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Newest DC Omnibus: Brave and the Bold Bronze Age vol. 1

There’s a danger with seeing something available for pre-order well in advance, at a massively-discounted price.

Case in point? Batman: The Brave and the Bold – Bronze Age Omnibus vol. 1.

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I apparently pre-ordered this some time back, for a great price…but completely, totally forgot about it.

And then I received a notification from Amazon. My “order” had shipped.

…Oops.

I would not have preordered it if I wasn’t interested…but I had not consciously planned for the book, nor even remembered it was due out…and did not note it in any stores.

I’ve been increasingly interested in the _____: The Golden Age and _____: The Silver Age volumes in paperback…but hadn’t really figured to snag any of the hardback Omnibus volumes.

Guess there’s a first time for everything, though!

The First Mega-Haul of 2017

This past weekend saw my first "mega-haul" of the year, with a combination of Half-Price Books and a trip to the main comic shop, with freshly-stocked bargain-bins!

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At HPB, I snagged the long-outta-print trade-paperback-sized paperback edition of Batman: Knightfall. This is the Barnes and Noble "exclusive," which makes it all the more "rare" with ALSO being "out of print"…yet the thing was priced at a mere $8…HARDLY a "collectible" price for a book in such great condition all these years later! So much for consistency, I guess…their loss, my gain!

I also snagged the Alien: The Illustrated Story because it’s…well, Aliens. I’m a sucker for this stuff, and while I am thinking there’s a more deluxe/hardcover type edition of this available, for the price and being in-hand, I didn’t want to pass this up.

And finally, since I (thankfully) had "inventory" photos of my phone, I was able to determine that I did NOT yet own Dark Victory (It’s Long Halloween and Haunted Knight that I already owned)…and since I’ve intended to complete the "trilogy" for ages now, I figured I’d get that marked off the list.

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At the comic shop, there was a shortbox of TPBs marked 80% off. I was flat-out astonished to find this Superman: Eradication! volume…honestly did a double-take, and checked my ‘inventory’ to make sure I wasn’t crossing this with something else. But sure enough…this truly is the book I’ve been wanting for ages now, and unable to find for a reasonable price anywhere–in person OR online. And then just because it’s Dan Jurgens, Booster Gold, and at 80% off, the price of a single-issue of a current Rebirth DC comic, I also snagged the JLI vol. 1 paperback.

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I also got the latest issue of Spawn (pull list!), which I think puts me at about a full year of having the title on my pull list…a feat the title has never before done!

The TMNT issue I actually picked up at Toys R Us…it was some sort of Mega Bloks promotional issue that I’d been unaware of. Disgustingly, even this has a variant cover (I only saw this "regular" cover available, happily–I’d’ve been highly annoyed to ONLY be ABLE to get the VARIANT). Ridiculously-priced for what it is…but something about it struck me as something that would gnaw away at me if I did not get it, knowing it existed and I could get it FOR the same "cover price" as any other TMNT issue from IDW.

And then we get into the 25-cent bin haul, after the cut…

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The ’90s Revisited: Batman #497

90s_revisited

batman_0497Broken Bat

Writer: Doug Moench
Artist: Jim Aparo
Inker: Dick Giordano
Colorist: Adrienne Roy
Letterer: Richard Starkings
Asst. Editor: Jordan B. Gorfinkel
Editor: Dennis O’Neil
Published by: DC Comics
Cover Date: Late July, 1993
Cover Price: $1.25

This is one of the most iconic, “key” comics in my life. The writing is straight-forward, the art is superb, and when I picture Bruce Wayne, this is the version I see. Not necessarily the worn-down, beaten man the issue opens with, but the face, the body structure, the human trying to be more-than-human.

With a lead like that, what did I REALLY think?

