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Age of Apocalypse Revisited: X-Men Chronicles #1

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xmenchronicles001Origins

Writer: Howard Mackie
Penciler: Terry Dodson
Inker: Klaus Janson
Colorist: Matt Webb
Lettering: Starkings/Comicraft
Cover: Carlos Pacheco, Cam Smith
Editor: Kelly Corvese
Published by: Marvel Comics
Cover Date: March 1995
Cover Price: $3.95

"Traditionally," this is one of my favorite Age of Apocalypse issues. As much as anything tied to the larger AoA epic really is, this is a self-contained issue, functionally a one-shot. And it’s double-sized, a larger chunk of story in one go than anything but X-Men: Alpha itself so far.

Everything else to this point has been set in the "present-day," the contemporary X-Universe of the time, 20 years after the death of Xavier. This issue is set some years earlier than that–at the dawn of the Age of Apocalypse itself, at Apocalypse’s "first strike" of sorts, against humanity at large.

We meet a young-ish Magneto training his band of X-Men in a secret location in the mountains. The group is introduced to a new teammate–the older and more dangerous man known as Logan…or Weapon X. As training draws to a close, a second new member is brought to their location–a young woman named Rogue. Amidst all this, Apocalypse strikes…forcing Magneto into action sooner than he’d expected. And while he and his young mutants fight off Apocalypse’s minions…another strike is carried out against their home.

Probably the most "glaring" thing about this issue–for me–was a narration box stating (after introducing the characters) "Together, they from the mutant team known as…the X-Men." They FROM the mutant team? Not form–eff oh are emm–they "from" it? A simple transposing of two letters, but for me it stands out in a huge way. Maybe it’s been corrected in digital reprints or other reprint editions, but I’m pointedly reading the single issues that were actually put out at the time.

But to be frank on it…if the worst I see in editing is a spelling glitch and I’m not grousing about huge giant plot-holes or character inconsistencies…I’d say things are going pretty well on that front. Being human, I can forgive the only spelling error I’ve noticed in however many issues so far.

The art has an interesting flavor to it, feeling at once "typical ’90s" to me and yet definitely conveys an "older" tone just from the look, even though the story is pointedly set in the past. As I often find myself saying: the visuals don’t blow me away, but they were quite well for the issue and I didn’t particularly notice anything worth grousing about.

Given the real-world quantity of comics chronicling the adventures of the X-Men through the years and the amount of time purported to have passed for these characters…there is still a huge body of stories that could be told of the characters in this Age of Apocalypse timeline. At the time this was published, everything was ‘face value’ and this issue was the sole, primary glimpse into "the past" of the characters, giving us one of THE key stories–that of Apocalypse’s first strike against humanity as well as the fate of the Scarlet Witch.

And this has that feel…sort of like having all these contemporary issues, but then picking up an old issue and reading a good story that "still matters" in current continuity. While I’m consciously aware of plenty of "Untold Tales from the Age of Apocalypse" stories that eventually came out, this is the first and one of the best. We see a version of the characters both familiar yet different…but not yet as "dark" as they are by "present day." This gives us–as readers–the chance to witness the introductions of Rogue and Weapon X to the team, Apocalypse striking out, without having to solely be "told" it happened.

It’s also rather nice to get "just" a story of these X-Men that does not directly tie to the premise of the main epic, of bringing pieces together for the final showdown at the end of the Age of Apocalypse. Knowing solely the basic premise–that Xavier was killed in the past and Magneto formed the X-Men instead–one can easily read and enjoy this issue in and of itself as a one-shot without even having to read any of the other Age of Apocalypse issues.

To me, this truly is Age of Apocalypse done right…unlike most everything done SINCE the 1990s involving the timeline.

Age of Apocalypse Revisited: Gambit and the X-Ternals #1

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gambitandthexternals001Some of Us Looking to the Stars

Writer: Fabian Nicieza
Penciler: Tony Daniel
Inker: Kevin Conrad
Letterer: Chris Eliopoulos
Colorist: Marie Javins
Cover: Tony Daniel
Editor: Bob Harras
Published by: Marvel Comics
Cover Date: March 1995
Cover Price: $1.95

This was twenty years ago, real-time. Gambit was ‘only’ introduced about 4-5 years prior to this issue’s original release, and there have been several “ongoing” Gambit books in the interim, so it’s no longer a ‘special’ thing that Gambit’s headlining a series. Nor is the character the same sort of “mystery” he once was.

