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Batman: The Dark Knight #1 [Review]


Full review posted to cxPulp.com
.

Story: 3/5
Art: 4.5/5
Overall: 3.5/5

Superman/Batman #76 [Review]


Full review posted to cxPulp.com
.

Story: 4/5
Art: 3/5
Overall: 3.5/5

Superman #700 [Review]

The Comeback
Storytellers: James Robinson & Bernard Chang
Colorist: Blond
Letterer: John J. Hill
Cover: Gary Frank & Brad Anderson
Editor: Matt Idelson

Geometry
Writer/Layouts: Dan Jurgens
Finishes: Norm Rapmund
Colorist: Pete Pantazis
Letterer: John J. Hill
Assistant Editor: Wil Moss
Editor: Matt Idelson

Grounded Prologue: The Slap Heard ‘Round the World
Writer: J. Michael Straczynski
Penciller: Eddy Barrows
Inker: J.P. Mayer
Colorist: Rod Reis
Letterer: John J. Hill
Assistant Editor: Wil Moss
Editor: Matt Idelson

So…Superman hits #700. I still remember when Action Comics hit this number nearly 200 months ago, waaaaay back in 1994.

Of course, this one somehow doesn’t seem quite as special. For one thing, it doesn’t seem nearly so special, what with Batman #700 being out a couple weeks back, and Wonder Woman #600 about to hit, and being aware of those other titles and the anniversaries.

Plus, while perhaps after 16 years I’m forgetting…right now, I’m recalling that Action Comics #700 was simply its own story, part of the single, ongoing story of the time. An extra-sized issue celebrating the anniversary, but other than the length and the tease of a wedding…just another issue.

Superman #700 is just another issue, but not in the good way.

We have 3 partial-issue stories, making this just another “anthology” of sorts, of Superman stories. The first story features Superman’s reunion with Lois, after having been away so long on New Krypton…that creative team making their exit. The middle story by Dan Jurgens is a fairly fun throwback to the days of lighter stories, and is a fairly welcome return…unfortunately, just for this story as part of the anniversary issue. The final story is a prologue to the incoming creative team.

Frankly, I’m rather tired of things jumping all over the place with the Superman books of late. If multiple issues were all advancing different sides of a story fairly equally and on a consistent basis…sure. But lately–particularly the Last Stand of New Krypton–things have seemed outright disorganized to me. Better to have one issue focusing on this element, one issue focusing on another, one issue focusing on yet another element of the story, in terms of expanding beyond a “core.”

This feels like it should be an “annual” given the anthology nature. Incoming readers jumping on for #700 may not really have any sense of the past year and a half or so of stories, so that first segment won’t mean much; and those looking to get the conclusion to the story they’ve followed for over a year and a half are stuck with material for an entirely different creative team and story that on the whole is likely to be an entire disconnect from the last couple years’ worth of stories. And the Superman/Robin story–while enjoyable and entertaining enough, being disconnected from both the other segments, would also itself seem better-suited to be a special issue all its own.

I can’t help but compare The Comeback to the sequence from Adventures of Superman #505 back in 1993 that provided the official reunion between Superman and Lois after Superman’s death and the Reign of the Supermen epic. Though now nearly 17 years in the past, I prefer that to this…this one seems somehow arbitrary, and lacked the feeling and depth of the 1993 story. The art’s not bad, but when compared to the Jurgens/Rapmund that follows, it pales significantly for me.

Geometry is a nice little tale from Superman’s early years, and shows a situation which winds up being a Superman/Robin team-up between Clark and Dick, while Bruce is unable to do the Batman thing due to an essential Wayne Enterprises function. Robin strikes out on his own for the night, having realized that an arms transaction was going to go down sooner than he or Batman had thought. Superman had already dealt with the individuals in Metropolis, and follows up on the Gotham City side, where he winds up being in time to save Robin, who got in over his head. The two share the friendly bond of being out of their element/not having Batman in the mix…though the conclusion provides a nice extra touch. Jurgens is just about my favorite Superman artist, and working with Rapmund, the art for this segment is a huge treat with some of my favorite Superman art featured in the current titles in quite awhile.

The final 10-page prologue for Straczynski‘s Grounded serves as a true prologue–setting up the story to come. Still freshly returned from a year on New Krypton, Superman has been before governmental bodies explaining what happened and his role in what recently transpired (in War of the Supermen). He is confronted by a woman whose husband recently died of cancer, and she blames Superman for not being there to save him–that his powers surely could have allowed him to “operate” where actual doctors could not. This leads to Superman brooding over the situation, blaming himself, and through a flashback to a conversation with Pa Kent, he comes to the conclusion that he’s been keeping himself above things, in a comfort zone, and must change things up and put himself back into fertile soil, wake himself up from how he’s been, to do what he really needs to do.

