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New Old Books: Kingdom Come and Hellblazer

Considering I just placed the order on Friday, receiving books on Tuesday is excellent service from InStockTrades! I’ve been keeping up with the new Hellblazer editions–here we have vol. 13–which catches the series up to about where I first came into the series back in 2001 with Azarello‘s run…and off the top of my head, I believe this now gives me a complete run of the entire 300-issue Hellblazer series in paperback volumes! (From here, it’s just a matter of swapping out the old editions for the new on a rolling basis, I think!)

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While I don’t like the cover nearly as much as I liked the image on the original paperback, that had much more of the “feel” of the story…this seems to be what DC is sticking with for now, taking the cover they’ve used for roughly 8 years over the one they used for about a decade or so…or over one of the original covers or even a celebratory new cover image.

That said, I quite like the 20th Anniversary Deluxe Edition of Kingdom Come, and for a very rare thing, part of that is the extras the book contains.

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I don’t care much for sketch material or pencils-only stuff–I’m just not a “primarily-for-the-art” kinda guy when it comes to comics. And I prefer to write about, talk about comics more than any true interest in actually writing comics, so even seeing script pages doesn’t tend to do much for me (though I tend to prefer those more). But there’s plenty of text with the sketches and whatnot, and lots of images reproduced in full color, some even full-page, and this is a volume, a story, a creative team, a singular truly special isolated thing that (to me) actually deserves “extras” and such be thrown in.

But the quality of the extras, their relevance and insight, the smile I found myself with, grinning as I flipped through them–some of the pages bringing back memories, others a bit of wonder, some just pleasant, collected excitement seeing stuff I haven’t seen in years or am simply curious about and look forward to reading in-depth. And this is without even getting to the core of the book, the story itself, to get to re-read in this format.

I have the original single issues; the original paperback collection, the 2008 paperback with this new green cover, as well as the hardback original edition of the novelization (bought from a local comic shop at initial release), and even bought the mass-market paperback edition of that for a friend shortly into college. I do not have the Absolute Edition and don’t truly expect I ever will unless it’s reprinted and the timing and finances are just right. But for this not being the Absolute Edition, I really dig this one.

Thanks to the online order, but including shipping, I think I functionally paid about $22 for this, which at the price of a mere 5 single Marvel comics and some shipping, I find to be an extremely reasonable price and very much worthwhile for this.

I also find myself feeling a bit old, that I now own a 20th-Anniversary edition of something I remember buying the original first issue of, new, when it first came out. Time flies…

Superman/Wonder Woman #29 [Review]

supermanwonderwoman0029The Final Days of Superman part 7: Fire Line

Story and Words: Peter J. Tomasi
Artist: Jorge Jimenez
Colors: Alejandro Sanchez
Letters: Rob Leigh
Cover: Karl Kerschl
Assistant Editor: Andrew Marino
Group Editor: Eddie Berganza
Published by: DC Comics
Cover Date: July 2016
Cover Price: $3.99

This is it–the penultimate chapter of The Final Days of Superman, and of the New 52 Superman’s story, period, it would seem, at least as he’s been given to readers since September 2011.

We have Solar Flare Superman facing New 52 Superman, Batman, and Wonder Woman. Meanwhile, Convergence/pre-Flashpoint Superman gets his wife and son to the fortress he’s kept secret from them, and he and his Lois have a ‘discussion’ over the matter. While Batman gets New 52 Lois away from Solar Flare, New 52 Superman and New 52 Wonder Woman do a number on Solar Flare Superman, before the Flare entity gains the upper hand. Learning of the ongoing battle, Supergirl leaves the DEO only partially-powered to join the fray, and we leave off with New 52 Superman in the clutches of Solar Flare.

Which is all a slightly obtuse, quasi-intentional way of expanding on the fact that not much of anything really HAPPENS here, except some pieces are moved around the board, marking time for the concluding chapter yet to come as we head into Rebirth itself as well next week…and to emphasize the fact that we have three different Supermen in play in this issue alone, as well as two Loises who don’t even meet.

Story-wise, this isn’t BAD at all–that’s not what I’m saying. But we basically have a big fight scene punctuated by accounting for several “subplots” (as much as such things actually exist in 2016 DC comics). Being well aware of this being chapter 7 of 8, and of what’s about to happen, and expecting it to unfold in the final chapter of this story and spill into the big Rebirth issue next week, I can’t truly fault the writing for not being able to DO much in this issue except move pieces around the board.