This issue is only slightly past the midpoint of the Knightfall story. It’s 3 issues before the big 500th issue, and yet is more of a crucial, impactful issue than that, in terms of its effect on the series for a time. The cover spoils the issue, even though really, we already knew it was coming…such was the nature of the beast, even at that time before the internet as we have it now. The cover–at least for the edition(s) I’m used to–feature a half-cover overlay as a sort of “enhancement” or such; just a black-and-white thing mimicking the upper-left corner copy and first part of the title logo…but then has the partially-eclipsed Bat-logo with the text

“You thought it could never happen…

THE BREAKING OF THE BATMAN”

Flip that up, and you have the actual cover itself, the iconic image of a ridiculously-huge and disproportionate Bane pressing Batman backwards over his knee. While the image is NOT lifted from the interior, it certainly conveys its point, and the issue is thus blatantly, fully marked as “the” issue where Batman gets his back broken…even as this “middle chapter” within a larger 19-issue story.

The issue opens with Bruce Wayne just into the manor, surprised at the presence of Bane. The two actually talk, having a semi-civil-ish exchange, basically discussing recent events very matter-of-factly, before the “final battle” between these two is joined. Batman is virtually non-existent, as Bane essentially tosses Bruce Wayne in a Batman costume around, pummeling him nearly to death, the man’s feeble attempts at fighting back doing nothing to slow the villain. As Alfred escapes and seeks out Tim for help, Bane decides on a different course of action than he’d apparently originally intended.

“I am Bane, and I could kill you…but death would only end your agony and silence your shame! Instead, I will simply… BREAK YOU!”

Slamming the battered body down over his knee, Bane then drops him.

“Broken… and done.”

The visuals in this issue are brutal…and it’s almost painful to look at, and just really take in just HOW MUCH of a beating Bane dishes out…yet how resilient Bruce/Batman is, simply to actually SURVIVE the experience. There are subtleties that even just on this read-through I picked up that I hadn’t before (and this is one of the most repeatedly-read comics in my own life) which says a lot! Even a number of years’ worth of issues later, this is the same Bruce Wayne seen in A Death in the Family and during the New Adventures run of the title and others between. This is simply the iconic–to me–visual rendition of the character and by far my favorite.

Story-wise, on the surface there’s really not much. Bane is here, beats up Batman, in essentially an issue-log fight sequence ending with Bruce broken on the ground. It’s something that in the present I would be inclined to strongly dislike–after all, isn’t this just “padding” and “decompression,” having an ENTIRE ISSUE as a fight sequence?!? Yet rather than being a full 1/6th of a graphic novel or such, this is “merely” 1/19th of the Knightfall story itself; the ending of the first TPB of the original collected version, and appropriately-placed within the huger contemporary edition. This truly is just a small piece of a larger story, and so the fight being such a major thing, it does not FEEL padded-out. There are touches that I really liked, especially on this read-through, such as panel “flashbacks” to “recent events,” that I do recall from times I’ve read them, and jog my memory on stuff throughout the Knightfall arc thus far and stuff leading up to it. I could almost hear the somber music swelling as we see these interspersed with “now” and know we’re heading to The Fall, a defining moment for the character of Batman…the guy who can never be defeated, who is always fully prepared with contingencies for everything…but here, he’s gone, worn down as Bane intended, softened TO the point of defeat.

I know I got this copy that I read this time out of a quarter-bin, it’s an issue I’ve seen “hold its price” in terms of what dealers will ask for it…so it’s certainly worthwhile if you find it IN a bargain-bin! Given the full Knightfall story is available in multiple formats and collections, unless you sincerely want to own/read/experience this as a single issue, I would not say it’s actually worth anything more than $1 or so for print or (grudgingly for immediacy) $1.99 for digital.

However, if you’re grabbing this in-print…you MIGHT want to lift that overlay and check which printing you’re buying. I was rather surprised on this copy to realize I’m holding a 2nd print…perhaps that’s part of why it was “only” 25 cents. The only difference I can see outside of the Roman Numeral “II” is that the color of the bat behind the word “Batman” on the cover is yellow for this printing, but white on the first.

The ’90s Revisited: Batman #416

90s_revisited

batman_0416White Gold and Truth

Writer: Jim Starlin
Penciler: Jim Aparo
Inker: Mike DeCarlo
Letterer: Agustin Mas
Colorist: Adrienne Roy
Editor: Denny O’Neil
Published by: DC Comics
Cover Date: February, 1988
Cover Price: 75 Cents

[ I wrote this up weeks ago, but never got around to editing and posting my text until now. Fellow blogger Chris Sheehan of Chris is on Infinite Earths covered this issue as well, a couple weeks after I wrote my text; you can find his (far more detailed) coverage here from early November of this year. ]

I’m sure I’ve read this issue in the past…though that was probably in the earlier days of my reading comics–like 1992 or so. I’m pretty certain I recall this issue being part of a 3-pack available at a department store (Hills?) as it’s a "back issue" even from that time, yet a random one I read early on. But it’s a much different thing reading it again now, all these years later.