The visuals for this story–as provided by Barrows & co.–isn’t quite up to Jurgens/Rapmund‘s style in my eyes, but is still good quality work, and enjoyable in and of itself. No real complaint to it, and if this quality is maintained for the entirety of the Grounded arc, I’ll be a pretty happy camper.

Overall, this is the second anniversary issue this month to be more disappointment than not, though. If you’re interested simply in having the anniversary issue with a big, round number…sure, you could do a lot worse than this issue. But if you’re not an ongoing/continuing reader, the Superman/Robin story (not tied to previous nor upcoming story) is only 16 pages and certainly not worth the $4.99 cover price by itself.

I won’t go so far as to recommend against this issue, as exact interests/tastes vary in what may be desired in such an issue. But I don’t specifically recommend this, either. Ratings below based on the issue as a whole.

Story: 4/10
Art: 7.5/10
Overall: 5.5/10

Joker’s Asylum II: Killer Croc #1 [Review]

Full review posted to cxPulp.com.

Story: 3.5/5
Art: 4/5
Overall: 4/5

Red Robin and Booster Gold: A Tale of Two Books

Red Robin

I’ve long followed Tim Drake’s adventures. His first appearance was in the Batman: Year Three arc, the final issue of which was my very first-ever Batman comic to own. The very next Batman arc was the Lonely Place of Dying 5-parter crossing over with New Titans, that officially introduced Tim Drake to the Robin role. I had initially missed–but quickly caught up on–the original two mini-series the character had, bought the Eclipso: The Darkness Within annual that summer, and the first year or so of the ongoing series following Knightfall.

While I’ve not been a completist regarding Tim Drake’s series (I have the 3 minis and the ongoing up to One Year Later as well as a couple of the Batman: RIP tie-ins and the series finale), I’ve generally enjoyed keeping up with the character. His changeover to the Red Robin identity brought me back, and while I was somewhat interested in where the character’s headed, told myself that I’d stop at Yost‘s final issue (Red Robin #12), as the end of that story seemed as good a jumping-off point as any.

However, I couldn’t resist checking out what Nicieza‘s going to do with the character, and bought the first issue of his run–Red Robin #13–and quite enjoyed it. I’m fairly torn on sticking with the single issues, though and lean toward simply waiting for collected volumes. At the least, I’m confident that Nicieza‘s got a good grasp of what Tim Drake’s all about, and the character is in good hands moving forward.

Booster Gold

Along similar lines, Booster Gold is a character I’m familiar with going back to 1992’s Doomsday / The Death of Superman arc. The character has matured quite a bit since then, particularly throughout 52 and the current ongoing series. Aside from guest appearances, the character was largely off my radar, though, from the late 1990s until 52.

I initially picked up the ongoing because of Geoff Johns‘ writing, and having been hooked back into the character during 52. I considered leaving when Johns left, but the announcement that Booster Gold’s creator, Dan Jurgens, would be taking over after a short interim team kept me onboard. With Jurgens‘ departure, I decided that I would probably step away as well.

Still, like with Red Robin, I couldn’t resist picking up the first issue with the new creative team (despite an ugly cover) to check ’em out, see what they seemed likely to be doing with the character. And again, I have to admit that I’m intrigued. Though this is the “Bwa-Ha-Ha” creative team, they keep a decidedly serious angle on the character (just with that humor thrown in), which is a welcome element: both in having the humor as well as them not in their very first issue discarding everything that’s come before. Instead, they seem to be leaving in place what’s already come, and are simply building from it…moving forward with a look back in the rear-view instead of turning the whole car around to GO back.

Also as with Red Robin, I’m not sure I want to stick to the single issues…but I’m definitely likely to be interested in the collected volumes. Lack of interest in the single issues is a comics-in-general thing for me, and not indicative of the creative teams’ quality.

Other thoughts

In the wake of the huge Blackest Night event across 9 months or so, and the majority of comics seeming to be hitting the $3.99 price point with virtually no stop in the $3.25 or $3.50 range, I’m burning out. I’ve also been increasingly frustrated at collected volumes either being over-priced for what they contain, or being a superior “package” to the single issues, as they often make me feel like I’m almost being “punished” for buying single issues.

