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Ultraverse Revisited: Solution #3

ultraverse_revisited

solution_0003The Hunted

Writer: James Hudnall
Penciller: Darick Robertson
Inker: Barbara Kaalberg
Letterer: Tim Eldred
Color Designer: Tim Divar
Interior olor: Foodhammer!
Editor: Hank Kanalz
Cover Date: November 1993
Cover Price: $1.95

Once again, looking at an issue of The Solution I find myself wondering how, exactly, I managed to #1 miss this series entirely as a kid and #2 not pick up on this sooner even as an adult.

This issue opens with a young woman being stalked by a couple of menacing figures that we come to realize (along with her) are aliens–Darkurians–as they “morph” into their true form of hulking, monstrous beasts ready to devour her. Then another figure enters, first playing music from a harmonica, and then wielding fantastic weapons that are quite effective against these Darkurians. The next day, we join in with several members of The Solution as they debate publicity, with everyone but Lela having reasons for NOT wanting to be in front of any cameras. Vurk, impatient and edgy, prepares to leave. Lila asks Aera to put a “trace” on him–using her magic so that they’ll be able to locate him, should the need arise. Vurk hits the town, looking for some excitement–though what he finds interesting and what a cab driver finds interesting don’t exactly intersect. He’s in luck, though, when he stumbles across a figure he recognizes–a certain harmonica-player (incidentally, apparently named “Harmonica”). Shifting to his large, brutish (alien) form, Vurk leaps into battle with Harmonica…the two are old opponents. Harmonica’s weapon/harmonica seems to be able to transform into whatever he declares–laser, flight-belt, sword, whatever–and he more than holds his own against Vurk. The fight is inconclusive, halted first by police and then by the Solution (having located Vurk via that “trace”). We shift to the Solution meeting with a client…and learning that they’ll be working with someone. We see on the final page: Hardcase and Choice!

This issue’s story seems so simplistic in a way. Show some aliens mugging a random woman on the street, they get killed to show how bad-ass this Harmonica guy is. Touch base with the Solution–they are the team this title’s about, after all–then Vurk goes off on his own. He fights Harmonica, giving us an extended fight scene that shows us how bad-ass HE is, before stuff is brought to an abrupt halt with neither being victorious…this leaves things open for later. And we end with the setup for a “crossover” with Hardcase to leave us ready for what comes next. Nothing’s all that deep, but we get our title characters present in the issue, while the focus is on one particular member…and we get a bit of a sense of history for him with encountering Harmonica, as well as development in his admitting his own people want to kill him. As He’s a “tank” on the team, Harmonica being able to take him on, having taken out the Darkurians earlier, and getting away here without issue sets Harmonica up to be a bigger player in future issues.

And I absolutely love the art in this issue! It’s clean, and detailed, the character designs definitely have that nostalgic, ’90s “vibe” but without seeming hokey or rushed. I’m sure this is thanks not only to Robertson‘s pencils, but also Kaalberg‘s inks with Divar and Foodhammer!‘s coloring. I don’t know if it’s my personal color preference or other details, but I especially like Lela’s appearance and costume. I feel like I’m all over the place with enjoying or being “iffy” on Ultraverse issues’ art…perhaps it’s other comics’ art I’ve looked at since my last Ultraverse coverage.

My enjoyment of this issue is largely that it’s nothing “deep,” and even picturing the issue’s opening a la Law & Order or CSI, with a brief intro to set something up, then a jump to the actual main characters and them dealing with stuff after the events of the initial sequence. Having read a couple issues of the series before this also laid some groundwork, so while I’m not great with characters’ names yet (especially being a couple months–at least–since reading the previous issue) but recognize them visually and having seen them, it’s easy to “go with the flow” of things.

As “just some ’90s issue,” this would probably work pretty well overall as a standalone issue…it has the feel of a random issue trying to set something up without being itself bogged down with stuf from prior issues. The cover itself isn’t all that interesting; and I never really paid it much attention, focusing mainly on the title logo and issue number. Essentially we get naked-backside-of-Vurk fighting against Harmonica-with-a-sword…boring as a cover for only reading previous issues, but at least “fitting” given the actual interior contents of this issue.

If you find this for 25 cents or so–bottom-price bargain bin, basically–it’s worthwhile if only for “exposure” to the title and such. Generally-speaking, it’ll work better with the context of the first couple issues (admittedly, also ideally bargain-priced).

While I’ve been iffy with this title on lack of knowledge…it’s quickly becoming a high-quality, enjoyable favorite…which I feel like I didn’t expect when I started this deep-dive into the Ultraverse.