But for the time, this was the character leading a ragtag group of rebels, having himself split off from the X-Men due–in large part–to “losing” Rogue to Magneto.

We meet Jubilee running from an Infinite before they’re intercepted by Guido. The two are joined by Sunspot and the momentary battle is over. On returning home they’re met by the most dangerous man they know–Magneto. Who is there with Gambit…and the team’s led to their new mission. After a fight in the Morlock tunnels they’re made aware of the wider universe…and with the unleashed power of Lila Cheney, the team is sent to the other side of the galaxy, after the M’Kraan crystal. Magneto–on Earth–realizes just how fragile all his machinations truly are.

I find myself less impressed in this issue with Daniel‘s art. It’s not bad by any means…but it’s not as good as I’d expect presently on name alone. Then again…this is from two decades ago. There’s a certain style to the linework that registers this firmly in my mind as a ’90s comic without even having to see the cover, indicia, or anything else officially dating it. There’s certainly plenty of comic art out there far less appealing to me, but by and large this issue does not thrill me visually.

Story-wise this is much of what I’d want in a first issue, particularly the sort this actually is. This is coming out of the events of X-Men: Alpha which has set “everything” in motion for this epic Age of Apocalypse ‘event’ and itself introduces us to “new” characters beyond Magneto and Gambit, and their role in things. We’re introduced to the mission itself and the means by which the characters are able to have any chance of cosmic reach in a ruined world…and we’re given the wonder of just what they’ve gotten themselves into: events that we’ll see play out in coming issues.

I’m more enamored with the “idea” of this book than the execution…yet, on the whole I enjoyed this. But then, I’m quite enjoying the entirety of my re-reading of these Age of Apocalypse issues, and this definitely rides that wave a bit. I don’t know that I find this issue singularly important in a stand-alone sense, but it works in the grander scheme of the present X-Universe these are taking place in and given I do not recall details…I’m definitely interested in revisiting this group of characters and their Shi’Ar adventure.

Age of Apocalypse Revisited: X-Calibre #1

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xcalibre001The Infernal Gallop

Writer: Warren Ellis
Penciller: Ken Lashley
Colorist: Joe Rosas
Lettering: Starkings/Comicraft
Inkers: Wegrzyn, Moy, Larosa
Separations: Digital Chameleon
Cover: Ken Lashley
Editor: Suzanne Gaffney
Published by: Marvel Comics
Cover Date: March 1995
Cover Price: $1.95

I was eager to get to this issue for what I remembered as a focus on Nightcrawler. While it’s not quite AS focused on the character as I thought I remembered, there’s still enough, and I found it rather interesting to revisit the character and address some perceived issues with more contemporary takes on the character.

In a quasi-cinematic or television-like way, the issue opens with an extended scene of a mutant being ferried and guided to Avalon…a haven for mutants and humans, in the Antarctic (a tamed Savage Land, apparently). We then jump back to the U.S., to Manhattan, where we catch up with Nightcrawler who is securing transit from America TO the Antarctic by way of Warren Worthington–Angel–at Heaven. Angel claims to have gone "legit" and not want to deal with "terrorists" like Magneto and his X-Men, but Kurt has none of it and we see there’s no love between the two. Meanwhile, Magneto converses with Mystique, informing her of why she will welcome her son and take him to Avalon to extract Destiny. Back in Avalon, the young mutant arrives and is introduced to Destiny…who promptly has a horrifying vision of the Apocalypse.

Visually, I quite enjoyed this issue. I really liked several of the panels of Nightcrawler in particular, and generally found myself rather appreciative of the way characters were shown. Aside from the art in and of itself I certainly appreciate what appears to my issue-by-issue eye to be a consistency in costuming with characters–and in this case specifically, Magneto. Nothing about him stands out as contradictory to other appearances…such contradictions being something some part of me pretty much would "expect" based on contemporary comics where the import seems to lie on the individual vision and touches over a consistency and continuity.

I like the story…from the pacing with the opening, getting into the heart of things; learning details of what Kurt’s to do, foreshadowing of what he’ll be facing, character appearances, and so on. I’m a little more conscious now of the author–that this is a Warren Ellis story, and in the back of my mind that influenced my reading, though this doesn’t exactly have the "feel" of a Warren Ellis story (whatever that would actually be). Yet I suppose I attribute stuff like the opening to an Ellis-style. There’s a darkness I did not recall, especially to Nightcrawler…but that puts the character in line with the contemporary version, putting that into a different light than I anticipated going into this issue.