Rather than burn myself out entirely and buying strictly out of habit and such, I’m looking at starting from scratch as to what titles I’m going to buy and keep up with, and probably cut loose a bunch of others for a time, as I can play catchup later if needbe–whether single issues at a convention or collected volumes from the comic shop or Amazon.

Red Robin‘s the only Bat-book I’ve been getting after deciding to bail on the Batman Reborn stuff last summer, and Booster Gold‘s been the only “general-DC” book I’ve been getting after opting to stop buying JSA when Johns left (I tried the first issue after and wasn’t sold on the new team).

And now as I look to pare down my buying even further…I’m likely to let these two titles go primarily for budgetary reasons. Red Robin will likely tie in to the Return of Bruce Wayne and/or whatever follows that, and Booster Gold‘s likely the same, as well as having ties to Brightest Day and Generation Lost.

If you’re interested in either character, where they’re going, or the creative teams…I still very much recommend them, and my choosing to let ’em go does not feel like a statement of quality as much as sacrificing books that seem likely to play into larger stories I’m not willing to risk getting pulled into on top of these books.

Joker’s Asylum II: The Mad Hatter [Review]

Full review posted to cxPulp.com.

Story: 4/5
Art: 4/5
Overall: 4/5

Batman #700 [Review]

Full review posted to cxPulp.com.

Story: 3/5
Art: 4.5/5
Overall: 3.5/5

My thoughts on ‘Justice League: Crisis on Two Earths’ part 3: The Extras

A “bonus” feature (as far as I can tell, included with the barebones DVD, the special edition DVD, and the BluRay) is an animated short starring The Spectre.

This is a bit of an unusual piece to me–I’ve really only known the character as the primal/cosmic/universal force-of-naturehe’s been for the last 10 1/2 years. This short focuses on the character with Jim Corrigan as his “host,” where Corrigan grounds the Spirit of Vengeance a bit.

This short delves into some dark, disturbing territory…whether intentionally going there or taking advantage of less restriction due to being packaged with a PG-13 animated film, I’m not sure.

Not being particularly familiar with a down-to-Earth Spectre, I found it to be less interesting than I’d prefer in and of itself…but it’s still fairly interesting being exposed to this version of the character.

There’s also a preview of the next DC Universe project…Batman: Under the Red Hood, which is based on the 2003/2004 Under the Hood arc in the Batman comics.

While I have never bought into the “Return of Jason Todd” and everything that’s been done with that character for more than half a decade…as an animated project, it looks like this one has potential…at the least, this preview/”First Look” sold me on the concept. A large part of that, I think, is that it looks like the film will include material taken from A Death in the Family, which will more closely tie the Under the Hood story to that prior one, making it work as a unified whole in the film where it still has not for me as a comic story that essentially undid a key story in the Batman history.

Finally, there’s a short documentary that looks at the recent history of DC Comics, with brief interviews with the likes of Paul Levitz, Dan DiDio, Geoff Johns, Brad Meltzer, and others discussing Identity Crisis, Infinite Crisis, and Final Crisis, and a lot about how the stories were crafted and made to build toward one another. The interviewees also discussed what got them into comics, and their influences…and in general, made for a very enjoyable piece.

Of course, it was also interesting to see several of their roles/titles, given changes announced last week for the organization at DC.

I’m a sucker for such documentaries/interview pieces…I enjoyed the Death of Superman retrospective, the Green Lantern/Blackest Night piece on the Green Lantern: First Flight release, and of course this one.

_____________________
My thoughts on Justice League: Crisis on Two Earths
part 1: What Came Before
part 2: The Movie Itself

My thoughts on ‘Justice League: Crisis on Two Earths’ part 2: The Movie Itself

Now we have the second Justice League movie. Though it is the second under the Justice League header, it’s really no sequel to New Frontier. This one is based on some classic Justice League stories known to me under their contemporary heading of Crisis on Multiple Earths.  These comics–as I understand my comics history–were largely regular team-ups between the Justice League and the Justice Society…then situated on different Earths in DC‘s multiverse.

Though the multiverse has long since perished and recently been reborn, those stories still hold quite a bit of weight.

And so we have this movie, in which a Luthor crosses from his Earth to that of “our Earth”–that is, the Earth in which we find the DC super-heroes–and reveals this multiverse. He convinces the Justice League to help him on his world, to “free” it from the evil that terrorizes it. Whereas on our Earth, the most powrful beings are heroes, on Luthor’s Earth, they’re villains.

