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Getting Into Comics With High Numbers

I was introduced to comics in late 1988 with a stack of Silver Age books Mom had grandpa bring for me–to my knowledge, he simply grabbed a bunch from a cabinet that he and my uncle kept them in…so there was a mix of “Batman” and “Superman” stuff, and probably other DC characters…possibly some Marvel, but they were more DC guys than Marvel.

high_numbered_first_issuesa

In spring 1989 when I learned that they STILL MADE COMICS, that one could still buy NEW COMICS, brand-new, these stories were STILL GOING ON, it was Mom that bought me my first four comics: Detective Comics #604, Adventures of Superman #453, Batman #439, and Superman (rebooted) #31. Not a #1 amidst them, and at the time absolutely no knowledge nor expectation of backtracking TO a #1. When Action Comics eventually returned to the “Superman Family,” it was still several months before I came across the title myself, and my first issue was #651.

It was Captain America #425-beginning the twelve-part Fighting Chance story–that primarily pulled me into having an interest on that title (and that after it not bothering me at all seeing a #400 on an issue tying into Operation: Galactic Storm), and it wasn’t a new creative team or a new #1 that got me into The Flash…it was simply the start of a new arc at #197 with the ongoing/continuing team that led me into several years of following the book, into Infinite Crisis and all the shenanigans with the character, series, numbering from there.

Maybe once upon a time, a #1 was special or significant…but now with ENTIRE LINES being restarted at #1 and doing so REPEATEDLY, every couple years or so such that it’s actually surprising for anything to hit #30, let alone #50 or up, it’s NOT special, and I for one have less faith in a series’ longevity now than ever before: if a book has lasted 120+ issues, that’s a 10-year run, a 10-year history or pedigree, it means that whatever they’re doing with it, it has lasted a decade or more, and isn’t just some short year-and-a-half flash-in-the-pan thing likely to disappear within a “few” months of me getting involved.

The ’90s Revisited: Robin #1

robin0001aOutcast

Story: Chuck Dixon
Pencils: Tom Grummett
Inks: Scott Hanna
Colors: Adrienne Roy
Letters: Tim Harkins
Asst. Editor: Jordan B. Gorfinkel
Editor: Dennis O’Neil
Covers: Tom Grummett, Scott Hanna
Cover Date: November 1993
Cover Price: $1.50 (Newsstand) / $2.95 (Collector’s)

Robin is no longer welcome in the Batcave. Bruce’s back is broken, the man himself off searching for Jack Drake (Robin’s father) as well as his own doctor. Jean-Paul Valley, formerly Azrael, is now the Batman. And Valley is not keen on having a partner. So, Robin takes off–now officially split from the “Batman and” designation.

A gang is stealing cars–and opts to hit a Gotham Heights dance, figuring there’ll be rich kids’ cars there as easy pickings. Meanwhile, Tim is in attendance with Ariana, and the two get caught up in things. Tim pursues as Robin, but gets run off the road…and encounters a new figure who does not seem that friendly.

It’s been probably 15 years since I read this. Elements, I remember. Ariana, and I recognize some of the names of other characters in the cast as characters that play a role going forward. I originally read this when it came out, back in late 1993, and I may have re-read it during my college years when I “caught up” on the series, buying a run of issues 1-40 or so to match to my run from around #50 to whatever was current at that point.

There’s no “previously” page here. No real description of the premise on the opening page. Only some small context to bring us up to date. So, to pick this up “cold” it’s a bit lacking as a first issue, that big question of “what set off ‘Batman’?” But this issue takes place very much in context of the overall “Bat-Universe” of the time, amidst stuff going on with Knightfall/KnightQuest, and part of the overall story at the time, part of the continuity was that with Jean-Paul Valley taking over as Batman, he wasn’t suited for a partner…certainly not a “junior partner” with more experience than he himself had at the time. So it was a good point for the story as a whole to see Robin split off…but in order to take a character like Robin–Tim Drake–and remove him from the midst of the Batman-centric stuff…it makes sense to explore the character in his own series. SO, as the start of the series, we see him essentially kicked out of the Cave, to begin his solo adventures.