To be perhaps over-simple in summarizing the issue: Robin (Jason Todd) is shown to be reckless, but rescued by Nightwing. Nightwing and Batman later have words, and then Nightwing helps Robin, with Batman’s hidden approval.

I would have already read A Lonely Place of Dying, and new that this Nightwing guy was "the original Robin" and that "the Robin who died" was Jason Todd, and as a back issue, here was an issue that had the two teaming up. Getting the Dick/Bruce confrontation here–and learning that they haven’t talked in 18 months–surprised me on this reading. Firstly, for having a specific timeframe given, and secondly that I didn’t remember it. Knowing what I do nowadays, but still having a blind spot from this period, I would guess that this is "the" issue that detailed the split and/or retconned things to Dick having been shot and ordered off the job, hence striking out on his own with the Teen Titans and becoming Nightwing instead of Robin. (Much the way #408 retconned Jason’s background to having been found stealing tires off the Batmobile). I would guess this is the Batman title’s explanation of things, whether or not it exactly fits with whatever was going on in the Teen Titans book at the time, and with the ripples/ramifications still being situated post-Crisis.

While the cover is kinda generic and not all that appealing to me, it’s definitely memorable…at least to me, given it was (as I remember) one of my earlier "back issues" long before bargain bins became such a thing for me as they have been the past decade or so. The interior art is "classic" to me, and more than once I had to remind myself I was NOT reading A Death in the Family. Part of me is partially amazed to realize this is the same creative team that DID do that story, even though it’s almost a year’s worth of issues off from this one…back in an age where it did not seem like creative teams shifted every several issues. Whining about that aside…I love the art here, as it clearly conveys the story, does everything I’d expect it to…and stirs up the nostalgia as well.

Story-wise, I felt like even here there was a bit of setup for Death in the Family, though it’s likely a bit of "reaching" on my part. Or in another way of looking at it…having the same creative team allowed for more internal consistency for the title both in characterization as well as visualization. Most often, I think of Starlin as doing Thanos/Warlock stuff, with the Infinity Gauntlet and all over at Marvel…but I think it’s safe to say that he’s also one of my favorite Batman writers!

This issue works quite well for me as a one-off, though I’m obviously a bit biased in nostalgia and remembering this…it’s a one-off for this READING but I’m hardly any sort of new reader or such, which makes this in its own way "just another issue" that I happened to read that I can partially contextualize without other issues. Yet we have a beginning, middle, and end…and though this certainly is not the final issue of the series, we do NOT have a cliffhanger or "To Be Continued…" We just get this as an episode that introduces us to the current Robin, the former Robin, contextualizes both, confronts Batman, and we get a bit of development with all the relationships, seeing that they all have different "history" with each other without (as a reader) absolutely having to KNOW the history.

All in all, this is good, solid issue…and one I would definitely recommend if you find it in a bargain bin! It’s certainly worth a quarter, and if the condition is good, I’d even say go up to $1 on it for the reading experience. The potential we see here gets really developed years later in the Dick/Tim dynamic…and we see the start of that here, had Jason lived.

Showing Off the Shelves: Batman (December 2016)

I’ve been getting newer stuff worked in and generally re-situating my shelves, leading to showing off the current configuration.

Lagging a bit behind my Superman collection, which is well onto its third shelf, my Batman collection still has a little way to go to fill its second shelf and creep onto its third.

batman_shelves_late_november_2016a

While The Dark Knight Returns is more of an "ending" to the story (or should’ve been, but Strikes Again and III are another subject/post entirely) I ended up starting the shelf off with it–I have the story in numerous editions, much like other favorites The Death of Superman and Kingdom Come.

