[Reprints All-New Collectors’ Edition #C-58, DC Comics Presents #s 33, 34, 49, and DC Comics Presents Annual #3 (1984). Cover Price: $19.99]
My initial criteria for choosing this volume? “Cheap” and “Superman” and “Shazam”/Captain Marvel. Also, “new.” As in…this just came out a few months ago (March, 2013 as far as I can tell) and thus qualified as “shiny and appealing,” so to speak. I also have to admit to appreciating the Shazam logo I’m most familiar with at the moment for pre-New 52 stuff (primarily due to Jeff Smith‘s Monster Society of Evil but have noticed for other Shazam items). Surfacey stuff, sure, but it yielded the sale and put the volume into my hands.
The art’s fairly standard-ish, especially for what I tend to “picture” as the generic “pre-mid-’80s” type visuals. Not horrible or anything, but nothing that blows me away by “today’s standards.” Yet, I certainly appreciated that often–while they appear QUITE similar otherwise, I COULD distinguish Captain Marvel’s face from Superman’s face…certainly something QUITE good in my book! It could be argued that the art is limited a bit, constrained by the standard-ish panel structure…that is, a lack of contemporary creative layouts and full/half/double-page splashes and the like. With most everything being in individual panels, there’s not a lot of room for much of the artistic impressiveness that would grab me with more recent art. While that’s a bit broad considering this volume spans a number of years, I largely read it in one go, and the visual style kinda blurs for me on older stuff.
Story-wise…by contemporary standards (again), can’t say I’m all that thrilled with this. Characters didn’t seem all that deep to me (some seemed to just come out of nowhere, with little or no context), and there were plotholes one could drive a truck through. Characters were all too quick and willing to “accept” something at face value with seemingly no consideration for the depth or scope of the issue at hand…and villains’ motivations seemed extremely thin.
All that said, or despite saying all that, I rather enjoyed the volume in and of itself. Even with the extremely limited prior exposure I’ve had to Captain Marvel, I know enough to recognize Sivana, Mr. Mind, Black Adam, the multiple Earths, and have recently learned a bit about Hoppy and the extended Marvel family (Uncle Marvel was–like Hoppy–quite a bit on the far-fetched side, but I recognized the character as Billy’s uncle from Shazam: The New Beginning).
While the stories may have been published years apart, in the general sense of the pre-Crisis DC Multiverse of the ’70s/early-’80s, these fit together well enough, and it was cool to see the nods to continuity.
I don’t know that I’d really recommend this to a new fan of the Shazam or Superman stuff as any sort of ‘essential reading’ (unless you’re particularly interested–specifically–in “digging in” and “experiencing” the historical element of the characters’ earlier interactions). But this does fit in quite nicely with other “themed” classic Superman collections that take a particular element (Lex Luthor, Brainiac, Zod, the Phantom Zone, the Daily Planet, the Bottle City of Kandor, etc) and present some stories focused on it.
For the price (especially if discounted) the volume is quite a good value for the time it’ll take to read, even though the art and stories don’t hold up real well with contemporary comics. This is a time-capsule showcasing Superman/Captain Marvel (Shazam) crossover/team-ups of the past, and for me, upon filing, will be a welcome addition to my bookshelf.
Filed under: DC, TPBs | Tagged: Captain Marvel, DC, DC Comics, DC Comics Presents, Dick Giordano, Gerry Conway, Gil Kane, Rich Buckler, Roy Thomas, Shazam, Superman, Superman vs. Shazam | 3 Comments »
In a way, the numbering on this series is funky. Instead of “just” a bunch of one-shots, this is being treated as a series of its own, just with a different character focus in each issue. It’s a nitpicky detail, but one that I’ve noticed. Still…quite enjoying the extra dose of story and the look at stuff from each character’s perspective. This Splinter issue delves a lot more into the new origin of these characters, shedding light on his past as Hamato Yoshi, and his relationship with Oroku Saki. This issue takes place within the current TMNT arc, where Splinter is being forced to fight for his life–as he contemplates what it all means, his past lends strength to his choice. This may not be the greatest jumping-in point for a new reader, but if you’re already enjoying the TMNT stuff from IDW, this is well worth snagging. I’m a little uneasy with the emphasis on elements of the new origin, but I’m curious to see where it goes, and it works much more for me than what was talked of for a certain live-action film. The art worked for the issue…nothing overly special, but nothing bad, either. (8/10).