I love Grummett‘s Robin work. It certainly works extremely well here…I see the character on these pages, and this IS “my” Robin. Flip through this issue, and it’s simply ROBIN. The character I grew up with. Reading through the issue, nothing stood out or took me out of the story in a negative way…I just flat-out ENJOYED the issue.

Dixon did a fantastic job with a number of Bat-elements…Robin being one of my favorites. As said above…though this issue wasn’t one to come to “cold,” it fits very much in the Bat-Universe, and Dixon does a great job with the character and supporting cast. Having read this, I’d love to dive in and re-read some more, time permitting.

The first Robin Annual–part of Eclipso: The Darkness Within–was the first time I’d see Robin featured on the cover of a comic, getting his own title. I now know (but didn’t at the point in summer 1992 when I first acquired the Annual) that Robin had had a mini-series (and I’ll be darned if I can remember if Robin II: The Joker’s Wild was out yet or not…but I’m pretty sure it was). Then there was Robin III: Cry of the Huntress, that I ‘discovered’ in late 1992, around the time of the Death of Superman, Sword of Azrael, Spider-Man 2099, and so on. Then the Summer of Superman and Bloodlines, Knightfall and the start of KnightQuest…and Robin gets an ongoing title.

A title that lasted some 180 issues, that with a couple of gaps I’ve since filled in I followed mostly from this issue to the end, 1993 to 2009.

robin0001bI’ve seen this newsstand edition in quarter bins a couple times. The copy I read for this post I got off a 4/$1 rack at a Half-Price Books; and I got a copy as part of a 100-something issue set I bought several years ago (for the price of about 10 modern comics). I don’t see the “collector’s edition” much…but both covers are rather iconic to me. I think I did get both when they came out; and though I presently despise variants, I don’t have the same problem with stuff like these that I do with contemporary variants: there were a static TWO COVERS available. To my knowledge, they were individually orderable by comic shops, and they were NOT “ratioed”–neither cover was intentionally “more rare” than the other as far as comic shops. The “Collector’s Edition” was “only” available through comic shops, while the “Newsstand Edition” was what would be found at Waldenbooks, 7/11, grocery stores and general non-comic shop locations. Since they were different venues, and both covers were available through comic shops…I’m ok with them. Additionally, the “enhanced cover” was twice the price…so rather than merely “missing out on” a preferred cover image, you were SAVING MONEY getting one cover over another. You would pay more for the “variant,” sure, but everyone paid the same, and it was readily available.

All that aside…the early issues of this series in particular were quite good, and though this one single issue might not suck you in…for myself, this was well worth the 25 cents, time spent reading, and time spent writing this post.

My Thoughts on Batman v Superman

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[Be forewarned: this post is extremely lengthy, AND contains spoilers after the warnings, so if you don’t want stuff spoiled or don’t feel like reading much, you may not care for this post. I’m also not doing my usual formatting…this is just raw thoughts slightly organized, but not  really a formal/objective "review"]

Spoiler warning!

This post will contain explicit spoilers. I’m going to ramble a bit for a couple of brief paragraphs to add some "buffer space" for the spoilers, but consider this your warning.

I saw the film last Thursday evening after work. Left work, drove to the theater, and found that I had roughly forty minutes until the show was due to start. (Which meant including commercials and trailers, at least an HOUR). Show time was chosen as an "early" show while allowing some extra time for crummy traffic, as ridiculous traffic jams seem to crop up at least 2-3 times every week, forcing me to take alternative routes to avoid them.

(This post really does contain spoilers…this is your second warning!)

Though I’d tried to avoid trailers entirely for this film, I was exposed to a couple…I think at least one was in a theater, so not problematic the way I take issue with online trailers and so-called/supposedly "leaked" trailers. (Though that’s another post entirely) So I had some notion of what the film was going to entail, going in…plus observations from coworkers and others to whom I’m their "Superman guy."

So I was a bit annoyed by the time the film actually started, and felt a bit constrained: no one to see the film WITH, as well as the strong desire to see it ASAP in order to take it in myself, before taking in others’ opinions on it. I wanted to see and judge it for myself, separate from whatever influence others’ thoughts and analyses might have on my experience.

Final spoiler warning! If you read beyond this sentence, spoilers are on your own head!

