Dad…as they discuss nightmares, monsters, and keeping things at bay; an incident with Erik forgetting to take his pills, and this hint at there being something more to the kid. Their conversation is largely narration boxes overlaid on scenes of destruction, as Rune gets through the last barriers between himself and Erik, leaving us with Rune perched in a tree outside Erik’s house, apparently preparing to attack.

The art continues to be consistent with prior chapters, as the creative team did not change…this is “merely” three more pages of the same issue, so no surprise there. After all these previous “chapters,” we finally see Rune where he wants to be, after bitter disappointment and destructive confrontations…poised to  take in some incredible power that might restore or maintain his wasting body.

As prologue, as setup, as a #0 issue, it provides an introduction to the character, and leads into what I recall of the Rune #1 issue, such that one certainly can better appreciate things with the main series having read this first, and yet, this isn’t absolutely required reading for that.

I enjoyed this issue. It’s been nearly 25 years since my initial $2.50 was spent on it (that’s less than one penny per month from then til now, I think!) so while I’d be less than thrilled with an issue that’s basically a massive fight scene for a full/premium price in 2018, I’m ok with this 1993 issue being this way…all the more for so enjoying the art.

Yet again, the Rune chapter is an identifying mark on the issue, dating it at a glance to one of the October 1993 issues; and as with others, it is not singularly a selling point in my eyes, as far as this issue in isolation. It’s certainly a selling point for getting all 11 serialized chapters of Rune #0, or the coupons for the mail-away, and such.

But along with most of the “early Ultraverse” issues, I routinely see the issues in bargain bins, so don’t consider them to be worth one paying more than $1 for as of 2018; but that’s also easy enough for me to say, owning all the single issues myself already, and not being on the hunt for them.

I would definitely recommend pairing this issue with the first issue to have SOME context of stuff…and though I didn’t do it myself, I think this issue probably reads a lot better in context of being read immediately after the first issue, rather than with 17+ other issues read in-between.

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Filed under: 2018 posts, 2018 Reviews, Malibu Comics, Rune Month (Event), Solution, The '90s Revisited, Ultraverse, Ultraverse Revisited | Tagged: , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment »

Ultraverse Revisited: Mantra #4

Posted on July 13, 2018 by Walt

ultraverse_revisited

mantra_0004Bride of Boneyard

Creator/Writer: Mike W. Barr
Penciller: Rob Phipps
Inkers: Al Vey & Barb Kaalberg
Letterer: Tim Eldred
Color Design: Moose Baumann
Editor: Chris Ulm
Published by: Malibu Comics
Cover Date: October 1993
Cover Price: $2.50

Lukasz has only just begun to figure out what this new body can do, but has already been captured and after being knocked out, wakes to find that Boneyard’s got designs on wedded bliss!

We open on Boneyard standing over Mantra, ranting about how insignificant this woman is, as if it’s so ludicrous that this final warrior might be the last hope of Archimage. As Mantra, Lukasz fights back, and manages to escape the imminent wedding between Boneyard and Eden Blake’s body, which he presently inhabits. He finds and interacts briefly with Archimage, and is unable to get the old wizard free. Barely escaping, he seeks help in a nearby village, only to be betrayed by newfound allies. Warstrike manages to show up, and is convinced to assist an assault on Boneyard’s keep. Ultimately, he and Lukasz are forced to retreat so that they might fight another day. Despite the betrayal, Lukasz–as Mantra–does manage to make some new allies in Boneyard’s realm…a factor sure to come into play later.

This may have been the first issue of Mantra that I ever read, due to getting it during Rune Month, and while not gratuitous, the cover certainly would have had my attention–between Mantra herself, the weird cyborg Boneyard, and the bright colors. At minimum, this would be the second issue I ever read of the title, and whatever order I read the issues in, I had missed issues 2 and 3, so had only the first issue and then this to go on.

The story takes us into an interesting realm–somewhat fantasy-ish (think Game of Thrones)–not quite Earth, but not entirely alien. We continue to see Lukasz finding the power of Eden Blake’s body, as well as a growing perspective on how men–and he himself–have treated women over time, particularly with bodies such as this. We get some face time with Archimage to propel things onward–contact, yet it’s not quite time for THE rescue: the story is still unfolding! Warstrike continues to be an interesting ally…perhaps moreso because I know that he gets his own series in the not-too-distant-future relative to this issue.

Visually, this is a solid issue; I like the characters’ depictions, and the flow of the art in conveying the story. It definitely has its differences from the title’s premiere…but hangs onto a good bit of the visual style and familiarity, such that I don’t know that I’d REALLY notice any particular difference if I was simply reading without paying attention to the credits!

rune_0jRune [J]: The Fury – Part One
Plotted by: Barry Windsor-Smith & Chris Ulm
Drawn & Colored by: Barry Windsor-Smith
Scripted by: Chris Ulm
Inked by: John Floyd
Computer Color by: Albert Calleros
Lettered by: Patrick Owsley
Text Pages Designed by: Jim Chadwick
Edited by: Steve Gerber

As (Agent?) Jaffrey follows up on Stone’s death, he, too, is attacked by Rune. Rune is fiercely seeking a particular boy…who we meet as the segment closes–interrupted on a phone call with his girlfriend by his father needing to talk to him about something.

This is the "penultimate" chapter of Rune #0–We’ve followed Rune through time, seeing him in his powerful younger days, how he came to be the wretched creature he is, and along his quest for restorative power. That he’s seeking Erik suggests more for Erik to come…though this chapter does not let us know exactly what role he’ll play overall.

Yet (as always) again, the art is good, and it’s consistent with the earlier chapters, this being simply the next three pages of (still) the same issue, essentially.

Once more, the Rune chapter sorta works by itself but there’s no real room for "context" on the pages themselves. In a way we get more information from the "previously" text presented ahead of the chapter than from the pages…something I’ll be interesting to evaluate in a later re-read of this story in a single go. While it adds value to the issue, it is not in itself a sufficient selling point to seek out this issue.

On the other hand…the Mantra issue itself is another strong chapter, continuing to build on characters and continuity, as we see more of several characters and their interactions, as well as Boneyard having realized who and what Mantra is, and checking in on Archimage, and generally leaving a bit of wonder in the "will he or won’t he" (Archimage) be rescued this issue. But it’s not to be, as there’s more story to be had by his not yet being rescued than a quick 4th-issue-rescue.

Whether it’s the general story, or the art, or the concept, or something else, or some combination…I continue to find this to be a series I’m highly eager to get back through, that almost leaves me regretting trying to cycle through all the titles by month rather than doing a single-title read-through of Mantra. This adds to the reaffirmation of the title as one of my favorites of the Ultraverse, whatever other titles I discover that I enjoy and "should have" read as a kid.

By itself, this issue is definitely worth a quarter to a dollar or so…definitely a "bargain bin issue," not likely worth more than $1 or so unless you’re plugging a run in your collection. Still, it’s a good issue, I myself enjoyed it, and I look forward to the next issue, as well as a number of other issues yet to come!

mantra_0004_blogtrailer

Filed under: 2018 posts, 2018 Reviews, Malibu Comics, Mantra, The '90s Revisited, Ultraverse, Ultraverse Revisited | Tagged: , , , , , , , , , , , , , , , , , , , , , , , , , , , | 2 Comments »

Ultraverse Revisited: Firearm #2

Posted on July 2, 2018 by Walt

ultraverse_revisited

firearm_0002American Pastimes Part Two

Writer: James Robinson
Penciller: Cully Hamner
Inker: John Lowe
Letterer: Tim Eldred
Color Design: Moose Baumann
Interior Colorists: Foodhammer
Editor: Hank Kanalz
Published by: Malibu Comics
Cover Date: October 1993
Cover Price: $2.50

It seems like such a long time since I covered the first issue of this series, and here I’m only at the second!