Visually I’m not enamored…while everyone’s quite recognizable, the linework just makes everyone look a bit “off” to me…and that is something firmly accentuated with the addition of color effects, to say nothing of just not caring for–or being used to–a Superman in any sort of armor, whatever its backstory/reason/necessity (or lack thereof). I also don’t care for the layouts…though they vary page to page, many pages seem to have too-big panels with too few words…and whether that’s art expanding to fill a lack of script or a script allowing an expansion of art, I’m not sure…but it makes $3.99 feel that much more expensive for the quick read this issue is as a whole (particularly compared against comics read this week from 1996, 20 years ago, purchased for 20 cents each!).

Finally, the cover isn’t all that appealing…I’ve not gone back to check out later printings of earlier chapters, though I saw a couple in passing and this one seems to fit those. The cover copy “Burning Love!” seems ill-placed as well, and the entire image is a bit misleading as Supergirl is not involved in the core action of this issue.

All in all…this issue is for those following the entirety of The Final Days of Superman, or completing a run of this particular title. If you’re just looking for the apparent death of the New 52 Superman, that should be next week; and if you’re not already following stuff, this chapter does not give enough to justify itself in and of itself for anyone to try to “jump in” just for this particular issue as any sort of “random” purchase.

The Weekly Haul – Week of May 18, 2016

For being a really small week with only one pull-list book and going in planning on one off-the-shelf book…this turned into a huge week of new-to-me comics!

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Been following–and quite enjoying–the Final Days of Superman story, if only for the fact of it being a multi-part story spanning four titles with a new chapter coming out each week, wherein I’m following the story itself and not so concerned about what title any given chapter falls in. Then there’s also Spawn, added to my pulls to support the high-numbering that’s been maintained through an age of renumbering/reboots/etc, as well as holding to the $2.99 price point amidst a sea of $3.99+ books. And I have yet to talk myself out of Power Man and Iron Fist, which I’ve thus far been enjoying overall.

And I’m definitely a fan of some of the Wizard specials…the Zero Hour book wound up costing me a whopping 20 cents this week!

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For $1 each–or all four of these for the price of a single Marvel–snagged these classic “digest” editions. No real rhyme or reason, just that they were there, lotta Batman on the cover, and they’re those classic digest editions!

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Getting into the bargain bins–freshly stocked, and I thought 25-cents-each (but turned out for the shop’s 29th-Anniversary-Sale, discounted to 20-cents-each), got a couple “shiny” dupes for the heckuvit. Then there’s The Longbow Hunters…I thought I was grabbing “all 3” issues but got home and realized that in my haste to delve into the fresh treasures of the expanded bargain bins, I only wound up with two distinct issues and a dupe-on-the-spot. Win some, lose some, I guess!

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First seven issues of The Power of Shazam!–dupes, all, but I recall several of my prior editions having some sticky residue or such, so worst-case, I have some dupes to choose between when I get to the sorting phase with my collection and that initial-pass to weed out dupes.

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Several one-off gems: a silver edition of The Strangers #1 as well as the mail-away The Solution #0. “Limited,” “hot” books around 1993/1994…25 cents here today! I’m kinda kicking myself for not snagging the bunch, but there were a number of The Brave and the Bold issues. My personal focus being Superman, though, I restrained myself from picking more up just because they were there. They weren’t in great condition, but for the novelty, I grabbed #150…thicker anniversary issue, and something just seemed really familiar to me–triggering nostalgia–with the cover. And then, even though it’s a bit wrinkly–probably water-damaged–DC Comics Presents #85, the “infamous” Swamp Thing issue I’ve been wanting to read or re-read or otherwise have…but couldn’t remember if another copy is truly hiding amidst my longboxes or not. For 25 cents (or as it turned out, 20 cents) absolutely a great purchase.

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Quasi-spoiling the find, I was unable to locate the fourth/final issue, but along with Underworld Unleashed #s 1-3, scored three special tie-in issues that I don’t think I’d ever consciously known existed…or sure didn’t remember, anyway.

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And then totally throwing my budget for the week out the window, nearly 50 issues of Wonder Woman. #s 89-136, and Annual #4. I’m truly curious now to “discover” what I actually own of this series…I have a bunch of early issues from a lot Dad bought for me years ago, and think I recall getting another run of issues somewhere in the 60-80 range, now this. Definitely a good way toward having the entire run, and at the very least, this purchase in itself gives me a four-year run of the title!

