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Ultraverse Revisited: The Solution #2

ultraverse_revisited

solution_0002Showdown

Writer: James Hudnall
Penciller: Darick Robertson
Inker: Mike Miller
Letterer: Tim Eldred
Color Designer: Tim Divar
Interior Color: Violent Hues
Editor: Hank Kanalz
Published by: Malibu Comics
Cover Date: October 1993
Cover Price: $2.50

Rex Mundi realizes he and his people are being magically spied on…by The Solution! The scene then moves to the Shinjuku district in Tokyo…where we see The Solution in action! They’ve got a plan, and everyone seems to be in place as things unfold. Dropkick and Tech communicate, while Shadowmage  sits by to use her powers in a room next to the group’s target, who is dealt with by Lela Cho–Tech–herself. As Tech begins to realize something’s wrong, Shadowmage confirms that someone’s there, and both Outrage and Dropkick are forced into immediate action away from the building. Shadowmage fights an opponent named Book, while Dropkick deals with a red-clad woman with swords…who seems to recognize his fighting style. Outrage’s opponent seems to be of his own alien race (I guess Outrage is another alien…I did not remember that!), and he’s got some sort of bounty on his head. While Tech gets her client out of the building and we see them trying to escape this ambush, the unfolding battles of the other three unfold as well. In the end, their client is killed, so while The Solution survives, their case is a bust.

This issue is largely a huge fight scene. The previous issue really being the first time I’d ever read an issue of this series (despite owning issues and being aware of the team–mainly from getting Rune #0 and it coming with The Solution #0 as well) I’m still figuring out the characters. And of course, that’s not helped by the way I’m undertaking this reading project–trying to read ALL titles in release-month order, rather than zeroing in on just one series at a time.

So this issue served to really “show off” a lot more with the team. We already know Shadowmage can use magic, but we see more of that here. Lela Cho has a certain skill set, which is also shown off. We see Dropkick in action, and some hints at him being more than he appears. And we see Outrage similarly, as he faces someone that knows more about him than we do, which leaves another question in the air, further details to be sussed out presumably in subsequent issues.

Visually, I thoroughly enjoyed this issue. The detail’s great, the layouts are dynamic, the characters seem consistent and it’s easy enough to follow the general action of it all. Seeing that it’s Darick Robertson art, though, I suppose I should not be surprise, enjoying his work on the likes of Transmetropolitan. I can’t quite figure out a better phrasing, but I felt like the main characters especially were “full” while “sleek” in the way they’re depicted in this issue. Ultimately, the issue in general is nice to look at, as it also totally carries a ’90s vibe.

Story-wise, there’s not a lot: the characters fight, their client is killed, everyone goes home. That’s the broad strokes view. The details are where the depth is, and I’m definitely interested in learning more about these characters. Maybe I’m the odd guy out, but I’m pretty sure I’d totally enjoy several issues of the characters simply interacting with each other and learning of them that way, without even needing a lot of action.

rune_0kRune [K]: The Fury – Part Two
Plotted by: Barry Windsor-Smith & Chris Ulm
Drawn & Colored by: Barry Windsor-Smith
Scripted by: Chris Ulm
Inked by: John Floyd
Computer Color by: Albert Calleros
Lettered by: Patrick Owsley
Text Pages Designed by: Jim Chadwick
Edited by: Steve Gerber

Wayyyy back (it seems) with the start of the Rune stuff (Sludge #1), the cover showed the open mouth with fangs, and the words “The Stones are Cast…” Here in the final issue, we again have that cover image (the 9 issues between being the “poster image” pieces) but with the text “…And Death Walks the Earth.” A fitting sort of symmetry. “The stones are cast and death walks the Earth.” That’s Rune.

