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Age of Apocalypse Revisited: Weapon X #3

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weaponx003The Common Right of Toads and Men

Writer: Larry Hama
Penciler: Adam Kubert
Inks: Dan Green and Mike Sellers
Letterer: Pat Brosseau
Colorist: Joe Rosas
Separations: Digital Chameleon
Cover: Adam Kubert
Editor: Bob Harras
Published by: Marvel Comics
Cover Date: May 1995
Cover Price: $1.95

Having "lost" Jean in the previous issue (she can be followed into Factor X #3), Logan heads to Wundagore Mountain seeing Gateway on behalf of the Human High Council. He runs into a couple of cyborgs–humans who voluntarily allowed themselves to be "enhanced" to serve Apocalypse–guarding the place. After dealing with them, he finds Carol Danvers and the two ascend to find Gateway. Meanwhile, the High Council’s resolve deepens. Carol, Logan, and Gateway are attacked by the Cyborgs (who melded for survival) as well as Pierce and Vultura…and after the fight, Logan faces the quasi-success of his mission.

This issue really felt like a whole new one for me–I’d completely forgotten the entirety of this chapter as well as the characters involved. The story isn’t all that thrilling to me despite the action…but then, I’m not a fan of the antagonists–I vaguely recognize Pierce as having a 616-counterpart though I don’t recall the context, and the cyborgs are relatively generic, providing something for Weapon X to fight and dispatch to show how tough and rough he is. Carol Danvers being here seems arbitrary, like her inclusion is simply to have a woman fighting at Logan’s side. Throwing my mind back to 1995, I think Carol was "off the table" at the time with Marvel so this appearance would have been her being "brought back for the story." As such I’m ok with it overall.

Kubert‘s art doesn’t work for me quite as well in this outing (thanks to my disinterest in the antagonists) though I wouldn’t call it bad. It simply doesn’t blow me away in any positive manner.

Passive as it sounds–I didn’t NOT enjoy the issue, but I didn’t find myself particularly enjoying it. It felt like this issue was treading water a bit, moving us from bad-ass Logan & Jean and then the pair splitting, to a "key reveal" I recall happening in the 4th issue right before going on to X-Men: Omega. Still, for me this is a much more satisfying issue than many contemporary comics.

Age of Apocalypse Revisited: Generation Next #3

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generationnext003It Only Hurts When I Sing

Creators: Scott Lobdell & Chris Bachalo
Inks: Mark Buckingham
Colors: Steve Buccellato and Electric Crayon
Letters: Richard Starkings and Comicraft
Edits: Bob Harras
Cover: Bachalo
Published by: Marvel Comics
Cover Date: May 1995
Cover Price: $1.95

We continue to see the kids’ infiltration of the prison camp as they seek Colossus’ sister, Illyana. Their search quickly turns toward doom for the group…and we see the stark contrast in this Colossus by the way he regards the lives of his students in this situation. We’re also shown a lot more about the conditions in the facility as well as the sorts of individuals who keep the place running. Finally, we’re left with a decent cliffhanger as characters struggle for maximum survival, though perhaps purchased at a steep cost.

This issue gives us what I believe is the first on-page appearance of the Sugar Man…a rather gross little beast of a character. I didn’t like the character back in 1995, and I don’t now in 2015. The character seems a perfect fit for the art and story, though, showing the horrors and weirdness that populate the world of this story.

Visually I’m not impressed…and continue to attribute most of that to Bachalo‘s art, which just isn’t that appealing to me, outside of Colossus and Kitty. The story is pretty good on the whole, and I do enjoy that we get to see the characters "in action" and they way in which they infiltrate the place. Though this is by no means my favorite issue nor favorite TITLE, it’s still a solid issue with good story and distinctive art. I vaguely recall a key event for these characters, but truly cannot remember if it occurs in the pages of this mini or not until X-Men: Omega.

As a third issue of four, this works well enough and does leave me curious about the unfolding of the events in the next issue, even if I’m not singularly enamored with this issue. It gets the job done, and also has me further curious about some of these characters in the "regular" Marvel universe.

Nothing special, nothing horrible.