I didn’t and don’t remember much detail from this series from all those years ago when I first read it, but this time through was rather enjoyable. I think even having overall broad-stroke memories of the Age of Apocalypse books, I’m getting added enjoyment from this re-reading project from the fact that I apparently never have actually gone back through and re-read the entire thing…so the faded memories and lack of details retained make the reading similar to reading something for the first time.

Of course…I’m especially looking forward to Amazing X-Men and X-Men Chronicles to finish out the month. But I’m also looking forward to the next issue of this mini and further experience with Nightcrawler.

Age of Apocalypse Revisited: Amazing X-Men #1

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amazingxmen001The Crossing Guards

Writer: Fabian Nicieza
Penciler: Andy Kubert
Inker: Matt Ryan
Color Art: Kevin Somers
Separation: Digital Chameleon
Lettering: Starkings/Comicraft
Cover: Andy Kubert
Editor: Bob Harras
Published by: Marvel Comics
Cover Date:
March 1995
Cover Price: $1.95

With this issue, we’re back to the X-Men "proper," as Storm and Quicksilver lead a squad of X-Men to assist with getting humans out of North America. In order to do so, however, they have to "hack" the High Council’s sentinels’ programming so they can be seen as friendlies and not just more mutants to be attacked on detection. Though they seek to help, their help’s not asked for. As the group preps, the distrust for the man called Bishop runs high as Magneto seems to be the only one who trusts him and believes that he might truly represent a chance to change the world before it ever went wrong.

It’s not really evident to me with this issue why I’ve long held this title to be my favorite of the Age of Apocalypse books–it might be the later issues that brought that to the fore and the way they lead into the end of things…but that’s something to be gotten to when I get to ’em.

This issue is another solid read with plenty of forward development in things as a whole if not overly so with any individual characters. Of course, it’s a team book so I wouldn’t necessarily expect a lot of individual character development. I certainly appreciate the Magneto/Bishop stuff, and rereading all these first issues has reminded me of why I’m such a fan of Magneto, as it WAS this saga 20 years ago that fully introduced me to the character, my prior experience having almost exclusively been Fatal Attractions and the animated series (which itself in its second season gave plenty to like with the character).

The story here is good, as is the art. I can be quite repetitive in talking about art with comics as I’m more a story guy, but with that–this issue’s art didn’t blow me away but it definitely provided strong visuals that certainly had played a part in defining this era of X-Men comics for me.

All in all, this was another enjoyable issue in the dawn of the Age of Apocalypse…keeping the "train" rolling and my interest high in continuing to relearn and revisit the entirety of the AoA epic.

Age of Apocalypse Revisited: Weapon X #1

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weaponx001Unforgiven Trespasses

Script: Larry Hama
Breakdowns: Adam Kubert
Finishes: Karl Kesel, Dan Green, Chris Warner
Lettering: Pat Brosseau
Coloring: Mike Thomas
Cover: Adam Kubert
Editor: Bob Harras
Published by: Marvel Comics
Cover Date: March 1995
Cover Price: $1.95

After seeing Logan and Jean arrive at the Human High Council in X-Men Alpha, we now find them on a mission while the council decides what to do with the information they’ve been provided. Their mission: to cause trouble for Apocalypse by taking out a structure and allowing a wave of Sentinels in to evacuate what humans can be. Their ride (a sentinel) takes damage, but remains operational; while Logan and Jean fight their way in and ultimately out, even through Havok’s arrival. Once back with the council, the duo learn some shocking news about the humans’ intent moving forward in the face of Apocalypse’s deceit with the Kelly Pact.

This was a good issue, overall. Plenty of action, even if I didn’t comPLETEly follow everything. While I’m sure there are some subtleties I missed in my reading, I take it mostly at surface value. I struggle to see how this Weapon X can be the "villain" I recall from a couple years ago in a more contemporary issue. This seems quite a bit like the Wolverine of the time, but with adamantium (since Magneto never went down his dark path that led to Fatal Attractions and all that entailed). There’s a hint to Logan and Jean’s past, though it’s quick and not something dwelled on by the story. It’ll be interesting to get to the next several issues, and being reminded of the "cool" factor of this title and the character(s).