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Ultraverse Revisited: The Solution #2

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solution_0002Showdown

Writer: James Hudnall
Penciller: Darick Robertson
Inker: Mike Miller
Letterer: Tim Eldred
Color Designer: Tim Divar
Interior Color: Violent Hues
Editor: Hank Kanalz
Published by: Malibu Comics
Cover Date: October 1993
Cover Price: $2.50

Rex Mundi realizes he and his people are being magically spied on…by The Solution! The scene then moves to the Shinjuku district in Tokyo…where we see The Solution in action! They’ve got a plan, and everyone seems to be in place as things unfold. Dropkick and Tech communicate, while Shadowmage  sits by to use her powers in a room next to the group’s target, who is dealt with by Lela Cho–Tech–herself. As Tech begins to realize something’s wrong, Shadowmage confirms that someone’s there, and both Outrage and Dropkick are forced into immediate action away from the building. Shadowmage fights an opponent named Book, while Dropkick deals with a red-clad woman with swords…who seems to recognize his fighting style. Outrage’s opponent seems to be of his own alien race (I guess Outrage is another alien…I did not remember that!), and he’s got some sort of bounty on his head. While Tech gets her client out of the building and we see them trying to escape this ambush, the unfolding battles of the other three unfold as well. In the end, their client is killed, so while The Solution survives, their case is a bust.

This issue is largely a huge fight scene. The previous issue really being the first time I’d ever read an issue of this series (despite owning issues and being aware of the team–mainly from getting Rune #0 and it coming with The Solution #0 as well) I’m still figuring out the characters. And of course, that’s not helped by the way I’m undertaking this reading project–trying to read ALL titles in release-month order, rather than zeroing in on just one series at a time.

So this issue served to really “show off” a lot more with the team. We already know Shadowmage can use magic, but we see more of that here. Lela Cho has a certain skill set, which is also shown off. We see Dropkick in action, and some hints at him being more than he appears. And we see Outrage similarly, as he faces someone that knows more about him than we do, which leaves another question in the air, further details to be sussed out presumably in subsequent issues.

Visually, I thoroughly enjoyed this issue. The detail’s great, the layouts are dynamic, the characters seem consistent and it’s easy enough to follow the general action of it all. Seeing that it’s Darick Robertson art, though, I suppose I should not be surprise, enjoying his work on the likes of Transmetropolitan. I can’t quite figure out a better phrasing, but I felt like the main characters especially were “full” while “sleek” in the way they’re depicted in this issue. Ultimately, the issue in general is nice to look at, as it also totally carries a ’90s vibe.

Story-wise, there’s not a lot: the characters fight, their client is killed, everyone goes home. That’s the broad strokes view. The details are where the depth is, and I’m definitely interested in learning more about these characters. Maybe I’m the odd guy out, but I’m pretty sure I’d totally enjoy several issues of the characters simply interacting with each other and learning of them that way, without even needing a lot of action.

rune_0kRune [K]: The Fury – Part Two
Plotted by: Barry Windsor-Smith & Chris Ulm
Drawn & Colored by: Barry Windsor-Smith
Scripted by: Chris Ulm
Inked by: John Floyd
Computer Color by: Albert Calleros
Lettered by: Patrick Owsley
Text Pages Designed by: Jim Chadwick
Edited by: Steve Gerber

Wayyyy back (it seems) with the start of the Rune stuff (Sludge #1), the cover showed the open mouth with fangs, and the words “The Stones are Cast…” Here in the final issue, we again have that cover image (the 9 issues between being the “poster image” pieces) but with the text “…And Death Walks the Earth.” A fitting sort of symmetry. “The stones are cast and death walks the Earth.” That’s Rune.

This final chapter of the Rune #0 issue, we see a kid named Erik talking with his Dad…as they discuss nightmares, monsters, and keeping things at bay; an incident with Erik forgetting to take his pills, and this hint at there being something more to the kid. Their conversation is largely narration boxes overlaid on scenes of destruction, as Rune gets through the last barriers between himself and Erik, leaving us with Rune perched in a tree outside Erik’s house, apparently preparing to attack.

The art continues to be consistent with prior chapters, as the creative team did not change…this is “merely” three more pages of the same issue, so no surprise there. After all these previous “chapters,” we finally see Rune where he wants to be, after bitter disappointment and destructive confrontations…poised to  take in some incredible power that might restore or maintain his wasting body.

As prologue, as setup, as a #0 issue, it provides an introduction to the character, and leads into what I recall of the Rune #1 issue, such that one certainly can better appreciate things with the main series having read this first, and yet, this isn’t absolutely required reading for that.


I enjoyed this issue. It’s been nearly 25 years since my initial $2.50 was spent on it (that’s less than one penny per month from then til now, I think!) so while I’d be less than thrilled with an issue that’s basically a massive fight scene for a full/premium price in 2018, I’m ok with this 1993 issue being this way…all the more for so enjoying the art.