Age of Apocalypse Revisited: Factor X #3

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factorx003Open Wounds

Writer: John Francis Moore
Pencilers: Steve Epting with Terry Dodson
Inker: Al Milgrom
Lettering: Richard Starkings, Comicraft
Colorist: Glynis Oliver
Cover: Steve Epting
Editors: Kelly Corvese, Bob Harras
Published by: Marvel Comics
Cover Date: May 1995
Cover Price: $1.95

Hostility between Havok and Cyclops openly breaks out in this issue, as Havok makes his move to get his brother outta the way and take his place within Apocalypse’s hierarchy. Getting to that point follows the arrival of Jean Grey (who left her partner Weapon X in the most recent issue of that mini). Havok capturing and presenting her to Cyclops to further entrap him doesn’t go quite according to plan…and word quickly reaches Apocalypse on the transfer of power between the brothers.

Aside from a rather distractingly cartoony panel of Jean, I really dug the art for this issue…as I have the previous ones as well. Everything seems familiar and consistent overall–something I definitely like in issues of a single mini-series–and I can’t really complain. It’s cool seeing a couple "new" characters taken on by this creative team in flashing back to Weapon X #2.

Story-wise it’s very cool to see Jean’s arrival for a number of factors–but certainly at least for the notion of continuity and the shared universe of the X-books. I identified her so closely with Weapon X due to that series’ start and the cover to its first issue, and it’s interesting to see the crossing over as things build and develop, and get to see Jean interact with Cyclops…especially given what they were to each other in the "main" Marvel Universe prior to Legion screwing stuff up.

With this issue, we’re three-quarters through the series. Past the point of introduction, no treading water, and racing toward a conclusion…though I recall certain characters continuing into X-Men: Omega, so there’s a different sense of things for me looking back on this.

This would not be a singularly favorite issue for me, and the cover is a bit disingenuous–though in a very loose sense it could be seen as accurate given what goes down here. However, I definitely enjoyed reading the issue and seeing stuff progress in general as well as the feeling of things coming together. While the various X-titles sort of split apart coming out of X-Men: Alpha, the "universe" is shrinking a bit and I recall the minis all leading their set of characters back together into the pages of X-Men: Omega to conclude the entirety of the original Age of Apocalypse event/story.

Age of Apocalypse Revisited: X-Man #3

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xman003Turning Point

Writer: Jeph Loeb
Pencils: Steve Skroce
Inks: Bud LaRosa and Mike Sellers
Colors: Mike Thomas
Separations: Digital Chameleon
Letters: Richard Starkings and Comicraft
Cover: Steve Skroce
Editors: Lisa Patrick, Bob Harras
Published by: Marvel Comics
Cover Date: May 1995
Cover Price: $1.95

I miss the single-issue titles and creative presentations of credits…maybe it’s reading so many of these 20-year-old comics lately and barely touching contemporary Marvel books, but it really seems that these aren’t done like this anymore. I appreciate the "Previously…" Pages that catch you up, and avoid disrupting the story or filling it with exposition that (in the inevitable collected volumes) can seem rather silly at points. But that’s part of the fun of revisiting the Age of Apocalypse and pointedly doing so on an issue-by-issue basis rather than via any of the collected editions or digitally.

This issue’s cover is relatively generic…yet, I like it. There’s no real background to it (though the title’s logo takes up most of the space where there otherwise WOULD be background, so there’s not much point to it), and we see Forge with Nate, both men standing together, eyes gleaming, ready for battle. Not terribly dynamic or iconic or stand-out, but works for the issue…and as said, I like it.

The art for the issue continues–as with previous issues–to work well for me, getting things across and not distracting me from the story.

The story itself is solid, and does well as a third issue of a four-part story, building on the previous chapters and leaving things at a tipping point for the fourth issue to wrap up.

Forge and the group find themselves facing Domino, Grizzly ,and Caliban–agents of Apocalypse–and fight. The trio is dealt with, Nate "tasting blood" (so to speak) as he dispatches Domino rather harshly. As the group deals with what they just went through, Forge discovers Brute’s fate as well as the truth behind his suspicions of Essex. Forge’s fate, in turn, is felt by Nate due to their psychic link…and despite Forge’s dying words, Nate faces the killer and discovers the cold truth of Essex himself.

