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Updating the Hellblazer Library before Constantine

I virtually NEVER buy collected volumes “in-person,” sticking to single issues for in-person purchases, due to pricing. However, I have been quite highly impressed with the re-issued Hellblazer volumes the last year or two.

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This week, I picked up volume 8, which is a rather thick volume, and very certainly physically FEELS like a big book, well worth its cover price. As with the earlier volumes, this one is basically a merging of two of the “original edition” volumes into a single book.

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The new Hellblazer vol. 8: Rake at the Gates of Hell contains the issues previously collected as the un-numbered volumes Hellblazer: Damnation’s Flame and Hellblazer: Rake at the Gates of Hell. This volume is rather significant for ME, as the original Damnation’s Flame was the first Hellblazer book I ever read and it–along with a Secret Files and Origins issue–were my initial introduction to the series and the John Constantine character.

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Part of the heft of the physicality of the volume seems to be that the paper might be slightly thicker…or somehow less compressed. Even with less covers, this new volume is actually fatter than the two original volumes whose issues this contains.

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Now, if I was looking at a Marvel volume collecting this many issues, or simply being this thick, I would certainly expect it to be–at MINIMUM–a $35 book, more likely $40, if not a $50 paperback. But here from DC (well, Vertigo) this is a “mere” $19.99 or to use my above rounding, it’s a $20 book. What makes that EXTRA appealing is looking at the two older editions that I bought over ten years ago.

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When I bought Damnation’s Flame back somewhere in 2003 or so, it was $16.95…and as that predated my online ordering and such, I actually paid cover price plus tax at Comic Heaven.

And in 2004 or so when Rake at the Gates of Hell was put out, it was itself $19.95. A $17 book and a $20 book–$37ish total–yet now in this new edition the entirety is only $20.

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Given that these new editions are actually NUMBERED and contain extra issues the original volumes did not (the original edition of vol. 1 did not contain the Swamp Thing issues, for example. Vol. 1 now has them so you’re NOT left on some cliffhanger that you have to leave the series of volumes to resolve. And this time through–at least so far, in July 2014–the volumes share a cohesive trade-dress so they actually look like a series.

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I’m still missing several of the later volumes of the series, though still filling in those holes, despite the chance that I’ll be double-dipping, “upgrading” to the new editions if the entire series actually gets collected. As-is, vol. 8 takes us up to #83…at this rate, I do imagine we’re looking at an eventual 30 or so volumes if these make it through to the 300th issue; possibly 31-32 if various specials and such get factored in, maybe more if any of the spotlight minis (Lady Constantine, Chaz, Papa Midnight) get mixed in.

The next question is going to be how to “recycle” my old editions. Sell ’em on eBay? Sell them as a lot? Sell them individually? With these new editions, those old ones are technically out of print–so based on the APPARENT “logic” of Amazon 3rd-party resellers, I should probably sell them for about $50-$140 apiece, right*?

(*Actually I’d consider looking toward roughly $10/ea if I could sell ’em all at once, maybe put that into the new editions of Preacher or even Lucifer, with Lucifer having the weight as I already have old editions of Preacher but have yet to read Lucifer at all)..

Superman (2011) #32 [Review]

Superman #32

Men of Tomorrow – Chapter One: Ulysses

Writer: Geoff Johns
Penciller: John Romita Jr.
Inker: Klaus Janson
Colorist: Laura Martin
Lettering: Sal Cipriano
Cover: Romita Jr., Janson, Martin
Published by: DC Comics
Cover Price: $3.99

I wasn’t going to buy this issue. I’d been annoyed by the ads the last couple months, and wasn’t a fan of the art from previews…to say nothing of being annoyed AT the previews themselves (having never been a particular fan of the 5-page or so previews masquerading as chosen content in any given issue).

But at the shop, the coloring of the cover caught my attention: It’s not an image I recognized from the ads (the ads’ image I’d thought for SURE was the COVER IMAGE for this given its use all over the place!). While I’m not a fan of the linework, the image caught me–the red of the cape, the blue of the main suit, and maybe all the more, the orange and yellow background. It’s reminiscent of two VERY familiar covers in my mind: the Kryptonite Nevermore issue, and Adventures of Superman #497 from 1992.

