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New Death of Superman Editions

death_of_superman_new_editions_03Back in late 1992, possibly early 1993–VERY shortly after Superman #75 was published–a collected volume was rushed out, collecting the six Superman issues and the Justice League issue that made up the Doomsday! (now simply The Death of Superman) arc.

I have always considered it something that was rushed because on the back where they gave a cover gallery, several of the issues were obviously-marked (Roman Numerals) later printings…whoever had been tasked with designing the back cover did not even themselves have access (or care) to all first-print editions (and I say this assuming there were no digital images floating around back then to simply access and use).

And over 1993 we then got the Funeral for a Friend story collected as World Without a Superman, and then eventually a massive (even by contemporary standards!) The Return of Superman (my copy, bought at the time, was a whopping $14.95 or so..!).

Over the years, those volumes have remained in-print…with the only major difference that I have noticed being that the Death of Superman volume eventually was switched to the iconic Superman #75 cover image of the tattered cape amidst the wreckage of Doomsday’s rampage.

The volumes originated in a time where any such collected volume was a real rarity/novelty, and it was only the particularly “special” or truly “sold-out” major storylines that would get collected into a single-volume edition…and each was largely its own thing, existing as an isolated item. “Simple” as the spines were back then, my original editions, at least, look ok together, but do not match many “surrounding” volumes on the bookshelves…and other than “knowing” the three volumes belong together, there’s no real indicator of them, nor the order to read them in. I take such knowledge totally for granted, but especially in this day and age of constant deaths and resurrections and timey-wimey stuff and multiverses and pre-Flashpoints and New 52s…’nuff said.

death_of_superman_new_editions_01

We now get five volumes–each more manageable than the Death and Return of Superman Omnibus, and admittedly higher prices…but also more content in the volumes–for example, the Death of Superman volume now contains the Newstime magazine that was published during all this; the Funeral for a Friend volume has the Legacy of Superman and the Supergirl/Team Luthor special; while what was formerly the single-volume The Return of Superman has been split in two–with the addition of the four ongoing titles’ Bloodlines annuals (each issue starring one of the Four Supermen) as well as the entirety of issues that had only had several pages reprinted.

And while it does not fit the “set” or “series” quite the same way, we have the inclusion of the Doomsday volume, giving us the Doomsday: Year One annual as well as the complete Superman/Doomsday: Hunter/Prey along with Superman: The Doomsday Wars.

I believe podcaster and fellow blogger Michael Bailey said it on Facebook (and I wholeheartedly agree!) that probably a better fit for this volume would have been the early-2000s mini-series Superman: Day of Doom in place of The Doomsday Wars.

death_of_superman_new_editions_02

Still, all in all, I love the new trade dress–the black bar with red logo/title text contrasts nicely with the images, and really make them look like part of the same series of books.

While I kinda question the wisdom of numbering the volumes (wondering if a 2 or 3 or 4 or 5 on the spine would put someone off from buying an isolated volume), I absolutely love that with the full set, part of the spines makes up a black box with the iconic (extremely so to me!) “bleeding S” that denotes the death of the Man of Steel.

This set gives me at least my 5th edition of the Death of Superman volume, and I have many of the issues in this set multiple times over. Yet, given what the saga means to me, on learning of these new editions’ existence and the inclusion of the specials and particularly the annuals…I was immediately interested. That the spines do what they do put me over the fence.

However, I did wait until these were available from InStockTrades, as I certainly was not going to buy all 5 at once at anything remotely approaching cover price, and even this was a hefty one-time amount to lay out. For saving 45%, though, I’m extremely pleased with the purchase, and having these volumes!

Reunification of the Bookshelves Spring 2016

Over the weekend, I finally finished re-sorting/re-arranging the bookshelves. Having a more "concentrated" space as well as the largest number of "dedicated" shelves available, I was able to do stuff a bit differently this time through.

0000_all

I also grouped things a bit differently, and while I pointedly had the shelves themselves spaced the same on each bookcase (3 of one model, two of another), I have a configuration that works fro me, though I can see this "system" going at least slightly awry fairly quickly. Still, the collection’s been a constant evolution anyway.

Follow on below for a shelf-by-shelf "tour" of the entire graphic novel portion of my comics collection.

0001_tmnt_usagi

The TMNT stuff, as well as the newer Dark Horse Usagi Yojimbo Saga volumes. There’s basically just enough room to add the fifth Usagi Yojimbo volume or the second TMNT by IDW volume, but not both. However, I expect acquiring and adding the second TMNT volume will be the final nudge at purging the other IDW floppies from this shelf–I stopped buying those at all when the first volume was solicited, as it is a far superior way of getting the series. Then on top of that, they’ve now got triple-sized paperbacks coming out for only 1.5 times the price of the skinnier ones. Go figure.

0002_superman01

The first Superman  shelf. I start the shelf with some of the various/general collections that span the years without necessarily being chronological/ordered collections or runs of books…at least for what I own. Then the Chronicles volumes, the Showcase, and the Superman vs. _______ volumes. Some of the other Silver/Bronze age stuff, and then the post-CoIE "continuity" run begins.