The visuals were good on the whole…no real complaint. I’m actually a fan of the "big hair" Wolverine rather than the tamed-down Hugh Jackman version of the last decade-plus in contemporary comics. Plenty to "appreciate" here and even as the issue may not be a favorite I still enjoyed it. The only let-down may have come from higher expectations for this than several other recently-read issues.

I do think the cover is one of my favorites–certainly one of the more memorable–of the AoA #1 issues, probably the entire saga. It shows all we really need, with Weapon X front and center and Jean right nearby…two mutants not to be messed with.

Age of Apocalypse Revisited: Generation Next #1

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generationnext001From the Top

Created by: Bachalo & Lobdell
Inker: Mark Buckingham
Colors: Steve Buccellato/Electric Crayon
Lettering: Starkings/Comicraft
Cover: Chris Bachalo, Mark Buckingham
Editor: Bob Harras
Published by: Marvel Comics
Cover Date: March 1995
Cover Price: $1.95

On a more pronounced scale than X-Man #1, I remember disliking this series and so kinda "dreaded" "having to" read it to progress through the Age of Apocalypse saga. I know present-day I tend to not care for Bachalo‘s visual style, finding it cluttered and often hard to follow in the flow of just reading the story. But I actually rather enjoyed this issue.

The bulk of the issue follows a "training exercise" in which the younger mutants fight–Danger Room style–as training in use of their powers. First against each other, and then against their teachers–Colossus and Shadowcat, who prove to be quite ruthless and deadly, and encourage the same in their students. "Training" gets cut short with the appearance of Magneto, who (in his first "live" appearance to the kids) has Bishop in tow and seeks discovery of a possible time traveler…who, as it turns out may well be the sister Colossus thought killed. It will be up to this team of mutants to retrieve her.

As said, I haven’t really cared for Bachalo‘s work in more contemporary comics, and as such really was not looking forward to this issue. But I actually forgot as I read that this was a Bachalo-drawn issue, as the problems I’ve had with more recent stuff he’s done does not seem to be apparent here. I don’t know if that’s the inks, colors, pencil styles, or what. Whatever it is, I’m thankful, as this issue thusly has a distinct grittier, darker tone than the other issues I’ve read so far of the Age of Apocalypse #1s…setting it apart but not distractingly so.

The story isn’t bad…it doesn’t blow me away and is actually fairly cliché in its own way…but it works here, setting tone and showing the harshness of things these kids are facing (though we don’t get much explanation for Kitty’s behavior/personality compared to her non-AoA self).

While I have YET to read the Phalanx Covenant in full and really much with all the Generation X characters, I always found the timing of this interesting: by the end of the Age of Apocalypse stuff, there’d been equal time spent with Generation X as a title as this Generation Next…4 issues and 4 issues.

Not a bad read, certainly much more enjoyable than I remembered or expected…we’ll see what the later issues do for me.

Age of Apocalypse Revisited: Factor X #1

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factorx001Sinister Neglect

Writer: John Francis Moore
Penciler: Steve Epting
Inker: Al Milgrom
Lettering: Starkings/Comicraft
Colorist: Glynis Oliver
Cover: Steve Epting
Editor: Kelly Corvese
Published by: Marvel Comics
Cover Date: March 1995
Cover Price: $1.95

I’m beginning to consciously realize that some of my trepidation approaching these various Age of Apocalypse minis is that I apparently think of Astonishing X-Men, Amazing X-Men, and X-Men Chronicles as my favorites (along with the bookend Alpha/Omega issues). Any of these others are simply "other" and so part of me just isn’t as interested in the "idea" of them. Yet, that’s added to some relative surprise at enjoying these, thinking I’ve "forgotten" how much I enjoyed them…but if I didn’t enjoy them as a kid, there’d be no reason for Age of Apocalypse to reign as one of my all-time favorite X-stories.

The issue’s cover shows us Cyclops, Havok, (Dark) Beast, Northstar, and Aurora…Sinister’s "Elite" group of enforcers. Not a bad image, and certainly conveys the menace they exude…this definitely shows a group one would PROBABLY not want to mess with. Sort of generic, kinda iconic if forgettably so, but it works.

The story is a blend of Sinister’s narration as he prepares to fully set into motion his own plan against Apocalypse while we follow Cyclops, Havok, and the others about their business in the early days of Sinister’s disappearance. We’re shown the tense/adversarial relationship between Cyclops and Havok, and the latter’s jealousy/ambition; more of the atrocity from Beast, and that Angel’s "Heaven" is definitely neutral ground for anyone who can pay.