Preamble and spoiler warnings out of the way…my initial thought as the end credits finished was simply "Really?" Like…"That’s how we’re gonna end?" And I felt a certain flat-out depression…the movie I’d just watched simply left me depressed. Both from the story itself, as well as my own thoughts on it…as it unfolded, and immediately following its conclusion.

batmanvsupermanimage2

Continue reading

General Mills Presents: Batman v Superman Dawn of Justice #4 [Review]

generalmillspresents_batmanvsuperman0004Lights Out

Writer: Joshua Williamson
Penciller: Eduardo Pansica
Inker: Art Thibert
Colorist: Jeromy Cox
Letterer: Deron Bennett
Cover Artists: Gary Frank and Rod Reis
Assistant Editor: Brittany Holzherr
Editor: Alex Antone
Art Director: Larry Berry
Cover Date: N/A (found in cereal boxes in March 2016)
Cover Price: Free

I’m not sure what I actually expected from this issue…but what I got wasn’t it. And this one’s actually very simplistic yet hard to sum up: essentially, it’s a couple of kids up late at night arguing over who is the better hero–Batman or Superman? Each has reasons, but ultimately it takes the intervention of another to point out that they’d actually work together if they’re both heroes, despite differences.

As such, more than any of the other issues, this one just seemed a bit “off” to me, and extremely “meta.” It’s the argument fans have had for probably three-quarters of a century. And an argument sure to come out of Batman v Superman the movie, regardless of the arguments going in. It’s a real-world argument, and one that honestly bugs me.

Long run of thoughts kept short, my answer to “who would win” is that the result is simply determined by the author and story being told.

Still, it’s interesting to see a handful of simple arguments–and to consider them from the point of view of a kid again (and likely at least a quarter-century my junior), and I can appreciate that. And like an earlier reference (that I made covering this series) to Batman: The Animated Series, this issue reminds me of an episode that itself adapted an earlier comic…one in which some young adults are sitting around a bonfire discussing Batman, and having a number of different interpretations of who/what he was (and whether it was in that comic or not I can’t recall, but my “memory” tells me in that story they dismissed the actual Batman as just some guy in a costume!).

Were this a full-size, bought-by-itself AS itself kind of issue, I’d not find it amusing or worthwhile. As something from a box of cereal, it was mildly entertaining, and did not make me feel like I’d wasted my time reading.

The art is quite good, and perhaps it was the influence of the story and that we aren’t in either hero’s head or actually involved in some ongoing story of either, the visuals just seemed to fit all the more, and differences in costume designs didn’t stand out to me along the way…perhaps taking any differences as being the kids’ own memories/interpretations. I also appreciated that even where we see an image of the two heroes about to collide in battle–that’s what it is: they’re about to, but we’re not given a “hint” one way or the other on a possible outcome…until they actually collide, one could “assume” either one could take the upper hand.

If you’ve got this issue, it’s worth reading–it’s a quick piece devoid of any continuity (and any need for continuity), doesn’t tie to anything else–outside this General Mills mini-series or otherwise, nor even other issues in this series. Other than perhaps wanting to complete a set if you have any of the others, or to complete the set by having a #4 and knowing #s 1-3 exist, I wouldn’t recommend putting much effort into tracking this (or the other issues) down. But for having them, I’m glad to have read them…though I wonder somewhat at these not being a quasi-adaptation of the movie…that would have given them a bit more weight, I guess (or mini-reprints of key issues related to the characters/movie). That these are original issues with a number of “known names” from DC and not “just” reprints is cool, despite the enjoyment I could also see in say, having a random Batman #1 or Superman #1. For that matter…any of the various Batman/Superman confrontations from over the years.

General Mills Presents: Batman v Superman Dawn of Justice #3 [Review]

generalmillspresents_batmanvsuperman0003Picture Proof

Writer: Marguerite Bennett
Artist: Marcus To
Colorist: Irma Kniivila
Letterer: Deron Bennett
Cover Artists: Gary Frank and Rod Reis
Assistant Editor: Brittany Holzherr
Editor: Alex Antone
Art Director: Larry Berry
Cover Date: N/A (found in cereal boxes in March 2016)
Cover Price: Free

While it’ll probably bite me on the next issue, I enjoyed this issue more than the previous two, suggesting that each issue is better than the previous. Whether that’s relational or incidental, I’m not sure…but it works for me!