0003_superman02

The second Superman shelf continues the post-CoIE continuity stuff. I have the Death and Return of Superman Omnibus "out of order" as a divider of sorts, following it with more generalized Superman stuff, including Superman/Batman collections. The New 52-era stuff is here, because I only own the two volumes.

0004_dc_general

There’s some slight "overflow" of Superman-related stuff into general DCU. I start with some general DC Universe stuff, then go roughly alphabetical by "property" (grouping Deathstroke with Teen Titans for obvious reasons).

0005_dc_general_room_to_expand

There’s a slight bit of "overflow" of "general DC" onto the final shelf of this bookcase…and I decided to use the entire shelf in that regard-as the DC stuff expands, I’ll "wrap" stuff through to this shelf, hopefully avoiding the need to completely redo the bookcase anytime soon simply to fit more DC books!

0006_batman01

Batman tops the second bookcase with his first shelf. Given its quasi-non-continuity nature, I stuck my numerous editions of Dark Knight Returns at the start of the shelf, then shift to general Batman collections before the major "continuity" run of stuff.

0007_batman02_room_to_expand

On the second Batman shelf I have more general stuff again that–for me–works better here than at the start of the Batman placement, and into related Batman stuff. I then finish the partial shelf with Omnibus volumes as bookends, with the Robin bust bank as extra decoration. This also allows plenty of space for the Batman collection to expand without much issue, as the bust can be relocated and the Omnibii can as well.

0008_dc_events_and_prose_novels

I decided to separate out the main "event" books. While I have the Crisis on Infinite Earths paperback with the general DC stuff, I have the Deluxe Edition oversized hardcover here to begin the run of major DC events. For lack of better placement but similar nature, I put my various prose novels of DC stuff here as well…most of them adapting the various events, and generally being a good fit in this space.

0009_green_lantern_green_arrow

Rounding out the nearly two bookcases’ worth of DC material is the green stuff…Green Arrow and Green Lantern. The vast majority of this is the Geoff Johns-helmed Green Lantern era, with a handful of other stuff. I never got around to getting the complete run of Blackest Night collected volumes…but I’m happy with what I do have, and have not felt any great need to track those down. With both Blackest Night and Brightest Day being firmly entrenched in the Green Lantern side of things, they’re here rather than with the "general DC events" books.

0010_starlin_thanos_warlock

Topping the Marvel books, I’ve separated out the Thanos and Warlock Infinity stuff, heavy emphasis on the works of Jim Starlin. As these only make up a partial shelf, this is a prime spot to accentuate the books with two incredibly cool banks that have obvious relevance.

0011_xmen01

I’ve got the X-Men books is roughly chronological order, with the Essentials on up to the individual story volumes.

0012_xmen02

The second X-Men shelf continues things up to roughly present-ish stuff.

0013_mixed_x_books

I then have a third shelf of "X-Men related" stuff…dominated by Wolverine and X-Factor. While I originally didn’t care for yet another "trade dress" on the Essentials, I’ve come around to actually preferring this latest, where emphasis is now on the character/title and not the word Essential; it allows the books to look a lot better grouped with similar volumes for a series and not stick out as being alphabetically out of place.

0014_marvel_digets_comics_reference

As the smaller paperbacks and digest-sized volumes would get lost in the shelf with the full-size volumes, I separated them out here. Due to their smaller size making them physically lighter, they’re actually grouped on top of a bookcase. I ran out of actual bookends, so fit the "comics reference" books here as well for the moment.

0015_annihilation_and_avengers

The first shelf on this bookcase is Annihilation and Avengers volumes…including the Heroes Reborn volumes. I have the Avengers stuff in a rough quasi-continuity order rather than any strict title-order. Since I have both the run of X-Men: The Complete Onslaught Epic and the singular Onslaught Omnibus, I decided with so many other thick and/or hardcover volumes, the Omnibus was a better fit here than with its paperback counterparts; and works as a split with the story impacting both the X-Men family of characters as well as the Avengers family of characters.

0016_captain_america_daredevil_fantastic_four

Following the Avengers books, I go mostly alphabetical by property for the rest of the Marvel books. I would have sworn I had the two volumes of Captain America: Fighting Chance but turns out I only have the Operation: Rebirth "classic" volume…which is a bit disappointing. There’s another large Captain America paperback I was picturing that I thought I had, but obviously do not. At least with everything back together, I have a better idea once again. I left space on this shelf for the Captain America: Man Without a Country paperback and the third volume of the Black Panther by Priest series.

0017_hulk_to_thunderbolts

Continuing the Marvel run from Hulk to Thunderbolts.

0018_spiderman_thor

Since neither would fit well, I separated out the Spider-Man books (included Spider-Woman as a Spider- book) and Thor. There’s some space left over on this shelf that will allow for some expansion of the Marvel stuff without any major rearranging.

0019_ultimate_universe

The Ultimate Marvel stuff now has a shelf to itself, with the gem of the collection being the near-complete Ultimate Spider-Man run…I just need to track down volume 8 to complete it! I have a handful of miscellaneous other Ultimate books in a loose-ish order, but I’ve actually mentally lost track of all the quasi-reboots and said the heck with it. Perhaps it displays my own ignorance of the books if there’s any glaring out-of-order elements.