The cover’s a bit generic–I truly don’t think I’ve really paid it much attention over the years. I’d had the issue originally solely for the RUNE coupon, and just recognize the overall image with the trade dress as the second issue of Firearm. Looking at it more closely this time and actually "taking it in," it’s Firearm fighting a couple of armored suits, aiming one’s weapon to blast another upward where the title falls. It’s also interesting to me the "design" stuff I’m seeing, that have always been there, but with a class I’ve been taking, there’s a lot that I’m really "seeing" for the first time or at least in a new light! And I’ve always liked and easily recognized the way the Ultraverse titles’ trade dress started with the inner border, the ULTRAVERSE logo across the top with the actual title logo under, and the upper left corner logo and issue info/price.

Getting into the issue itself, we find Alec Swan waking up, feeling the results of the previous issue/recent events. He follows up on some information, and is led to Hardcase…who he finds in the midst of a fight with some thugs in high-end power/exo-armor suits. He gets involved ostensibly only because Hardcase may have information he needs. Among other things, part of Swan’s contribution is grabbing one and aiming its blaster at another…different angle, but showing that the cover actually depicts something from within the issue itself! (A true rarity as of 2018). After the fight, he and Hardcase talk–and neither likes the other, but at least they don’t–themselves–fight. While Hardcase doesn’t consciously have any recollection of the guy Swan’s trying to find information on, he does say something that gives him a lead. As he parts ways from Hardcase to follow up, he’s attacked by another ultra…and saved by still another…which is something he’s getting really tired of.

The story itself is good, and follows well on the first issue. This also reads relatively decently on its own–it’s been weeks since I read #1 and I didn’t remember much concrete detail from it, but didn’t have much problem getting into this issue. We see Swan continuing to work the case he took on in the first issue, and the continuing repercussions from stuff begun in the first issue. We see a bit more of him at work, and in action, solidifying the "codename" Firearm, as well as the fact that he hates that name. Though it’s in no way advertised as such and there’s no cover indication, we see him interact with Hardcase. It’s not an "event" or "crossover," it’s just a natural thing of Swan living in a world of ultras, which includes Hardcase. Though we still don’t have resolution, we can surmise that Swan’s getting closer to his goal, with continued attacks, and now being saved by an ultra…hints that something bigger is going on that he hadn’t bargained for, but now finds himself immersed in. I think my main problem with the story/writing is that though Hardcase mostly looked like Hardcase and is supposed to BE Hardcase…his appearance here made him feel like just some impersonal plot device, with a different sort of "voice" and lacking the sort of "heart" from his own title or the crossover with his title and the Strangers in the September issues.

Visually, this wasn’t a bad issue on the Firearm end…but I really strongly noticed some weirdness in the visual interpretation of Hardcase. The face especially just looked weird, with odd lines around the mouth and generally carrying the basic core visuals, but looking more like "a version of" Hardcase rather than a singular THE Hardcase. Otherwise, the art’s good and no real complaints from me…it fits this title and the main character and carries the story.

rune_0iRune [I]: The Hunted
Plotted by: Barry Windsor-Smith & Chris Ulm
Drawn & Colored by: Barry Windsor-Smith
Scripted by: Chris Ulm
Inked by: John Floyd
Computer Color by: Albert Calleros
Lettered by: Patrick Owsley
Text Pages Designed by: Jim Chadwick
Edited by: Steve Gerber

As Rune gets closer to a goal–a power source his stones have foretold, we find someone investigating another death from the vampiric creature. This investigator apparently is an ultra, able to sense things…though he’s not quite finely-tuned enough in use of his power to realize that his sensing Rune was because the creature was right there. As Rune attacks, the folks on the other end of the agents connection are helpless to do anything.

We’ve continued to see a bit more of a development in the Rune story, from just brief glimpses at the creature in different time periods, to seeing him attacking various ultras for power, as well as discovering Aladdin and moving in on this secretive agency. Including this chapter, we’re at 27 pages now–the full Rune #0 is a 33-page thing, making it about the equivalent of a 2018 Marvel Annual with 32-ish pages. Except here it’s serialized on the backs of each of the 11 October 1993 Ultraverse titles.

Something to this chapter has a bit of a different look than earlier chapters seemed to–probably the darker, rain-soaked setting of the chapter. We do have a panel with one of the more horrific glimpses of Rune…clearly an image out of a nightmare. Same creative team as all the other chapters, so despite the darker tone visually, this is still quite consistent with previous chapters!

This is not a standalone issue of Firearm…though it works well despite not having a recap page and I didn’t remember much in the way of specifics from the previous issue by the time I read this, with going through around 16 other issues between.

The Rune chapter is somewhat on its own, yet builds on earlier chapters.

As with the other issues from October 1993, there’s nothing really to make this an issue to single out in isolation. Especially as only a second issue, if you’re going to get this, I highly recommend ALSO getting the first issue, and probably also the third.

Firearm #2 is a solid Ultraverse issue, moving Alec Swan’s story forward, showing us that he really is in the same universe as the other Ultras thanks to the Hardcase appearance, yet still manages to stick to itself, not really drawing on nor impacting other titles.

This is certainly worth 25-50 cents as a purchase in isolation or otherwise, and like other "early" Ultraverse comics, I wouldn’t suggest spending more than $1-$2 on it unless it’s an elusive issue to fill a specific gap. It’s good quality, just not something that should command any significant pricing.

firearm_0002_blogtrailer

Filed under: 2018 posts, 2018 Reviews, Firearm, Malibu Comics, The '90s Revisited, Ultraverse, Ultraverse Revisited | Tagged: , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment »

Ultraverse Revisited: Exiles #3

Posted on June 25, 2018 by Walt

ultraverse_revisited

exiles_0003A Glimmer and Gone…

Writer: Steve Gerber
Penciller: R.R. Phipps
Inker: Scott Reed
Letters: Patrick Owsley
Colorist: Robert Alvord
Editor: Chris Ulm
Published by: Malibu Comics
Cover Date: October 1993
Cover Price: $2.50

With no preamble, we start the issue with a giant, humanoid mastodon hitting the ground, apparently from 30+ stories up. Right behind is Tinsel, using her power to slow her fall…though she realizes it looks like an attack, and tries to tell Tim (Mastodon) just that. Ghoul tries to rescue her, though that’s just another moment amidst everything else. Bloodbath is in the mix, as well as the creature that initially grabbed Tim. This time, it’s Tinsel and Ghoul that are grabbed. Mastodon also gets away…and the team follows him, as Tinsel and Ghoul can take care of themselves–they hope. In a (closed) mall, the team and Mastodon face off, with much destruction. Back at the Exiles’ HQ, Amber Hunt frets over whether or not they’ll be back in time for her to take the treatment for her instance of the Theta Virus. Kort has Ghoul thrown in the trash, and “gives” Tinsel to Bloodbath. Tim eventually reverts back to himself from the mutated/Ultra form…and Bloodbath prepares to rape Tinsel.  She’s able to take his sight…but as she escapes, he gets to one of his guns and starts firing away at her! Her shoulder’s grazed as she makes her way away…

…as she’s shot through the leg, abdomen, chest, shoulders, AND head. Bloodbath races off seeking help, and a poor-condition Ghoul finds his teammate’s body.

There was an ad already that referenced this issue, spoiling the fact that Tinsel DIES. I think the ad would have been better suited for after the issue, but then, it WAS the early 1990s, and deaths WERE a “thing,” where if some character (sometimes seemed virtually ANY character at all) died, suddenly that was a “key” issue.

