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The Weekly Haul – Week of May 17, 2017

This week was another smallish, simple-ish week…at least for the "Wednesday Person" in me. I had the presence of mind to message Comic Heaven at lunchtime to request the Superman, Flash,and Teen Titans issues be pulled for me, anticipating the Flash issue in particular selling out, and with my luck, the Teen Titans issue would also have been a surprise sell-out. And Since I was requesting issues anyway, no sense risking Superman.

weeklyhaul_05172017a

And then, because they had issue 4 in stock, I also bought the new issue #5 of God Country, which I think catches me up…in ownership, at least, though I don’t remember if I’d actually read issue 2 or only the first issue. As a mini-series (apparently like Reborn and also Surgeon X), I’m sorta annoyed–I’d prefer a singular graphic novel–but already having several of the single issues, cheaper to catch up than pay for a whole graphic novel (especially if the single issues will be harder to come by later).

I’ve got several issues on hold at Kenmore that I hope to pick up this week…but it’s amazing how sparse Time can be when it seems at other points to drag.

We have two more Wednesdays this month…with The Button now concluded (and apparently the next big thing being The Doomsday Clock in November) I think the next couple weeks will primarily be seeing stuff continue to unfold in the Superman titles, and the back half of The Lazarus Contract in Deathstroke next week and the Teen Titans Annual (I believe) the following week.

Hopefully small-ish weeks here, given other stuff I’ve put money into lately.

From the Archives: Superman #650

superman0650Up, Up, and Away! (part 1)

Writers: Kurt Busiek & Geoff Johns
Artist: Pete Woods
Colorist: Brad Anderson
Letterer: Rob Leigh
Associate Editor: Nachie Castro
Editor: Matt Idelson
Cover Artists: Terry & Rachel Dodson
Cover Colorist: Alex Sinclair
Publisher: DC Comics

[ This review originally written for and published at comiXtreme/cxPulp some time back while the issue was new–within the first days to a week that the issue was available for sale. ]

It’s been a year since Superman apparently disappeared, and the fine folks of Metropolis have moved on, though many take an evening to revisit the past, watching a retrospective on the life and times of their favorite son. Among the spectators are Lois Lane and Clark Kent, who discuss the authenticity of the retrospective with a couple different viewpoints. Shortly after, other familiar elements of the Superman story are reintroduced–Jimmy Olsen, Lex Luthor, Perry White. A familiar "villain" is introduced here as well–one that may be familiar to older readers, but I’m not sure this character has appeared in the Superman comics since the mid-80s reboot. As this villain is attended to, we as readers are clued into at least part of why Superman has been absent for a year.

I wasn’t sure what to expect going into this issue. I’ve been concerned at the idea of "my" Superman–that is, the character (re)introduced in Byrne‘s Man of Steel mini-series–being shuffled off to the side in favor of yet another/different reimagining of the character. While this is only the first of an 8-parter that re-establishes the character post-Infinite Crisis, the writing team of Busiek & Johns has assuaged some of my concerns as several aspects that have defined the character and supporting cast for the last 18+ years are re-established here. However, there seem to be a number of minor or subtle shifts that distance things from the past, settling the characters very much in a sort of "timeless" present.

Busiek wrote my favorite Superman story in 2004’s Superman: Secret Identity. Johns on the other hand has written some other very compelling stories that I have really enjoyed over the past several years (including pulling me into following The Flash for 30 issues after never previously caring for the character). That said, both writers have a lot to live up to in my eyes, and for the moment, I’ll cautiously advance the idea that yes, they have lived up to those high standards.

The writing here is clear and definitely gets across the idea first of the broad strokes of Superman’s history that just about anyone will be vaguely familiar with (whether you know the character solely from last month’s issues, the Christopher Reeve films, Smallville, Lois & Clark, a parent/grand-parent’s stack of older comics, or just picking up on elements from years of the character’s suffusion of popular culture. If this is the first-ever comic starring Superman that you’ve read, you’ve got yourself a good starting point. If you’ve been following these comics for 20 years, you’ve got a good read that revalidates the character for the present, showing that both the old and newer elements can come together in a single well-written manner that gives us a story of Superman.