0020_aliens

Though it’s a lot of "shelf real estate" to "give up," the Aliens and related get a shelf entirely to themselves, along with some Aliens toys.

0021_hellblazer

I have a near-complete Hellblazer library…I believe the entire 300-issue series has now been collected, and is represented in this run of volumes. I’m pretty sure the only thing under the Hellblazer heading that I’m missing is a Vertigo Resurrected collecting a mini-series set in the future. I also tossed Swamp Thing, Starman, and Watchmen here primarily for space and singularity. I hope to expand my Swamp Thing library in the next couple years, knowing that all the Alan Moore stuff is available, as well as a couple other major runs of the titles.

0022_misc_series

I managed to cram several "series" collections onto another shelf. The pre-Vertigo entirety of Astro City (unless I’m forgetting a volume); then complete runs of Preacher and Sandman in older editions (my parents gave me this 10-volume Sandman run between my birthday and Christmas in 2001!) Though I’ve loaned out several volumes, I otherwise have the complete run of the Walking Dead "serialized paperbacks." Volume 5 was THE newest one when I "discovered" the series…we’re now 20 ADDITIONAL volumes into the run. Kinda hard to believe! Finally, there was (for the moment) just enough room to squeeze the four Serenity hardcovers in.

0023_disney_kids_gijoe_starwars_transformers

This shelf is a mix of Disney Ducks stuff, into Archie and similar physically-sized volumes, then GI Joe, Star Trek/Star Wars, and finally Transformers.

0024_indie01

Breaking from the vertical grouping/progression I mostly followed, I have two shelves where I intermingled "indie stuff" that basically makes up "everything else," and where no particular series truly separates itself from "the bunch" for now. I primarily alphabetized by series title, and order within that for the few that have multiple volumes.

0025_indie02

Knowing that there are now six of these Savage Dragon Archives volumes, if I do wind up getting the rest, I will likely end up splitting those off somewhere. For now, they’re just the "brightest light" in the bunch offhand.

0026_end_misc_valiant

The final graphic novels shelf wound up with several miscellaneous volumes that don’t really fit anywhere else…and Valiant. I’d originally "intended" to keep "classic Valiant" elsewhere, as I don’t really have a problem with it, but as stuff was grouped and sorted and arranged, it came down to just clustering Valiant as a whole together. I am still extremely unhappy with current Valiant over last year’s stunt with Legends of the Geomancer, which stopped me in my tracks on the collected volumes. As it appears that the Book of Death hardcover does NOT have that mini included, I’ve basically written off Valiant in general, and may wind up purging these from the collection at some point–Time will tell!

0027_misc_related

Separate from the main collection, I have a shelf of "coffee-table" style books and such that are primarily comics-related. Most of these I’ve acquired in the past year or two, though the Great American Comic Book volume I think was a Christmas present during college, and the Buffy volume is simply far too tall to fit on a standard shelf with anything else that makes sense, so gets grouped here.


All in all, a massive collection far beyond anything I’d ever imagined growing up…or even within a couple years of college. Where once I’d dreamed of a generic personal library made up of all sorts of books (not just graphic novels), I now have enough of both to truly have the personal library and then some.

In doing all this sorting/organizing/arranging, I also yanked another couple shelves’ worth of books that were either duplicate, older editions to which I’ve gotten the newer, or generally decided I don’t need/want in the collection anymore for whatever reason.

This leaves me–still–with needing to get the actual comics collection sorted, but there should be time for that later after stuff in the personal life settles a bit.

On (Funko) Subscription Boxes

I “discovered” subscription boxes in late 2014. I’d seen some stuff about them prior, but then jumped on with Loot Crate for a “cosmic” box that was to include a Firefly/Serenity exclusive item. I stuck with it for about five months, with steadily decreasing interest before finally cancelling my subscription in frustration when an anniversary-themed box that had pushed a Ghostbusters item ended up ONLY having some crappy doorhanger (paper, not even plastic/wood/anything STURDY) with Ghostbusters imagery printed on it.

Several months ago in the then-still-leading-up-to the Deadpool movie, I followed an ad for the Marvel box–Collector Corps–for its Deadpool theme, and was mostly happy with the box.

I completely forgot to go in and turn off the auto-renewal, until I received notice my next box had shipped.

subscription_boxes_01

I was a bit annoyed at the timing of the box’s delivery–tracking info suggested “by Friday” one week but it did not arrive until sometime the next week after a weekend where it could not be delivered.

Despite that, the Captain America: Civil War box isn’t bad…yielding a mask-up Tony Stark Dorbz figure, a double-pack of Pop! figures, a lanyard, an “exclusive” cover edition of Black Panther #1 (all the more glad now that I did not buy the issue singly a few weeks back!) and a t-shirt; as well as a patch and pin unique to the box, but there’s a patch and pin set for every theme apparently.

subscription_boxes_02

While these two boxes tie in with movies, the next box is not an X-Men box, so I’ve nixed the auto-renewal for now as I have no idea what will be included in the Women of Power box apparently coming up next, but as Funko items go, I can’t think of any that’d particularly appeal to me.