I didn’t specifically remember where the previous issue left off, so dropping straight into the action worked, but wasn’t ideal for this particular reading. But then, we don’t have to worry about any “wasted space” playing catch-up, and since this was published before the “recap page,” it would’ve needed space for exposition.

The story is definitely advanced, with the Exiles team fumbling badly and pretty much failing to properly take down their opponent. They’re caught unprepared, and that costs them. Though by no means graphic or gratuitous, the page with Bloodbath and Tinsel was particularly disturbing, and I’d totally forgot about the aforementioned ad–I was rooting for her escape, and glad to see her get the start. That made it all the more discouraging to see her taken out, and so violently!

Visually, everything looked as I’d expect, all the characters are quite familiar, even where I don’t remember names. As a third issue, it’s still early enough that for a team book, and from the ’90s with all of its tropes, I’m not surprised names haven’t stuck for me yet. Of course, in general it takes me a few issues to really get a hold on full group/cast names for something I’m not overly familiar with.

rune_0hRune [H]: Aladdin’s Lamp
Plotted by: Barry Windsor-Smith & Chris Ulm
Drawn & Colored by: Barry Windsor-Smith
Scripted by: Chris Ulm
Inked by: John Floyd
Computer Color by: Albert Calleros
Lettered by: Patrick Owsley
Text Pages Designed by: Jim Chadwick
Edited by: Steve Gerber

Where the Rune stuff seemed choppy at first, jumping to vastly different time periods, here we continue in a linear sequence from the previous segment–again. This chapter, we find Rune in the desert, contemplating and then eating a skull with a bit of radiation from a bomb. He goes into a coma-like condition, and then finds some sort of coin or embossed logo of a lamp–Aladdin! He then takes off toward Scottsdale!

As usual, we have consistent art, and it’s clear everything that’s happening with the chapter.

On the story side, we do have another shift in narration/point of view, as we’re getting a running observation from someone watching Rune and reporting on what he’s doing. This certainly gives an interesting view, as no one knows what to make of him–who OR what he IS, and before they can even do anything, he’s off again.

The narration reminded me a bit from the Death of Superman–where someone’s communicating remotely that Doomsday was just there and headed for Metropolis…too late for anyone to prevent the situation or even really do anything about it.

Exiles #3 is another issue that doesn’t really stand alone…I see no reason to seek it out in isolation from any other issues, unless it’s simply a lone missing issue being sought out to go with others in the series. The Rune chapter sort of/kind of stands alone…for the narrator, it’s the first the creature’s been seen/observed, so if you’ve read none of the other chapters, you’re on equal footing, reading this.

It’s interesting in its way to see a team of superheroes bungle stuff so badly–and have an immediate “cost” to the situation in losing two of their own, as well as the shock of seeing someone escaping and then cut down so completely. (And by ‘interesting’ that’s not to say I’m glad to see any of it!)

I vaguely remember at least reading ABOUT Tinsel’s death…but that was just as some random character I wasn’t familiar with, from a title I wasn’t really following. This time, reading the issue in its entirety (if I’d read it before, I don’t remember detail, and may have only skimmed it looking for something about Ghoul) Tinsel’s death carries a lot more weight, and I’m eager to get to the next issue and seeing (now with context of these first three issues) the other characters’ reactions to things.

You could do a lot worse than this issue for 25 to 50 cents, but outside of getting several issues together, I would continue to counsel not going much above $1 or so to acquire this. Along with the first couple issues and the next issue, I remember there being some interesting stuff that’s leading into the first Ultraverse “event,” and it has me looking forward to getting there!

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Filed under: 2018 posts, 2018 Reviews, Exiles, Malibu Comics, Rune Month (Event), The '90s Revisited, Ultraverse, Ultraverse Revisited | Tagged: , , , , , , , , , , , , , , , , , , , , , | 2 Comments »

Ultraverse Revisited: Strangers #5

Posted on June 22, 2018 by Walt

ultraverse_revisited

strangers_0005Dynamic Tension!

Author: Steve Englehart
Pencil Art: Rick Hoberg
Letterer: Dave Lanphear
Ink Art: Tim Burgard
Color Design: Rick Schmitz
Color Team: Foodhammer!
Editor: Chris Ulm
Published by: Malibu Comics
Cover Date: October 1993
Cover Price: $2.50

A fifth issue doesn’t seem like it’s that far into a series…but in the "meta" sense of this being 25 years old and well over two decades between the END of this series and the present…the series didn’t quite make it 25 issues. But even at 25 issues…this would put us 1/5 through the series now! That’s both discouraging in that the series had such a brief run, but encouraging to notice we’re getting into the meat of the thing, past the most initial of setup and foundation-laying. We saw the origin–the lightning bolt/Jumpstart that hit the cable car. We saw the characters come together, and saw them investigate Yrial and wind up with her the "final member" of the team; saw the team take on TNTNT, their first actual "supervillains" ("ultra-villains"), as well as meet up with Hardcase and have that adventure.

Now in this issue, we see the team–after "most of the series" so far–spit up to go back to their own individual lives. Bob Hardin (Atom Bob) visits with his parents and sees the crowd camped out at their house for a glimpse of him. Leon Balford (Zip-Zap) returns to his street and puts a bully in his place. Hugh Fox (Grenade) and Candy (Electrocute) view his house–overrun with media folks and such,  and head off, discussing their status quo, having a "moment." Elena La Brava (Lady Killer) works the phones on coverage of the team. Yrial takes to a rooftop, frustrated firstly with being "forced" to join the team, and secondly with having no place of her own to go when the team split to go their own ways…but soon spots trouble and prepares to page the rest of the team to regroup. Finally, David Castiglione (Spectral) visits someone in the hospital, and after catching up a bit, he tries to use his healing power. If he could heal a broken arm, surely he could heal this! The scene shifts and we find the rest of the team back together and wondering where Spectral is. They decide to proceed without him, and find Deathwish…who is not at all like the frail old man he "grew from." The Strangers launch into battle, but none of them can take the villain. Eventually Spectral shows up in his green-flame form and lays into the villain…emerging victorious. As things wind down, the team reflects on his action–they’d focused on trying to deny Deathwish any further power, while Spectral gave him more than he could handle. Realizing David’s effectiveness was part anger and venting, they probe a bit and discover that he was unable to heal his partner. They hadn’t realized he was gay, but the fact of it is simply matter of fact and casual…no more a focus than Hugh being attracted to Candy.

I really enjoy issues like this. Maybe it’s that I’ve been reading comics for nearly three decades, but seeing superheroes in action is such a "given" and seeing much of what they do out of costume or out of action is a relative rarity…so seeing a bit of focus on each of the characters reminds us that they’re individuals, gives us a fresh glimpse into their private lives and background, and generally fleshes them out and builds the individuals in a way that doesn’t work easily when they’re all together and being juggled in an action sequence. I often lament the drawn-out/padded-out nature of modern comics written for the 6-issue trade…and even though we’d had very brief foreshadowing bits in earlier issues for Deathwish, essentially he just shows up in this issue, is fought, and defeated–all in one issue. And that’s in addition to getting scenes of each of the individuals on their own…once again packing into one issue what could easily be drawn out to at least 5 or 6 issues in the present (if not 7 or 8 to give each Stranger a solo issue…and even as a single issue, a modern take would have at least 8-9 covers for this issue to give each character a cover, plus the cover we have, plus maybe a glow-in-the-dark Spectral cover on top of that).