All in all…bought 75 or so comics, when I went in planning on 2. SOMEDAY I’ll get around to reading everything…

The ’90s Revisited: Superman #112

superman0112Superman’s Ex-Girlfriend Lois Lane

Writer: Dan Jurgens
Artists: Ron Frenz and Joe Rubinstein
Lettering: John Costanza
Colorist: Glenn Whitmore
Color Separations: Digital Chameleon
Editors: Mike McAvennie and KC Carlson
Published by: DC Comics
Cover Date: June 1996
Cover Price: $1.95

This issue originally came out during a year or so that I’d stepped away from (Superman) comics. For whatever reason(s) I recall basically leaving off with the end of The Trial of Superman, checking in briefly for the Wedding Album issue, and then returning for the start of the "Electric Costume" stuff. So I’d actually missed this whole half-year/however-long "arc" where Clark and Lois had broken up.

And I guess that’s the thing for this issue: it kicks off the "breakup" arc, and the cover caught me this time about the way it did fifteen or so years ago when I originally filled that gap in my runs on the Superman titles.

Superman deals with an attempted prison break, and then he flies Lois to Mt. Fuji for some alone time to talk about where they’re headed. Unlike the previous time they did this, there is not a happy resolution, as Superman is pulled away to save lives, and Lois’ "point" is essentially proven–that Superman is "on call" more than even a doctor or fire/policeman, and "belongs" to the world more than he ever can to one individual.

The issue’s art is good overall, though the "tease" from the cover constrasts sharply with the bulk of the issue’s art. Reading this issue out of context and as a one-off thing, I’m not overly thrilled with the art compared to plenty of other instances I’ve loved art on a Superman book. However, that’s personal taste in general and not reflective of the quality of the art. This brings back plenty of memory for me of this period in the Super-titles, when they were basically a weekly book with a rotating creative team. There’s no "previously…" page, but as a weekly ongoing thing, there wasn’t really much need for one…I suspect one would have been reading ALL the Super-titles or none; as one of the former, I can’t imagine being able to stick with any single Superman title without the others.

Story-wise, this is a Jurgens issue, and by his name alone I’m pre-disposed to like this, given I tend to really enjoy any/all stuff he did with Superman (and to a degree, still does). This issue certainly is not a chunk of story totally in a vacuum for me–I am very much aware of (roughly) where this is situated in stuff–shortly after The Trial of Superman–and recalling the months-long arc of Superman and Lois "separated" and such, so I don’t have that sense of "what the heck was just happening???" heading into the issue, nor do I have any sense of "what comes next?". That we get some pages of Superman/Clark and Lois talking about things, a sense of what both are feeling, and (Clark especially) going through, this is a heartbreaking kinda story if one appreciates the characters and continuity from the mid/late 1990s.

The cover is what grabbed me for this particular purchase, and the memories it evoked–both with having part of the original image from Superman #59, as well as the first time I’d read this particular issue.

All in all, this was very much worth the 25 cents I paid, for the convenience of an immediate re-reading. As with too many comics I presently own, this was a "convenience purchase," as I already own the issue at least once if not twice over, and would just prefer at the moment to pay the 25 cents over digging through umpteen boxes to try to find it and pull it. (Plus, doing that is something different than grabbing a "random" ’90s issue out of a quarter bin.

I’d love to do a full, large-scale reread of ’90s Superman issues…but for now, I’ll content myself with sticking to occasional quarter-bin finds like this.

New Death of Superman Editions

death_of_superman_new_editions_03Back in late 1992, possibly early 1993–VERY shortly after Superman #75 was published–a collected volume was rushed out, collecting the six Superman issues and the Justice League issue that made up the Doomsday! (now simply The Death of Superman) arc.

I have always considered it something that was rushed because on the back where they gave a cover gallery, several of the issues were obviously-marked (Roman Numerals) later printings…whoever had been tasked with designing the back cover did not even themselves have access (or care) to all first-print editions (and I say this assuming there were no digital images floating around back then to simply access and use).

And over 1993 we then got the Funeral for a Friend story collected as World Without a Superman, and then eventually a massive (even by contemporary standards!) The Return of Superman (my copy, bought at the time, was a whopping $14.95 or so..!).

Over the years, those volumes have remained in-print…with the only major difference that I have noticed being that the Death of Superman volume eventually was switched to the iconic Superman #75 cover image of the tattered cape amidst the wreckage of Doomsday’s rampage.