Offhand, I am unfamiliar with Pete Woods‘ art, but this issue makes for a good introduction. Everything seems nice and clear/clean–reading along with the story, the art shows exactly what is going on and pretty much just does it’s job of enhancing the written word to contribute to the overall look and feel of the issue. The art’s not perfect–but very little is. The main quibble I have is the depiction of the S-shield; it comes across a bit too "shiney" or metallic for my own tastes.

However–whether in Woods‘ art itself or the coloring (or both)–this issue somehow has a "brighter" feel to it than a lot of recent DC issues–by design or not, this lends itself to this being an upbeat, bright start to a new "generation" of Superman.
I very much recommend this issue, whether you are a new, old, or an on-the-fence reader.

superman0650_blogtrailer

New Toys: Foot Cruiser, Supermen, and Munchkin

Last weekend, I finally pulled the trigger on buying a Foot Cruiser I’d seen at a local vintage toys store.

foot_cruiser_a

This is–from what I understand and recall–one of the earlier vehicle toys for the TMNT toy line in the ’80s. Story-wise, I believe this is supposed to be a flying car–one that Shredder got ahold of that was left behind by the Neutrinos.

foot_cruiser_c

I found that I really liked the coloring of it, and got it into my head that I did actually want it, though I’ve typically held to "just" getting the "van" vehicle for the TMNT lines as the "iconic" vehicle, never having cared to drop the kinda money required for a Technodrome toy.

foot_cruiser_b

And of course, it goes quite well with a couple of Foot soldiers riding about, wouldn’t you say?


Along the way, I’d come across this Superman pack, containing a figure from five different toy lines; though the Justice League Unlimited figure is a "repaint"–I believe the line had ended well before the onset of the New 52 and the trunks-less costume.

superman_ultimate_collection_front

With the addition of these figures to a shelf full of Supermen already, I may need to expand to a second shelf or otherwise spread stuff out a bit more…or pack ’em tighter together!

superman_ultimate_collection_back

It also helped–in deciding to purchase this–that it was on clearance, making the figures individually MUCH better priced than most of them ever were as individuals! I’ve got my eye on a TMNT pack like this with a bunch of Leonardo figures, but that will certainly have to wait til after some other paycheck, assuming it’s even still available by the time I’d opt to go looking for it!


Finally, over the last few months, I’ve added to my Munchkin collection, with Munchkin X-Men as a surprise discovery on Amazon a week or two back.

new_munchkin_games

While they’re admittedly more "open space" than not, I found that I’ve really liked the "Munchkin Deluxe" editions with the square boxes, giving them more of a board game look than just a card game. And with the Guest Artist Editions also getting the same box treatmen, I’ve snagged a couple on sale. The Munchkin Legends I came across (surprisingly!) for 50% off as a sale price at Kenmore on Free Comic Book Day, and didn’t care to talk myself out of it, since I’d already been "interested" and resigned to the likelihood of having to pay "full price" minimum for it.


I’ve learned that the Star Wars collectible card/dice game from Fantasy Flight Games is "back in stock," and even saw some boosters last weekend. I was VERY interested in it back in late February/early March…but with the original set now being in-stock ALONGSIDE an EXPANSION set, with both in very limited quantities…combined with other comics, books/graphic novels, games, etc. that I’m also interested in–I’m just not gonna chase the game. Granted, the company vastly underestimated what demand would be and it was highly under-produced…but stuff I’ve read about the limited quantities of the base set and price-gouging I’ve seen on the secondary market…I’m gonna stick with finite, "fixed" games.

Like Munchkin.