Showing the change in myself and the notion of picking up on new things each time through even a familiar story–there’s a snippet of conversation in the bar scene with reference to Lazlo and letters of transit that made me grin, picking up the obvious-to-me-now reference to Casablanca.

I rather liked the juxtaposition of Sinister’s narrative with the unfolding events–there’s something rather identifyable in the narration, in branching off on one’s own and wondering what others are doing without us after a period together.

The issue’s visuals are quite good, and aside from some slight weirdness to me in Cannonball’s appearance in a couple panels, everything else worked well and only stood out to me in appreciating how much I liked the way things looked.

In some ways, I want to judge this issue simply as another #1, but it (as the other titles also do) draws heavily on the events of X-Men: Alpha which in some ways makes this a #2 issue. We’re (re) introduced to several characters, others are furthered, and we’re introduced to still others, while things are set up for what’s to come: Beast and what he’s doing, Havok and his romance with a human, Cyclops being basically good despite currently working for Sinister and Apocalypse, and Sinister having something major up his sleeve in going against Apocalypse.

This title and the main group of characters it focuses on being "villains" adds another "side" to the overall story and rounds things out, giving some depth to even the "bad guys," rather than leaving them as two-dimensional strawmen to throw the X-Men against. I enjoyed this issue, and look forward to others…as well as the alluded-to reference to Havok’s incident in Weapon X #1.

That footnote reminded me that these issues don’t have an exact reading order printed in them…this is Factor X #1 with characters who appear in the general AoA continuity and thus other titles as well, and more is happening than is necessarily focused on for any given character in only one series…particularly high-ranking characters such as Havok and Cyclops. Which is part of the fun of continuity–for me–and the appreciation of footnotes in issues I read.

Age of Apocalypse Revisited: Astonishing X-Men #1

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astonishingxmen001Once More With Feeling

Writer: Scott Lobdell
Penciler: Joe Madureira
Inkers: Dan Green, Tim Townsend
Letters: chris Eliopoulos
Colors: Steve Buccellato
Separations: Digital Chameleon
Cover: Joe Madureira, Tim Townsend
Editing: Bob Harras
Published by: Marvel Comics
Cover Date: March 1995
Cover Price: $1.95

This is another “iconic cover” to me, with Magneto front ‘n center and the rest of his group of X-Men there as well–Blink, Sabretooth with Wildchild, Morph, Sunfire, Rogue, Banshee, Iceman, and Storm. The AoA Magneto is probably my all-time favorite version of the character, and I quite like Rogue with the cape. This is also my favorite Sabretooth design.

While Magneto ponders how to proceed in light of what he’s learned from Bishop (see X-Men: Alpha), Blink and Sunfire return via one of her portals, barely escaping one of Apocalypse’s minions. The X-Men are “victorious,” and Sunfire reveals that Apocalypse not only lied but has sent his son Holocaust to personally carry out a new round of cullings. Meanwhile, Apocalypse is briefed, that it’s only a matter of time until the X-Men are located. Gambit gets a few moments with Rogue to catch up before he takes off with his X-Ternals. Nightcrawler converses with Magneto about the implications of Bishop’s presence. Morph adds a bright spot to things as Rogue readies her team to leave, and Bishop has a moment with Quicksilver over what he’s set in motion.

While this is a first issue, it’s clearly part of something larger. For one thing, it draws heavily from the introductory stuff in X-Men: Alpha–from Bishop and his presence, to Magneto having set other stuff in motion. However, I’m a bit surprised at Nightcrawler’s presence here, having thought he actually took off immediately on Magneto’s order to go find Destiny. Even having so recently re-read Alpha, I can’t recall for sure what Blink was up to, so the fact she and Sunfire were off and about is a slight surprise to me, at least in their discovering the resumation of the cullings being either off-panel or in another issue I’ve not gotten back to yet.

Somehow through the years, I’ve gotten it into my head that I was not particularly a fan of Madureira‘s work…but by and large I really enjoyed his work in this issue. As mentioned regarding the cover, I particularly enjoyed the character designs on Magneto, Rogue, and Sabretooth here. Blink also looks quite distinct, familiar, and “normal” to me. The visuals brought back a definite sense of nostalgia here–as I expect most (if not all) of these Age of Apocalypse issues are going to do.