The volumes originated in a time where any such collected volume was a real rarity/novelty, and it was only the particularly “special” or truly “sold-out” major storylines that would get collected into a single-volume edition…and each was largely its own thing, existing as an isolated item. “Simple” as the spines were back then, my original editions, at least, look ok together, but do not match many “surrounding” volumes on the bookshelves…and other than “knowing” the three volumes belong together, there’s no real indicator of them, nor the order to read them in. I take such knowledge totally for granted, but especially in this day and age of constant deaths and resurrections and timey-wimey stuff and multiverses and pre-Flashpoints and New 52s…’nuff said.

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We now get five volumes–each more manageable than the Death and Return of Superman Omnibus, and admittedly higher prices…but also more content in the volumes–for example, the Death of Superman volume now contains the Newstime magazine that was published during all this; the Funeral for a Friend volume has the Legacy of Superman and the Supergirl/Team Luthor special; while what was formerly the single-volume The Return of Superman has been split in two–with the addition of the four ongoing titles’ Bloodlines annuals (each issue starring one of the Four Supermen) as well as the entirety of issues that had only had several pages reprinted.

And while it does not fit the “set” or “series” quite the same way, we have the inclusion of the Doomsday volume, giving us the Doomsday: Year One annual as well as the complete Superman/Doomsday: Hunter/Prey along with Superman: The Doomsday Wars.

I believe podcaster and fellow blogger Michael Bailey said it on Facebook (and I wholeheartedly agree!) that probably a better fit for this volume would have been the early-2000s mini-series Superman: Day of Doom in place of The Doomsday Wars.

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Still, all in all, I love the new trade dress–the black bar with red logo/title text contrasts nicely with the images, and really make them look like part of the same series of books.

While I kinda question the wisdom of numbering the volumes (wondering if a 2 or 3 or 4 or 5 on the spine would put someone off from buying an isolated volume), I absolutely love that with the full set, part of the spines makes up a black box with the iconic (extremely so to me!) “bleeding S” that denotes the death of the Man of Steel.

This set gives me at least my 5th edition of the Death of Superman volume, and I have many of the issues in this set multiple times over. Yet, given what the saga means to me, on learning of these new editions’ existence and the inclusion of the specials and particularly the annuals…I was immediately interested. That the spines do what they do put me over the fence.

However, I did wait until these were available from InStockTrades, as I certainly was not going to buy all 5 at once at anything remotely approaching cover price, and even this was a hefty one-time amount to lay out. For saving 45%, though, I’m extremely pleased with the purchase, and having these volumes!

The Weekly Haul: Week of May 04, 2016

Outside of several pretty hefty recent book purchases, actual comics made for a big week this week…and probably my widest, most “diverse” (publisher-wise) such haul in ages!

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In my main/regular/new issues, I have five publishers represented. I was not going to buy the Thunerbolts issue…while I’d greatly enjoyed the late-1990s/early-2000s and somewhat tried again with the series with Marvel Now, I’d trailed off. Something about this cover, though, just REALLY triggers the nostalgia factor for me. While I’d prefer the title be at the top of the cover, for the image they went with, it works…sadly, I am certain this “main” cover is hardly the only cover…thus it lacks the iconic status of the original 1997 Thunderbolts book.

MOST IMPORTANTLY, Thunderbolts (2016) #1 is only $3.99! I have been so extremely put-off by Marvel‘s high prices and the seeming stream of $4.99+ #1s that I’ve written ’em off as too expensive for my interest. I’d far prefer $2.99, but at this point I’ll “support” $3.99 OVER $4.99 for #1 issues, regardless of size (standard or extra…short me on size and the complaint’s renewed!)

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I’d picked up the first two issues of X-Men ’92 recently to “check them out,” having bought the series last year with the Secret Wars stuff…seeing the third issue, I decided to take a chance and buy this one so I’m “caught up” for the reading. I’d been quite surprised that the first couple issues were “only” $3.99 apiece…that #1 was not $4.99 was a major selling point for me!

A $1 issue from IDW, and a catalog of Marvel collected volumes round out the “normal” stuff for the week.

Which brings us to issues of timing, with their release falling on May 04.

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Star Wars Day seems to have become an official Thing, May 4th each year. As in “May the Fourth be with you.” So rather than stagger them across the entire month…Marvel threw us ten $1 reprints of #1 issues. For the price, I’m cool with them; they were pulled for me as part of my “$1 and under promo-priced stuff” part of my pull-list. In addition, I snagged an extra copy of several issues to give to coworkers.