The Weekly Haul – Week of May 10th, 2017

This was a pretty "simple" week, compared to the last several, with only two things I’d consciously planned on getting.

weeklyhaul_05102017a

The new Superman issue of the week, in Action Comics…and the final (late?) chapter of the Batman/TMNT Adventures mini. Then I also decided to check out The Lazarus Contract, and after it’s been how many months, snagged what I believe is the final chapter of A.D. After Death. And I had not realized it at the time when I ordered it, but Rise of the Dungeon Master turned out to be essentially a graphic novel format!

weeklyhaul_05102017b

I happened to peek at the bargain bins at Comic Heaven and found a number of New 52-era paperbacks on sale. For the same price as general Marvel #1s, I snagged these four collected volumes (each with at LEAST 4 issues’ content apiece!). I may be annoyed if DC does an omnibus of this series, but probably not too much–I have most of the rest of the "Constantine Library" in paperback (a couple volumes of The Hellblazer from DC You to track down, and decide if (probably, grudgingly yes) I want to count Justice League Dark and hunt those down, outside of the main long-running Hellblazer series from Vertigo).


Sadly, due to a delay, The Button did not conclude this week, but I believe that’s out next week…and now there’s this Titans/Teen Titans/Deathstroke crossover…following Superman Reborni and The Button, DC is managing quite a string of stories to really have me looking forward to the weekly comic shop runs for at least one, if not more titles…

From the Archives: Batman/The Spirit #1

batman_the_spirit_0001Crime Convention

Storytellers: Jeph Loeb & Darwyn Cooke
Inks: J. Bone
Colors: Dave Stewart
Letters: Comicraft
Assoc. Editor: Tom Palmer, Jr.
Editor: Mark Chiarello
The Batman created by: Bob Kane
The Spirit created by: Will Eisner
Special thanks to: Denis Kitchen
Cover Art: Darwyn Cooke
Publisher: DC Comics

[ This review originally written for and published at comiXtreme/cxPulp some time back while the issue was new–within the first days to a week that the issue was available for sale. ]

I don’t know where this story takes place in continuity exactly (or even whether or not it IS in-continuity). But thankfully, that doesn’t really seem to matter.

Essentially, we get a story opened by the meeting between Gordon and Dolan, and their discussion leads into us (as the readers) discovering the story of “How the Spirit met Batman…” The story itself doesn’t seem particularly deep, and actually evokes a classic Silver-age feel, when events were just taken at face-value, simplistic, silly, and new as they might be.

A bunch of Batman’s rogues and a bunch of the Spirit’s rogues get together; and it’s up to Batman and the Spirit to foil the baddies’ plans. While things are going on, the vigilantes’ confidantes are each ‘seduced,’ and play their own role in the story’s ending.

I know next to nothing about The Spirit as a character. I know that he was created by Will Eisner, and something about the creator adding the mask to please someone with a say over the character being published or not (someone correct me if I’m wrong). The character’s identity, supporting cast, rogues, adventures, and in-continuity history are a mystery to me. Batman, on the other hand, I do know.

One might expect that to detract from the story, but it doesn’t. I got the feeling that a lot of characters were almost analogues of one another, in the way that one could compare Green Arrow and Hawkeye, Aquaman and Namor, and so on. Given that, you need only really know one side or the other to “get” the most basic concept of characters, and have at least some idea of what they’re all about.
The art seems at points almost overly-simplistic at first glance, but that (like the story itself) lends beautifully to a “classic” feel. Additionally, upon slightly deeper examination, it reminds me of the “Animated DCU” visually, which lends further enjoyment and timelessness to this story.

Overall, the issue reads rather like an extra-length episode of Batman: The Animated Series…and for me, at least, that is far from a bad thing. Possibly the worst thing about this issue is the price. I looked past the price due to the novelty of these two characters being thrust together and wonder at how (or even if) this will have any play in the new The Spirit ongoing. Was it worth it? Yeah…I’d say so.

This is a fun read, not so completely hokey as to make one check the date in the indicia, but by no means as serious-toned as a lot of other recent stuff coming out of DC. I can’t speak to longtime/familiar fans of the Spirit, but just for knowing the Batman-side of things, this seems like quite the enjoyable, faithful sort of mushing together of two characters who’ve never (to my knowledge) met prior.