I don’t recall much in the way of thoughts I had back in the day beyond the cover still standing out to me. I noticed on this read-through that Rogue has a collar much like Magneto’s holding her cape in place, and it’s interesting re-adjusting to the notion of a romance between the two. She’s certainly a rather young mother figure to Magneto’s relative age…and yet, that works quite well for me here. Events in my personal life as I’ve aged myself make Gambit’s situation a lot more understandable and identifiable for me…where the character wasn’t nearly so sympathetic 20 years ago.

Though this has the aforementioned feeling of being something larger, it also feels like a solid first issue, introducing the reader to the basic situation at hand and identifying the main characters. References are made to the larger story, accompanied by the Lost Art Of The Footnote directing readers to consider Amazing X-Men, X-Calibre, and Generation Next in an offhanded way that doesn’t require it but shamelessly “plugs” those series. This issue is clearly moving pieces around the board a bit and starting to situated stuff, while bridging the events of X-Men: Alpha and the series that make up the Age of Apocalypse saga itself.

Age of Apocalypse Revisited: X-Man #1

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xman001_thumb[5]Breaking Away

Writer: Jeph Loeb
Pencils: Steve Skroce
Inks: Sellers, Smith, Larosa, Conrad
Lettering: Starkings/Comicraft
Colors: Mike Thomas
Editor: Lisa Patrick
Cover: Steve Skroce, Cam Smith
Published by: Marvel Comics
Cover Date: March 1995
Cover Price: $1.95

Well. That was a surprisingly fun re-read. X-Man #1…an issue I knew was–for purposes of this Age of Apocalypse Revisited project–at the head of the list, something I’d have to read pretty much first thing…but was thankful Astonishing X-Men was in that first bit as well. Though the cover is distinctive, I had it in my head to somewhat dread reading this issue.

The cover is rather simple yet quite iconic. I like the bold red (plain as it is) of the background, with a powered-out Nate Grey (the X-Man) standing there over what is either simply rubble or rubble and an Infinite that he’s taken down. It’s bright, it grabs the attention, and is (based on the editions I have) the only one of these first issues to not carry the "badge" of ENTER NOW: THE AGE OF APOCALYPSE. This issue’s cover simply proclaims THE AGE OF APOCALYPSE BEGINS NOW! And as such, with no other fancy logo-ing, the typical (for the time) X-Men corner-box and such, this appears simply to be a premiere issue for something new and long-lasting…little did I know at the time I first read it 20 years ago.

The issue’s story picks up with what appears to be a flashback (turns out to be a memory) as we get a glimpse of Nate’s escape, as well as his "discovery" of the Xavier mansion as Magneto’s mission-setting wraps up. His walk on the astral plane or psychic projection or such is cut short by Forge, as we see Nate has unleashed an incredible amount of energy, causing plenty of destruction and possibly jeopardizing his friends. With apologies he resumes his usual role, and the group makes their way to another town for the night’s performance–they’re rather effectively masquerading as a simple traveling theater company. Of course, this being a first issue of the last days of the AoA, things are bound to "happen" and the group is attacked and Nate leaps into action to defend those he can…and as he does, a young mutant discovers she IS a mutant as she leaps to warn him of an attack from behind.

I really dug the art on this issue. Skroce‘s work really stood out to me. I particularly liked the look of Cyclops and Magneto…and all the other characters are quite well-done as well. There’s a look both familiar yet distinctive about them, and I consider myself quite impressed–to my surprise–at the visual feel of the issue.

As indicated above–this was quite a surprise to me as a whole, that I really enjoyed this issue. While I know what comes down the road, in and of itself this issue hooked me. As a start to the Age of Apocalypse proper–the "extended universe" of sorts, beyond Magneto’s group, I think this did a great job.