Where usually the cover and art are not the primary influencing factor in my buying a comic, in this case, it definitely “sold” me on at least this issue alone.
I also quite like the fact that the visual style fits the interior; it sometimes feels like the covers can be a distinctly different thing, giving one impression while the interior is a completely different visual style.
I recall liking Romita‘s art some 12/13 years ago on Amazing Spider-Man, JMS‘ run, but as I’d noticed from the previews and now having been through the actual issue, I’m not terribly thrilled with the style with Superman. It’s certainly not bad–and loads better than anything I could ever dream of being able to draw myself–just that for this first issue it doesn’t fit with my preferred visual take on Superman (a la Dan Jurgens, Jim Lee, Ed Benes, to name a few). The art certainly does its job…I’m never really left wondering what’s going on, and there’s nothing that jars me out of the story scratching my head at anatomy or some other quirks that different artists’ styles sometimes have done to me. If you’re a fan of Romita‘s style, this would seem to be a solid example of that, except it’s with DC characters instead of Marvel.

While Janson‘s name sticks out quite a bit to me, I’m honestly not one that particularly consciously notices inking–linework tends to go together as one thing, with the penciller getting much of the credit. In this case, given just how recognizeable the art is to me as Romita’s style, I’d say the inking maintains the style, complimenting it quite well…it certainly doesn’t detract in any way I notice.

If I’m correctly recalling, the last time Johns came onto a Superman book was in Action Comics, beginning the Last Son arc with Donner, and I was none too thrilled with elements reintroduced to the Superman story during that run. I was also not all that thrilled with the Secret Origin arc and what THAT reintroduced.
However, this is an entirely different DC universe, an entirely different Superman, and as such, I’m along for the ride and whatever elements are brought in. I’ve not been particularly invested in the New 52 Superman, at this point having read barely 1/3 of the run.
Johns introduces us to Ulysses, a boy sent from his dying world by his parents to another place in the hopes that he would live…an origin quite parallel to that of Kal-El. Years later, Superman takes down Titano, a giant (mechanical) ape troubling Metropolis. Not long after, we spend some time at the Planet with Perry, Jimmy, and a visiting Clark. Perry offers to bring Kent back in, and offers a bit of a ‘speech’ that will surely impact the young reporter/blogger/super-hero. A new threat hits the city, and though Superman intervenes, it takes the intervention of a new  figure to temporarily resolve the issue, as the man believing himself to be the Last Son of Earth discovers he’s not nearly as alone as he’d thought.
Frankly, I don’t want to be interested. I don’t want another $3.99 book on my slate each month, especially with the title being what seems to me arbitrarily bumped to the higher price, when Superman started as a $2.99 book and Action Comics was the $3.99 book.
But Johns has done it–I’m interested in spite of myself. I may not be enthused with the art, but the story more than makes up for it. I haven’t a clue how LONG Johns will be on the book, and this strikes me as likely “graphic novel” fodder (without getting much into the issue of stories “written for the trade”) so it remains to be seen if I pick up the next issue.
I’m not ready to add this to my pull list by any means…but I’m not disappointed in having spent the $3.99 that I did, I’m interested in what comes next within the story, and it’s highly likely that if I don’t pick up the rest of this arc in single-issue format I’ll definitely look at picking up the inevitable hardback.

adventuresofsuperman497      superman233

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Let’s Try This Again: New Line of DC Toys

Total_Heroes_June_16th

Back in 2008, I got in “at the beginning” of Mattel’s Infinite Heroes line of 3.75″ DC toys. Sadly, lack of selection and other factors seemed to quickly doom that line (whereas the Marvel 3.75″ figures from another company are doing quite well, or at least are still around with a much more significant presence than DC stuff).