There’s a LOT to like about this movie.  The animation is nice and clean–plenty of detail for what it is, without being overly detailed or trying to be some sort of “animated live-action.” The visual style doesn’t seem to imitate silver age comics that I’m aware of, nor does it exactly imitate contemporary comics. There’s something to it that reminds me very much of the Batman, Superman, and Justice League animated series–probably in part that Bruce Timm is heavily involved in this movie as he was with those series.

I was initially disappointed that we had more new voices for familiar characters…but as the movie kicked into gear, I didn’t really even think about it, other than to note that the characters all sounded perfectly fine and no one seemed out of place…I heard the characters, and not the actors…which for me is an important thing for any animated project.

To me, The Flash had several of the greatest moments–a comment about Luthor’s state when they meet him; a Star Wars reference, and a nice play on things when rushing out of the Crime Syndicate’s place after his teammates. Owlman had a great Harrison Ford moment, which I’m not sure was intentional, though it almost seems it had to have been. And toward the end, Wonder Woman’s “spoils of war” is just about my favorite silver age reference ever–legitimizing a concept I always saw as ludicrous.

The “meat” of the movie was solid stuff, as well. Granted, with a team movie, there’s not a lot of room for character development, especially in the relatively limited timespan for these animated movies. The only thing that really felt forced to me involved a romantic interest for the Martian Manhunter (even if there was a bit of payoff in his final comment on the matter).

This isn’t a character study on any single character…it’s an action/adventure pitting many familiar characters against many similar/opposite characters. There seems to be plenty drawn from the original 1960s comics…and yet, a strong dose of contemporary story-telling.

These DC Universe dvd movies just keep getting better and better, and though I haven’t yet digested this one long enough to decide if it surpasses the previous ones…it certainly keeps up with the best of ’em.

_____________________
My thoughts on Justice League: Crisis on Two Earths
part 1: What Came Before
part 3: The Extras

My thoughts on ‘Justice League: Crisis on Two Earths’ part 1: What Came Before

While in many ways, an animated/movie adaptation of ‘The Death of Superman REALLY gets to my core as a comic person–it was largely that story that fully submerged me long-term into the world of comics, and so it has a special place in my memories–that first movie from DC Universe is probably my least-favorite. To this day, several years after-the-fact, I tend to hold that its only redeeming quality is the retrospective documentary on the Death of Superman in the comics. (It doesn’t help that they LATER released a special edition, while subsequent movies have had simultaneous “bare bones” dvd release and a Special Edition release).

Batman: Gotham Knight was an interesting piece, giving a taste of Batman with the anime style…I actually enjoyed it for the most part, and while that is not a style I’d care for long-term for Batman, it definitely worked.

Justice League: A New Frontier became an instant favorite for me. There was something to its story–and perhaps the fact that I had not read the comics first (and yet, had had them repeatedly recommended to me). I read a one-shot DC put out around the time of the movie’s release and enjoyed it, and shortly after bought the TPBs of the comics, and greatly enjoyed those, such that as a whole, the New Frontier is a definite DC classic to me.

A combination of things led to my NOT picking up the Wonder Woman movie, though I Netflixed it, enjoyed it, and numerous times now would have bought it, if any stores would stock the “Special Edition” WITH the stupid cardboard box/slipcase thing. (Petty, sure…but that’s a story for another time).

Green Lantern: First Flight sorta crept up on me, but with Blackest Night then just barely kicked off, I was on a Green Lantern high, and was very excited for the movie. Though it was kinda strange in its depiction of Abin Sur and others, in and of itself I recall really enjoying it–especially the use of Sinestro, AND his Sinestro Corps costume…as well as the way it was left open for “sequels.” That it came with an exclusive Hal Jordan DC Infinite Heroes figure (well, if one bought the boxed version at Best Buy, anyway) was an added bonus. I’ll also always remember buying a new DVD player the same day in order to watch the movie, as the old DVD player my roommate and I had been using refused to recognize the new disc.

A little over two months later we got Superman/Batman: Public Enemies, and in anticipation of that one, I re-read the original comics, and thus both enjoyed and yet nitpicked it a bit more than I may have otherwise. I particularly enjoyed the voice casting, getting the “original” actors from the Batman: The Animated Series and Superman: The Animated Series to voice Superman, Batman, and Luthor. That the art was so similar to the original made it even more of a treat.

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My thoughts on Justice League: Crisis on Two Earths
part 2: The Movie Itself
part 3: The Extras