Visually this is another strong issue, with all the characters seeming perfectly familiar, and quite consistent with the earlier issues…same artist, same quality and all that. The only thing that really stood out to me was the page split with the Strangers seeing Deathwish the first time…there seems to be a lot of different coloring effects going on with lighting and such that actually prompted me to go back to the credits to see if someone else had contributed a page. It has an almost painted sort of look to it, different from the usual colors of the rest of the issue.

rune_0gRune [G]: The Hunger
Plotted by: Barry Windsor-Smith & Chris Ulm
Drawn & Colored by: Barry Windsor-Smith
Scripted by: Chris Ulm
Inked by: John Floyd
Computer Color by: Albert Calleros
Lettered by: Patrick Owsley
Text Pages Designed by: Jim Chadwick
Edited by: Steve Gerber

I’m sort of surprised–we have our third in-sequence chapter without a great leap in time. This picks up the day after the bitterly disappointing discovery that even Edwin’s power wasn’t enough to permanently restore Rune to his former glory. This chapter picks up the next day and we see that Rune has killed a drunken homeless person…but the alcohol in the guy’s blood is poisoning Rune himself. As a storm rolls in, Rune flies into the sky to be struck by lightning–or perhaps calling the lightning to him–to purge his body of the poison, though it can’t purge the cancer that eats away at him.

This being another 3-page segment of a single issue-length story, the art is consistent as expected with previous chapters, as it’s the same creative team as those earlier chapters.

There’s not a lot of room for development or continuing story, but this shows us that while Rune might have trouble taking down anyone more powerful than a powerless human, he can still survive (and even thrive from) a lightning strike! His magical/sorcerous power is still there, even if he lacks the physical might he once had. And this does show his growing desperation, which likely makes him all the more dangerous!

As with the other Rune Month issues, this is one that is easily identified as a Rune Month (October 1993) issue, but the Rune chapter alone does not give cause to seek it out as a single issue. However, for the Strangers portion…this SOMEWHAT stands alone. It doesn’t in itself give much exposition or backstory, but if one is loosely familiar with the characters, this would not be a horrible issue to get on its own.

The cover is at once a bit bland to me, yet over-promises on Deathwish and his power. Sure, the character was a bit imposing and wielding a very dangerous power…but he was hardly holding sway over an entire city, nor much mystery to the team as to his identity. This cover would seem more fitting to me as the cover to a collected volume of a several-issue story against Deathwish or of multiple encounters with the character. The blurb "Vs. Deathwish" seems tacked on and somehow just LOOKS "’90s-ish" and seems far too symmetric…so basically showing off then-new-ish stuff done with digital elements for the cover.

This is well worth getting from a bargain bin, though as many times as I’ve seen this and other early Ultraverse issues in 25-cent and 50-cent bins, I suggest as with those not to go much over $1 for this issue if you seek it out.

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Ultraverse Revisited: Prototype #3

Posted on June 20, 2018 by Walt

ultraverse_revisited

prototype_0003Hero and the Terror

Writers: Tom Mason & Len Strazewski
Artists: David Ammerman & James Pascoe
Letterer: Dave Lanphear
Colorist: Rob Alvord
Editor: Chris Ulm
Published by: Malibu Comics
Cover Date: October 1993
Cover Price: $2.50

Something in seeing this cover surprised me that it’s "only" #3. This also seems ripe to be the right-half of a 2-part image, with whoever is blasting Prototype on the other side…but alas, this is a Rune Month issue with a flip cover (no wraparound). On the plus side, I’m not aware of any VARIANT covers, so this is simply THE cover for #3!

We open on Jimmy (Prototype) and his handler stuck on a plane–their flight’s been delayed. As they wait, terrorists calling themselves Terrordyne, Inc. attack another plane with a baseball team on board. Jimmy’s excited at the prospect of some action; meanwhile, we get a scene with someone in shadows on the phone turning down an offer, before leaping into some sort of action, gun blazing. As another subplot, we get a page with a lab and a revelation that Glare’s body (the Ultra that apparently died at Prototype’s hands in #1) shows he’s got wetware implants, and the body will be shipped off to Aladdin for analysis. As Jimmy suits up, and reveals that he’s disabled a shutdown failsafe in his armor, we cut to Bob Campbell explaining what happened to lead him showing up at his ex’s place in such horrid condition; as she patches him up, he reminisces about their past, providing us plenty of exposition. From there we get to the "meat" of the story as Prototype stops the terrorists, only to then face their leader: someone with flame powers calling himself Heater. The Prototype armor shorts out–Jimmy suspects it might be from his tinkering–but he gets the auxiliary power going in time to survive. His handler is tossed out of the plane (when did it take off?), so Jimmy opts to save him, figuring he can catch the villain after…but by the time the get back to the ground, Heater’s vanished. In frustration, he blasts the corporate jet out of the sky (the pilot had already been killed). This, as well as the earlier scuffle and the Prime incident (see Prime #4) has Leland–Ultratech’s president–more than fed up with the young "hero." As he asks for interviews to begin on a replacement, we cut to someone called Wrath being brought in on a plan of industrial espionage and heading out after Prototype.

Starting with the end of the issue…we have a page marked as "25" but it has no captioning, dialogue, etc…and with plenty of open space at the top and bottom, looks like a cover image thrown into an issue. If it wasn’t numbered to appear to be a story page, it’d look like basically an ad for the next issue or such!

I continue to feel (mostly pleasantly) like there’s almost too much going on in a given Ultraverse comic…they’re much denser than modern 2018 comics, with a lot more story and development packed into a single issue! I’m definitely enjoying that we’re getting a story of not only the new/current Prototype, Jimmy Ruiz, but also the original–Bob Campbell. And rather than only piecing something together issues later in denouement at the end of a multi-issue arc, we get cut scenes to other characters and stuff going on simultaneous with the main story…stuff going on that we as readers get to actually see developing instead of being told (after the fact) did happen, later. Jimmy’s a hothead, and that comes off with his impetuousness at the start of the issue–eager for battle, even though it means there are people getting hurt. Still, he wants to be the hero he’s playing–for real, not just looking good for cameras.

I know Wrath as an Ultraverse title, though that title’s logo is not this initial WRATH logo on the final page with the character Wrath. I don’t think I realized that he came out of Prototype, but definitely like that the title apparently was a spinoff (though I’ll get to that in awhile when I get to the 1994 books!).

The art is solid and gets things across as any art should do. The only point I found myself not entirely clear what had happened was when Prototype blasts Heater…there’s an impact, but also an exclamation balloon of "YARGH!" nowhere hear Heater’s mouth, actually looking like he might’ve taken the worst of the blast below the belt…or that something was positioned in the wrong part of the panel…presumably definitely something with the infamous computer design stuff Malibu had going on. Otherwise, the issue looks good–especially Prototype. I still really dig the look, even if it is very ’90s!

rune_0fRune [F]: The Nectar of Life
Plotted by: Barry Windsor-Smith & Chris Ulm
Drawn & Colored by: Barry Windsor-Smith
Scripted by: Chris Ulm
Inked by: John Floyd
Computer Color by: Albert Calleros
Lettered by: Patrick Owsley
Text Pages Designed by: Jim Chadwick
Edited by: Steve Gerber

Picking up shortly after the previous chapter (in Freex #4), where we were left to assume Rune killed Edwin, here we get visual confirmation that he definitely did–with exposed rib bones and reddish coloring to suggest the gore. Edwin–briefly–was the most powerful being on the planet, according to "previously" text, but Rune killed him…and now imbued with his power, has filled out, transforming back to a younger, vital self. Moments later, though, his body reverts back to the frail, sickly creature he’s become, and he realizes that even this was not enough.