There’s not much to say about this issue. It’s another chapter. It’s the last chapter before the huge #100 issue. Though I’ve gone back and forth between singles and trades, I remember when the series was barely hitting #50…I’ve actually been reading since just after the 5th collected volume came out, around the time #32 or 33 would’ve been just out. So I’ve been “into” this for almost 70% of its run. The art’s the usual; nothing new there. Story-wise, it’s interesting seeing the various character interactions, and I love the consistency of tone to everything as a whole. In some ways it’s kind of amazing to see where things have come, especially looking at the tv series now. This arc’s covers remind me a bit of the “No One is Safe” arc in the mid-40s, and makes me wonder if this’ll be the next big shakeup. Not really a good jumping-on issue, but definitely a good continuing issue…though as always, stuff like this seems to read best in bigger chunks. (8/10)
Finally at the half-way point of this series. Originally I was gonna avoid it, then I was gonna check it out. Then I decided what the hey–I’ll go all-in. Something about it made it seem different to me, from all the other recent events. But with this issue, we’ve hit what I’ve been somewhat afraid of: the world itself has been altered…and yet, it’s only reflected in a handful of titles. Wolverine’s own book doesn’t seem affected, not all the X-books seem to be affected, basically the bulk of the Marvel Universe is continuing as if something of this scale wasn’t going on. The build-up stuff, sure…that works, as characters are always in conflict. But the world’s been radically changed as of this issue…but it’s such a self-contained world that it seems hardly believable, and thus weakens the event and lessens the impact for me as a whole. I’m digging the Phoenix Five’s costumes, and I love the concept coming out of this story…it just doesn’t seem to be set in the main Marvel Universe anymore, somehow. Looking forward to what’s coming up, though, to see what happens, and see what this whole “No More Avengers” really means. Story in itself is good; art’s not bad. (7/10)
Now, I learned a lot from this issue. The last I recall seeing of Sinister, we had Ms. Sinister or whatever. Finding a whole society of Sinisters, with their own Victorian cityscape was quite a bit to take…and yet it seems to fit right into the “big concept” tone of the relaunched X-Men stuff (This title and Wolverine and the X-Men). While this is set within the overall AvX stuff, this issue is quite a stand-alone side-story…if you’re a fan of Mr. Sinister, and/or apparent recent stuff with Sinister, this is definitely an issue worth getting. At the same time, if you’re unfamiliar with recent stuff…this may be a good point to jump in and learn of the new status quo. The primary point of view character raises some interesting points, and the end was disturbing yet fitting. The last page in particular leaves me eager to see where this plot is going, whatever AvX has…and while I still detest the renumbering, I begin to much more seriously consider investing in checking out recent X-Stuff, at least back to the start of the relaunch. I enjoyed the art and the story here, and while it hardly seems to justify the AvX banner…I’m mostly glad it had the banner as that’s what I’m looking for in my increasingly foolish quest for the full AvX experience. (9/10)
This issue seems to be one of the more “important” issues of the tie-ins, at least in that I can see where this is prologue for other stuff…particularly the upcoming Carol Danvers as Captain Marvel Captain Marvel series. In that way this arc has somewhat been like a “backdoor pilot.” I have just enough background knowledge of things that I greatly appreciated the bit with Binary, and the visual was sufficiently reminiscent of something I’ve read with her in the past. I was also not at all shocked at Captain Marvel himself, except the very end which was a little creepy and disturbing while also being slightly hopeful, at least symbolically. Still not a huge fan of the art for this series/arc in general, but I think it worked better for me in this issue than the last several. (8/10)
I didn’t care quite as much for the art in this issue as the last several…but it was still quite good. That, added to a solid story and reasonable cover price, and I have to say this will be a title I stick with beyond AvX if I stick wtih any. I haven’t read all of the Sentinel stuff, but I love the reintroduction to that concept this issue is for me, especially after making the connection last issue or the one before. While some may argue with my analogy, I found myself easily able to identify with Juston by likening the sentinel to a pet, such as a cat–the way I often find that it seems many don’t quite “get” or understand what (a cat) can be to someone though the cat is not human. Before I ramble much longer: very good issue that makes great use of the status quo created by the event without being just “the next chapter” or such. This is the first of a two-issue arc, so if you know the characters or just want to check things out, this is like a mini jumping-on point within the larger context. Highly recommended. (9.5/10)
This issue finally brings the arc full circle, showing what may have happened with the old Iron Fist that last encountered the Phoenix, as well as putting some stuff out to Hope. The involvement of Spider-Man seemed sorta strange, and yet I loved his interaction with Hope. The last several issues definitely gave deeper context, but in some ways it felt like this issue stood alone a bit more and so long as one knows THAT there’s much more detail if desired, you could probably get away with enjoying this issue without anything else. While it may just be the Spider-Man factor, the Spidey/Hope scene toward the end was maybe the most interested in Hope I’ve been in awhile. It’s nice to see an arc that’s not 6 issues long…and yet the danger with concluding a tie-in arc at this point is that it would be relatively easy enough to consider this month the wrap-up point of this exercise in completism and bail on at least some of the tie-ins. (8.5/10)
Mr. WHo? Mr. Atom!
Words, Pics, Heart: Mike Kunkel
Between a Rock and a Hard Place part one: The Power of Shazam
Comic Reviews by Walt 