Then, following what I did with the Superman stuff, I lead with the "survey" collections spanning the years, then try to approximate rough chronological order from the Silver Age into modern times. The Batman run seems a lot more solidly event-oriented, with the bulk of the "inches" on the shelf being the event collections.

batman_shelves_late_november_2016b

Following the event stuff, I ease a bit into the New 52 era, and then back out into broad stuff. Even as I type this, it crosses my mind that the Batman Arkham volumes actually belong up in the earlier volumes as ‘survey’ books that are not collecting any singular story but a broad range of issues featuring a particular character.

The glaring gaps in my Batman collection are all the more glaring compared to Superman; but that’s not terribly surprising, as I’ve been a much more solid Superman fan than Batman over the years. No great dislike of the character; just a far deeper like of Superman.

The few hardcovers that I have are largely glaring stick-outs to me, such that I’d be somewhat interested in trying to replace them with paperbacks; particularly Heart of Hush and Batman: R.I.P. I’d ordered Whatever Happened to the Caped Crusader at the same time as the Whatever Happened to the Man of Tomorrow counterpart, so am somewhat hesitant to replace one, as they tie together in my mind; perhaps someday I’ll replace ’em both.

It’s simply astounding to consider the vast library of Bat-stuff out there…I have a relatively large collection here, but I swear I don’t have a fraction of what’s (been) available!

Ads to Make Me Geek Out A Bit

I normally dislike or avoid ads as best I can…but I’m a LOT more "forgiving" of them in-print. Though both Marvel and DC seem to cram their comics full of ads, such that sometimes it seems every-other page is an ad or a double-page ad spread.

But this week, one ad in particular made me geek out, two others significantly impressed me, and another re-made a point to me of just why I so strongly "prefer" the standard/main/basic/A/most-non-variant cover an issue carries. These in just two comics! 


DC Universe: Rebirth – The Deluxe Edition

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I’ve been vaguely aware that this was coming up, but seeing the ad for it really made me geek out. DC Universe: Rebirth is easily one of the most KEY issues of my lifetime, and certainly of the last few years, for me. I started out grudgingly deciding I’d get the issue and wound up getting multiple copies to "support" the thing, a digital copy for immediacy, and a couple of the other prints for the squarebound format… but the issue is what truly, fully SOLD me on Rebirth and prompted me to go all-out on the initiative and dive in as I have…to say nothing of simply giving me a Superman experience driving me to the comic shop every single week for the latest on the character, after most of a decade of blah stuff.


DC Collectibles: Batman the Animated Series – The Batwing

geeking_out_ads_btas_batwing

The "regular size" figures in this Batman the Animated Series line are too expensive for me…as I’m absolutely certain this Batwing toy is. But darnit, this thing looks really freaking cool, and if I had the space and money to throw presumably $100+ at it, I’d love to have it.

As-is, this is a fantastic ad, showing the toy, describing it with context as to its scale (more than three feet long and just over two feet wide and holds two action figures!). Adding the classic quote from the Tim Burton Batman film that was heavily influential on this series (particularly the theme music!) was an added touch.

Then there’s the way it melds the new/current DC logo with the classic tv series logo…


Action Comics #967 – Men of Steel

geeking_out_ads_action_men_of_steel

I just like this image…seeing both Clark and Luthor doing The Shirt Rip, revealing each man’s Super-outfit. While there doesn’t seem to have been all that much with them clashing yet (a feeling I’m thankful for!), this re-ignites my interest on the matter. Having this Luthor interacting with this Superman is fantastic for conflict and character interaction, and I look forward to witnessing more of it for myself.

After having a story "restoring" Clark Kent to things, albeit with a twist; then another story "re-installing" Lois at The Daily Planet, it seems likely that this will re-catalyze the Superman/Luthor relationship in context of the current situation, giving both men reason to clash with the other, rather than either man’s "assumption" of who/what the other is.


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The Weekly Haul – Week of September 14, 2016

Another manageably small week for me, and of primarily (or just) DC stuff.

weeklyhaul_09142016_a

I made three exceptions in buying stuff coming to me later this month via DCBS bundles… Three issues that I wanted immediate gratification, to read right away, no waiting.

As usual, Action Comics and Detective Comics were top-notch…”proving” to me they genuinely are back to being the “flagship titles” of their families, and the publisher.