This final chapter of the Rune #0 issue, we see a kid named Erik talking with his Dad…as they discuss nightmares, monsters, and keeping things at bay; an incident with Erik forgetting to take his pills, and this hint at there being something more to the kid. Their conversation is largely narration boxes overlaid on scenes of destruction, as Rune gets through the last barriers between himself and Erik, leaving us with Rune perched in a tree outside Erik’s house, apparently preparing to attack.

The art continues to be consistent with prior chapters, as the creative team did not change…this is “merely” three more pages of the same issue, so no surprise there. After all these previous “chapters,” we finally see Rune where he wants to be, after bitter disappointment and destructive confrontations…poised to  take in some incredible power that might restore or maintain his wasting body.

As prologue, as setup, as a #0 issue, it provides an introduction to the character, and leads into what I recall of the Rune #1 issue, such that one certainly can better appreciate things with the main series having read this first, and yet, this isn’t absolutely required reading for that.


I enjoyed this issue. It’s been nearly 25 years since my initial $2.50 was spent on it (that’s less than one penny per month from then til now, I think!) so while I’d be less than thrilled with an issue that’s basically a massive fight scene for a full/premium price in 2018, I’m ok with this 1993 issue being this way…all the more for so enjoying the art.

Yet again, the Rune chapter is an identifying mark on the issue, dating it at a glance to one of the October 1993 issues; and as with others, it is not singularly a selling point in my eyes, as far as this issue in isolation. It’s certainly a selling point for getting all 11 serialized chapters of Rune #0, or the coupons for the mail-away, and such.

But along with most of the “early Ultraverse” issues, I routinely see the issues in bargain bins, so don’t consider them to be worth one paying more than $1 for as of 2018; but that’s also easy enough for me to say, owning all the single issues myself already, and not being on the hunt for them.

I would definitely recommend pairing this issue with the first issue to have SOME context of stuff…and though I didn’t do it myself, I think this issue probably reads a lot better in context of being read immediately after the first issue, rather than with 17+ other issues read in-between.

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The ’90s Revisited: Iron Man #12

90s_revisited

iron_man_(1996)_0012Heroes Reunited part 3 of 4: Matters of the Heart

Plot: Jeph Loeb, Jim Lee
Script: Jeph Loeb
Pencils: Ed Benes, Terry Shoemaker, Mike Miller
Inks: JD & Homage Studios
Colors: Wildstorm FX
Letters: Richard Starkings & Comicraft’s Albert Deschesne
Editor: Ruben Diaz
Inspiration: Special Thanks to Scott Lobdell
Published by: Marvel Comics
Cover Date: October 1997
Cover Price: $2.99

[ Heroes Reunited part 1 of 4 was in Fantastic Four (1996) #12  |  Heroes Reunited part 2 of 4 was in Avengers (1996) #12 ]

This felt like the most "standalone" issue of this 4-parter so far, and felt a lot more tied to previous issues than the other chapters. This issue has several references to the previous issue, beyond simply THAT a conflict had begun or stuff come before.

We open on Tony Stark being brought into a meeting involving The Fantastic Four and the "Hulkbusters." As he gets up to speed on the overall situation, a fight breaks out between the Thing and Hulk, eventually interrupted by Invisible Woman separating them in invisible force-shield bubbles. Cosmic readings are picked up, and the group finds several entities headed to Earth. Tony cuts out–leading the others to think maybe he hasn’t changed as much as thought…but we find that he’s actually checking in on Happy and Pepper–actually caring about others beyond himself. The FF went into action against the heralds of Galactus while Tony’s (separately) kidnapped from Happy’s hospital room by Dr. Doom…while Pepper frets over this, Happy seems fine, figuring it’ll all be resolved within the day. Doom takes Stark to the Helicarrier; meanwhile, Liz gets past security and interacts with Hulk–who reverts to Banner. On the Helicarrier, Stark suits up as Iron Man and confronts Doom before they’re joined by Fury, who lays things out before assembling other heroes, and breaking the news that the Fantastic Four have been (by then) killed in action. The remaining heroes head out to make true their name as "Avengers" and engage the heralds in battle, before Hulk and Iron Man attempt to take on Galactus himself. As he sees them fail, Doom activates his device, and armed with the new knowledge of this latest go-round, disappears back in time for another attempt at stopping Earth’s destruction.