This issue shows us Emily, a young student who happens to witness Batman in action, stopping some thieves and stolen discs…though her friends at school don’t believe her. “Pictures or it didn’t happen!” and all that. Having noticed a disc that fell to the side, she returns to the scene later, anticipating Batman would as well (a bit convenient) and sure enough, he does…and this time she gets a photo of him. When she’s at school again, she continues to be teased for believing in this bat-man…and later at home wonders to herself why she didn’t just show the photo. Seeing a distinctive shadow, she finds that Batman’s shown up to pay a visit–letting her know that he knows about the photo, but that he’s not going to take it from her…he trusts her (to do the right thing). And she does–she realizes that part of the effectiveness of Batman is criminals not believing he’s truly human. She tears up the photo, opting to let Batman remain a legend rather than drag him into reality.

By comparison to the first two issues of this General Mills Presents series, this is a fantastic issue and I thoroughly enjoyed it. That the main protagonist is likely a quarter-century my junior does not stand out to me as much here as in the prior issues. This one struck me very much as something that would work as an episode of the 1990s Batman: The Animated Series, reminding me a lot of the “I’ve Got Batman in My Basement” episode from that series. Something about that makes this more believable to me, even though we don’t get any kind of internal dialogue from Batman (and that’s something I only just noticed with this issue: none of these are from Superman or Batman’s point of view…they’re all from a kid’s point of view, likely to identify more with the reading audience of the issues!)

I’m not particularly familiar with Marguerite Bennett offhand by name…her name looks familiar to me, but that doesn’t mean an accurate memory on my part, and I’m also unfamiliar with Marcus To and Irma Kniivila. In some ways, I think that’s to the benefit of this issue…I wasn’t trying to be familiar with other work, had no prior expectations to set me up for disappointment, and thus it allowed me to read this the way I ORIGINALLY read comics when I was first introduced to them: by character/what’s on the page, and no real notion of the people who actually wrote or drew or otherwise were part of the creation of a given issue.

As said, this story reminded me of that BTAS episode, and works very well for me as a one-off story. It’s not beholden to anything…not continued from or continued into anything else (even prior issues of this mini-series), and though 20 pages is far too short a span to really get to know any of the characters, there’s just enough there to appreciate Emily’s plight, to identify with her and her friends, and to hint at the benevolence of Batman (he seeks to inspire fear in criminals, not random children). There’s a lot to be pulled “between the panels” in analyzing the issue, but ultimately, I simply ENJOYED reading this, and in the end, that’s what reading a comic’s supposed to be about.

I was neither impressed nor disappointed in the art…but it definitely lands on the higher side than low, for me. From the narration boxes to flying through several pages pretty quickly, this had a definite visual “feel” of a modern comic, and I definitely liked that the Batman we see here looks a lot more like what I’d expect of a comic book Batman than it did some “adaptation” of a live action version.

Of the three issues in this series that I’ve read so far, this is my favorite, and certainly worth checking out if you get a chance (without spending much or going significantly out of your way in order to do so).

General Mills Presents: Batman v Superman Dawn of Justice #2 [Review]

generalmillspresents_batmanvsuperman0002Field Trip

Writer: Christos Gage
Artist: Federico Dallochio
Colorist: Jim Charalampidis
Letterer: Deron Bennett
Cover Artists: Gary Frank and Rod Reis
Assistant Editor: Brittany Holzherr
Editor: Alex Antone
Art Director: Larry Berry
Cover Date: N/A (found in cereal boxes in March 2016)
Cover Price: Free

This second issue of the “cereal comics” was a good deal more enjoyable than the first for me, despite raising a couple questions in my mind. One: what’s up with Superman’s belt? Is it actually a belt, or some sort of punctuated attachment at the waist? Because it does not seem to go all the way around, but there’s a piece on front and a couple of hints of it, but it’s not actually a belt, but there’s SOMETHING there. Second, when was the last time a comic had Bruce Wayne fairly prominent without Batman or any of the rest of the Bat-family? (Leaving aside this ostensibly taking place in the “DC Cinematic Universe”). To say nothing of–as a 35-year-old adult–the ridiculousness of any other adult (particularly a CEO of a major company) having no problem with some random/unknown student straying from a tour group.