From the Archives: Batman – Streets of Gotham #1

batman_streets_of_gotham_0001Ignition!

Writer: Paul Dini
Penciller: Dustin Nguyen
Inker: Derek Fridolfs
Colorist: John Kalisz
Letterer: Steve Wands
Assoc. Editor: Janelle Siegel
Editor: Mike Marts
Cover: Dustin Nguyen
Publisher: DC Comics

[ This review originally written for and published at comiXtreme/cxPulp some time back while the issue was new–within the first days to a week that the issue was available for sale. ]

This may be only the first issue of a new series…but it feels like something I’ve been reading for ages–and I mean that in a good way!
We open with Gotham’s police responding to an alarm to find Harley Quinn in civilian guise on the scene. Batman steps in, and we see Dick’s interaction with her (as well as an amusing bit from the new Robin, displaying his personality quite well). As the issue moves on, we’re introduced to Firefly and his latest scheme, as well as the interaction Batman has at present with Gordon and his police.

In some ways, this is a typical Batman comic. Then again, typical as it might be, there’s a whole lotta "new" under the top layer, as we have a new Batman, a new Robin, and with them whole new dynamics with existing characters (particularly Jim Gordon and the Gotham City police).

The writing is great stuff–Dini certainly knows his characters. I’ve enjoyed his issues of Detective Comics that I’ve read; and brought the expectation of that sort of enjoyment to this book. Thankfully, he delivers. Though not a focal point for the issue as a whole, the scene with Harley made the issue for me–I heard the character’s voice from the animated series in every word she spoke here, and it was a blast to read. She’s one of very few characters created for a tv show that I think works perfectly integrated into a comics universe afterward.

Nguyen on art is also a blast from the past–and still quite enjoyable. Some of the linework and shadows seem just a bit strange and over the top–but on the whole, a specific gritty, darker-but-not-too-dark tone is established that works really well for the book. The visuals are a bit stylized, and won’t appeal to everyone, though.

This series seems set to focus more on Gotham City and the things going on in the city and her people moreso than on Batman and Robin. That the two are the primary protectors of the city necessitate their appearance, but it seems we’ll get more of the GCPD in here, with Batman and Robin serving more of a well-noticed supporting role. While it’s no Gotham Central, this issue ges off to a good start, and has me interested in seeing more of the character interactions–almost more than finding out what happens after the cliffhanger.

Manhunter

Story Title: Strange Bedfellows
Writer: Marc Andreyko
Penciller: Georges Jeanty
Inker: Karl Story
Letters: Sal Cipriano
Colors: Nick Filardi
Assistant Editor: Janelle Siegel
Editor: Mike Marts

Manhunter/Kate Spencer moves to Gotham to take a new job. While we see her interacting with her new surroundings, we get flashbacks showing us what brought her to this point, giving context to the new status quo for the character.
Overall, I’m unfamiliar with the character, but for whatI’ve seen of her, this segment does not seem out of place. I’m not sure if the story here sums up what happened in the end of the ongoing singular-titled series or not, or if this story is simply the bridge from that series to the new status quo we’ll get as the co-feature in this title. Either way, the story’s simple, to-the-point, and not bad.

The art’s good, too. It’s not spectacular, but it is solid stuff and gets the story across with no trouble.

Whether the character was moved to Gotham because of the move to a co-feature in a title such as this I don’t know–but it works for me. All the more because we’ll get to see even MORE of Gotham through this character and her corner of things. The primary drawback is that with just under half a standard issue’s page-count, there’s less room to really get into the story–just as it gets moving, the segement concludes.
It’ll definitely be interesting to see the writer play with pacing given the page-count and whether or not–or how–it affects the story.

Like Blue Beetle in Booster Gold, this is another co-feature that actually feels worthwhile to me–I’ll probably never be thrilled paying $3.99 for a comic, but for the main story and the co-feature…this is a combo I can definitely handle for now.