I thought Rune was a vampire…if not 100% typical, then at least using his fangs to leech life/bio-energy from his victims. Not physically consuming the bodies! A cannibalistic vampire, I guess? Whatever the case, the visuals add to the bloody violence of the thing, which seems fitting given Barry Windsor-Smith‘s other works (first in my mind being Conan and Weapon X).

This chapter works pretty well in directly following the previous, yet a bit of time has passed. That makes for something choppy going page to page, but for being a new piece of the story in a separate publication than the previous piece, it’s little worse than any other "returning from a cliffhanger but some time has passed" instance.

Though the cover seemed somewhat incomplete or generic-ish, I liked this issue. There’s a lot of story between the covers, and while there are only 25 story pages (as with the other titles, the cover proclaims the issue a 40 page special), this is still a very full issue with development and forward movement on multiple plot threads.

The Rune chapter is again not something to singularly "sell" the issue, but doesn’t detract. The segment moves that narrative forward, and I find myself looking toward getting more info about what Rune is, how he gets power from beings he consumes (does he absolutely have to consume their flesh or is that a ‘pleasure,’ for example?) and so on. I haven’t read the title in nearly two decades, so it’s like getting Rune fresh, and I don’t recall many particular details.

Yet again, this issue isn’t something I’d recommend seeking out as a single issue in isolation…you’re better off with the #1 for that. But this is definitely worth picking up as part of a run, and in that context certainly worth 25 to 50 cents. Though its original cover price is $2.50, and this IS an "early Ultraverse" issue, I frequently see these in bargain bins, so it should be able to be found for $1 or less, and I wouldn’t go much above the $1 unless you’re ‘desperate’ for the issue in some form.

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Ultraverse Revisited: Freex #4

Posted on June 19, 2018 by Walt

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freex_0004Hounded

Writer: Gerard Jones
Penciller: David Williams
Inker: Michael Christian
Letterer: Tim Eldred
Color Design: Keith Conroy
Interior Color: Violent Hues
Editor: Hank Kanalz
Published by: Malibu Comics
Cover Date: October 1993
Cover Price: $2.50

This opens where I think I remember the previous issue leaving off–with some group of Ultras pursuing the Freex–this group being the "Hounds." The opening narration is from the point of view of the leader–who calls himself the "Master of the Hunt." He’s been maligned, so how dare these freaks think THEY can just go off the grid and be left alone? Speaking of the Freex, they’re gathered around the lifeless robotic "body" Michael left behind, trying to figure out what they’re supposed to do. Val and Ray fight, she blasts his book…though feels bad about it once realizing she’s done exactly what his mother had done in taking everything away from him. meanwhile, Michael–in electronic form–discovers the police don’t actually know where they are; they’re still safe, but doesn’t know who’s actually hunting them. He’s intercepted on his way back to his friends, which causes his thoughts/focus on Angela to manifest on a computer screen in the police office. The Hounds engage the Freex, who eventually escape. As they seek a place to hide for awhile, Val separates–with Ray thinking she’s being selfish, but it turns out she broke into a bookstore to get a replacement copy of his book she destroyed. As a group, the Freex then do find safety in some shop…invited in by its owner, Ruby. She offers Ray an insight: he taught HIMSELF how to read, which is NOT dumb or stupid. As the group starts to settle in…the peace is disrupted when someone blasts Ruby…the Master of the Hunt has found them!

Maybe it’s the covers, but I’ve a couple times now found myself almost "dreading" a Freex issue because of the cover. Maybe it’s that I’ve seen the image too many times with no real context, maybe it somehow doesn’t fully convey something the way I’d like…I don’t know. This issue’s cover shows us a hound blasting Val…looking to me like a singular villain; and the blast hitting her head making it look like he’s extracting knowledge or zapping her with some sort of mind-control ray or something. We can kind of make out some of the other characters looking in on the situation, but they’re hardly a focus, and not overly apparent at first glance.

That being said…I didn’t hate this issue. We get the continued development of our "Freex" gang, as the characters are still learning to work together and BE together, even having decided to stick together–safety in numbers and such. Michael’s still learning his own powers, and we see here that there’s someone else able to tap into stuff and influence the electronic interface–not just him. The kids behave like kids, and continue getting to know each other and how they all fit together.

The art on this isn’t bad, but doesn’t really blow me away. I like the interior art a lot more than the cover. It’s not hard to follow what’s going on from the visuals, and no one seems specifically unrecognizable or oddly proportioned in any unexpected ways. Again–the art is not bad, but it’s nothing that stands out to me singularly…it does exactly what it’s supposed to, but doesn’t feel above-and-beyond or such. Nothing in this issue strikes me as poster-worthy, and no singular image stands out as anything iconic.

rune_0eRune [E]: The Cursed
Plotted by: Barry Windsor-Smith & Chris Ulm
Drawn & Colored by: Barry Windsor-Smith
Scripted by: Chris Ulm
Inked by: John Floyd
Computer Color by: Albert Calleros
Lettered by: Patrick Owsley
Text Pages Designed by: Jim Chadwick
Edited by: Steve Gerber

Once again, we have a starts-abruptly "scene"–this time telling us the date: June 24, 1993…the day the Jumpstart Effect hit the cable car creating the Strangers and the resultant cable car crash to injure Johnny Domino. But we diverge, following Edwin Doyle–another passenger on the car. He has a bad headache attributed to the incident, but as he’s guided home by a frail individual that just showed up, he transforms–as does his new "friend" and we see that it’s a frail, sickly Rune guiding him…supposedly helping him, but it’s not hard to see that Rune intends to feed on this newly-created Ultra.

This is the first of these chapters to really feel like it has a narrative to itself, to be a bit of a story rather than a stretched out "moment" or other vignette. It’s still only 3 pages, but there’s a lot of narration  on the full single page that opens, and lots of dialogue, broken up amidst 4 and 5 panels on the second and third pages. We meet Edwin, are given context of where this is and what’s happened, get to see him meet Rune, see him transform into an Ultra-form…and presumably see his end. A very brief but nearly-complete "hero’s journey" of sorts.

Visually this fits with the other chapters–obviously, given the creative team doesn’t change with each segment of what’s essentially a single issue serialized. I like that we essentially have a beginning, middle, and end here…it’s the most "actually-a-story" so far. As I think I suspected–and indeed noticed–the first couple chapters were just there, with nothing more to go on, so there wasn’t enough to really pick up on as far as any sort of story or narrative. As we’ve now seen Rune use his stones to learn he’ll live, seen him in ancient times feeding on a human offering, consult Nikola Tesla on energy sources, get caught in a nuclear explosion, now we see him about to capture some Ultra-energy.

All in all, this is a solid issue–well worth getting if you’re collecting the series and/or can get this along with the first 3 or (presumably) the next several issues. Nothing here stands out as this being some singular stand-alone thing worth hunting down in isolation. It’s worth a quarter or so to read "a Freex issue" or to fill in a run, of course.

The Rune chapter works pretty well as a standalone-within-a-whole: it’s by no means a sole selling point of the issue, either. That this is a Rune Month issue is sorta incidental…that marks it as October 1993 at a glance even without the cover date, but the issue doesn’t seem integral to anything other than the Freex title.

I continue to be interested in where things go with these characters, even if I don’t have quite as much "champing at the bit" excitement for the title.