As said, this issue feels the least connected to the overall story/pattern. Doom is there, and we have reference to stuff, but that’s almost incidental. This feels like it probably could read pretty well without the first two chapters, and only earlier issues of this very series (Iron Man) for context. I both like that and yet don’t at the same time. The story title of the issue and the title/credits page don’t even have any reference to Heroes Reunited, unlike the first two chapters; almost like this story was written with a few story-beats required but otherwise completely independent of the overall 4-parter.

heroes_reunited_03

With the art, there are multiple pencilers…but that again didn’t bother me as nothing really seemed to jump out at me or have any jarring differences in appearances. Simply reading the issue, I’d only know there were multiple pencilers because of looking at the credits. I’m a reader-first, so when the art is at least "similar" enough that I don’t really notice it change–that is a good thing. I suspect at least part of that is also due to the consistent inks, colors, and lettering; perhaps heavier handed inking and no huge variation of colors can well hide the different pencils. All that said, I enjoyed the art on this issue! I don’t know how I’ve gone all these years without noticing it, and I didn’t notice it on the interiors, but the EAR on Iron Man on the cover just looks extremely odd and "off" to me and is really the only thing that totally "threw" me off with the visuals. Also as said with the previous two chapters, I’m quite glad the cover can work as it does on its own, yet is part of a 4-part image; as opposed to any one of the chapters having 3 extra variant covers to make up the singular image. Get all four chapters of this four-chapter story and have 1 full image; get any single issues and you have a cover that has the characters in the issue and can be its own thing.

As with the Fantastic Four and Avengers issues of this story, this works well enough as a one-off issue…it’d be worth getting even by itself if you found it for 25-50 cents or so; even up to $1ish. Any more than $1-$2 and I’d recommend definitely getting it as part of a set of the four issues of Heroes Reunited. Despite working alone, I’d recommend this more as part of a set for the "experience." I’m glad to have read it, and somewhat surprised at the details I remembered from whenever the last time I read this was–possibly only back in 1997!

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The ’90s Revisited: Fantastic Four (1996) #12

90s_revisited

fantastic_four_(1996)_0012Heroes Reunited part 1 of 4: Doomsday!

Plot: Jim Lee
Script: Brandon Choi
Pencils: Ron Lim & Brett Booth
Inks: Mike Miller, Tom Mcweeney & Homage Studios
Letters: Richard Starkings/Comicraft’s Dave Lanphear
Colors: Wildstorm FX w/Jessica Ruffner
Editor: Ruben Diaz
Published by: Marvel Comics
Cover Date: October 1997
Cover Price: $2.99

It’s probably been a good 20 years since I last read this story, but as I’ve yet to actually do a solid read-through of the entirety of the HEROES Heroes Reborn thing, so the sense of familiarity I had in the reading was a very welcome thing.

The cover itself hit me with all sorts of deja vu…and seems like something that in some ways could qualify as a favorite or “iconic” cover…at least because hey–you have the Fantastic Four in full-on attack mode against a distressed Galactus, who is quite recognizable as the giant purple Kirby-entity that he is. I’d actually forgotten until looking at the other issues in this 4-part epic that the cover joins with the other 4 chapters to forma larger 4-part image. Which, of course, would virtually never happen today, 20-some years later, when any potential for such things absolutely MUST be used all on the same exact issue as variant covers, instead of a fun “bonus” or “reward” of getting one copy of an entire story!

After the front cover itself, the next thing to immediately grab my attention was the fold-out nature of the cover. This is from a brief period when Marvel utilized the cover to provide both a page giving the premise of the title and a list of core characters and another page to recap what’s come before as one heads into the issue. Though Marvel has since gone through other things and seems to primarily at present do a “page” with this sort of info as just a text piece, I can definitely say I’d prefer this overall…at least by comparison.