From the Archives: Batgirl (2008) #1

batgirl(2009)0001Batgirl Rising part one: Point of New Origin

Writer: Bryan Q. Miller
Penciller: Lee Garbett
Inker: Trevor Scott
Colorist: Guy Major
Letterer: John J. Hill
Asst. Editor: Harvey Richards
Editor: Michael Siglain
Cover: Phil Noto
Publisher: DC Comics

[ This review originally written for and published at comiXtreme/cxPulp some time back while the issue was new–within the first days to a week that the issue was available for sale. ]

This issue opens on an action sequence. Cars take off for a race no one can win, in a scam that has drawn Batgirl to the scene. While she deals with the criminal element, we see that Batman and Robin are keeping an eye on things. Batgirl removes her mask, and we find out who she is. As she goes about her everyday life, we get a flashback sequence that shows how she came by the costume and what led to the previous Batgirl vacating it. Meanwhile, Barbara Gordon spends some time with her dad as they adjust to living near one another again (a plot point begun this past spring in the Oracle mini-series during Battle for the Cowl). As Batgirl is once again drawn into action, we see that she has a long way to go to measure up to her own ideals. The issue closes with her meeting someone who’ll be either mentor or foe.
The issue’s art doesn’t blow me away–it’s good, solid stuff, but that’s something I really expect from any comic I read. I like that all the characters I know are recognizable visually and not just contextually. While I’m sure there are subtleties I’m not picking up on, for a new reader such as myself, the style works just fine and does what a comic’s art should do.

My only real complaint with the art is the structure of the cover. We’re shown the title character from the waist to nose, with an emphasis on her…feminine curves (where the outline of a bat–her personal logo–is situated). I assume the intent is simply to emphasize the character’s chest-emblem since we’re not supposed to know who is actually in the costume. Unfortunately, the outline of a bat around the word "Batgirl" denoting the comic’s title takes away from that…and makes it seem there’s a bit of emphasis on Batgirl’s chest.

The story itself isn’t bad, though it doesn’t have me all that excited about what’s to come. I’m mainly interested in seeing what’s to come with Barbara Gordon and how she handles the new Batgirl than I am Batgirl herself. I expect I’ll give this at least a couple more issues to really draw me in. If I were to decide from this first issue alone, I do think I’d give the series a pass for now and see if anything develops, then play catch-up if interested in the developments.

All in all, a solid first issue as first issues go…and it’s very much to the writer’s–or DC’s–or WHOEVER’s–credit that the "mystery" over "Who IS Batgirl?" has been more for the solicitations on the series than some point within the series itself. That we have the identity of this Batgirl on page 6 of the first issue (the title page of the issue) allows me the interest I’m sure I would NOT have had if the identity was kept secret from the readers.

If you’re interested in Barbara Gordon, or the Gotham characters in general, or just this side of the "bat-family," this issue is worth picking up–at the least it gives you the debut of a new Batgirl, context for her and potentially where she’s going, and you get to see Babs’ story continue and where that may lead in the near future.

From the Archives: The Atom and Hawkman #46

atom_and_hawkman_0046Bye Bye Birdie!

Writer: Geoff Johns
Art: Ryan Sook & Fernando Pasarin
Letters: Nick J. Napolitano
Color: Hi Fi
Editors: Adam Schlagman & Eddie Berganza
Cover: Ryan Sook
The Atom/Ray Palmer and Hawkman created by: Gardner Fox
Published by: DC Comics

[ This review originally written for and published at comiXtreme/cxPulp some time back while the issue was new–within the first days to a week that the issue was available for sale. ]

I’ve never been a huge fan specifically of these two characters, though I’m familiar with them and have read a number of comics they’ve appeared in. They’ve just tended to be on the outer edges of the books I read, showing up for the occasional guest-starring role or cameo, or as part of a team in a team book. I’d read the Return of Hawkman arc in JSA a few years back, and a few issues of his own series heading into Infinite Crisis. The Atom I feel I’m most familiar with from Identity Crisis, and material I’ve read online about both Ray and the new Atom and their adventures post-Infinite Crisis.