Knowing what comes next honestly "taints" my enjoyment of this issue. It’s a good issue, with plenty of forward movement and development for the characters. But important as the issue’s events are for Nate, I get a different feel from this third issue than I have others–and I’m reminded that just as these minis "spun out" from X-Men: Alpha…so, too, do they dovetail back into it, and thus while there may be endings to the 4th issues, the characters’ stories all go on to an overall conclusion apart from the individual minis.

All that aside…I enjoyed the issue and do look forward to the continuation of this story and the Age of Apocalypse in general.

Age of Apocalypse Revisited: Gambit and the X-Ternals #2

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gambitandthexternals002Where No eXternal Has Gone Before!

Writer: Fabian Nicieza
Penciler: Tony Daniel
Inkers: Conrad, Milgrom, Christian
Letterer: Chris Eliopoulos
Colorist: Marie Javins
Separations: Digital Chameleon
Cover: Tony Daniel
Editor: Bob Harras
Published by: Marvel Comics
Cover Date: April 1995
Cover Price: $1.95

Picking up immediately on the heels of the previous issue, our point of view is back with Gambit and his group, as they suddenly find themselves farther from home than they ever could have imagined being…and facing what they come to learn is the Shi’Ar Imperial Guard. The encounter is not encouraging, and Gambit has the group retreat. Rictor–who tagged along in their cross-galaxy space-hop–goes with the Imperial Guard. While he meets with a certain brutality interacting with the Guard, Gambit and co. meet a local who brings them up to speed on the situation they’ve found themselves in on this alien world. Rictor soon leads the Guard back to the X-Ternals, and the fight again does not go well, but this time the group is rescued by another group–calling themselves the Starjammers…who explain the danger facing all existence.

The art in this issue seems somehow "off" on this read-through…I’m sure it’s not all that different from the first issue, but as has plagued many of the #2s, there’s something to not being the opening chapter, nor penultimate or final chapter that leaves me a bit dissatisfied with the issue and more negatively critical of stuff that wouldn’t otherwise bother me. On the whole, the art works, the characters are familiar and mostly distinct…though just paging through the issue there’s a strange sort of blend to the visuals that–at least just for this issue–seems "off" to me.

The story itself is good, though a bit fast-paced and feeling quite a bit the opposite of "decompressed." This issue’s events could easily (by contemporary standards) be stretched to at least 2-3 issues–as we meet the Imperial Guard, see a fight and retreat, meet another new character and get exposition, see Rictor interrogated, another fight, meet another group, get further exposition, and finally a declaration to end the issue. That a lot is packed into the issue is good, and feels like a lot is going on, keeping things moving forward and giving a bit of that sense of hecticness the characters must be feeling, trying to find their bearings in this screwy new setting they’re thrust into.

With the Age of Apocalypse story exploring a number of different facets of the X-Universe, this series gets to do the "cosmic" side of things. It’s not entirely to my liking, nor is it necessarily a disliking. Though I’ve read some of the stuff with "X-Men in Space" I’m not really used to THESE X-characters "in space" so that throws me off a bit.

All in all, the issue’s rather average; neither landing as something crummy and distasteful nor anything of great significance or notice. It simply is what it is. We have plenty of action and story advancement and are moved into the heart of things away from the simple "premise" of this mini as spun out from X-Men: Alpha.

And like many other issues in the Age of Apocalypse stuff, I find this current re-reading to be almost new as it’s been so long since the last time I read through the entire story that I’ve forgotten details even if I’ve retained broad strokes.

Age of Apocalypse Revisited: X-Calibre #2

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xcalibre002Burn

Writer: Warren Ellis
Pencils: Roger Cruz, Renato Arlem, Charles Mota, Eddie Wagner
Inks: Phil Moy, Tom Wegrzyn, Harry Candelario
Colors: Joe Rosas, Digital Chameleon
Letters: Richard Starkings, Comicraft
Cover: Ken Lashley
Editors: Suzanne Gaffney, Bob Harras
Published by: Marvel Comics
Cover Date: April 1995
Cover Price: $1.95

Some of these covers stick out to me and are rather instantly recognizable by image alone, without or in spite of the logos. This cover, though, could be brand new and I wouldn’t be able to tell you one way or the other. I suppose that’s because I only clearly recall broad strokes and not the details of the series.