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Ultraverse Revisited: Hardcase #5

Posted on June 15, 2018 by Walt

ultraverse_revisited

hardcase_0005Friends and Enemies Part One: The First Cut

Writer: James Hudnall
Penciller: Scott Benefiel
Inker: Mike Christian
Letterer: Tim Eldred
Color Design: Moose Baumann
Editor: Hank Kanalz
Published by: Malibu Comics
Cover Date: October 1993
Cover Price: $2.50

This issue’s cover has long stood out to me. Our hero kneeling in a pull of his own blood, obviously distressed? Gotta wonder what happened! And that we see what’s done to Hardcase in the issue itself, that stuck with me, and surely got transposed to the cover. I didn’t remember the specifics of the story, and back in ’93 did not have the context–I’m sure at least on reading, I had read #1, and then this, so I’d missed everything from 2-4 and the Strangers crossover.

We open on a drug dealing being warned someone’s coming to kill him. Confident that one lone assassin can’t possibly do anything, he’s ready to disregard this–but finds out his guys have already been taken out. We then cut to a photo of the slain dealer in Detective Brown’s hands, as he’s pondering the case, and Hardcase walks in with Choice. They want a meeting with the Choice Corporation, but ideally without the trouble that there’d be with them just walking into the HQ. Getting an appointment made by the police shows that they have ‘friends’ and such, as well. Once there, some sort of control is exerted, showing that Choice is definitely NOT free; she and Hardcase get outta there. Meanwhile, a couple of kids find the head of NM-E in a dried-out flood channel in LA…and it attaches itself to one, and as the other runs away, blasts him. NM-E is composed of molecule-sized machines, and has been rebuilding itself, and is still on-mission. As Hardcase and Choice head back to Hardcase’s place, we see a meeting between a major power broker and Rex Mundi. At Hardcase’s, he and Choice meet someone calling herself The Alternate, who has a warning for them. They head out on the town anyway, needing time away from everything. They’ve been followed by an assassin hired by Mundi’s broker–the same assassin that killed the drug dealer. While Choice is in a restroom, he attacks Hardcase, and quickly surprises the hero by being able to badly cut him. He then stabs him in the gut, and leaves him for dead, as Choice emerges to see what’s going on, and finds Tom dying.

This issue is another art change…I can definitely say that I’m not caring a lot for the lack of singular, steady art team on this title. The art’s not bad…but I’d much prefer consistency! The characters are recognizable without much issue, though, so the art does its job. I know I did not particularly notice the art change when I originally read this, having missed 3 issues. And something about the cover for this issue reminds me that if nothing else, I can look at this like the ’90s Superman titles, where every week was a different art team (4 and then 5 different titles)…so this issue has art by an art team that’s not my favorite/preferred, but is not inherently bad or anything like that! I think I prefer Callahan‘s art because of getting it in the first issue in particularly, and having had a second issue of it in Hardcase #3.

On the story, we continue to move forward with Hardcase and Choice, as he plays hero to her, trying to help her escape the Choice Corporation. We also have Detective Brown and a bit of a throwaway mystery (for the moment) of someone impersonating him, which likely means something’s coming up later relating to that. We also have the reappearance of the NM-E creature, as another brief subplot that surely will be coming back into play eventually (I remember covers later in this series with the rematch!). Having been more aware of Hardcase in a loose sense, not truly following his title "back in the day," I’ve not had much idea of the fine details of the character within his own title or any recurring characters and such–so I’m enjoying seeing stuff with Choice, as well as Det. Brown. I’m also really liking the existence of "subplots" as I’m getting back into these very-much-of-their-time ’90s comics…reminding me that comics used to be ongoing stories that might be punctuated with specific finite (named) arcs, but they were not specifically geared for a 4-6 issue collected volume…they were serialized stories, not serialized graphic novels.

rune_0dRune [D]: The Power of Gods
Plotted by: Barry Windsor-Smith & Chris Ulm
Drawn & Colored by: Barry Windsor-Smith
Scripted by: Chris Ulm
Inked by: John Floyd
Computer Color by: Albert Calleros
Lettered by: Patrick Owsley
Text Pages Designed by: Jim Chadwick
Edited by: Steve Gerber

This fourth chapter of Rune continues to build a bit on stuff–now being up to 12 pages of the story, a little more is taking shape. The previous segment showed Rune meeting with Tesla and learning about an energy source; here in this chapter we find Rune nearly 60 years later at the heart of an atomic blast–getting a heckuva lot more than he bargained for. An incredible energy, sure–but rather than energize him, it devastates his body, leaving him a mere shell of his former self!

Yet again, the art is perfectly consistent with the earlier chapters as this is all the same creative team. We met the sickly shell that Rune has become in the first chapter, then witnessed him as a god-figure, found him in a more recent setting seeking information about power, and now see him caught in a nuclear blast that leaves him needing energy just to survive, to say nothing of getting more powerful or such.

While this flip-book feature has started a bit slow and a bit choppy, and I’d felt there wasn’t much to be gleaned story-wise, it’s shaping up to be a series of scenes, showing us apparently-key moments throughout Rune’s existence, such that we’ll have a general idea of the character by the end of these 11 pieces, even if it’s not some tightly-woven single-issue chunked into 3-page pieces.

I remember having read this Hardcase issue back in 1993 when it came out. I enjoyed and appreciated it far more this time around, now having had the in-between issues read so that I know more about Choice and why they visit this Choice Corporation; and I have context for Detective Brown; and I’m generally just more invested in the story and able to appreciate the stuff that was way over my head as a kid with the missing issues.

And I’m beginning to really enjoy the Rune stuff in a way that I didn’t even as a kid–and Rune was one of the main titles I followed even then! I’m thinking that as neat as it is to have 9 of the 11 flipbook covers making up a large image, different full images might have been a bit more appropriate to accentuate the various time periods/points in the character’s long existence in the Ultraverse as a universe.

Whatever the case…this is the fifth issue of an ongoing series…there’s really not much to this to make it worth seeking out in isolation, but this is definitely worth getting as part of a "run" of issues. As I’ll keep pointing out, this is an issue I’ve seen in bargain bins plenty of times, so I wouldn’t recommend paying much for it–I consider it a 25-cent book, but depending on where one gets their comics, that could mean 50 cents to $1. I would definitely suggest getting this as part of a run–perhaps the first few issues, or as the start of the next few issues. As a cheap 25-year-old comic, some of that’s almost a moot point, though, as the bulk of the entire series could be had for less than what a couple of modern comics might cost.

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Ultraverse Revisited: The Night Man #1

Posted on June 13, 2018 by Walt

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nightman_0001The Night Man

Writer: Steve Englehart
Penciller: Darick Robertson
Inker: Andrew Pepoy
Letterer: Dave Lanphear
Color Designer: Paul Mounts
Interior Colorists: Foodhammer!
Editors: Chris Ulm & Hank Kanalz
Published by: Malibu Comics
Cover Date: October 1993
Cover Price: $2.50

I think this issue’s cover is one of my favorite #1s of the Ultraverse. I really like the gradient from dark purple to a pink for the background, as well as the full moon, a bit of city architecture, and the gargoyle at the foreground with our title character perched on it, looking quite ready for action. The visual is rather striking, and seems quite "iconic" to me, despite being a generic pose or such–perhaps because this is the (only/main) cover for a #1 issue officially introducing the character. batman_608_2nd_printThis single image is truly "selling" the thing–visually and conceptually. This is no Batman, but perhaps borrows a bit of the imagery (though the most "iconic" Batman-and-a-gargoyle image I can think of–at age 37 in 2018–is the Jim Lee cover to Batman #608, which came nearly a decade after this cover). The fact of this being a #1 likely also lends to the "iconic-ness" of the cover…it’s simply a first issue, and carries a whole other sort of significance as such.