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Given the relative (I believe) “recency” of several of the issues, I’m quite glad I waited. As is, I’m a bit miffed at these now-$1 copies of the $4.99 Star Wars #1 and Darth Vader #1 from last year…ditto on the Vader Down issue. Still, these give me a first-issue jumping-in point to help determine if I want to buy the trades…

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I also hit the quarter-bins, where I snagged several random-ish issues. The Wolverine issue brings back definite memories from when it was originally released, so I grabbed that on the nostalgia alone. I snagged the Captain Marvel because it was #1, did not have the other issues in the bin, and I wanted an ‘even number” of books. Turns out the Generation X/Gen13 books are variants of the same issue. I’m disgusted on principle but can’t be too upset…they’re wraparound covers, and I’m only out 50 cents for a double-length story.

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I totally forgot several weeks ago to follow up on an offer on the Guy Gardner issues–the store owner was planning on clearing them out “soon.” While I think I “missed out on” several early issues in the run, these issues are mostly what I recall being present at the time, so it all worked out in the end. I’m pretty sure somewhere in the Abyss that is my collection of longboxes I have the first 20+ issues–at least the bulk of the run before the book became Warrior…so I mostly passed on those for now, as I’m hoping to get the entirety of my comics collection sorted sooner than not…and I’m trying to exercise a bit of restraint in this regard (though adding 30 25-cent issues ($7.50) to an already cringe-inducingly large week on top of other expenditures may not be the most intelligent thing to do.

The ’90s Revisited: The Flash #142

flash0142Get Me to the Church On Time

Writers: Mark Waid, Brian Augustyn
Pencils: Pop Mhan
Inks: Chris Ivy
Letters: Gaspar
Colors: Tom McCraw
Assistant Editor: L.A. Williams
Editor: Paul Kupperberg
Published by: DC Comics
Cover Date: October 1998
Cover Price: $1.99

This is one of those issues whose cover served as an extremely powerful selling point: “The Wedding of The Flash.” OK. I knew Wally and Linda were married…and that it happened SOMETIME before #200, as that was about the time their kids were born, and I was pretty sure they’d been married awhile prior. So spotting this in the quarter bin without any significant “run” to grab, I still figured it would be a good one-off/isolated issue to read.

We open on Wally dealing with Kobra and his crew, and find he’s got a very personal stake in dealing with the current situation: the terrorists are quite inconsiderate, after all, attacking on his wedding day. Linda and Wally put the last-second finishing touches on wedding plans as Linda’s family arrives. While things get into motion for the wedding, Wally can’t quite shake the feeling that something’s wrong or forgotten. The Justice League arrives, and there’s still no villain attack to disrupt things…as Wally and Linda get a moment to confirm they’re going through with the wedding. As the couple prepares to deliver their wedding vows, Wally realizes exactly what he’s forgotten: writing his. Of course, he doesn’t need to write them–he just reflects quickly on their time together, what they’ve been through–and he’s good. As he slips the ring onto Linda’s finger, there’s a flash of light, and he’s alone with no recollection of Linda’s existence nor that they were at the altar to be wed…while a mysterious figure looks on as Linda screams for help.

As said, the issue’s cover grabbed me. This is “THE” wedding issue. Great, ok, cool. Regular-sized, nothing fancy, just a one-issue key moment, something that happens, but while the same length as any other moment in time, is still one of those key moments one can go back to. Right? And being so used to covers “spoiling” otherwise ‘surprise’ villains or guest-stars, giving away what the issue is about (yet, the cover DOES have to “sell” one on buying the issue if they aren’t already planning to, and I’m certainly guilty of disliking generic, unrelated covers)…I figured I knew what this issue was, and was just going through the motions reading/enjoying the story, but I wasn’t expecting to be surprised. But surprise me it did, and now I very definitely want to read more.

The story itself is very good, mixing “regular” super-speed action letting us see the Flash do what he does, and that not EVERY threat has to be spread across exactly six issues of formulaic structure for a graphic novel collection. Some threats can be handled in a few pages to move the story along. Also signifying this being from an age when there were no routine collections of every half-dozen or so issues, the credits page is worked into the story itself somewhat cinematically–or at least, in a “tv” sort of fashion…showing the Kobra attack to be mere prologue to fulfill our expectation of the Flash in action in-costume and allowing the rest of the issue to focus on Wally, Linda, and co. for the wedding itself. Working other key characters in–like Impulse and Nightwing were nice touches, and though I’m more aware of than familiar with Bart, I appreciated the bit with him and seeing dynamics of “the Flash Family” that I’ve often read of but read very little of myself as yet.