Several weeks ago, I happend across this new line of DC character figures for quite a great price: larger than the 3.75″ figures, but still “only” $9.99. I wound up buying the three that I’ve found thus far: Batman, Superman, and Sinestro. I look forward to finding Flash, Green Lantern (Hal Jordan), and Aquaman…as well as hopefully plenty of other DC characters.

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Total_Heroes_Superman_Front

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While VERY basic, I do appreciate the cards being unique to the figures, including a brief/minimal profile:

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Total_Heroes_Superman_Profile

Total_Heroes_Sinestro_Profile

And I know of the existence of Flash, Green Lantern, and Aquaman because of the gallery on the figures’ cards:

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Here’s hoping the other characters come out relatively quickly without shortpacking, and without any single character becoming a “peg warmer” and all that. I’m in at the beginning for now–give me a steady pace of figures that I can get for $9.99 at Warlmart/Target/Meijer, and I’ll probably keep buying…

Son of Batman and the Best Buy Figurines

The newest DC Animated film came out this week: Son of Batman.

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And as with the previous ones, I snagged it this week before I could talk myself out of it. And as with a number of the previous ones, I got mine from Best Buy because of the figurine it came with. While I’d hoped we might get a Robin, sadly this one was merely Deathstroke.

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Still, he’s another addition to the growing set in my display cabinet…

JLA Adventures: Trapped in Time [Review]

jlaadventurestrappedintimedvd_0129While I’m not thrilled at the idea of the “classic” (for me, this means 1986-2011) DC stories being scrapped in favor of New-52-centric stories being adapted for DC‘s line of direct-to-home-media release, I’ve been looking forward to Justice League: War for awhile, if only just to see how they adapt the story to the screen, given it seemed like basically a lengthy fight scene to me when I read it.

There was no Fall 2013 new release (instead, we got a “special edition” that combined Dark Knight Returns parts 1 & 2 into a single feature)…so I’ve been looking forward to the next NEW film for quite awhile.

Imagine, then, my surprise when I came across JLA Adventures: Trapped in Time while browsing a Target Sunday evening. At first I mistook it for another Superfriends release, yet it had the “classic” JLA logo I’m familiar with from the ’90s/early-2000s, so it got my curiosity up. Target‘s had that “exclusive” line of DC figures under the Justice League branding; so I may have partially wondered if this was a new line of “re-presenting” Superfriends episodes through Target.

But according to the box, it was an original animated movie, albeit Target-exclusive. I wrestled with leaving it–after all, I’d NOT been looking forward to THIS one, and I’ve never been a fan of the Superfriends stuff, so I put it back. Then I picked it up again. And ultimately bought it along with my groceries and such.

In broad strokes, this reminded me of those mini comics that came in boxes of cereal several years back…fun enough, familiar-looking characters, passable stuff that’s fun as something different, but by no means anything special.

I liked the animation well enough…it wasn’t anything phenomenal, but it wasn’t terrible. My primary “issue” with the animation has to do with the character designs themselves–what fault I may have found with the animation probably comes more from this aspect.

The costumes are a blend of preNew 52 and current…Superman’s lacks the ugly collar-and-armor look BUT has the red belt in place of the trunks. Truthfully–I have no issue here as I don’t know if I would have noticed if I’d not been looking for it.

Bizarro and Cheetah looked “off” a bit, while Black Manta, Grodd, and others looked ok enough. Luthor looks like a sleeker, higher quality rendition of something pre-1986 to me, or at least what I unconsciously associate with that earlier period.

Story-wise, this is fairly typical fare for superhero shenanigans. Heroes beat the villains, villains use time-travel to change a key moment in history and thus undo the heroes; “b-list” heroes not affected by the time change (um…wibbly-wobbly, time-wimey stuff) must emerge and put things right.

The use of the Time Trapper here is probably the most accessible version I’ve encountered of the character. Rather than being a known villain of the Legion of Super-Heroes or such, he’s just an entity released from an artifact in the LoS’ museum a la a genie from a bottle. Granted, this makes him/it more of a plot point than any sort of character with any depth, it works for the story. I’m sure my own lack of experience with the Legion–they’re a definite blind spot in my experiential DC knowledge–lends itself to my ready acceptance of this interpretation of the character, where those far more familiar with Legion stuff may well take issue with it.