We open on a black-clad figure with goggles coming at us, apparently leaping down from above; the figure is narrating, informing us that he’s not who he was, and that he is (and this gives us the title of the issue itself) The Night Man. Our hero’s about to hit a roof, and flashes back to earlier. First, an accident he was in (this is "Johnny Domino," and he was in the car hit by the cable car when the Strangers got their powers back in Strangers #1). Then when he got out of the hospital, he now needs to shield his eyes from bright light…and discovered that he could "hear" evil thoughts. We follow him trying to deal with that and realizing the ridiculousness of the premise, eventually settling on having to do something himself. His first foray into thwarting evil leaves him banged up and this initial costume quite damaged. During the day, he meets with his father, and we see their interaction, and get a bit of setup for what’s likely coming later. Johnny continues his ‘detective’ work, and tries to save the woman who’s been threatened. Unfortunately, we find that he’s too late–when he gets to her place, she’s already been killed, and the killer has literally stolen her face. A chase ultimately leads to a fight on a boat, and the villain winds up in the water, apparently eaten by the shark. And of course, Johnny didn’t sense any evil from the shark–it’s just a shark looking for food. Closing out the story, having survived a couple of nights AS The Night Man, he takes full ownership of the role, that this is his duty, put on him by the cable car accident, and he is The Night Man! (and then a menacing fist with a knife sticks out of the water–the villain’s apparently not completely dead).

This is a strong first issue. We have ties to the larger Ultraverse–the story universe in general–as Johnny first showed up in Strangers #1. That was a nice bit of detail that at the time was sorta throwaway, but comes into play here in a major way–what was "just some guy in a car" is a major character with powers and his own series, now! But while those details are great for tying this to the larger universe…they’re conveyed in such a way that you don’t have to have read Strangers or other issues…you just get a better appreciation for the details if you have. In typical/trope-ic fashion, we’re tossed into the action and essentially given the "…see that guy? That’s me. You’re probably wondering how I got here…" thing. We get Johnny’s name, what he does, what’s happened to him, his current status quo, meet his father, see that he’s the owner of an amusement park resisting a takeover, get plenty of exposition to flesh out the relationship between father and son, etc. We see the character discover his power, start figuring it out, make decisions based on it, don multiple iterations of a costume (learning from near-fatal experience); we’re introduced to a "super villain" or potential "arch enemy" (at least "first major enemy who might be a recurring figure"), and generally have all this stuff packed into this one issue.

In 2018, this issue alone would probably be spread across some special issue/one-shot(s) and no less than 6 issues, each with umpteen variant covers.

That it’s all crammed into one issue makes it a very good value, and a strong stand-alone piece that sets you up to want to find the "sequel" in the form of subsequent issues.

Visually, I really like the issue. The art is quite appealing, with a great sense of realism, while not trying to be something other than a comic book. That is, it’s not particularly cartoony, nor is it hyper-realistic. There’s a good amount of detail throughout, with an assortment of page layouts that change things up nicely, keeping stuff from being just a bunch of pictures placed evenly on a page. The coloring also plays a huge part, and like with the cover, I particularly like the night-time stuff with the purple skies, full moon, and dark water.

rune_0cRune [C]: The Sorcerer
Plotted by: Barry Windsor-Smith & Chris Ulm
Drawn & Colored by: Barry Windsor-Smith
Scripted by: Chris Ulm
Inked by: John Floyd
Computer Color by: Albert Calleros
Lettered by: Patrick Owsley
Text Pages Designed by: Jim Chadwick
Edited by: Steve Gerber

I feel like this is the most detailed piece of the Rune story so far. We’re given visuals to go along with what is essentially a journal entry or letter written by Tesla–presumably the actual historical Nikola Tesla–used here in fictitious context. He writes about someone coming to him for information about energy, and muses on who or what the figure was, figuring it must have been a vision…except for a stone he found on his desk with a particular rune on it, that meant "fire" or "sorcerer."

Essentially, this segment shows us that Rune met with Tesla…and that he has the ability to influence how he is perceived. In this case, perceived as quite the cleaned-up, respectable figure. This could be interpreted as shape-shifting, but the detail of Tesla noting that he could almost see something else, suggesting that this truly was his being influenced to see one thing despite the actuality of Rune’s true appearance. The emphasis on the word "sorcerer" gives us a bit more insight into Rune; that where once he was worshipped as a god, as time went on he’s gone from being a god to being a sorcerer, as an explanation for "what" he is and how he’s beyond human.

As a stand-alone piece, I feel this is the most effective so far, as it is an entire thing within three pages. We have Tesla’s letter/thoughts/recollection and the visuals show us both what he saw and what was actually there; the entire episode is conveyed right here. The lengthy wordiness really helps, given the limited page count, making it seem like more than just taking in a page, turning the page, and being at the end of the segment.

Since this is a serialized piece of a single issue and the creative team remains entirely the same, the consistency of visual style keeps this feeling like the next bit, without some jarring change. Where the first chapter was just there to be taken as itself, and then a drastic change in setting for the very next segment, and now another here…at least at this third part the "story" begins to take a bit more shape or pattern as it grows clearer that we started in the present with Rune, and now are seeing moments from the past, leading us to the present, perhaps.

nightman_dvdThis issue comes off like a pilot episode of a tv series, and while there’s the Firearm #0 thing advertised in the Sptember 1993 Ultraverse titles–giving a short live-action piece that continues in a comic, this feels more like something that would fit as an ongoing live-action thing, like a tv series…

…which is rather fitting, as there actually WAS a tv series of The Night Man, that ran 44 episodes across two seasons! (And is freshly available on DVD!)

With the Rune piece on the flipside of this issue feeling a lot more substantive than the previous couple of segments and working nicely as its own standalone unit…The Night Man #1 as a whole is an excellent single issue! Most of the Ultraverse #1s make strong jumping-on points, but this one seems like one of the best so far (if only for being the one I’m currently taking in). This issue’s definitely worth 25 or 50 cents in a bargain bin…and really, is one I’d even consider worthwhile to get for up to its original $2 cover price…especially given the tv series is now (June 2018) out on dvd. This is a great piece to read to get a sense of the original comic and the comic-version’s origin for the character, before perhaps diving into watching the tv series.

I’m feeling like I definitely missed out on something special by not having followed this series back in the day–I definitely remember GETTING this issue, and reading (but not caring for it) back then…but now it seems like this would have been one of my favorite Ultraverse titles! I’m looking forward to getting into the coming issues as well as hopefully getting and digging into the tv series.

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Filed under: 2018 posts, 2018 Reviews, Malibu Comics, Night Man, The '90s Revisited, Ultraverse, Ultraverse Revisited | Tagged: , , , , , , , , , , , , , , , , , , , , , , , , , , | 2 Comments »

Ultraverse Revisited: Prime #5

Posted on June 11, 2018 by Walt

ultraverse_revisited

prime_0005Villains

Writers: Len Strazewski & Gerard Jones
Artist: Norm Breyfogle
Letterer: Tim Eldred
Color Design: Keith Conroy
Editor: Chris Ulm
Published by: Malibu Comics
Cover Date: October 1993
Cover Price: $2.50

It’s hard to believe I’m "only" up to Prime #5 here. Nostalgia plays a large part in that, I think–part of me is itching to just fly through this series to revisit all the stuff I remember, and see what changes now that I’m a quarter-century older. But I’m hanging back, going through the entire Ultraverse one issue at a time, endeavoring to get the "full context" of stuff (though some of that detail is lost in translation as I’m providing my thoughts and RE-actions to the issues, and not panel by panel summaries/adaptations of the issues).