This issue picks up on Destiny and her vision of Avalon burning. We then jump to an attack on Apocalypse’s forces, before cutting to Nightcrawler suffocating with fellow refugees in a sub. Though he escapes, others are not so fortunate. When the sub surfaces and seeks repairs, the refugees are transferred…and only his hanging back saves Nightcrawler from suffering the fate of the others. His inability to save them, though, leads our hero to attack Callisto and her minions, meteing out death for death-dealing. Finally, confronting Callisto herself, part of Nightcrawler’s mission fulfills itself in the arrival of Mystique.

This is a rather dark story, facing the dark elements in a way that somehow hits me a bit closer than some of the other titles’ situations…perhaps Nightcrawler saving himself but not anyone else–regardless of the fact of his INABILITY to do so. Prior to re-reading this I could only have told you that whatever this issue contains must have happened, but would not have been able to tell even the context of the cover image or anything that went down in this issue. The dark tone fits, as well as Nightcrawler’s own actions–marking him as quite different from his "regular universe" counterpart. I liked the intro page included here, something years ahead of its time: catching me up as a reader without forced exposition/contextualization eating up valuable space within the story itself.

I’m surprised, looking at the credits, to see so many involved with the Pencils and Inks…simply reading the issue, I didn’t even consciously notice anything amiss in the art that would even suggest so many creators involved. That’s certainly a good thing art-wise; or at the least says something about my enjoying the story enough to not notice.

In and of itself, there’s really nothing "special" to this issue; it’s a middle chapter lacking the newness and nature of an intro issue, it isn’t a penultimate nor finale chapter. It moves pieces around the board (so to speak) and gets things in place for the back half of the series.

While I look forward to reading Nightcrawler and Mystique’s interactions in the next issue, it’s not in a chomping-at-the-bit sort of way. I am moreso looking forward to getting to  finishing up on the #2s and getting to month #3.

Age of Apocalypse Revisited: Amazing X-Men #2

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amazingxmen002Sacrificial Lambs

Writer: Fabian Nicieza
Penciler: Andy Kubert
Inker: Matt Ryan
Lettering: Richard Starkings and Comicraft
Colors: Kevin Somers, Digital Chameleon
Cover: Andy Kubert
Editor: Bob Harras
Published by: Marvel Comics
Cover Date: April 1995
Cover Price: $1.95

We open on a prologue of sorts, witnessing Abyss torturing someone to maximize his own enjoyment of feeding off the kid’s life force. Then we turn back to the X-Men who now face foes who have commandeered the re-wiring of the Sentinels…now instead of being "invisible" to the sentinels, the X-Men are included as targets…a challenge they must overcome in order to be at all effective in helping the humans escape. They also learn that Abyss is holding this boy hostage, and Quicksilver and Storm go after him to save the kid. Meanwhile, Apocalypse determines that he Has Had Enough Of This and prepares to attack Magneto directly.

Like the first issue, this one is something rather different than I thought I remembered…something that might yet be attributable to cover images that I’ve seen repeatedly through the years while not re-reading the contents for years. This issue’s cover…while showing Storm and Quicksilver battling Abyss seems a bit stylistic, particularly in Abyss’ appearance as well as Quicksilver’s silent scream. A coworker asked me about part of it–if Storm was shooting lightning, and I realized that hadn’t even registered to me visually…just a bunch of color and lines.

The story is solid and enjoyable enough (given the dark setting and subject matter). It’s interesting to see the possible romantic relationship between Storm and Quicksilver simmering just under things, and at the least the relationship the characters DO have as-is. Somehow I’ve associated this title more with Rogue and her group than with Storm and Quicksilver, yet at least as of these first two issues, it’s definitely a Storm/Quicksilver-led group…though I believe the focus shifts a bit for the back half of the series.

The art is good, and no real complaints from me there outside of my note above on the cover. Even that isn’t horrible and is more of a "noticed" thing than anything drawing me out of the story or distracting or such.

Nearly halfway through the Age of Apocalypse now, and it seems like the journey’s just begun. Though I’ve not cared much for the "10 years later" stuff through present done with "advancing" the world…I still feel there is an incredible amount of potential for these characters and stories to be told prior to where we picked up in X-Men: Alpha.