That said…this issue was quite enjoyable, rather accessible, and yet seems to have plenty for fans with ties to the characters going much deeper and much further back than mine.

In the "tradition" of many of the Blackest Night tie-ins, we open with a recap sequence of sorts, focusing on the character’s life, leading up to their death. This time, though, it’s a recap of the character’s compassion, and why Ray Palmer–The Atom–was chosen by the Indigo ring for recruitment into the Indigo Tribe. The Black Lantern Hawks (as Hawkman and Hawkgirl were killed and raised into the Black Lantern Corps way back in Blackest Night #1) then attack, and there’s the usual discourse between Black Lantern and Hero, as Hawkman tries to get Atom riled up and his heart ripe for the taking. As the fight wraps up for the present, Indigo-1 tasks Atom with protecting her–keeping her alive–while she contacts other Indigos across the universe who can reach the other Lantern Corps (so they know to get to Earth, where all the Black Lanterns are headed). While protecting Indigo-1, Atom is forced to recall the events that lead off Identity Crisis, as he again faces the horror of what Jean did to attempt to win him back. As the issue closes out, Ray makes an important request–one that seems quite obvious, and is something I would love to see accomplished.

This is definitely one of the better Blackest Night tie-ins. It seems that this issue’s events are more important and meaningful to the overall story than most of the tie-ins. While we do get some Atom/Hawkman interaction, it hardly seems like enough to satisfy expectation. It is, however, appropriate enough to an issue of a two-character book, as it’s natural that one or the other character may take more of a leading role, depending on the given story. As what is essentially a one-shot, though, it’s a bit misleading.

The issue having an important tie to the overall story is something that I suspect comes from this being written by Johns, essentially the orchestrator of Blackest Night in the grand scheme of things. The story touches on a number of elements–Ray’s role with the Indigos, a demonstration of what he can do with the Indigo ring, a confrontation with the Hawks, some resolution to things with Ray and setting a new course for the character–which makes for a very strong read. The recap at the beginning did more to clue me in on the past of the Atom than anything else I’d yet read (and I’m pretty sure answered my unasked question as to the premise of Sword of the Atom).

Sook‘s art is high quality as well, and does a great job of getting across the visual aspect of the story. It just fits the story, and worked very well for me.
All in all, a very strong one-shot issue within the Blackest Night arc. Though it remains to be seen how much–or what part(s) of this issue get recapped in the main mini…this seems to be a tie-in very much worth getting if you’re following Blackest Night, even if you’re not generally snagging the tie-ins.

Definitely recommended.

From the Archives: Adventures of Superman #648

adventures_of_superman_0648Look…Up In The Sky

Summary: Lois Lane reports on the destruction of Bludhaven and the response of the super-heroes.
By: Lois Lane
Photos by: Jimmy Olsen, Karl Kerschl and Renato Guedes
Additional Reporting by: Greg Rucka, Nunzio DeFilipis, Christina Weir and Jami Bernard
Graphic Design by: Richard & Tanya Horie
Copy Design: Rob Leigh
Editors: Eddie Berganza and Jeanine Schaefer
Editor in Chief: Perry White
Cover Art: Karl Kerschl, colors by Dave McCaig
Publisher: DC Comics

[ This review originally written for and published at comiXtreme/cxPulp some time back while the issue was new–within the first days to a week that the issue was available for sale. ]

This issue is another logoed Infinite Crisis crossover issue. This is where we get the immediate response/fallout to the destruction wrought by Chemo in Infinite Crisis # 4. Rather than dialogue and seeing "inside" the heroes’ reactions to that event, we get it from the perspective of some citizen of the DCU reading reporter Lois Lane’s article covering the heroes’ response as she observed it.