I was rather curious about Superwoman, and while interested in the story and such, it didn’t feel quite up to the moment for me, so I’ll likely be a bit more patient next month and just wait on it.

While I’m digging Detective, I figure I might give it one more issue like this and see if the fate of Tim Drake is an ongoing subplot* or not…and if it isn’t a heavy thing, I’ll wait–THE reason I was making this book an exception was Tim Drake, and if he’s not going to be used as a prominent character in the ongoing story, then I can definitely wait a bit on reading the story.

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On Saturday, for the (third?) annual Batman Day I swung through a shop I was passing and browsed a bit and ultimately settled on Dark Knight, Dark City–a volume I’d apparently forgotten about but presumably had known about. It’s another of these nice, thick volumes DC has been putting out that is truly a solid value at full cover price but which is even moreso at a discount.

20% off for Batman Day and a FREE (to me!) Batman (2016) #1. New/variant cover, but as a freebie and special event, in this case, a variant, the existence of the variant is honestly quite acceptable to me. The only rub is, this is a free copy of a full issue that was just released commercially for full cover price about three months ago. Of course, with the biweekly shipping, Batman already has six issues out and a new arc beginning in a couple more days, so anyone pursuing the story for immediacy is not in a position of having an issue of the “current” story handed away free after having just paid for it.


Over at the Facebook Page (you do know I have a Facebook Page, right?) I’ve also just shared a couple links that Bleeding Cool posted; pieces on Clone Conspiracy and another on what impact the Civil War II “tag” has had on crossover/tie-in books.

The Clone Conspiracy piece is basically some coverage of a statement writer Dan Slott put out there urging retailers to order more copies of the upcoming premiere issue, and urging consumers to contact their shops now to ensure they have a copy on hold.

Apparently the mini-series/”core event” will be the CORE Spidey book, so the actual ongoing (excuse me, seasons) of the “regular books” are just along for the ride, telling tie-in stories (the difference here vs. Civil War II is that Clone Conspiracy seems to be a “smaller event” contained to the Spidey family of books rather than crossing the entire universe). However, I fully expect Marvel to have “leaked” or otherwise provided the/any major spoiler information to a news source that will “go live” with it at least two days ahead of the issue’s actual release, thus negating any reason to “have to” get it or ability to enjoy being surprised by a Marvel comic.

The Civil War II piece looks at the impact or lack thereof on several titles tying into the universe-spanning event. Me? I’ve “dropped” the only two titles that I had been giving a chance, from Marvel. I didn’t even wait for the actual tie-in issues of Power Man and Iron Fist or Thunderbolts to come out to skip…once I was certain I’d seen an issue of each as having a tie-in, I dropped ’em cold turkey.

Why waste $4 an issue for additional issues when I already know I’m not going to be going beyond the first handful of issues anyway, thanks to the tie-in?

Of course, I personally do not matter, not really: factor in variants and my purchase is absolutely not required…there’s someone else who’s glad to buy an extra copy or few that more than makes up for me.

The ’80s Revisited: Worlds Finest #323

worlds_finest_comics_0323Afraid of the Dark

Writer: Joey Cavalieri
Penciller: Jose Delbo
Inker: Alfredo Alcala
Letterer: Duncan Andrews
Colorist: Nansi Hoolahan
Editor: Janice Race
Cover: Denys Cowan, Dick Giordano, Tatjana Wood
Published by: DC Comics
Cover Date: January 1986
Cover Price: $0.75

I don’t know that I know exactly what I expected from this issue…but this sure wasn’t it!

Metropolis finds itself in the grips of a magical darkness…which means that even Superman can’t do anything about it–though he still tries to at least help, even if he can’t solve anything with it. but he quickly gets taken down by Nightwolf and his magical darkness-wolves (werewolves? dire wolves? magic-wolves, whatever). Nightwolf then parades around proclaiming himself king of the world (essentially) with the beaten Superman as a symbol of his own power and abilities. Meanwhile, Batman does the detective leg-work of the piece, tracking down the origin of this Nightwolf, learning a weakness he can exploit, and ultimately saving the city (and Superman) from the magical threat. In the aftermath, Batman rejects Superman’s attempted thank-you, lecturing him on how he could’ve been killed, and can’t just rush into stuff with FORCE. Batman leaves things at the fact that he’ll SAVE Superman any time, but will not help write his epitaph. And thus, the World’s Finest team has broken up, paving the way for the adversarial (despite mutual respect) relationship of the later 1980s and 1990s that pretty much remains in 2016, 30 years after this issue saw print.