The story itself is pretty simple: a middle school (junior high) class visits Wayne Enterprises; one student breaks off from the group and (conveniently) stumbles across a gang of thieves stealing Kryptonian technology. They have a jamming device to block communication signals–including cell phones–so the student is unable to call 911. Before she can be discovered by the gang, she’s found by Bruce Wayne who followed her to make sure she didn’t get into anything dangerous. Superman shows up to deal with the thieves, and Bruce declines to step out and meet the hero at this time, while he and the student agree to hold the secret of each having been anywhere near this action.

OK, maybe that wasn’t as simple when summarized, but it read quickly. Despite my “issues” with Superman’s costume, the oddness of seeing Bruce Wayne as Bruce Wayne (and not Batman as Bruce Wayne walking amidst the citizenry in-action/on a case), and the irresponsibility of the adults, this was an entertaining enough read, and more enjoyable to me than the previous issue.

I was surprised to see Christos Gage as the writer…a name I’ve not been overly familiar with for quite awhile, but whose work I’ve definitely enjoyed in the past. While it might have colored my perspective going in, I did not actually give the credits any attention until after I read this (hence the surprise) but it does explain my enjoyment a bit. This is definitely a comic geared more for a younger reader (especially middle school age). Outside of this being a continuity-free one-off story that doesn’t “matter” anywhere else, it’s actually pretty good for what it is. I’d be curious at someone reading it without any “comics experience” and their notice (or not) of Bruce Wayne, and whether it would bother them to have him without a costumed Batman on-panel.

I’m not familiar with Dallochio‘s name or art…but the art worked well here for this story. It didn’t blow me away, but it gets everything across that it needs to, and in and of itself did not distract me from the story (just that mental tickle of curiosity about Superman’s belt, but that’s a fault of the costume design and not the specific artist, in my mind).

All in all, I liked this issue, and if you get it in a box of cereal or otherwise come across it without significant effort, it’s certainly worth reading, or at least passing along to a young reader in your life.

General Mills Presents: Batman v Superman Dawn of Justice #1 [Review]

generalmillspresents_batmanvsuperman0001Playground Heroes

Writer: Jeff Parker
Penciller: RB Silva
Inker: Jose Marzan Jr.
Colorist: Andrew Dalhouse
Letterer: Deron Bennett
Cover Artists: Gary Frank and Rod Reis
Assistant Editor: Brittany Holzherr
Editor: Alex Antone
Art Director: Larry Berry
Cover Date: N/A (found in cereal boxes in March 2016)
Cover Price: Free

It’s been several years since I reviewed “cereal comics” such as these. Unlike the last batch of General Mills Presents Justice League issues (numbered 5-8 and 9 after 2011’s 1-4) that I never got around to actually reading, these Batman v Superman: Dawn of Justice issues are perfectly timed with the new movie about to hit, so I actually have an interest in reading these right away…mostly because I’m curious about the product and to look at it as an adult and consider (if only to myself) the image of these characters kids might get…remembering back to my own early time in comics with “key” issues such as The Untold Legend of the Batman, which I believe was reprinted and given away in cereal boxes in the early 1980s.

We meet Jacob the morning of a big day at school as he’s introduced to a new neighbor Lucas. Jacob’s mom is giving both boys a ride to school. Jacob’s ok with it, and does minimal duty to help Lucas…nothing antagonistic, nothing above and beyond. His attention is focused on the day’s class visit with Metropolis reporter Clark Kent to STAR Labs…an excitement that’s a bit self-centered as he overlooks Lucas getting bullied just for being “the new kid.” When aliens attack STAR, Superman appears on the scene, and watching him in action Jacob is inspired to stand up for Lucas–because it’s about doing what’s RIGHT, whether one knows if they can succeed or not. And of course, we get a happy ending as the class is safe and Jacob and Lucas have learned a valuable lesson on friendship and standing up for something.