I didn’t recognize any of the voice actors offhand…but this honestly doesn’t bother me at all. Perhaps largely for not even expecting this movie and having no vested interest in its particular version of the characters (it’s not based on/adapting anything I’m familiar with specifically nor is it a continuation of the ’90s Batman, Superman, or Justice League/Justice League Unlimited animated series or previous direct-to-home-media film).

Since I’m not expecting the “traditional” voice actors for Superman, Batman, or Luthor and had no expectations for any of the other characters, I took stuff at “face value,” wherein all voices fit if only for the fact that none of them particularly DIDN’T fit; no one “sounded weird” to me or had odd voices coming from an otherwise familiar appearance.

In the end, this is–to me–a rather mediocre thing, though. It’s not bad, but it’s not wonderful. Ultimately it’s rather forgettable. JLA Adventures: Trapped in Time is enjoyable in the moment, having watched it…but on the whole it doesn’t strike me as anything worth rushing out to buy. A rental would be an adequate way of scratching any “curiosity itch” one has regarding this for now.

Checking Out Superman/Wonder Woman

supermanwonderwomanissue03It’s kinda interesting at times, the way I’ll “bargain” or “make deals” with myself. Such as recently at JC’s in the Falls. I walked in looking for Amazing X-Men #2 and some 25-cent comics. Happened to see Superman/Wonder Woman #3. Remembered Michael Bailey posting something on facebook recently about it being a good title (in such a way that–to me–served as an endorsement if not outright or personal recommendation).

So I made a deal: ok, if BOTH issues 1 AND 2 are ALSO in-stock, withOUT my having to ask about ’em, I’ll give the series a try. And sure enough, both were, and so I did.

I’m pleasantly surprised. I don’t know how long I’ll stick around–I enjoyed reading these first three issues, having ALL THREE to read AT ONCE. But I certainly enjoyed even just the first issue a lot more than I did Batman/Superman #1. I can tell this is rooted within generalized current continuity, and I feel like I’m getting enough from what I’m reading to not be concerned about tracking down other issues.

I don’t feel lost or left out, I don’t feel like I’m missing out on something for lack of internet “research” or such. I’m just getting…a story.

And after all those Villains Month issues back in September?

Throw Doomsday and Zod into the mix, and not seem gratuitous or watered-down? Yeah, ok, Mr. Soule…you’ve got my attention.

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Ending the Year: A Quarter-Century Collection Unified

shelf00For the first time in several years, I actually have my comics “library” whole, in one space (outside of some Walking Dead books out “on loan” at the moment). I’ve attempted to arrange the collection in a number of ways over the years, but keep changing stuff here and there. This latest “reunification” was no exception.

Previously, I’d had my Marvel Oversized Hardcovers grouped together, separate from the “regular size” hardcovers and premiere edition hardcovers and paperbacks. Several months back when I reorganized my “last 2+ years” shelves I didn’t do that separation, and decided I liked having stuff together like this more than the sleek look of all the hardcovers lined up together.

I went with a quasi-alphabetical scheme, “grouping” stuff like Avengers, Captain America, Essentials, Spider-Man, Ultimate Universe, X-Men, and such with other stuff peppered throughout. Within these groups I put stuff mainly in story order or in the case of numbered volumes, numerical order with the entire cluster roughly where they’d begin in-story (with a few exceptions for appearances).

And now, showing off the collection in detail!

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Annihilation, Avengers, and Captain America. While I consider AvX more an X-story, the prominent titles on the spines and the AvX logo just made it totally fit better with the Avengers stuff, and keep my head from exploding at putting big A volumes in with the Xs…

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I decided to put my Essentials in the E range, as the word Essential is so prominent on the bulk of my editions (notice that it’s hardly noticeable on the third Classic X-Men volume/current trade dress, instead more closely resembling the Omnibus styleage. (Over on the DC side the Showcase Presents volumes are grouped by character as the “Showcase Presents” is rather small and the character/title far more prominent.)