The art is not bad, as Superman and Batman both have a very familiar look, very much what I associate with them for the early to mid 1980s "bronze ange" and such (so much so that as I read Batman’s lines, I heard the voice of the actor from the Untold Legend of the Batman comics-on-cassette!) By extension of THAT, I got a bit of Superman’s voice from the Man of Steel comics-on-cassette stuff as well. My only real problem with the art stems from the time this was published: Superman vs. magical wolves that leave him beaten, costume shredded, and basically unconscious…yet there’s no blood. I don’t need to see a bloodied, shredded almost-corpse, but for the level of threat this supposedly was, it’s odd as a mid-30s adult to read this and see Superman just so "simply" taken down but the only thing INDICATING any harm is holes/tears in the costume with nothing but clean, unmarred skin beneath.

Story-wise, again, this isn’t bad, but it’s certainly DATED. For one thing, someone successfully taking over even a city, and Superman going down, and Batman having to track down the villain’s origin and figure out a weakness and actually take the guy on and such–this would CERTAINLY be a 6-issue arc in terms of contemporary deconstructed/padded/written-for-the-trade comics. And with as much as I have read of modern-day contemporary comics published in the last 15-some years, the "modern sensibility" being drilled into me constantly for all this time–this issue feels ultra-compressed to the point of there being no real character to it…and I’m disappointed at how "filler" and ARBITRARY it felt. I mean, there’s a lot of potential here, but as a now-2016 reader reading this cold some 30 years after it was published, even the hints of characterization and depth that could be picked up on just doesn’t "work" for me as a single issue.

This does not feel like it’s picking up from a cliffhangered previous issue, and as the final issue of the entire series, there’s no cliffhanger (at least not in the "To Be Continued…" sense, though it leaves the Superman/Batman relationship hanging to be developed from its now-broken pieces). As such, it feels like it could be set "whenever," and has no real hook on a specific point in continuity, based on the story itself. And for the flimsy/abrupt splintering of the "partnership" between Batman and Superman, that comes outta nowhere–no internal narration or thought balloons of Batman wishing Clark hadn’t rushed in, and that he’s always doing this and never thinks ahead, whatever. As such, the final couple pages could have been tacked on as "epilogue" to virtually ANY story in which Superman "almost died" and Batman got to "save the day."

The cover as well is a bit out of sync with my personal expectations as well. It seems to indicate the split, a farewell between the two heroes, but no real indicator of cause nor actuality. Given Batman’s small wave, it seems more a casual thing between old friends than any real split or breakup or animosity.

Perhaps adding to my feelings on this issue is also the modern day sensibilities in comics–something as "crucial" as the friendship between Batman and Superman, their partnership, the way they’ve been the best of friends (to this point) coming to an end? This would have been hyped and hugely played-up, with an extra-sized issue with at least another short story following each character and exploring their feelings on the matter and where things are likely to go, etc. (I think of Cyclops vs. Wolverine with Prelude to Schism as its own mini-series to set up the conflict, then Schism itself as another mini to have them actually fight, and then the outcome split into an entirely new ongoing series and a renumbered version of a 48-year-old series).

Something this big just seemed like the issue should have FELT bigger, felt more important, felt Earth-shattering…but instead, it feels like a whimper, or like some tv show that was told it was getting another season, is preparing to film a season finale, but gets told the pre-finale episode is their last, but they can film another minute or two’s worth of story to "wrap things up."

I was quoted $2 for this issue, minus a 20% discount, so figure I paid roughly $1.60 for this…and its cover price is $0.75, so 30 years after its publication, as a "key issue" (final issue of a longrunning series, the "breakup" of the Superman/Batman team), I barely paid more than twice cover price, which itself STILL made it half the cost of a current Dc Rebirth issue, and only a little over 1/3 the cost of a contemporary Marvel issue. The reading experience took longer than contemporary comics, and I’ve sunk however much additional time into typing and preparing this review, so I certainly got my money’s worth out of this for time-to-expense considerations (and I was "prepared" to pay around $6 for this, too!).