I was reminded to do so after I had some dealing with the DC counterpart… where I’d followed an ad and decided to take a peek and see if it’d be worthwhile, especially learning that I was within the timeframe to get in on the new box:

dc_tv_legion_of_collectors_ad

Unfortunately, it was the last day to get in on the DC TV box, and the registration process did not make things obvious…so in entering payment information, I wound up with a box aimed at a payment address and NOT at any of my three VALID shipping addresses available to me.

I attempted to log back in to the site to “update” my shipping preferences, my shipping address, but was met with a notice that such activity was “locked” due to being so close to the cut-off.

I reached out through the customer service email.

I reached out to the Twitter account.

And heard back on nothing.

I completed my order before 2pm on a Sunday afternoon. Weekend, yes, but as the final day, and having restricted one’s ability to update addresses, I would have expected the company’s accounts to be manned for just such an occasion as mine–requiring immediate, time-sensitive assistance.

No, around 7am, I discovered an email time-stamped 2:22 AM saying that if I could provide the “correct” address within a half-hour or so I could be helped. As it was 7am,, nearly five hours later, I was S.O.L.

I’ve yet to get any sort of response via Twitter.

Frankly, I understand and can totally appreciate having a “freeze” in the process–they say if you’re going to cancel or prevent an “auto-renewal,” you have to do so at least 5 days before the cutoff. You don’t want someone arbitrarily deciding day-of that nope, I don’t actually want this box.

But for someone new who has just signed up on a whim, a new customer to be unable to update/add a differing shipping address (not canceling payment, not trying to back out on stuff) I’m just furious.

And while I don’t usually care to “air dirty laundry,” the lack of helpfulness in this situation has led me to posting this.

I’m by no means the most important customer, nor even necessarily a typical experience…but it’s MY experience, it’s been negative and frustrating, and I’m really very annoyed with it…and it certainly sours me on just “randomly” giving Funko money for stuff in the future.

I was already LOCKED IN on the purchase of this first box, and I reserve the “right” to be extremely critical of it–all the more for the experience I’ve had (including any damage/lack of pristine condition to anything as a result of the delivery situation).

Where I go from there remains to be seen. Since it’s still within that several-day “lockdown,” I can’t even now switch my status to NOT “auto-renew” for the NEXT box, so I’m also forced into at LEAST one more dealing through the website.

This thing had better be worth it!

Darkwing Duck (2016) #1 [Review]

darkwingduck(2016)001Orange is the New Purple part 1

Storytellers: Aaron Sparrow and James Silvani
Colors: Andrew Dalhouse
Letters: Andworld Design
Assistant Editor: R. Janice Orlando
Editor: Jesse Post
Published by: Joe Books Ltd
Cover Date: April 2016
Cover Price: $2.99

It’s been a few years, but here I am covering a first issue of Darkwing Duck once again. And as with that time, this time finds an issue whose story title is a play off another. Here we have Orange is the New Purple, where back then it was The Duck Knight Returns. As best I can follow, this continues the bulk of the story from that previous series, itself picking up and continuing from the classic (now 25-years-old) animated series of the same name. I don’t truly “get” comic book politics, and was disappointed at the time when Disney‘s purchase of Marvel seemed to spell the end of Boom‘s license and its run on the Disney books. Now, we have another publisher running with the title, but it is not Marvel.

That aside, this works quite well as a first issue.

We open on a parade that is quickly crashed by DW rogue Megavolt, whose attack is quickly dampened by Darkwing. We move on to see DW in his civilian guise, interacting with family and neighbors; while there’s an attack on the transport carrying Megavolt to prison. Later, Darkwing interacts with SHUSH, though things don’t go overly well there with a new assignment. Back at home, DW is flabbergasted at learning that he has not been invited to cut the ribbon at the opening of the new super-max prison that is primarily populated by individuals HE put there. And still later, crashing that particular party, the villain of the piece is (unsurprisingly) revealed and sets the situation to a cliffhanger worthy of any episode of the classic tv series.

As first issues go, this is definitely a solid one. The most noticeable thing for me is the art, which gives us characters that look like they stepped right off the tv screen (albeit with improved, more robust coloring than the cartoon could maintain). This is not some reinterpretations of the characters’ looks; it’s no “new take” or some artist looking to put their stamp on the appearance: it’s just clear, solid work that carries the absolute look and feel of Darkwing Duck and leaves no doubt of what this book is.

The story itself does a great job of things, serving the main points I’d expect FROM a first issue. We’re introduced to the title character; we meet supporting cast members, and associated characters; we see the hero in action, and we get a good taste of where we’re going from this issue. Though this issue is not a singular, complete, contained story, it gets things set up while providing enough in and of itself to satisfy on the single issue level…at least for me. Given how short and formulaic some of the tv episodes could seem, I welcome the longer story that this sets up while still getting the various elements we’d have in a single episode.

This issue feels like a mix of things…it’s a new series, a new first issue, and suitable for younger readers though it hits home for me as an adult reader and long-time fan of the property. It feels like a continuation of the cartoon, and a continuation of the previous comic series that ended several years ago. Of course, part of the latter is that we have some of the same creatives carried over, itself a sort of continuity that I hope is nothing but good.