This issue is rather simplistic in its way, rather cliché and not too exciting. Though Batman is on the cover, neither he nor Bruce Wayne appear in this issue; though we do get Clark Kent and Superman. As a mid-thirties adult, the plight of junior high children is foreign to me in all but memory, leaving me too many years removed to “identify” with the kids. Though there are aliens Superman gets to fight, they’re “new” or at least I don’t recognize them, so they’re throw-away generic characters to me. This Superman reads vaguely like one I’d be familiar with…but we get the story from the kids’ point of view, so even Clark is a distant/generic character in this story. Being from the perspective of the kids makes it a more entry-level book (which I’m sure is the point, especially considering it must be assumed that it’s kids reading this, pulling it out of a box of cereal!) For depth of characterization and story, I’m not at all impressed…but as a “cereal comic” this actually exceeds my expectation.

Much of that is probably on the art, though. The visuals fail to capture the on-screen effect of Superman’s costume, resulting in a weird appearance to the character–to me–in this issue as it unfortunately LOOKS LIKE it is an “adaptation” trying to be something other than itself. Costume design aside, I really appreciate the layouts and color work on the issue…other than the physical size of the issue, it looks every bit as contemporary as any other comic, avoiding some generic “grid” layout or such, like there’s actual layout work done and this isn’t simply a bunch of images mashed together on a page. The art also gets the story across such as it is, and didn’t leave me questioning what happened or such.

I think for me the best part of this issue is the Gary Frank/Rod Reis cover…definitely top names to me. Parker, too, rings a bell–though I can’t specifically cite what I know him from off the top of my head.

Again…this is a “cereal comic,” an insert in a box of cereal…so it’s totally separate from any ongoing continuity, and is not part of some adaptation of the movie or such…it’s just taking advantage of the timing. It’s also essentially a throwaway piece seemingly meant to entertain but other than simply BEING a comic book, it doesn’t seem to cater to trying to get someone to go get other comics (except the rest that are part of this cereal box promotion).

Me being me–a lifelong Superman fan; a regular consumer of cereal and frequently perusing the cereal aisle–when I saw the strip across the bottom of a box of Lucky Charms indicating there was something Batman v Superman related, I obviously looked closer…and on realizing it was a new comic promotion, I was genuinely excited–as much as one can be for this sort of thing–and immediately bought a couple boxes. (Over a weekend I bought several more and thus had the entire 4-issue mini with relatively little hassle and plenty of leftover cereal for the next few weeks).

This in no way feels like something essential to the movie…nor is it any great work on the character or any kind of high-literature piece. But it’s an entertaining enough story with a “named” writer and “named artists” whose names I actually recognize, rather than just some random people slapping a comic together…the names lend credibility to this project, and I’m willing to read as a result.

I don’t yet know what the next three issues will hold; whether these are functionally one-shots or if there’s a recurring situation or such…but I would hope kids that find this would enjoy reading it and at least appreciate having read a comic book.

If you’re gonna eat the cereal anyway and see any of these, it’s worth picking up…though there’s nothing here to go completely out of your way for.

Cereal Comics: Dawn of Justice

I really wish they’d do it more often, so I was quite glad to see that DC has a new round of comics in General Mills‘ cereals…and of course, this round makes perfect sense…though I think it should have been a bit earlier, as I’d be interested to have all four issues before the movie hits next week.

generalmills_batmanvsuperman_1_and_3

I bought two boxes of cereal while getting groceries tonight–Lucky Charms and Honey Nut Cheerios–and gladly got two different issues, including #1.

I know these are throw-away stories, no bearing on continuity and such, but the kid in me is absolutely, completely thrilled at these…given the lack of this sort of thing when I actually was a kid. (Some may remember the The Untold Legend of the Batman mini-comics that I believe were cereal-prizes in the early/mid-1980s, but I missed that by at least a couple years).

While the stories may be throwaway…the creative talent isn’t…or at least, not as much as could be! From the start, the covers are impressive–Gary Frank and Rod Reis art–and it looks like different writers for each issue–Jeff Parker for #1, Marguerite Bennett for #3, and other creative names involved that I at least recognize.

I’ll need to figure out where my others went to…but for now, I’m (obviously) going to be seeking #s 2 & 4 of this…and I’ll be well-stocked on cereal for awhile, too!

The Weekly Haul: Week of March 09, 2016

This has been a HUGE week for me with money spent, well beyond any usual “preference,” purchasing the DC: The New 52 Zero Omnibus for over $100 cheaper than cover price, as well as the hardcover Graphic Novel + BluRay + Digital editions of The Death of Superman and Batman: The Dark Knight Returns.