Aside from having some desire to read it for yourself, to "experience" the issue as a whole for yourself, this was a real letdown and not something I’d recommend seeking out. Still, there are worse issues, and if you’re (like me) a huge fan of Superman, and even the Superman/Batman stuff, this is worth picking up if you can get it cheaply.

Zero Hour Revisited – Detective Comics #678

90srevisited_zerohour

detective_comics_0678Yesterdays Gone

Writer: Chuck Dixon
Penciller: Graham Nolan
Guest Inker: Bob McLeod
Colorist: Adrienne Roy
Letterer: John Costanza
Assistant Editor: Darren Vincenzo
Editor: Scott Peterson
Published by: DC Comics
Cover Date: September 1994
Cover Price: $1.50

The thought’s hit me as I get to writing about this issue–Zero Hour is beginning to wear a bit thin on me. I’ve always loved the event, the core series and the Superman tie-in issues, because those were the ones I’d read at the time, when they were first released. I was coming off my first major Batman phase, but still somewhat following the Bat-books. Now as I’m coming down to a handful of books remaining to the event, I’m eager to finish up, get to the end of the event itself and on to other reading projects (perhaps a guy diligently typing away about every issue he reads for several weeks in a given twenty-two-year-old story shouldn’t admit that, but there it is). Despite that, I’m enjoying it more than the bulk of new comics being released and appreciating it a heckuva lot more than modern events.

This issue is one with a familiar cover, though I don’t really–truly–have any conscious memory associated with it. Reading the issue itself was like reading a completely new comic…such that I cannot actually with complete confidence say that I absolutely read it in 1994…though I would have–before reading all these–sworn that I had. I’d thought something played out in a missed detail in one of the Zero issues, that after this event Batman had not truly caught his parents’ killer, that it wasn’t Joe Chill, and so on…but it seems at least the major seed of that was planted here, in this issue…and is absolutely a detail I missed at the time in terms of reading or "getting" it myself.

We find Batman responding to an alarm in the Cave…but upon emerging from the cave, finds the Manor and the world to not be the one he knows…he himself has become an anomaly in ANOTHER timeline. In this one, his parents have arrived home after a horrible night…in which their son Bruce was killed in an attempted mugging as they left a movie theater. Batman skirts the edges of awareness in the Manor, and sees a chance to salvage stuff–he KNOWS WHO the killer is, and thus how to find him immediately, this very night–and in this timeline, where he IS an anomaly, he can bring justice in a world in which he can also see his parents LIVE. And in the course of seeking said justice…Batman comes to find that the man he’s long known to be his parents’ killer…is (at least in this timeline) NOT. And before long finds himself back in his own timeline, where his parents are dead, and he now has to consider the very real possibility that he actually never HAS brought his parents’ murderer to justice…and may never actually be capable of doing so, having long since closed the case and let a cold trail go even colder.

The best way to describe my feelings on this issue’s artwork is that it’s quite solid. It doesn’t particularly stand out–in conscious memory at least, and does not in itself trigger any particular memories or feelings of simply joy–or enjoyment–regarding the visuals. But I recognize Nolan and McLeod‘s names from this era, and that’s a very welcome factor for me. There IS a definite familiarity to the art, and I definitely enjoy it…this is some of the better Batman art I can think of…and I’d certainly welcome it over a lot of more modern stuff.

Story-wise, this is also a solid issue. With Dixon on writing, I would associate it with positive quality on name value alone. I just wish I had more conscious memory of him on this book, say, than "only" on something like Robin.

That element aside…I definitely enjoyed 1. the way and fact of this issue being part of Zero Hour allowing for the scenario it does, and B. that despite its ripples on continuity, it gives a largely self-contained micro-story that works and yet (as with many other tie-ins) does not need to explain or solidify the why and how of stuff, just show us the WHAT.