I enjoyed this issue, and expect I’ll be adding it to my pull list at least for awhile…and might even try to track down the super-sized collected edition ostensibly collecting the previous series if only for a convenient availability of a re-read of that.

If you’re a fan of Darkwing Duck, this is very definitely a comic for you. Maybe best of all…despite never ever having heard of this publisher prior to learning of the collected volume and now this series, they do what it seems most publishers are utterly incapable of: offering a full-sized, full-length comic for “only” $2.99. Like with DC‘s promise of the upcoming price drop back to all-$2.99s, this is as good a price point as one is really going to find in this day and age, and will certainly hold me a lot longer than $3.99 would!

Highly recommended!

Aliens: Defiance #1 [Review]

aliensdefiance0001Episode One: Derelict

Script: Brian Wood
Art: Tristan Jones
Colors: Dan Jackson
Lettering: Nate Piekos of Blambot
Cover: Massimon Carnevale
Publisher: Mike Richardson
Editor: Spencer Cushing
Designer: Cindy Calcerez-Sprague
Digital Art Technitian: Conley Smith
Published by: Dark Horse Comics
Cover Date: April 2016
Cover Price: $3.99

My earliest exposure to Aliens was the final battle with the Queen at the end of the 1986 film, that I saw accidentally, wandering out one time to where Dad had fallen asleep watching it or whatever preceded it. Several years later, I came across and read the novelization of Alien3, which led to me seeing that film (my first-ever R-rated film sought out!), and in turn led to “backtracking” to the others. I also recall at some point realizing I had read the novelization of the first film at some point without ever realizing when I read it that it had anything to do with any movie. I also came across the novels that expanded the Aliens universe, and which I eventually came to learn were themselves based on comics. It would be a few more years before I ever got around to getting to read those original comics–particularly the first ‘trilogy’. While I’ve “lapsed” over the years, the last few years I have been quite interested to learn of any Aliens comic series, and occasionally lament that it’s not a truly ongoing property (while realizing that it works better with finite stories). As a gamer, I’m pretty lax, and have not played the recent game with Ripley’s daughter, though I’ve been told a fair bit of the story (sadly, not consciously retained). But hey…comics, right?

So here I am…brand new long-form Aliens story kicking off, its cover putting me a bit in mind of a/the video game, and intrigued at what I BELIEVE to be at least a 12-issue saga–perhaps the longest single Aliens story I’ve been a part of as a fan (not getting into the comics until about a decade ago). I know Brian Wood‘s name from some prior stuff I’ve read/sampled–Northlanders, DMZ, The Massive–and been aware of his name on stuff like Star Wars more recently…so that’s a welcome factor for a new Aliens series. Icing on the cake is art by Tristan Jones, who I became aware of with his work on the Tales of the TMNT title from original TMNT publisher Mirage a few years back, and have loved seeing his work on various other projects since…and whose visual style seems a perfect fit to me for the Aliens property.

This issue is a first issue, giving us basically a brief paragraph of context/setup before we’re launched into the thick of things. We meet Zula Hendricks, a private involved in a mission to a derelict spacecraft. She and her fellow marines encounter Xenomorphs, and the situation does not go well. She and a synthetic survive, though she quickly learns that the synthetic is acting against programming, and her own world is changing as a result.

The story is good, for what it is. Which is not meant to be a negative statement…but this is only the first chapter of a multi-issue arc, that I believe is a year-long, so this is hardly going to be a full story in and of itself, nor is it giving everything away. And a single issue isn’t really enough space to re-introduce readers to a property, introduce new characters and detail their history, recent past, and present while also showing the scope of the property and of space and the horrors of the Xenomorphs. But we do get a fair bit packed into this, with Zula’s introduction and some flashbacks, a cameo of Amanda Ripley (which I believe thusly situates this time-wise somewhere between the first and second films), the synthetic Davis, some context for Zula and her place in things, and the final-page reveal of what seems to be the “mission” of this particular series…piquing my interest such that I almost wish this was a weekly series, because waiting another month for the next tidbit seems far too long. It’s not a cliffhanger in and of itself, but more a concept that promises a lot of great stuff, and I want to see it developed and played out, and be along for the ride.

Jones’ visuals are a great fit for this story, providing a great overall feel for this issue. His style is–as said above–very well suited for this property, and gives a gritty, dark, creepy look to the Xenomorphs and their brand of violence. The humans/humanoids come across as I would expect, while exuding whatever it is that just FEELS like they’re in an Aliens story. The linework and layouts are impressive, giving a sort of cinematic flow to the issue…and I’m pleased at the lack of full or double-page spreads, which often feel like cheats and wastes of space when they’re the bulk of an issue. Only one page is a single/full-page image, and that’s the ending of the issue, where after all those pages crammed full of panels, it provides a stark contrast, and really drives home the importance of the “moment” that it conveys.