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The Heroes Reborn and Infinity Gauntlet/etc. stuff are some of my favorite volumes and I wanted them together, so let the Hulk stuff jump the alphabet slightly (with the added excuse that Incredible DOES come before Infinity).I still am missing Infinity Crusade vol. 2, and intend to snag the new edition of Infinity Abyss soon, and likely Infinity next year sometime. As my only real Silver Surfer volume, the Rebirth of Thanos is shelved here as it was a definite prelude to Infinity Gauntlet, and the Thanos – Marvel Universe: The End is here as well as a continuation of the Thanos/Infinity stuff.

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My Spider-Man and Thor collections are relatively small. Spider-Man’s basically all from bargain bins. The oversized Ultimate Spider-Man and Ultimates collections are some of the more “premium” books in my collection. Ultimate Spider-Man vol. 1 and Ultimate Marvel Team-Up were–I believe–my first two Marvel hardcovers. Pretty high on my list to track down yet are Ultimate Spider-Man vols. 6 through 9 and the Death of Spider-Man Omnibus.

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The X-Men have largely dominated my hardcovers…the Grant Morrison New X-Men books starting things off; a bargain bin for Supernovas and Rise/Fall of the Shi’Ar Empire continuing things, and the “premium” Messiah Complex/Messiah War/Second Coming ‘trilogy’. Bargains yielded Fall of the Mutants, Mutant Massacre, X-Tinction Agenda and X-Cutioner’s Song; and I’ve had my eye on the Age of Apocalypse Omnibus and believe there’s an Age of Apocalypse Companion coming out next year, both of which would be cool to have, though likely a bit less physically readable than the five-volume paperback series.

shelf06

Stuff like Rogue, Longshot, and Magik (with only 1-2 volumes) got shelved elsewhere; but “general X-related” and Wolverine stuff fell here to be WITH the X-Men stuff, if a bit out of alphabetical order. Due to their size, the various digest-sized stuff got grouped here rather than get lost amidst the full-size/oversized volumes. I put the Crossgen books here as well since they’re now under Disney WITH Marvel; and size-wise they’re a good fit.

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And for the first time since returning to active publication, I finally have all my TMNT stuff together and all my Valiant stuff together.

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My Superman collection has continued to expand. While I could replace the Death/Funeral/Return of Superman volumes with the Omnibus…these paperbacks are my original editions from 1992-1993, so they remain with the 2013 Omnibus. I’m yet a couple volumes behind on the Man of Steel paperbacks, and there are a number of Silver/Bronze Age themed collections that I don’t have yet.

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With a bit of spillover from the Superman shelf, the bulk of the Batman stuff fits just below. I’ve had eyes on the newer Knightfall volumes, and do want to get those eventually, as they’re far superior to these original 3 editions (though vols. 1-3 are each from different printings/trade dresses prior). I’ve also had my eye on the new printings of No Man’s Land.

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Green Arrow and Green Lantern have always been a good fit together; especially as I’ve so few GA as to be negligible compared to the GL books. I need to catch  up on the first couple Green Lantern hardcovers in the New 52, plus the Wrath of the First Lantern and The End, (and perhaps paperbacks for GL Corps to that point) but I think I’m almost ready to close out my keeping up with having the entirety of the Johns GL saga/”era”…whether or not I track down any of the tie-in Blackest Night volumes I don’t yet have. For lack of better placement and keeping a few inches to ‘grow’ I also shelved Astro City here. I believe I’m missing a single volume from having the complete run in one edition or another, outside of any collected volumes of the current Vertigo incarnation.

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My ‘general DC’ stuff is a bit less organized; more a clustering. Somewhat alphabetical, but then I grouped the big events: Crisis on Infinite Earths, Zero Hour, Identity Crisis, Infinite Crisis, 52, Final Crisis, and Flashpoint. The Shazam books got stuck right after Flashpoint as a couple volumes are in the Superman books, and I didn’t get really “into” Shazam until the New 52 volume came out.