I don’t recall how long it actually stuck, but I do remember this "changing the game" a bit, at least for awhile, and thus this makes for a good issue to read, outside the core event, and particularly if you followed Batman at the time.

Though in this typing I find my analysis colored by evaluating it simply as an object of the past…it’s still in the higher part of any list I’d compose of recommendations for stuff to read if not the entire event…and gives me plenty to think about from stuff as simple as the blood on the cover under Batman…while no visible wound on the body (good ol’ ’90s censorship and pushed boundaries)… or the fact that while I’ll occasionally see Zero Hour issues in bargain bins…this issue does not tend to be one of them…either people don’t get rid of it with other issues (and/or they’re bought quicker before I get to the bins) or it’s sought after enough to "hold value" in a realm of ‘regular’ back issues, not to be merely offloaded in a bargain bin.

Zero Hour Revisited – Batman: Shadow of the Bat #31

90srevisited_zerohour

batman_shadow_of_the_bat_0031The Battling Butler!

Writer: Alan Grant
Artist: Bret Blevins
Colorist: Adrienne Roy
Letterer: Todd Klein
Cover Painter: Brian Stelfreeze
Published by: DC Comics
Cover Date: September 1994
Cover Price: $1.95

This issue is another “old favorite,” one that–by the cover at least–I clearly remember from reading its week of release back in 1994. However, reading this in 2016, I’m not sure if I’d actually re-read this issue since then or not…and I’m leaning toward not.

I’d forgotten that  the earlier issues of this series had these painted covers, and a different style with the interiors that set it off from the main titles. There’s something to the issue other than the price that sets it off. And then there’s that price…this was a $1.95 book amidst $1.50 books…back when there was a bit more variance in price that didn’t seem QUITE so drastic as $2.99 vs $3.99.

Playing nicely with the Zero Hour theme of randomish Time anomalies relevant to the given title, this Batman book sees the appearance of an older version of Alfred. This one is a bit larger and more of a bumbling butler and wanna-be PI than the cool, collected, tall, skinny actor/former soldier that’s become such a norm present day. While Batman and Robin deal with some guy who’s gotten access to a hypnotic potion that allows him to get rich guys to “rob themselves” and give him the loot, we also get this story of a butler out of time, trying to fit in…whose appearance’s timing hits close to the heart as “our” Alfred has just recently resigned from being on Bruce Wayne’s payroll in protest for of Bruce’s unwillingness to stop so drastically recklessly endangering his own life. By the time things are resolved, this alternate Alfred fades away, closing out this one-off issue that closes with a simple THE END, rather than some To Be Continued or other cliffhanger.

I don’t recall when Alan Grant left the title, and didn’t remember he was still on the title at this point, though I believe this title was essentially created “for” him when there was a shuffling on Detective and Batman. That’s really not here nor there for Zero Hour, though, except to point out that his name on this and what he brought to this story is a real treat…particularly for being essentially a self-contained issue that plays nicely in the Zero Hour sandbox without really raising any problematic questions nor confusing someone who read this issue solely for being a Zero Hour tie-in rather than the next issue of whatever other story could be going on at the time.

Visually, I quite enjoyed the art, and the early pages really strongly put me in mind of the 1990s Batman: The Animated Series, which was a welcome touch. That was a stylistic thing, something with the linework and especially the colors…and yet the character designs are definitely NOT that style associated with the animated series, and really fit the comics as-is for the time this was published.

I remember knowing just enough Batman history to realize even at the time that this was an earlier version of Alfred; though as of this typing I fail to recall if it was Golden Age or (more likely) Silver Age. Other than the actual fact of this Alfred’s presence and a reference TO wonky stuff going on with Time, this issue doesn’t do anything with Zero Hour in itself–no particular plot point is picked up or driven forward or scene expanded and elaborated on…this is just a great one-off issue that takes advantage of the notion that anyone from anyWHEN can show up and it makes sense without needing to set things up within the issue nor wrap it up by the end.

This was a real treat to (re)read, and really a truly great single issue…offhand probably the most self-contained thus far and as such extremely worthy of acquiring–whether from a bargain bin, dollar bin, or up to $4 (cover price $1.95, but this equals and/or vastly surpasses many contemporary $3.99 books of 2016)!