Yet again, the Rune chapter is an identifying mark on the issue, dating it at a glance to one of the October 1993 issues; and as with others, it is not singularly a selling point in my eyes, as far as this issue in isolation. It’s certainly a selling point for getting all 11 serialized chapters of Rune #0, or the coupons for the mail-away, and such.

But along with most of the “early Ultraverse” issues, I routinely see the issues in bargain bins, so don’t consider them to be worth one paying more than $1 for as of 2018; but that’s also easy enough for me to say, owning all the single issues myself already, and not being on the hunt for them.

I would definitely recommend pairing this issue with the first issue to have SOME context of stuff…and though I didn’t do it myself, I think this issue probably reads a lot better in context of being read immediately after the first issue, rather than with 17+ other issues read in-between.

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Ultraverse Revisited: Early House Ads September 1993

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With the September 1993 Ultraverse books, we have our largest month yet for house ads…with the largest house ad yet in Firearm #0!

Firearm #0 4-page ad:

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It’s interesting to see four pages per (most issues) dedicated to this. Rather than just a one-page piece advertising this video/comic combo pack, we have an opening page, a double-page spread, and a closing page, introducing us to this concept of a live-action video where the story starts in the video and concludes in a comic book! This was one of many interesting multi-media things Malibu did for the Ultraverse line, and to my knowledge remains a one-of-a-kind thing!


ultraverse_ads_flood_relief

I’d forgotten how early on this Flood Relief issue came about. For a donation to the American Red Cross, one could get a special edition comic book featuring the Ultraverse. An interesting fundraising device. I have no idea how well it did, or how ‘limited’ it actually was. Offhand, this would be the second "mail-away for a limited-edition Ultraverse comic" promotion from Malibu.

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Where it seems all the other titles got ads ahead of time, I had noted for the August 1993 house ads that there’d been no ad for The Solution before its first issue was out. Instead of a "coming in September" we got an ad for it in September with the "On Sale Now!" note.

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I believe this is the first full-page ad for a title that is not a #1 issue. We had the split-page ad for several of the continuing titles, but this seems to be the first full-page ad. In this case, for Hardcase #5, coming in October 1993, part of the Rune Month stuff. Here the ad is just for the title but I recognize the cover image from the fifth issue!

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The Night Man is a new title that debuts with the October 1993 titles. I’ve always been a fan of this cover and its coloring. That I can say that based on this ad is–as I’ve noted with previous such reflections–one of the things I really, really like with the ads. They are the cover image of the first issues, so you know exactly what you’re looking for! No arbitrary image to get confused over when there are several other images on issues when you just want THE first issue. This use of the cover images also helps make them that much more memorable and recognizable, and thus "iconic" in a way that publishers in 2018 seem to despise.

ultraverse_ads_sludge0001

However, while I say that above about Night Man, this image of Sludge actually is not the first issue’s cover image–whether it was a last-second change or something else, I don’t know. Perhaps for nearly 25 years of knowing the actual cover, I think I prefer the actual cover of #1 to this…though this image gives a bit more to go on with the character, as the cover to #1 is an extreme close-up of Sludge’s face; here we see more of the (shadowed) body. But combine this ad with the actual cover, and there’s a bit more of an idea what one’s dealing with before ever getting past the cover of #1!

ultraverse_ads_solitaire0001

Finally, getting a bit ahead of things, we have this Solitaire ad for November, giving us a look beyond "just" the very next month. Of course, we already had that with the Rune ad previously, that basically only told us the character was coming (and in September 1993, Rune #1 was still some four months away!). There’s no mention in this ad of the polybagged-with-a-playing-card promo that would come with the first issue of Solitaire…I don’t recall if there ever was any mention of it outside of something like Wizard or Hero Illustrated.


As I’ve mentioned several times recently…next, I’ll be getting into the October 1993 Ultraverse issues–"Rune Month!" Each issue has a flip-cover and several extra pages. The short segments collectively make up a #0-issue for Rune, and by collecting all 11 coupons and mailing away, you could receive a standalone edition of Rune #0 as a single-issue (plus a poster, some other goodies…and also a #0-issue for The Solution!)

More on that at the end of covering the October books!

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Ultraverse Revisited: The Solution #1

ultraverse_revisited

solution_0001The Problem

Writer: James Hudnall
Penciller: Darick Robertson
Inker: John Lowe
Letterer: Tim Eldred
Editor: Hank Kanalz
Color Design: Keith Conroy, Tim Divar
Interior Color: The ‘Bu Tones
Special Thanks to: Brandon McKinney, Mike S. Miller
Published by: Malibu Comics
Cover Date: September 1993
Cover Price: $1.95

This is definitely an issue I know I have not read before…in fact, I’m honestly not sure that I’ve read any issues of this series–I’ve only been "aware of" it, and perhaps read the several-page Rune segment that would have been a flipbook on one of the issues. I do not remember having this issue initially, or even seeing it when it first came out.