In a way, this issue is rather simple, despite its extra length that allows quite a bit of detail to unfold. Dr. Doom returns to New York, and the final piece of a device he’s been working on is finally in reach. Meanwhile, the Fantastic Four continue a standoff with the heralds of Galactus, before their master summons them away, and the FF are picked up by SHIELD. Nick Fury has also gathered Iron Man and Captain America–Avengers–as things are bigger than they appeared. Probes that had been launched earlier penetrate Galactus’ space and reveal his ship, and the release of devices to several points on Earth. This leads to the various heroes splitting off, each to attend to the building situation in different places. Johnny Storm–the Human Torch–goes to the Himalayans with the Inhumans to face Firelord and one squad of Avengers goes to Monster Island to face Plasma (and by extension of being on Monster Island, the Mole Man). The fight with Firelord winds up falling to Black Bolt, who is able to destroy the device, but its energy emission on destruction kills the Inhumans and Human Torch. Meanwhile, Namor sacrifices himself to neutralize the device guarded by Plasma. As the fight moves to Galactus himself, now on Earth, the SHIELD Helicarrier is compromised…and after it’s evacuated, Nick Fury and the Countess steer it into Galactus’ ship, giving their lives. Unfortunately, Galactus survives. In the ongoing battle, we get surprising twists and turns…and deaths. The Thing and Black Panther are killed, and as the situation deteriorates further, Doom enters the fray, determined to gain the Power Cosmic for himself…and his interference screws things up further for the heroes. As Reed appeals to Doom’s better side, it becomes apparent that the situation is hopeless. As the world dies, Doom alone escapes via his device.

heroes_reunited_01

This issue alone would in present-day terms be an entire event in itself, at least for the most part. I know where things go, and why this is “only” part 1 despite the deaths and then destruction of Earth itself. The extra size to the issue, with plenty of dialogue and captions and such certainly gives us more in a single issue than we’d likely feel we got in an entire event in the present.

The story seems to mostly be its own thing…there are “moments” and plenty of references that would probably mean more to me if I’d read the previous few issues, or the entire series so far; but I felt comfortable jumping in here and just seeing characters behaving largely to form, regardless of their depth.

The art is excellent–for the most part, I felt like Lim and Booth gave some of my favorite appearances to characters throughout the issue. Overall I didn’t notice much of a change between the two…the only point I really felt like I noticed an actual/major difference is in one panel having a large, majestic Captain America, and then another panel with him looking maybe half the size and pretty much TOO “lean.” The entire visual team seemed to work quite well together here, at least in my reading: I enjoyed that this did not feel like it had multiple teams on it.

As series go, this is “functionally” the last issue of this version of the Fantastic Four. There is a 13th issue, but due to its crossover with the then-part-of-Image Wildstorm universe prior to Wildstorm‘s being bought by DC Comics, that issue has not (to my knowledge) been reprinted or the story “acknowledged” in-continuity/etc…making it a sort of one-shot and curiosity.

While I’d initially checked out the first issues (as of this writing, I honestly don’t recall if I’d followed the next few issues of FF or not but recall #7 or so for sure) I was quite a bit “behind” by the time of this crossover. I imagine that I was aware of things coming up, thanks presumably to Wizard Magazine, which was probably part of my getting this story as the issues came out…gearing up for the end of Heroes Reborn and the return of the characters to the main Marvel universe.

This issue more or less works on its own, though it ends on quite the bad note if read in isolation. If you can find all four of the #12s for Heroes Reunited, though, they make quite a set, and just from this first chapter, I’m eager to get into the rest.

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The ’00s Revisited: Adventures of Superman #586

adventtures_of_superman_0586Soul of the City!