Picking up where the previous issue left off, we find Kevin and Kelly facing a "real life" version of Maxi-Man: a character THEY know as a cartoon, and that we as readers know is one of Boneyard’s demons trying to "prove" itself important and gain Boneyard’s favor. (Boneyard being the main villain in the Mantra title). Kevin strains to re-generate Prime, while Kelly is nearly killed. Once "Primed up," we have several pages of battle between Prime and Maxi-Man, before cutting to Kevin’s father and Colonel Samuels, discussing their past, and Green telling Samuels that Prime is his kid–Kevin! Back to the fight, Prime thinks Maxi-Man is some Ultra-human, until the demon reveals itself (apparently with disdain–it is above humans and Ultrahumans). As the two spar verbally amidst the physicality, Prime lets slip that "No one threatens my girlfriend!" referring to Kelly…which shocks the poor teenager. (Prime’s this huge adult…why would he be interested in a 13-year-old, after all?) Prime realizes that he’s running low on power, and has to put an immediate stop to Maxi-Man’s rampage…so he gathers what remains of his energy and releases it in some sort of energy-burst from his chest, and expends the rest in a quick, brutal beat-down that destroys Maxi-Man (who melts down into a puddle, as the demon disperses, vowing revenge [with a footnote referring us to Mantra #5, coming next month!]) Though Prime is victorious, it’s at a cost–Prime collapses into Kelly’s arms, and she quickly realizes he’s melting! Before anything can be done, Samuels’ men rush in and take the melting hero against the girl’s protestations. As Samuels and his crew rush off, Mr. Green’s left behind lamenting that this wasn’t supposed to happen–and he’s answerless when approached by Kelly as to what’s going to happen. Moving back to Samuels–now in a lab with techs rushing about–the melting Prime-body is stabilized…with no regard for the boy within. When questioned, Samuels declares "I don’t care about the boy! I want the ULTRA!"

One of the first things that stands out for me with this issue is Breyfogle‘s art. I love the much thicker lines and less "detail" used for Maxi-Man…giving the character that much more of a "cartoon" look, compared to the usual thinner lines and more realistic style for everyone/everything else. This entire thing is a comic book, it’s all drawings–even the thing that to the drawings (characters) is a drawing. So the different line art makes a big difference, and is pulled off quite well, to me. It’s also interesting to see from the visuals just how similar the two characters are–both are hugely over-muscled brutes–but we get dialogue to realize that Maxi-Man is a character Kevin has "grown up" on, and is clearly one of his "inspirations" for the hyper-muscled Prime body his subconscious generates.

Story-wise, we get most of our forward-movement in non-Prime characters. We see some in Kelly realizing this adult hero has a crush on her–considers her his girlfriend–which is a much different thing put to words than her schoolgirl crush on a new super-hero that she’s encountered several times. We see more in Mr. Green interacting with Samuels as we get more perspective on Prime’s "origin," as the result of these genetic experiments by the military…and that while this is Kevin’s story, Prime’s story…in a very real way, there’s a lot to be said of it being Mr. Green’s story, watching his son suffer for his sins a decade and a half earlier.

The disembodied/extra-dimensional demon provides a "convenient" means to have some giant brute slug it out with Prime. Most of the issue is a slugfest…but we get the other developments amidst it. It also adds to the interconnectedness of this universe, as the demon ties to Boneyard, who other than this has been strictly a Mantra villain. But because Boneyard exists, this demon is here…but the demon isn’t tunnel-visioned on Mantra, but on his master, and so stirs up trouble with Prime.

I feel a bit of a twofold shift in perspective on this series at present: firstly, I’ve more than flipped sides, from being the same age as Kevin–the kid–to being older than even Prime is supposed to be (assuming he’s assumed to be in his 20s). Second, the real-life stuff going on with Gerard Jones. I choose to dissociate Prime and my enjoyment of the title with what he’s pled guilty to, but just seeing things play out on the page–the idea of the adult hero with a crush on a young teenager–is that much more uncomfortable. Yet, as readers, we know darned well that this "adult" in Prime is himself truly a teenager, and so DESPITE the obvious and intended appearances and uncomfortableness built in for added drama…we have a 13-year-old interested in a 13-year-old.

rune_0bRune [B]: The Sorcerer
Plotted by: Barry Windsor-Smith & Chris Ulm
Drawn & Colored by: Barry Windsor-Smith
Scripted by: Chris Ulm
Inked by: John Floyd
Computer Color by: Albert Calleros
Lettered by: Patrick Owsley
Text Pages Designed by: Jim Chadwick
Edited by: Steve Gerber

This issue’s 3-page segment of Rune shows us the character in the distant past, being presented with an individual as a sacrifice. He feeds on her–showing/confirming to us that he’s a vampire–and see what a difference so many years makes between this and the wasted figure we saw in the first chapter. This also shows us that the younger, more vital Rune was worshipped as a god, which–again–is a far cry from the wasting creature we’d already ‘met’ and leaves us to wonder at all the events between.

Visually, this continues to clearly be Barry Windsor-Smith. The creative team is exactly the same on the entire story, so I’ll be repeating that, I’m sure–the consistency is a very welcome "given," as this is essentially "just" 3 more pages of the same issue, serialized across the 11 October Ultraverse titles.

Story-wise, this continues to be a slow-burn, or moreso, "drip" as three pages at a time is hardly room for any real story or development as a standalone piece. Presented with different core issues–this one with Prime #5, a distinctly different unit than Sludge #1–there’s "excuse" to be choppy, for 3 page segments to give us different perspectives or glimpses into Rune–what he is/was, what he means, etc. I recall the "complete issue" being rather choppy with such brief scenes…but I’ll likely re-evaluate it as an entire unit when I get to the standalone version of the issue when the ongoing series starts.

I was already getting Prime as a series, so this didn’t sell me on Prime; and all the more now 25 years later, Rune is NOT really a standalone selling point for this issue, or the month’s issues. Rune primarily serves as a time capsule or marker of sorts–an easy way to identify the October 1993 titles at a glance, despite dates not being printed on the covers.

The Prime portion of the issue feels a little padded-out with the extended fight scene. The three story-pages of Rune, plus the recap page and credits/premise page don’t truly stand on their own. But given this is an issue of Prime, the Rune stuff makes for an interesting "bonus." Of course, the proclamation on the Prime cover of this being a 40-page special dampens that–as with Sludge #1–given the 40 pages implies the story, the issue itself, but you really have to add non-story pages to the count to get to 40 pages. That would be more of a problem 25 years ago. Now, in 2018, where these are 25-cent-bin books (maybe 50 cents, but really not $1+, in my eyes!), it’s a moot point.

This is absolutely worth 25 cents or 50 cents just for the Prime portion; and if you’re particularly OCD about filing comics, worth twice that with an extra copy to file with the Rune-side forward. Given there’s a standalone Rune #0 available, and a partial-edition that was packaged with an issue of Spin magazine, I would not recommend seeking this issue out just for the Rune chapter. And as a Prime issue, there’s not MUCH to it to make it stand alone as something unique to seek out…unless you specifically want "the issue with Maxi-Man vs. Prime." Definitely seek this out if you’re putting together a run of the title, obviously. This is best read as part of several issues–ideally the first four and forward.

All that said…for 25 cents, if you’re looking for a colorful slugfest between two hyper-muscled figures and a couple pages of a colorful BWS vampire…there’s no real reason to AVOID this issue, as a whimsical one-off!

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Filed under: 2018 posts, 2018 Reviews, Malibu Comics, Prime, Rune Month (Event), The '90s Revisited, Ultraverse, Ultraverse Revisited | Tagged: , , , , , , , , , , , , , , , , , , , , , , , , , | 2 Comments »

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