We open on someone just before he’s killed…this is our introduction to a huge, hulking Ultra named Meathook. Then we’re introduced to a much more graceful Ultra with finesse (and a sword) in Deathdance. We’re quickly introduced to a teleporting member of this group called Gate…and then a fourth–Book. Having killed all the guards at this base, they steal a bunch of nukes, which leaves the former owners–Russians–none too happy. Later, the Russians speak to contacts at a group called Aladdin, and are referred to yet another group called The Solution. The scene shifts and we’re introduced to more souped up ’90s-style henchmen for hire, protecting a drug shipment. As they’re ambushed by none other than The Solution, we meet Incoming, Dropkick, Shadowmage, and leader Tech (Lela Cho). After defeating Black Tiger, the Solution heads back to one of their secret bases to decompress, and Tech reflects on all that’s happened in barely six months. Another member of the group–Outrage–shows off by smashing, to the amusement of the others. As they begin looking into the Russian nukes situation, Shadowmage uses her magic to let them spy on the perpetrators…but she’s "sensed" by them, and her surprise leads to our cliffhanger, and the Solution might be in trouble.

From the cover itself, I really enjoyed this issue! There’s something to the cover–perhaps the colors involved, with the shades of purple, blue, pink, and white on an orangey background–that just really works for me. And of course, it’s a typical ’90s shot of a group rushing at the viewer, the leader shooting ahead. I imagine another factor for this standing out to me is–as generally tends to be the case on all these early Ultraverse books–this is the only cover I’ve known for The Solution #1.

The interior art is quite striking, albeit strongly conveying the general ’90s vibe that I’m realizing–or re-realizing–I picked up on as a kid more than I realized. It’s sort of interesting to me seeing Darick Robertson as the penciller, as (offhand) I really only know his name from his Transmetropolitan work. Seeing it here is cool, and I really like the visual style. Though a bit gratuitous, there’s a panel of Tech in the shower while the Solution is at their base that stood out more than the scene in Mantra #1 where Lukasz wakes up in Eden Blake’s body. Given the way the Mantra scene stuck with me as a kid, the fact I don’t remember this instance from back then is how I know I never read this as a kid.

On the story side, this issue moves at a pretty fast pace. By modern (2018) sensibilities, it’s way too fast and leaves far too much unsaid and is rather choppy, leaping from one thing to the next. But this is from 1993, and frankly…I really dig the pace. This is "only" a first issue, and it introduces us to all sorts of characters–essentially two teams of villains along with the protagonists making up the titular team, and still other characters. There’s even plenty of room for violence and blood, which is a bit on the messy side but in ’90s shorthand shows off just how "bad-ass" the villains are and how good the Solution is in being able to take them on at all, let alone have victory.

In the modern lens, this would easily cover 3-5 issues…that we get it all crammed into one makes for a jam-packed first issue that is well worth its cover price even now, despite being something I’d typically associate solely as yet another quarter-book.

This is my first real look outside of the initial "core" of Ultraverse titles, and though it might not fly with me if it were new in 2018, I definitely like it as something from 25 years ago. Running with my usual, this issue is absolutely worthwhile if found in a cheapo-bin; easily up to $1. If you dig the art alone, this could even be worthwhile for a bit more. While I know I’ve seen many of the other Ultraverse #1s in bargain bins…I think this is the first I’ve gotten to that I have NOT. Perhaps it is just "that good" that fewer people have gotten rid of it; perhaps it had a smaller print run; I don’t know.

I’m looking forward to getting into the next issue and seeing where things go, and hopefully better associating character names with actual characters.

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Mission: Ultraverse Revisited

ultraversespreadA few weeks ago, a Facebook group I had joined some years back–for the long-dead comics universe, the Ultraverse–suddenly exploded into activity. It’s been stirring my interest back up in the Ultraverse comics. I already had a stack of PRIME issues on a shelf, waiting for a re-reading project I’ve had in mind for over a year.

In addition, this past weekend I snagged a handful of Ultraverse comics from quarter bins at a couple different comic shops.

Monday night, I decided to take a peek in my “most accessible” longbox, and lo! Ultraverse comics! So I pulled the Ultraverse comics, and decided to look at the next box. Then the two shortboxes.

Amazingly, I found QUITE the mix of Ultraverse comics in just 3 longboxes and 2 shortboxes.

ultraversepilesSeems that without particularly realizing it, I’ve actually been grabbing a number of Ultraverse comics the last few years from various bargain bins and such sales. I even found that I’ve got the Black September: Infinity issue, as well as the Ultraverse: Future Shock. And turns out the that special PRIME issue I picked up a couple years back for $1 at a used media store is one of those Limited-5,000 editions.

So, now have a mission before me: to dig through all the longboxes I have in this apartment, to pull together whatever Ultraverse comics I have. From there, see what’s out there that I’m missing, and begin very specifically hunting these things down.

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