Age of Apocalypse Revisited: X-Men Alpha #1

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xmenalpha001Beginings…

Story: Scott Lobdell
Dialogue: Mark Waid
Pencils: Roger Cruz w/Steve Epting
Inks: Tim Townsend w/Dan Panosian
Letters: Starkings w/Comicraft
Colors: Steve Buccellato w/Electric Crayon
Editor: Bob Harras
Cover: Joe Madureira, Tim Townsend
Published by: Marvel Comics
Cover Date: February 1995
Cover Price: $3.95

The cover proclaims A NEW World! A NEW Beginning! This issue sports a fancy "chromium" cover, and is itself a rather iconic image–to me, at least–of the "new" X-Men, as brought together by Magneto. We see Weapon X (Wolverine) front ‘n center on the front panel of this wraparound cover. Blink, Sunfire, Bishop, Rogue, Magneto, Jean Grey, Quicksilver, Nightcrawler, and Gambit round out the bunch here. Open the issue up to see the back cover as well and we see Apocalypse in the background, with Sabretooth and Wild Child in the foreground, Jubilee and Colossus behind, and some flying stormtroopers (Infinites, I believe) filling out the sky-space of the image.

There are no ads in this issue. 48 pages of story, plus the cover–that’s it. For "only" $3.95. Sorta pricey "back in the day," but quite a bargain by today’s standards. I wouldn’t be surprised to see something like this priced around $9.99 by Marvel nowadays–and shocked to see it under $7.99.

Though this issue kicks off the Age of Apocalypse epic, it does not itself carry an Age of Apocalypse badge–this is a "bookend" issue that serves as a prologue to the entirety of the event encompassing ten or so titles across the four months.

We open on a wasteland, where we meet Bishop–whose mind was damaged by the energies that ripped Legion and the other X-Men away in X-Men #41. We find that he’s wandered for the 20 years since. Here, he’s become the focus of an attack from Unus and his troopers who were chasing a young human who found momentary hope in Bishop. The X-Men arrive–Magneto’s X-Men–and the battle is joined. Emerging victorious, the X-Men are then confronted by Bishop, who recognizes Magneto and levels some major accusations at him. Magneto sedates him and they take Bishop for questioning.

Meanwhile, we meet Beast–Henry McCoy–a mad scientist figure experimenting on mutants. Havok touches base, and the mutant (Blob) being experimented on attacks, and the pair are "rescued" by Cyclops–with long hair and only one eye, and see that he and Havok have a horrible relationship. The two are part of Apocalypse’s group, by way of Sinister–who arrives and chastises the two for fighting, and then speaks cryptically and leaves. The scene shifts to a bar maintained by Angel–Heaven–where he’s confronted by Gambit, who is looking for Magneto. We shift to the X-Men, questioning Bishop, then to Apocalypse and his upper ranks as he reveals plans to destroy the last of humanity.

The story shifts to Weapon X and Jean meeting up with the Human High Council, and then back to Magneto’s group. "Feedback" from Rogue touching him leads to Magneto seeing fragments of a universe that might have been, leaving the older mutant troubled. He immediately sends Nightcrawler to seek Destiny in order to get confirmation of his vision. Meanwhile, Sinister’s gone missing, and Apocalypse nudges things into motion. The X-Men know "something" is up, but not specifics. While off in space, a certain crystallization wave heads toward Earth.

I don’t usually like summarizing an issue so thoroughly–but there is a LOT going on here. And it all works, for me. There’s a lot of vagueness and toss-off references scattered throughout that don’t necessarily make a lot of sense now, in context of just this one issue–but having read this before and knowing the characters, I follow them quite well. This sets up the various books that make up the Age of Apocalypse saga, introducing us to core elements–the characters and places that will have significant roles in the story to come.

There’s a definite sense of "history" here, and it feels like this could easily BE just a random issue I picked up, amidst an ongoing continuity and not the first actual glimpse at the entirety of said continuity. This is–to the reader–a new world, a beginning of an "Event," but for the characters involved this is simply the present, 20 years after a key incident in Israel.

I remember being quite eager to get into the Age of Apocalypse as a whole and being fascinated by this new version of all the characters. Despite the dark setting of the story, I thoroughly enjoyed reading this, with a familiarity and warm sense of nostagia as I did so.

The art is slightly stylistic at points, and I’m not particularly familiar with Roger Cruz‘s name…but this issue being what it is, none of the art bothered me…I was simply a kid again, enjoying seeing all these characters and where they were, and trying to glean where the story was going from this single issue.

It’s refreshing to read this issue again, and getting a sense of pureness or "authenticity" from what I so enjoyed about this event…before everything that’s come in the past ten years or so as things were changed, pulled from, and generally mucked about with in attempt to get as much out of this story as possible beyond its relatively self-contained nature in 1995.

In short, this issue holds up extremely well to my memory, is still very enjoyable, and leaves me eager to get into the heart of the story.