The art is good, and really never left me wondering. It’s not my favorite visual style, and is rather “isolated” here as I’ve not read any significant runs on this title in probably almost a decade. I’m sure I’d appreciate it more in context, and assume it’s consistent with surrounding issues. Where varying visual styles play on actual memory for me with the Superman family of titles, I don’t have that for the Flash, which for every issue of the title I read makes me further regret never jumping in back in the ’90s when these were fresh, current, ongoing episodes of the character.

Despite mentioning “isolation” above in regards to finding this issue and how I see the art on it…the issue on the whole is not the quasi-self-contained or isolated unit I was expecting. I thankfully never got the sense that I “should have” read the previous issue to “get” what’s going on here, so it’s easy to jump INTO…but it certainly doesn’t have a hard-stop point to conclude, and successfully leaves me eager to read more, to find out who the mystery-villain is, to see how Wally and Linda get out of this mess…find out if this truly IS “the wedding issue” or if that “moment” occurs down the road in another issue, etc.

For a one-issue quarter-bin find, this issue was more than worthwhile, and I thoroughly enjoyed it, and would (in retrospect) gladly pay several dollars for it (though for bulk/quantity I’d prefer to get to load up on the series from quarter-bins!).

The Weekly Haul – Week of April 20, 2016 (Bargain Bins)

Along with my ‘regular’ purchases, stopped off at the other local comic shop, looking primarily for the Superman/Wonder Woman issue I was now missing in the current storyline…or so I thought. (Turns out the missing chapter is an issue of Batman/Superman, which would have been a really useful bit of information to have consciously had!

Not finding what I was there for, I hit the bargain bins and found a bunch of 25-cent comics of interest.

I also found another Ultraforce figure that I don’t believe I’d found before: Topaz.

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Best thing is the figure was only $2…a real “no brainer” for me for sure!

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I came across a bunch of Showcase issues. Here are the handful of Showcase ’93 and the couple Showcase ’96 I found. The Two-Face one–a chapter of Batman: Knightfall–is a duplicate, but one worth having, if only for filing purposes.

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And the gem of the bunch, the back half of Showcase ’94…making it relatively easy to mentally track…I just need to find issues 1-5!

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Most of Strangers 1-16. A bunch of those early issues are apparently ‘variants’ in that they have the UPC/barcode on the covers instead of “nothing” or a non-barcode that many “direct market” books had from this time period. Normally I’m not one for variants, but finding a near-complete run of a bunch of issues make it well worthwhile, especially for the price of one single contemporary Marvel issue.

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Turok, Sovereign Seven, and The Man of Steel were lone #1 issues…but what the hey? I’m half interested in how many copies of Turok I can amass; and the others never hurt to have extras. The “ashcans” were cool finds–I have ’em all somewhere, but they’re rather rare (in my experience) due to their size…either not being filed with comics that are then sold, or “hiding” because they’re smaller and thus passed over…at least in bargain bins.

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I know I have at least a couple of these Justice League America issues, but while pulling them I’d hoped there would be more, and then figured until I get my collection actually sorted again, not gonna hurt too much to have a larger isolated ‘run’ for now.

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I found myself working toward an ‘even number’ for my mental math of my stack, so grabbed a couple random-ish issues. One of the store workers was sorting through a small box of comics and tossed some more “recent” releases on the quarter bins…functionally giving me first crack at ’em, so I snagged the bottom row above.

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Whether I get around to them sooner than later or not, I always enjoy finding Superman comics from before the Death of Superman, and then several of the others are just ones I like, particularly for the iconic covers from an age when such things could stand uniquely and not be lost in an overwhelming sea of variants.

The older issue of Action Comics where Clark tells Lois he’s Superman is a first print…I recall there being at least two printings, so it’s cool to snag an extra copy of a first print like this.

Not that I’m unaware of it or anything, but I’m such a sucker for the ’90s, and continue to enjoy these finds much more than most new comics.

And while I recognize that I’m rather “spoiled” right now with relatively easy access to a number of shops with 25 and 50 cent bins and various bargain-bins…it’s still apalling to consider that I can buy 64 such comics like this…for the same price a mere FOUR new Marvel comics of 20 pages each. 80 pages of story, or 64 entire issues? Not hard to see the better value when one enjoys the bargain-bin finds.

I just wish I had so much more time to actually dig in and read and re-read stuff more frequently.