The cover is also a fantastic piece of art, and for me quite iconic and recognizeable. It’s also all the more impressive to me as it’s the only cover image I’ve seen for this, allowing it to stand as itself and not be just one in a sea of variant covers diluting the thing. While there may be a variant or two out there specific to someone, I don’t believe there are any alternate covers from Dark Horse in and of itself as a push.

Plenty of questions are opened up here, and the apparent premise of this series now holds a great deal of potential. I look forward to learning more of Zula as well as Davis, and seeing what sort of interactions the two have. I’m interested in how their ‘mission’ will play out, and play into the larger scope of the Aliens universe. While we get the cameo of Amanda Ripley, I believe her story is told in the videogame, and more of an “Easter egg” tossed in for fans as well as being an indicator of the time this is set in. I look forward to seeing and learning more about the Aliens, and seeing these characters grow in their own knowledge and understanding of same.

It will be interesting to see how this is paced, overall as a series…but I almost wish this was already a completed work. As a first issue, this works well overall. I don’t know that this is something that in and of itself right now as a singular issue will pull anyone “new” into Aliens or be necessarily the greatest introduction to the property…but whether long-time fan of the Aliens comics or just now checking them out being familiar with the films and/or video game, I think this is a great start into the comics side of things.

I’m not particularly enamored with the cover price, but will suck it up, given this is Aliens . I’m definitely on board for this series, and definitely recommend checking it out if you’ve any interest already in the property.

Reunification of the Bookshelves: A Beginning

As I prepare for some hefty changes in my personal life, I’m afforded the opportunity as well to “re-unify” my collection, and the newer setup is affording me more shelf space than I’ve used in one place…which is going to allow for some creative variation on how I actually group stuff on the shelves.

infinity_shelf

For example: I’ve built this “sub-collection” of Jim Starlin-based Warlock/Thanos volumes with content primarily from the ’70s to the early-2000s, the “core” being the “Infinity Trilogy” with events that set stuff up prior, and then the major stuff somewhat shortly after.

And because I’m not having to cram out every inch on every shelf right now with the books themselves, I can do something like this…shelving a couple banks with the books, for a much more fun visual than solely a bunch of spines facing out.

I’ll certainly have other photos to show off shelves later, but I liked this one enough I don’t feel like waiting until the entire project is (re)completed.

The Weekly Haul – Week of April 13, 2016 (main haul)

A day late, went through the LCS on lunch Thursday, and wound up with a pretty good haul.

Firstly, I found the Superman/Wonder Woman issue I’d hoped to find on Wednesday; and then my usual stuff.

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Everything else is either pull-list (Spawn added the other day–I’ve decided to stick with the title for awhile in support of the $2.99 price point, lack of promiscuous variant covers, and maintaining its numbering for 24ish years.

A couple $1 books, TMNT stuff, Letter 44…and the $6 Image Firsts Compendium vol. 2 (like the 1st volume, this has 9 issues, making each $1.50…only slightly more than a digital “sale” price and it’s a physical print-product, a thick volume.

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As is fairly usual (despite really running out of storage space) I raided the quarter-bins; found a dozen issues of Dragonlance. At least several are duplicate issues, but finding this many, I snagged ’em all to avoid any of them becoming “grail issues” in the future.

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Snagged several other “random” issues for the sake of getting them for 25 cents. Due to a comment from a fellow comics blogger (Chris is on Infinite Earths) I bought a convenience-copy of Uncanny X-Men #308…20-something years old, and still “only” the price of a cheaper contemporary issue and no worse than “just” buying any other issue of something new.

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I’m pretty sure I already have the Chaos Effect issues, but for 25 cents each, no sense passing them up. The Spawn issue caught my attention, and then I noticed several other issues of these Fan Editions…looks like they came with a magazine back in the ’90s (much like Wizard or Hero Illustrated…I passed on some others that weren’t sequential nor included a #1.

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And finally, the prestige-format Havok & Wolverine: Meltdown mini. I’m not sure if there were only 3 issues, or if there’s a fourth one…but again, for the price, wasn’t going to pass it up.

Next week may be a small week single-issue wise…though I’m finding myself unfortunately more than a little interested in some of DC‘s #50s…as well as feeling a pull back to the Superman family of titles that I’ve been away from maybe the longest time ever now.

And an extremely expensive purchase looming that I’ve had in mind for about eight months.

The ’90s Revisited: Green Lantern #81

greenlantern0081nFuneral for a Hero

Writer: Ron Marz
Pencils: Darryl Banks
Inks: Romeo Tanghal
Color: Pamela Rambo
Letters: Chris Eliopoulos
Associate Editor: Eddie Berganza
Editor: Kevin Dooley
Published by: DC Comics
Cover Date: December 1996
Cover Price: $1.75

“That was a good issue.” That was my initial thought on closing this, the first time I’ve ever read the issue. Oh, there were some odd bits here and there, but the oddity largely comes from my present knowledge of stuff in 2016 contrasting with reading a book that’s some 19+ years old.