Writer: J.M. DeMatteis
Penciller: Mike Miller
Inkers: Armando Durruthy & Walden Wong
Letterer: Bill Oakley
Colorist: Wildstorm FX
Assistant Editor: Tom Palmer Jr.
Editor: Eddie Berganza
Published by: DC Comics
Cover Date: January 2001
Cover Price: $2.25

Maybe it’s something about the paper quality, but this issue just feels thicker and sturdier than a modern comic book..!

We open on Superman overlooking the city, still flabbergasted that Luthor–Lex Luthor!–is President-Elect of the United States. He pulls himself together, puts on his public face, and flies in to greet the man, and congratulates him on his election. Elsewhere, we find several "minor" antagonists (Rose/Thorn, Kitty Faulkner/Rampage, Cary RIchards/Adversary, and Prankster) gathered before Lord Satanus, who proposes they assist him in claiming the actual soul of the city itself. Lois is spending time with her very pregnant sister Lucy, who goes into labor unexpectedly, prompting a rush to the hospital…though ultimately she’s sent home as it’ll be awhile yet. And Superman finds himself face to face with a gloating Satanus, claiming victory is already his–though Superman has several up-front allies and one seemingly missing in action, as we’re left with a to be continued.

Moving out from the election night issue (Superman #164) and the previous week’s Superman: Lex 2000 special, that story moves from primary focal point to subplot, as we seem to begin a new threat–the "return" of Lord Satanus and his latest bid for souls and such, going against what Superman himself stands for, etc. Re-reading this issue for the first time in nearly 15 years brought with it a bit of deja-vu, as my conscious mind recognizes the story as I read it, and yet my conscious primary guess at this issue–based on that cover–would have been that this was the issue where Superman discussed with someone that he’d be at the inauguration–hadn’t missed any yet–just that he’d do so without being seen, refusing to give a photo-op/endorsement that way.

Yet, seeing Superman–at least for the public face–graciously allow himself to be seen with Lex, to shake his hand, to say the words–seems an appropriate, totally classy thing…though it’s easy to relate to his inner conflict of having to appear cordial with a man who has been one of his life’s greatest antagonists and who he knows is beyond loads of crooked, corrupt stuff and yet it can’t be proven in such a way as to bring him down.

But rather than that being a long, drawn-out, done-to-death issue-long scene, life (and the story) continue to unfold, and we move into a new plot in which Lord Satanus is back on the scene. However, given I’d forgotten he even appeared here (mostly I remember the character from the Blaze/Satanus War in 1992 just before the Death of Superman, knew he’d had a couple "flare-ups" over the years, before apparently being destroyed during the Spectre’s rampage in the run-up to Infinite Crisis), it seems a foregone conclusion how this’ll turn out, and ultimately makes for a less-than-truly-threatening plot.

I also would not have been able to tell you that DeMatteis had done this issue or Miller provided the art…the the imagery is quite familiar.

Miller‘s art isn’t entirely to my liking…there’s something slightly "off" to the art, giving almost a "generic" Superman than one that seems as "familiar" as I prefer. However, I DO like the art, and this is not a bad version of Superman. And maybe it’s that I’ve had the cover looking at me for several days, but I really dig the cover!

All in all, this is a good issue, it deals with the emerging presidency of Luthor while bringing in a lesser-used antagonist in Satanus and even lesser-used allies, while addressing other ongoing facets of characters’ lives such that this really works as (in a good way) "just another chapter" in the ongoing Superman saga. Even having the issue in one of my few sorted longboxes where I know exactly where it is, I would be hard-pressed to NOT spend the 25 cents to snag an extra copy if I found it, if only to do something with the cover as an art piece. Given that, I certainly recommend this if you find it for a quarter; though the higher the price, the less enthusiastically I’ll recommend. To someone interested in this era of the Superman titles or picking up a small combined run of the titles for a true run of the "triangle numbers" (S-shields), this is certainly worthwhile.

I was gonna wrap up this collection of successive reviews, and may not actually write up the following issue…but this leaves me interested in at least reading the next chapter!

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