The ’90s Revisited: The Flash Plus #1

flashplus0001nightwingThe Flash + Nightwing: Doorway to Nightmare

Story: Mark Waid and Brian Augustyn
Pencils: Eduardo Barreto
Inks: Gerry Fernandez
Letterer: Gasper
Colorist: Ian Laughlin
Assistant Editor: Jason Hernandez-Rosenblatt
Editor: Paul Kupperberg
Published by: DC Comics
Cover Date: January 1997
Cover Price: 2.95

I’ve seen a number of these Character Plus+ issues through the years…acquired some myself, even…though I don’t know that I’ve ever actually gotten around to reading any. But being in a Flash mood recently, and this being extra-sized as well as knowing it “had to” be more of a one-shot, it was something I knew immediately would be well worth a quarter, fishing it out of a quarter bin.

Wally and Dick are headed out on vacation. Dick’s a bit peeved that Wally yet again failed to do the planning for their vacation, so he had to make all the plans/arrangements. And Wally–impatient as always–is not happy being stuck in a car to make their way to a destination rather than being able to simply run under his own speed. The two arrive in New Orleans at a haunted house/attraction…and though Wally couldn’t see how there’d be anything special to it, the two soon find themselves up to their necks in trouble. They ultimately uncover plans of an alien invasion and must work together to stop it, beat back existing aliens, and save the world.

…Which is a really simplistic summation of the issue, considering its extra size. But I’m not writing this as a wiki piece of the issue–this was yet another of my embracing a ’90s comic and enjoying it.

With The New 52 having done away with the DC Universe I grew up on several years ago, and Wally being sidelined for years before that, I’d forgotten about the friendship he and Dick shared. Both started out as sidekicks (Robin and Kid Flash), both “graduated” into their own identities–Dick as Nightwing, Wally embracing and living up to his part in the Flash legacy), both are now (at this point in the continuity) adults, and there’s that sense of history and friendship with them…at least from my knowledge of the characters.

The cover is rather generic…yet I definitely enjoy it. I like the shadowy effect with mostly-black, but the lightning in the background showing us key parts of the characters and their costumes so we know who they are. I’m pretty sure genuine lighting doesn’t work that way in actuality…but the effect for this image is plenty cool enough for my eye! I also like the quasi-“grid” effect at the top…whether it’s supposed to be part of the logo or not, it reminds me of classic DC covers in a very subtle way.

The art on the interior is quite good, and I enjoyed it. It was solid, conveying what needed to be conveyed, and never particularly took me out of the story; there were no pages that left me curious about creative human anatomy or if I missed something, and so on. Truth be told, I actually hardly noticed it, which is how I’d prefer: I should enjoy the story in general, and not be relying on the art to carry a poor story nor be taken out of a good story by poor art. I’m not yet familiar enough with this period of The Flash or Nightwing to know offhand if Barreto is the “regular” artist for either character…but while specials and annuals can often have the “look” of being just some random story or fill-in with a non-series-regular artist, this issue did not have that feel for me.

That this issue IS basically a one-shot and not part of a crossover, longer story, event, or so on nor an Annual for either title, I don’t think we’d get something like this today. A single issue playing well within what I’m aware of continuity-wise with both characters, yet doesn’t rely on an individual/ongoing story for either nor require reading of both titles…and lacking a specific-arc tie-in and not ending with a lead-in to some other story…this is a unique piece of history, and an issue well worth its cover price.

Some of the quality probably does come from this being written by Waid/Augustyn–names I’m starting to notice repeatedly cropping up together, though I was already aware of Waid‘s significant (and highly-praised) run on the Flash title. This one issue gives us a good beginning, middle, and end; as well as giving insight into both characters, while sticking primarily with the Flash (Nightwing IS the “plus” after all, not the headlining character).

In an age of $4 comics, where I got to buy and read this for 1/16th that price, by default the issue is very much worth what I paid for it. Even at full cover price, though, this issue would seem to me quite worthwhile compared to a modern issue, and “experiencing” the quality of the story from nearly two decades ago for myself continues to build my interest in reading “classic” Wally West Flash stories, and put shame to the notion of all ’90s comics being crappy stories and periods for characters.

The ’90s Revisited: Green Lantern #81

greenlantern0081nFuneral for a Hero

Writer: Ron Marz
Pencils: Darryl Banks
Inks: Romeo Tanghal
Color: Pamela Rambo
Letters: Chris Eliopoulos
Associate Editor: Eddie Berganza
Editor: Kevin Dooley
Published by: DC Comics
Cover Date: December 1996
Cover Price: $1.75

“That was a good issue.” That was my initial thought on closing this, the first time I’ve ever read the issue. Oh, there were some odd bits here and there, but the oddity largely comes from my present knowledge of stuff in 2016 contrasting with reading a book that’s some 19+ years old.