And that’s probably part of why I find myself drawn more to Amazing and Astonishing X-Men to the self-inflicted quasi-dread of reading some of the other titles. This book holds as one of the "treats" of the bunch, though.

Age of Apocalypse Revisited: Weapon X #2

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weaponx002Fire in the Sky!

Script: Larry Hama
Pencils: Adam Kubert
Inks: Dan Green
Colors: Joe Rosas
Separations: Digital Chameleon
Letters: Pat Brosseau
Cover: Adam Kubert
Editor: Bob Harras
Published by: Marvel Comics
Cover Date: April 1995
Cover Price: $1.95

On reading the first page of this issue, I felt lost, and actually re-checked the cover. Yep–this IS #2. Not #3 or 4…I didn’t miss an issue. I don’t actually remember the ending to the first issue, but opening on Weapon X wading to shore amidst refugee/survivors, screaming for Jean definitely threw me a bit.

That’s where the issue opens–Logan’s just located Jean, who left to help with the evacuation of the humans from North America. The two reunite, a definite distance/rift between them that neither seems to want to acknowledge. There’s an attack, and the two leap in to help, though it brings things to a head between them and they part ways. Returning to the Human High Council, Logan is stopped by Mariko, and while the two converse another attack commences, and Logan again leaps into action in a way only he can. By the time the attack is over, Jean has left…though Logan is once more able to follow thanks to their psi-link, and the years of partnership between the two reach a tipping point.

This issue definitely feels like a “middle chapter” of a story. We’re thrown in the deep end at the issue’s beginning, and left with an unresolved situation at its end. At its end, we’re halfway through, having been introduced to Logan (Weapon X) and Jean in their status quo, we’ve witnessed their initial mission to completion and then further development of their situation, and things rapidly shifting into place for what I loosely recall of their placement for the far end of the Age of Apocalypse story.

I do like Hama‘s writing, and it’s still interesting to me to look back and realize what he’d done with the Wolverine character (and here, Weapon X) long before I ever recognized his GI Joe work. I touched on the notion covering the previous issue, but saw hints of it again in this issue: while this Weapon X is this reality’s version of Wolverine, there IS a darkness that I suppose I could “accept”–given what I recall of the ending of this Age of Apocalypse epic–morphing into what I considered a ridiculous and stupid thing in more recent years, NEARLY 20 years after the fact.

There’s an authenticity here that I appreciate, and while the story doesn’t leave me chomping at the bit for the next issue, I’m not disappointed to have read this one.

The art is quite good, and I continue to really enjoy Kubert‘s take on things, particularly Weapon X’s hair. That, combined with the burnt-critter version and then seeing the hair growing back over the span of a number of pages was cool–a sort of detail that worked well and conveyed how “tough” the character is physically.

Weapon X may not be my favorite of the Age of Apocalypse titles, but it’s not one I’ve dreaded reading…it falls somewhere in the middle or a neutral place if I were to rank ’em. This was a good issue, and ties in with stuff unfolding in Amazing X-Men, and while this stands alone overall, it’s great to see reference to other chunks of the whole, as this series is not unfolding in a vacuum.

Age of Apocalypse Revisited: Generation Next #2

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generationnext002Hither Comes the Sugar Man!

Created by: Scott Lobdell & Chris Bachalo
Inks: Mark Buckingham
Colors: Steve Buccellato and Electric Crayon
Lettering: Starkings and Comicraft
Editor: Bob Harras
Cover: Chris Bachalo
Published by: Marvel Comics
Cover Date: April 1995
Cover Price: $1.95

Now that we know Illyana Rasputin is alive, we pick up on her, showing a newcomer the way of things in the realm of the Sugar Man. We then cut to her brother, initiating plans to get into the heavily-fortified facility with his team of young mutants. The bulk of the issue follows these young mutants as things get moved into place, despite their skepticism at the worth of one young girl simply on the word of a single individual only recently discovered. Part of this plan involves taking out Quietus, the foreman of the operation, to get in and figure out which mutant IS Illyana and where she can be located.

I’m still not much of a fan of Bachalo‘s art here…but despite that, it definitely sets a certain tone here–a bit dark, and fairly disturbing (and at some points, almost surreal). This certainly "works" for the issue, keeping this series visually distinct from the rest of the Age of Apocalypse stuff. I really can’t fault it too much there.