And of course, some “regular” stuff in the mix.

weekly_haul_week_of_20160309

After last week’s huge bargain-bin haul of Green Lantern stuff, I also tracked down a newsstand edition copy of GL #81–the “funeral” issue for Hal Jordan, that had (at least via quarter bins and price I was willing to pay) eluded me since its release some 19ish years ago.

This week, curious if the usual LCS had a non-barcoded newsstand edition or better condition copy, I found that they did not…however, they had the “Collector’s Edition” for “only” $6. For only $2 more than a contemporary comic, coming with the bag and board, cardstock cover with enhancement and being a nearly two-decade-old comic that I have NOT seen all over the place…I barely hesitated.

My actual pull-list books for the week consisted of the three TMNT books here–the series based on the animated cartoon series; the final issue of City at War done in color, and the latest issue of the Batman/TMNT 6-issue mini (clearly a DC-driven product, as IDW doesn’t seem capable or willing to do anything longer than 4 issues at a time for anything “current”/”new”).

And seeing my obvious interest in the ashcan, I was given the Aliens: Defiance ashcan, previewing the upcoming Aliens series with art by Tristan Jones (whose work I’ve enjoyed on a number of other projects, chiefly Mirage TMNT stuff before the sale to Viacom).

If you’ve read many of my reviews, you know I’ve groused in the past about multi-page “previews” of upcoming books “padding” whatever the current issue is that I’m reading. I’ve also suggested I’d rather companies do some separate “preview issue” each week or month rather than stuff a quarter of an issue into other books so that if I buy a new book it feels extra thick and is disappointingly short, and when I buy something that was previewed, I’m only getting 3/4 the value sine 1/4 was already given away.

Ashcans are a great way to get around that, and I’d fairly willingly pay for some, if only for the novelty. If they can be just given away, all the better! This one I actually read cover to cover, and enjoyed the art–one of very few times the art is more of a draw for me than the story. (Though being an Aliens project, I’d’ve already been interested; Jones‘ art ensures my monthly purchase of the thing).

We’ll see what next week holds, I guess…though hopefully it’ll be a far cheaper week…

Dark Knight Returns and Death of Superman Hardcovers

I’ve long been very interested in the Death of Superman hardcover edition from the line of Graphic Novel + Original Movie + Digital releases from Warner Bros. Not all that much the movie (though the documentary with it is well worth the price alone!).

Thing is…I wasn’t going to pay $27-something for it.

book_bluray_dvd_01

Browsing at Walmart, having given up actually spotting anything of interest, I did a double take and realized I’d stumbled across a “super-hero display” in the home media section. As my eyes moved upward, I spotted these (as well as an empty Batman Year One slot, and overflowing Justice League: War and Justice League: Throne of Atlantis slots…with one copy of Dark Knight Returns and several Death of Superman.

All were price at $19.96 or so (think “$20”)…but while I knew they were usually $27, I noticed that the Batman: The Dark Knight Returns had a $34 cover price…so I wasn’t going to pass on it and find it upped to $25 or so…nor did I want to pass on it and then waste hours and gas trying to track these down in a Walmart for this price again.

Frankly, if I was buying the Batman one, I couldn’t not buy the Superman one, so I splurged and bought both.

book_bluray_dvd_02

This also solves my “problem” with the DKR/DKII oversized deluxe hardcover: I now have THE one I particularly want, and got it for a mere $20. (I think the paperback edition is that price) plus I get the bluray, dvd, and digital combo pack of the movie…where the book itself is worth the price to me.

Ditto on the Superman one…and at least with the digital copy, that’s something all-new for me.

I’d also wondered about the packaging, only ever seeing these shrink-wrapped and un-openable: there are pockets built into the inside back cover to hold the bluray and the dvd; the  Batman one had an extra, un-attached sleeve for a bonus features disc; and the Digital Redemption Sheet was not attached. (Only two discs to the Superman book, so no extra sleeve).

It’s a bit of sticker shock buying both, but knowing myself and my OCD, I figured it was better to just buy them now than waste resources in a couple weeks trying to hunt them down.

This does make me want an animated Kingdom Come movie all the more, though.