This issue gives us the funeral of Hal Jordan. Though this is functionally #31 of Kyle’s series, and he was introduced to “replace” Hal in the title…until now, Hal had not actually been dead. He’d first simply become Parallax, destroyed the Corps and then been “not on Earth.” He returned in Zero Hour trying to re-write reality, to fix things…and was stopped. I recall (though not in much conscious detail) the #0 issue of Green Lantern…of Hal and Kyle interacting, and I believe the then-destruction of Oa, and I think I’d figured Hal was out of the picture. He then came back in The Final Night, where he sacrificed himself to save Earth and re-ignite the sun…which brings us to this issue.

Kyle has created a cathedral construct for all the mourners, in part of the crater that was once Coast City. We see the arrival of Jon Stewart and Donna Troy, and Donna’s reunion with Dick Grayson; she officially introduces Dick to Kyle. We see there are quite a number of individuals gathered–some heroes, some villains, some not even “invited.” (But that’s life, innit?) Superman speaks, followed by Guy Gardner and Jon Stewart (former GLs both), then Dinah Lance (Black Canary) on behalf of Oliver Queen (deceased at this point in continuity). The Flash (Wally West) speaks, followed by Carol Ferris…and the service concludes with Kyle. Next, the mourners move outside, where the memorial “eternal” flame for Coast City is magically transformed into a GREEN flame (Hal now reunited with the city he so loved) by the original Green Lantern, Alan Scott. Finally, Swamp Thing causes a massive growth of plant life in the crater…transforming the lifeless, desolate pit into a massive green space to honor the fallen hero…while Kyle erects a statue construct of Hall at the heart of it.

While many might say that you need to have constant action, constant “big stuff” happening, huge events, every issue must be merely a chapter in an ongoing story…I myself am very much a huge fan of self-contained one-shots…and of quiet, personal stories. A couple of my favorite X-Men comics involve the characters at home, just being themselves and interacting…not saving the world or facing some catastrophic event or the latest apocalyptic villain. This issue is like that. No huge action-event. No action-stars. No villain crashing the party and making trouble. This is not part 1 of some epilogue mini-SERIES to examine the death of Hal. This is not a “bridge” issue shepherding us from the last event right into the next.

This is a quiet, moving story where we get to see a number of DC characters interacting as themselves, in context of a loss. Perhaps there should be mention that the WORLD has just nearly ended, but there’s not even that–this isn’t “just” a follow-up to The Final Night…this is simply a story of people coming together to mourn the death of a man whose life had–in some way–touched all of theirs. And I suppose the way I’m going on and on like this ought to “say” enough in itself, outside of these words I’m typing.

For me–having grown up through the ’90s, having been quite immersed in DC‘s continuity (if only on the Superman side) through much of this period, being “aware of” if not directly following every title–this is an instant classic. I paid $3.99 to buy this from a back-issue bin; no bargain-bin or quarter-bin…just a “full priced back issue” in this case. The $3.99–just over double original cover price–makes this issue a “match” for any current 2016 issue…yet to me, the quality far exceeds most anything I’ve read recently from DC.

To say the least…the writing for this issue is great, and my sole complaint would be what feels like a tacked-on bit from Batman for the sake of a pretty bow on the situation, quite opposite of how Batman would be portrayed through later years until Infinite Crisis nearly a decade after this.

Banks‘ art is fantastic as well…I have no complaints on the visuals, and to me the only way characters seem slightly “off” visually I think is that they look almost “too human.” There’s a deep authenticity to me here, between the visuals and story combined…as any comic book should be! And unlike contemporary comics that seem full of silent or near-wordless 2-page spreads…this issue has an example of where something like that is truly justified…giving us a huge, powerful moment…whose silence echoes loudly as we see the interior of the cathedral, the pews full of mourners, Kyle and Donna moving through.

greenlantern0081cThe copy of this issue that I bought has a $1.75 cover price…which honestly surprised me, as I’d thought all DC books were $1.95 or so at this point. Based on the barcode on the cover and no “Direct Edition” text, I can only assume this is a true “newsstand edition” copy…and perhaps these editions were slightly cheaper than the comic shop editions. (I do recall the X-books having a similar thing with a cheaper lower-paper-quality edition and then the more expensive, high-quality-paper “deluxe edition”). This would be yet another difference with contemporary comics…as in 2016 I have observed the “newsstand” editions being seemingly-arbitrarily priced at $1 more than normal.

All said…this was a great issue, and very much worth my $4, putting virtually any current comic to shame, value-wise by comparison. And it only took me some 16+ years to get around to paying a “premium price” to acquire and get to read this issue.