The story is interesting enough. Even in the "main" or "regular" X-Men/Marvel universe, I’m not nearly as familiar with these characters as I am many others…Generation X is a rather dim spot in my X-experience from the ’90s. So my emotional investment here, my interest in the characters is thus fairly limited. Things are easy enough to follow, but I find myself questioning more about Colossus and Kitty and how they met and so on, given the nature of this reality compared to the original.

It’s good to see the various characters and that they’re not just blindly on-board with stuff. There’s a certain authenticity there. It also seems quite reasonable to me for people to question stuff. As a reader, I know this isn’t the "true" reality and that OF COURSE things have to be "put right" but from the characters’ point of view, reality simply IS and anything else is what-if or "alternate reality."

This title continues to be a sort of "surprise" to me; that I’m actually enjoying it as much as I am. Despite the faults and such I point out above, and that I don’t actually enjoy seeing anyone suffer…this title in itself has been a much more enjoyable read than I’d anticipated. Even after realizing that with the first issue, I again found that I had to talk myself into NOT skipping the reading of this issue in favor of several of the other #2s.

As with a lot of the other issues so far and presumably to come, I recall the broad strokes and basic end results or strong key moments from these minis (perhaps blended/crossed with X-Men: Omega) but not much in the way of the nuanced details…which makes re-reading these similar to getting to read them for the first time.

Though it interrupts the "flow" of just flying through for the reading experience as a whole, there’s something to pausing between each issue to write up these thoughts on them, taking the time TO reflect before moving on to the next.

I’m sure the reading experience would also be different if I were to read these as individual series, but I’m also enjoying seeing the world unfold as it did originally, learning stuff in the "order of publication" and all that.

Age of Apocalypse Revisited: Factor X #2

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factorx002Abandoned Children

Writer: John Francis Moore
Penciler: Steve Epting
Inker: Al Milgrom
Letters: Richard Starkings and Comicraft
Colors: Glynis Oliver
Cover: Steve Epting
Editors: Kelly Corvese, Bob Harras
Published by: Marvel Comics
Cover Date: March 1995
Cover Price: $1.95

Maybe it’s just the immediacy, but this issue–to me–is one of the better-looking interiors in awhile. I’m sure a large part of that is the faded, ghostly image of Magneto at the start of the issue…as well as the detail to Cyclops in the face and hair that somehow just works really well for me.

This issue opens with Lorna Dane seeing Magneto taking imprisoned mutants out, but leaving her behind…something she doesn’t understand (how her father could return but leave her seems beyond her comprehension). Alex Summers (Havok) investigates the escape and while the leader of the escape is not visible on surveillance video, the team realizes that the green-haired mutant saw everything, and so they approach her for interrogation. Her lack of cooperation gets her handed over to Dark Beast…though the beast’s functional torture is cut short by Cyclops, who orders the girl taken back to the pens without harm. Meanwhile we see Havok in compromising position as well as clues that things are getting ready to go seriously wrong for BOTH Summers brothers.

As said above, the art on this issue really stood out as top notch to me, which is definitely significant given my not being one with as much interest in the visuals as the story. I suppose I shouldn’t be surprised given Epting‘s the penciler. Suffice it to say that the details work well and I quite enjoyed the visual styling and layouts and such to the issue.

Another contributing factor to my enjoyment of the issue is surely the fact that Cyclops and Beast are a couple of my favorite characters in the X-Men books, particularly Cyclops. Seeing that despite the obvious differences there’s plenty of similarity is encouraging, and retrospectively may have been part of why the character came to be one of my favorites so early on for this time period.

I’d noted with the previous issue that this title is our glimpse into the "other side," seeing into Apocalypse’s side of things, and I definitely like that since we have characters who "changed sides" between the "real" reality and this, we get to explore their dynamics as well as that of "the good guys."

While Factor X would not have been top of my list before, I’m realizing that this title is definitely up there for me, on a similar level with Amazing X-Men and Astonishing X-Men for me on the upper side of the books involved with Age of Apocalypse. As with many of these books, I do remember some key moments in broad strokes but not all the details; while I look forward to seeing those play out with Scott and Alex, I’m also simply looking forward to the next couple issues given my enjoyment of this one.