This issue gives us the funeral of Hal Jordan. Though this is functionally #31 of Kyle’s series, and he was introduced to “replace” Hal in the title…until now, Hal had not actually been dead. He’d first simply become Parallax, destroyed the Corps and then been “not on Earth.” He returned in Zero Hour trying to re-write reality, to fix things…and was stopped. I recall (though not in much conscious detail) the #0 issue of Green Lantern…of Hal and Kyle interacting, and I believe the then-destruction of Oa, and I think I’d figured Hal was out of the picture. He then came back in The Final Night, where he sacrificed himself to save Earth and re-ignite the sun…which brings us to this issue.

Kyle has created a cathedral construct for all the mourners, in part of the crater that was once Coast City. We see the arrival of Jon Stewart and Donna Troy, and Donna’s reunion with Dick Grayson; she officially introduces Dick to Kyle. We see there are quite a number of individuals gathered–some heroes, some villains, some not even “invited.” (But that’s life, innit?) Superman speaks, followed by Guy Gardner and Jon Stewart (former GLs both), then Dinah Lance (Black Canary) on behalf of Oliver Queen (deceased at this point in continuity). The Flash (Wally West) speaks, followed by Carol Ferris…and the service concludes with Kyle. Next, the mourners move outside, where the memorial “eternal” flame for Coast City is magically transformed into a GREEN flame (Hal now reunited with the city he so loved) by the original Green Lantern, Alan Scott. Finally, Swamp Thing causes a massive growth of plant life in the crater…transforming the lifeless, desolate pit into a massive green space to honor the fallen hero…while Kyle erects a statue construct of Hall at the heart of it.

While many might say that you need to have constant action, constant “big stuff” happening, huge events, every issue must be merely a chapter in an ongoing story…I myself am very much a huge fan of self-contained one-shots…and of quiet, personal stories. A couple of my favorite X-Men comics involve the characters at home, just being themselves and interacting…not saving the world or facing some catastrophic event or the latest apocalyptic villain. This issue is like that. No huge action-event. No action-stars. No villain crashing the party and making trouble. This is not part 1 of some epilogue mini-SERIES to examine the death of Hal. This is not a “bridge” issue shepherding us from the last event right into the next.

This is a quiet, moving story where we get to see a number of DC characters interacting as themselves, in context of a loss. Perhaps there should be mention that the WORLD has just nearly ended, but there’s not even that–this isn’t “just” a follow-up to The Final Night…this is simply a story of people coming together to mourn the death of a man whose life had–in some way–touched all of theirs. And I suppose the way I’m going on and on like this ought to “say” enough in itself, outside of these words I’m typing.

For me–having grown up through the ’90s, having been quite immersed in DC‘s continuity (if only on the Superman side) through much of this period, being “aware of” if not directly following every title–this is an instant classic. I paid $3.99 to buy this from a back-issue bin; no bargain-bin or quarter-bin…just a “full priced back issue” in this case. The $3.99–just over double original cover price–makes this issue a “match” for any current 2016 issue…yet to me, the quality far exceeds most anything I’ve read recently from DC.

To say the least…the writing for this issue is great, and my sole complaint would be what feels like a tacked-on bit from Batman for the sake of a pretty bow on the situation, quite opposite of how Batman would be portrayed through later years until Infinite Crisis nearly a decade after this.

Banks‘ art is fantastic as well…I have no complaints on the visuals, and to me the only way characters seem slightly “off” visually I think is that they look almost “too human.” There’s a deep authenticity to me here, between the visuals and story combined…as any comic book should be! And unlike contemporary comics that seem full of silent or near-wordless 2-page spreads…this issue has an example of where something like that is truly justified…giving us a huge, powerful moment…whose silence echoes loudly as we see the interior of the cathedral, the pews full of mourners, Kyle and Donna moving through.

greenlantern0081cThe copy of this issue that I bought has a $1.75 cover price…which honestly surprised me, as I’d thought all DC books were $1.95 or so at this point. Based on the barcode on the cover and no “Direct Edition” text, I can only assume this is a true “newsstand edition” copy…and perhaps these editions were slightly cheaper than the comic shop editions. (I do recall the X-books having a similar thing with a cheaper lower-paper-quality edition and then the more expensive, high-quality-paper “deluxe edition”). This would be yet another difference with contemporary comics…as in 2016 I have observed the “newsstand” editions being seemingly-arbitrarily priced at $1 more than normal.

All said…this was a great issue, and very much worth my $4, putting virtually any current comic to shame, value-wise by comparison. And it only took me some 16+ years to get around to paying a “premium price” to acquire and get to read this issue.

The Weekly Haul – Week of April 13, 2016 (side haul)

Due to some real life stuff going on this week, I didn’t make it to the usual shop today…but did stop off to check on last month’s Superman/Wonder Woman issue (as I belatedly acquired and read out-of-order Superman #50 and Action Comics #50).

Unfortunately, they did not have that issue…but they did have the “free” edition of the Captain America 75th Anniversary magazine, the DC Previews for Rebirth, and I decided to pick up a couple other issues.

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If I’m going to wind up getting caught up on Superman, might as well “keep up” for a couple months here before Rebirth. And figured I’d try the first issue of Xena…never actually watched the show, but figured this is a #1, I’ll give it a shot.