This makes for an interesting perspective, if not entirely original. The "narration" is simply Lois’ story, which provides the only words found in the otherwise "silent" issue. One moment that stands out to me offhand is a full-page panel of Green Lantern amidst the wreckage, obviously deeply pained over the event. I believe this would be apparent even without Lois’ observation.

My initial reaction to this being where the plot thread gets immediately dealt with was surprise–given that many characters have "signature cities" that are often as much a character as any humanoid supporting cast member. Shouldn’t this be dealt with in another book? Except of course, Superman being Superman is obviously going to help. And given that Superman’s so powerful (here, the specific focus is on his invulnerability), it’s not like the character’s going to stand by and let others die just to maintain some "image" or such.

The style of this issue remind me of the Superman issue (# 79, I believe) that was told in this same way, except it was Ron Troupe’s story scattered in the otherwise silent issue which showed the Cyborg Superman stopping an attempt in the White House on the president’s life, and that president’s endorsement of the Cyborg as the "real" Superman. Given the destruction the characters rally to face, I’m also reminded of the "Black Cover Spider-Man Issue" (Amazing Spider-Man v.2 # 36, I believe).
Getting the story simultaneously after-the-fact (Lois’ words) and as it unfolds (the visuals) works pretty well–and for the most part might be the only way to truly cram so much into one issue. If there was dialogue with us seeing/hearing the characters talking to each other and coordinating and whatnot, this issue would have be be double, triple, or even quadruple-sized.

On the one hand, it’s interesting that there are four people listed for the writing–three beyond regular writer Greg Rucka. I can give the benefit of the doubt on it to the writing style and giving voice to Lois’ writing, as journalistic writing is not quite the same entity as character-writing and may be more collaborative.
Visually, there’s a fair amount of blank-space on these pages, as the images are pretty much contained to panels, and those panels’ layout tends to somewhat resemble photos placed on a fixed-size page. Though the art is not by a single person, it works for me here.

I found myself reading the text, using the visuals almost as an abstract, seeing them but not diving in deeply. Letting the visuals enhance what I was reading.
No real complaints with the art–it’s not perfect by any means, and this issue continues a trend of having "extras" credited, assumably to get an issue out exactly on-time (given what it covers, this issue pretty much had to be out right after Infinite Crisis # 4. Same week, and someone reading this issue spoils a major part of that issue; two weeks after, and it’s old news compared to books that also touch on the ramifications.

Other than describing how some of the mess is specifically cleaned up quickly (which might be mentioned in other books–I don’t know), this issue doesn’t strike me as essential reading. It will enhance one’s reading of the overall Infinite Crisis event, though. The issue doesn’t even have to be a Superman one–this could almost have been labeled "The Daily Planet – The Day After Infinite Crisis # 4" and been a "special" or "supplement" issue.

My initial reaction to the issue was that it wasn’t all that good, but it is actually quite well done, and serves its purpose as a followup to one of the more catastrophic events in the DCU.

Newer Books I’d Been Looking Forward To

While a lot of books and such that I get are relatively spur-of-the-moment, there are certain volumes that I’ll know exist(ed) or learn will be coming out sometime in the future that I’ll particularly look forward to. Several of these converged into just a couple days last week, though several more days were involved in terms of spacing of orders placed.

batman_knightfall_omnibus_vol_01

Awhile back, Bleeding Cool and their “glitch watch” had a piece up about a number of volumes heavily discounted on Amazon, including 50% off the then-upcoming Batman: Knightfall Omnibus vol. 1. With their “pre-order price guarantee,” I figured I’d jump on it for this one, as the price (for me) then had nowhere to go but down, and at a starting point of 50% off, anything else would be icing on the cake. Of course, I seemed to have gotten in at the lowest price, and though a week after comic shops, my card was charged and the book came, so it’s now a part of my collection.

Though it’s got some slight dings/dents…with stuff going on in “real life” right now, I do NOT have the “heart” to fight Amazon over the condition of the thing! Especially as it’s the sort of stuff that I’d honestly “expect” or “accept” buying such a volume in a comic shop or certainly at a used-books shop.

