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AvX: Consequences #2 [Review]


Full review posted to cxPulp.com
.

Story: 3.5/5
Art: 3.5/5
Overall: 3.5/5

AvX: Consequences #1 [Review]


Full review posted to cxPulp.com
.

Story: 3.5/5
Art: 3/5
Overall: 2.5/5

Avengers: Season One [Review]

Writer: Peter David
Artists: Andrea DiVito, Jon Buran, Nigel Raynor, Mike Bowden, Walden Wong
Color Artist: Wil Quintana
Letterer: VC’s Clayton Cowles
Cover Art: Adi Granov
Assistant Editor: Jake Thomas
Associate Editor: Lauren Sankovitch
Editor: Tom Brevoort
Published by: Marvel Comics

When I heard that Avengers Season One was going to be included with the Walmart edition of the DVD/Bluray, I was pretty much “sold” on the spot. By the time this came out, though, I’d resigned myself to some sort of DVD-case-digest-size book, probably on crummy paperstock and not at all reasonably worth the added cost (though if it was one of these sets priced the same as the non-set package, it’d totally be worth it!)

The package felt suitably heavy, though, when I finally bought it the morning the thing was available. When I opened the package, seeing the pages-out, I was ready to be incensed at the actual packaging…until I slid out a full-size TPB volume that would easily command a $14.99+ cover price if it were being sold by itself. Even at some “bargain” $9.99 price, in and of itself the book makes the added cost worthwhile if you’re interested in the book itself.

The physical package is your average Marvel paperback. The cover stock and pages, and dimensions are as any other Marvel volume that this would be indistinguishable as an ‘exclusive’ if it wasn’t for the notice on the cover where the pricing would be “Custom Edition Not For Resale.” (That, and that this is a paperback where I believe thus far the other Season One books have been only in hardback).

The writing is solid–and I’d expect no less of David‘s work. He knows these characters and it shows–though in a way it reminds me that I myself do not know these characters particularly well in their pre-1990s iterations. While the writing is solid–it manages to capture these characters in a suitably generic sort of way–they’re recognizable without being placed entirely in the silver age nor the modern age. The relationships seem familiar to what I know of them in the comics, while bordering on adapting the movie versions.

Visually, much of the book is the same way. There are multiple artists (depicting different scenes/settings) which works fairly well as it differentiates what each character is seeing/doing through the story. Though it works, I got a distinct sense that I’m supposed to associate these comics with the characters from the movies, that this story is supposed to fit either the comics or the movie universe according to primary experience.

Sure, that works well enough–it is a tie-in product, after all. But the fact it evoked the movie characters as much as it did took me out of the story and left me unsure where the story’s supposed to be set, and I probably didn’t enjoy it as much as I would have if it felt like it was more based in the traditional comics story. I suspect I was also soured a bit by a one-shot I read earlier this year that was set in the movie universe that itself felt like a waste of time.

If this was a $15 paperback or $20+ hardcover being sold by itself, I’d be pretty disappointed despite the creative talent involved and wondering if there’d be some way to get a refund. Standing solely on its own this–to me–is not something worth seeking out specifically.

But as a bonus included with a blu-ray I was already planning to buy, this gets points as a decent read, with art that never felt bad or out of place. And though it’s the size of 4-5ish single issues, I don’t think I paid more for this package than the cost of two standard Marvel comics in addition to the actual blu-ray pack.

All that said–you get a complete story in this volume. There’s no cliffhanger directing you into some other volume or series of volumes; this is not a prologue to a crossover/event nor some epilogue/continuation of a crossover/event. You have the characters, you see their adventure, the threat(s) they face, and you have resolution.

If you’ve seen the movie, the characters don’t particularly contradict the film. Or if you read this and then watch the film, stuff works overall.

And really, on the whole, I’m glad I went with the Walmart purchase for this book. If you can still find the blu-ray/DVD package with this graphic novel at your local Walmart, and want the Avengers film anyway, this is definitely a worthwhile purchase.

Wolverine and Jubilee #1 [Review]


Full review posted to cxPulp.com
.

 

Story: 2/5
Art: 3/5
Overall: 2.5/5

X-Men: Second Coming #2 [Review]

Full review posted to cxPulp.com.

Story: 4/5
Art: 3.5/5
Overall: 3.5/5

Prelude to Deadpool Corps #1 [Review]

Killer Queen

Writer: Victor Gischler
Art: Rob Liefeld
Colors: Matt Yackey
Letters: VC’s Clayton Cowles
Cover: Liefeld & Yackey
Asst. Editor: Sebastian Girner
Editor: Axel Alonso
Published by: Marvel Comics

I’ve waffled over whether or not to pick this issue–this series–up as singles. This is sure to be a single-volume graphic novel in short order, as a singular companion to the debut of the actual Deadpool Corps series. And of course, this is a $3.99 issue…which I’ve just paged through and determined has a mere 22 pages of story…and an overly-lengthy “extra” section regarding the creation of the covers for this series…including full-page color images OF those covers…basically “filler” material to get extra pages TECHNICALLY relevant to the series to add to the issue’s thickness and APPARENT quasi-validity at the price point (aside from special issues, virtually every Deadpool comic of the last couple years has kept to the $2.99 price).

This issue focuses on Lady Deadpool, picking up on one of her adventures some time after Merc With a Mouth #7’s dimension-hopping adventure. Having joined up with the “rebels,” Lady Deadpool comes into conflict with General America (armed with a cybernetic…well…arm) and finds him quite the opponent. Before things go too far in favor of either combatant, “our” Deadpool makes an entrance, officially on a recruitment drive…and a rematch is to be had.

The story here starts off well. We get mostly a full issue focusing on Lady Deadpool–delving into a bit of motivation for the character, and setup for who/what she is overall. We get Deadpool himself, of course, and the beginnings of groundwork being put out as to how this Deadpool Corps is going to be assembled (I can’t help but think of something like Exiles, though I never read more than the occasional issue of that book).

The art by Liefeld is decent, but not my favorite by any means. I’ve tended to enjoy his depiction of Deadpool, but there is a certain anatomical consistency that seems to be lacking in various panels throughout this issue. As it gets the story across with no real hassle, I don’t take too much issue with it.

Overall, a solid first issue to a mini-series that itself as a whole sets up the first issue of another series. I don’t recall if every issue carries the $3.99 price point–but I’m going to have a real problem if it does, as the “extra” material is incidental at best and is not material I’d pay for (wouldn’t object to its inclusion in a $2.99 issue as TRUE “bonus” material, mind you).

This is a weekly mini, which means a big story told in a single month…but combined with the other 3 already ongoing titles for Deadpool, this may put a strain on fans’ wallets should one be the sort to try to snag the entirety of Deadpool’s current titles. It’s interesting to find myself in the midst of a true “family” of titles around one main character, when just a few months ago there were only two Deadpool titles, and 3 seemed to push it…but this fourth adds a whole new “dimension” to things.

I recommend this for those who are a definite fan of Deadpool, don’t mind the $3.99 or Liefeld art, enjoy Gischler‘s writing in particular, and mostly anyone who want a regular dose of Deadpool-related action.

On the whole, this seems unnecessary in relation to the main Deadpool title, so one’s probably equally safe to ignore this without missing out on anything deeply impacting ongoing continuity. Similarly, one can enjoy this while ignoring and not missing out on anything from the other books.

Story: 8/10
Art: 5/10
Overall: 6.5/10

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