And then the Cyborg issue caught my attention with Captain Marvel on the cover (The Big Red Cheese will always be CM in my book, whatever they choose to “officially” call him, particularly in the/post New 52!). For “only” $3, I can handle a random one-off issue. I’d considered catching up on The Coming of the Supermen, but I just so entirely do NOT enjoy the Fourth World/New Gods stuff that I’m not even interested in reading it anytime soon.

I’d also forgotten about Justice League vs. Teen Titans being out this week, so snagged that…including the no-longer-Best-Buy-exclusive figurine pack. More expensive than I remembered these being in the past, but kinda paying for the figurine that comes with it.

The “regular”/”main” haul should come tomorrow…or Friday. Time’ll tell!

The ’90s Revisited: The Final Night #4

final_night0004The Final Knight / Week Four: Emerald Dawn

Writer: Karl Kesel
Penciller: Stuart Immonen
Inker: Jose Marzan Jr.
Colorist: Trish Mulvihill
Letterer: Gaspar
Asst. Editor: Ali Morales
Editor: Dan Thorsland
Published by: DC Comics
Cover Date: November 1996
Cover Price: $1.95

After reading the previous issue, I lamented having forgotten the Parallax issue that went along with this series. I did cover that issue a couple years ago, though.

This issue sees a final gambit play out, as Kyle Rayner returns to Earth, believing he’s failed to convince Parallax to help. Luthor and the Genius Crew have had the Flash construct half a million force-field devices, that will be piloted into orbit around the sun, where they will be activated as it goes nova, containing the bulk of the blast and destroying the suneater. Having already survived one trip to the sun, it falls to Kyle to be the pilot…but he mysteriously disappears. Superman steps in, admitting he’d already intended to sneak onboard and replace anyone else sent…though he requests a few moments and we see him begin to pen a note to Lois. The ship takes off unexpectedly to everyone’s surprise…including Superman’s, as Ferro opts to sacrifice himself, figuring he has the best chance of survival outside of Superman, and that the world needs Superman more than it needs Ferro. Parallax shows up with an offer to help, that’s grudgingly accepted–Batman not trusting him after Zero Hour. Moving into space, the plan fails…and as all seems lost, Parallax has paused time to contemplate the ways he could resolve this. He’d given his word that he would “only” fix things as they were without trying to remake reality, the world, or so on…and as he expends his energy to defeat the suneater, reciting the Green Lantern Oath one final time. Earth is saved, the final price is the life of Hal Jordan.

The emphasis on the Green Lantern oath in this issue makes it stand out to me…and unless I’m completely missing something, it strikes me as rather odd here, worded as “In brightest day, in darkest night” but I’ve thought it was “In brightest day, in blackest night.” Given historical context, at the point this issue was published, it’d been over 2–almost 3–years since the demise of the Green Lantern Corps, the passing of the Ring to Kyle, and so on…and I don’t believe Kyle particularly used the “classic” oath at charging his ring, so it strikes me as a bit of potential oversight that the wording so familiar now may have been mis-phrased back then. (Given the “events” Blackest Night and Brightest Day a few years back prior to the New 52).

And unfortunately, as with many things, this ending doesn’t live up to expectation, and seems to me rather anti-climatic. Of course, I’m certain part of that is that this conclusion is some 19 years old at this point and barely warrants a footnote in the current world of comics (let alone DC itself). This event came roughly 2 1/2 years after Zero Hour, and maybe 3 years before Day of Judgment (the latter now going on 17 years old itself) so a lot of the impact is lost on me, knowing what’s happened since, in broad strokes, and that there’s really nothing I’m aware of currently from DC Comics that can be traced back to this story.

Parallax showing up is basically out of nowhere as far as the core story goes–the earliest hint I noticed was the very end of the previous issue, and then I read this (not having the Parallax issue on-hand) so we go from the heroes’ various plans to suddenly having Parallax present to fix things…a bit of a deus ex machina and apparent attempt to “redeem” Hal Jordan in the process.

I’m certainly affected by the difference in twenty years, and being inundated with constant event-streams from Marvel and/or DC these days. I’m “used to” an event series being at least 6 (of not 7-9) issues, spanning half a year. This event mini was but FOUR issues: only 2/3 the length of a contemporary “standard” series. Additionally, while I’ve enjoyed this mini as its own contained thing…it’s not exactly the be-all/end-all to truly convey an event. This was a weekly series of 4 issues; with the issues presumably serving to “launch” plot points to be expanded on by various tie-in titles’ issues, and then for everything to come back to wrap up in this concluding issue.

But to have something so globally-catastrophic just “end” in this issue with no “to be continued in…” nor any noticeable “checklist” or other “house ad” to say where to follow up certain plot points, this is tangibly “the end.” Except that I do recall that while not a focus of this mini (it was explored in his own books) Superman’s lost powers didn’t come back, and when powers did reappear they were electric in nature; and this was the official “death” of Hal Jordan, lasting not quite 8 years, though the character was still used in various ways thanks to time-travel and supernatural elements.

For my $1, The Final Night proved a good read, and whether I’d read it before and forgotten or this was truly my first time all the way through…that’s one more DC Event Mini-series off my “bucket list” of yet-to-be-read stories.