Plus, I’m hoping that this will truly be a definitive edition, and sturdier than the thick paperbacks I’ve been afraid to use for re-reading for fear of killing the spines.

aliens_original_series_and_bug_hunt

Then, in the Aliens side of things, I hadn’t expected either of these volumes out until the 26th of April–“Aliens Day,” (LV-426). However, I realized that the hardcover of Aliens: The Original Comics Series Nightmare Asylum and Earth War was already out/available; so I ordered that through InStockTrades. A few days later, checking up on the exact release date and price for the anthology volum Aliens: Bug Hunt, I learned that it, too, was already available on Amazon.

tmnt_idw_collection_and_100_project

Along with the Aliens original series, I also ordered The TMNT 100 Project. At the same time that I was checking on the Bug Hunt volume, I saw that Amazon had TMNT: The IDW Collection V2 back in stock and for as steep a discount as I could expect from InStockTrades…though the latter did NOT have it in stock, so I placed the order through Amazon.

Despite some 5 days’ difference in placing these two orders, all four volumes arrived on Friday.

knightfall_multi_formats_a

The Knightfall volume doesn’t actually have room on the shelf at the immediate moment. I’m hesitant to ditch the paperbacks entirely until the 2nd Omnibus is out this summer…and my entire collection has grown enough in areas over the past year-plus that I need to do a mix of weeding and adding a couple additional bookcases to hold stuff and spread things out so it’s not all crammed together.

aliens_on_the_shelf

It’s sort of amazing to think that the two “Original Comics” Aliens hardcovers’ content is crammed into the Aliens Omnibus vol. 1…but the size difference is also amazing, and far preferable in the larger format. That said, until or unless all the other stuff would get reprinted in this format, I’ll settle for the larger “library” with some doubling-up of actual content with the different editions.

I’m also looking forward to/hoping for another volume like The Complete Fire and Stone volume for the concludes-this-week Life and Death mega-arc from the past year or so.

tmnt_idw_on_the_shelf

I believe that, at last, I’m actually up-to-date/current with IDW‘s releases on the TMNT Adventures volumes as well as the TMNT: The IDW Collection volumes. The IDW Collection volumes–as only 4 volumes–surpass where I’d left off with getting the paperbacks of the ongoing series, the Micro-Series, and the various other mini-series they’d done. And these hardcovers are far superior as they reprint stuff in more of a story-order, where one does NOT have to switch back and forth between multiple volumes to get the proper experience of developments in continuity.

This is the point I’d looked forward to getting to a year and a half or two years ago or whenever it was they started these editions–stopping me in my tracks on the paperbacks.

I suppose I’d also like to note that apparently the TMNT: The IDW Collection V2 had managed to either go outright out of PRINT or at least out of stock… whatever the case, it was enough for third-party Amazon sellers to jack the pricing up to ridiculously astronomical prices. Several weeks ago, I saw something from Diamond with the volume on a list of “Back in Print” stuff, so simply waited for it to show up at a reasonable price again.

This reprinting/re-availability of a “middle volume” is something that it seems like Marvel in particular does NOT do: if something from them goes out of print, it STAYS out of print, at least until they do a whole new trade dress/presentation of something…which then means that even if the story is available again, the volume no longer “fits” into a series on a shelf.

This is one of the primary reasons I’ve NOT continued with the Cable & Deadpool paperbacks, nor gotten into the Deadpool Classic books: I’d love to get them, but I simply DO NOT TRUST Marvel to keep/have them in print long enough for me to actually get the entire series…and I absolutely do not want to get 6 or 7 or even 9 or 11 volumes in, just to suddenly have the final few only available to me for quadruple-or-more the cover price (when cover price itself is far more expensive than I’ve any interest in for the books)…or worse, have a random volume here and there out of print where I can’t even GET more than 3-4 volumes in a “run”.

But I suppose that gets into stuff for another post sometime.