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Hellblazer, Sandman, and Y: The Last Man headline my Vertigo shelf. I do want to “upgrade” my Hellblazer volumes to the newer printings for the early stuff, except I think vol. 2 is already out of print while 1 and 3-5 may not be? I may also “downgrade” the All His Engines to the softcover just to “fit in” more. I’m looking at doing the same with the Sandman: Endless Nights volume. Watchmen sits alone without any Before Watchmen as it’s physically smaller and if I’m to ‘buy into” the Before Watchmen stuff, I want it to physically match with the original.

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I’m still missing a volume of Preacher, and am not happy that to get it I’ll likely have to get the new trade dress that may have some overlap due to the volumes’ issue counts being messed with. Alternatively I’ve considered just revisiting the series with the newest editions that seem likely to be fewer volumes but thicker all the way through. For lack of other placement, the zombies fit nicely here, as does my GI Joe.

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Since reading the novelizations of the comics in the ’90s, I’ve been quite a fan of Dark Horse‘s Aliens stuff…and the novelizations continued into the AvP stuff…so by extension I’m a fan of their Omnibus series, and hope to expand it, at least on the Aliens side. I then have other misc. Image and Image-type stuff, and while Marvel published the Ender’s stuff, that’s it’s own thing, so fell here.

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My DIsney, Archie, Usagi, and Bone stuff wound up down here, followed by Highlander and a true “mixture” of remaining stuff. Having the Death and Life of Superman novel (anniversary edition) on the shelf next to the hardcover didn’t work for me, but I’ve got both because of extra material in the paperback, so it’s relegated here. Several other volumes wound up here that I’m hanging onto but don’t otherwise fit with what they ought to, for me.

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Finally, my comics “reference” and novels wound up on the top of the bookcase. Thus they reside with the comics stuff, but there wasn’t otherwise room to give them their own shelf with the current arrangement.

While going through the entire collection, I did do a bit of “weeding,” pulling a number of volumes I’ve grabbed off $1 tables and such; or that I got years ago when I thought I just wanted “more volumes” “in the collection.” I’ll probably wind up “weeding out” some of the Essentials volumes.

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…and here again is the entire collection as “presented” last Friday, now with the closer-up shelf-by-shelf detail above.

Superman: Dark Knight Over Metropolis (TPB) [Review]

supermandarkknightovermetropolistpbWriters: John Byrne, Dan Jurgens, Roger Stern, Jerry Ordway
Artists: Art Adams, Dick Giordano, Dan Jurgens, “Sludd” Giordano, Brett Breeding, Bob McLeod, Jerry Ordway, Dennis Janke, Kerry Gammill, John Kalisz
Reprints: Action Comics Annual #1, Adventures of Superman #466-467, Action Comics #653-654, Superman #44
Published by: DC Comics
Cover Price: $14.99

The Action Comics annual, while not bad, isn’t at all my favorite Superman/Batman story. It’s certainly an apt inclusion, being one of the earliest team-ups of the characters…I just don’t care for the vampires thing, and given the volume’s title and the “main” story of the volume, I was eager to get to that rather so quickly waded through the Annual.

Adventures of Superman #466 was the first appearance of Hank Henshaw, and a definite “nod” to Marvel‘s Fantastic Four, albeit with a much more tragic outcome. Three men and a woman are exposed to “cosmic radiation” and crash back to Earth, finding themselves changed–one into energy, one into a monstrous construct of shrapnel, rocks, and branches; one fading out of our plane of existence, one being eaten away by radiation that baffles even his intellect. This is a nice “one-shot” sort of issue, introducing the characters and seeing their apparent end all in one go…though Hank Henshaw would eventually return in Reign of the Supermen/The Return of Superman and go on to be a fairly recurring character throughout the 1990s’ Superman books. Though I can’t be certain of its accuracy, I seem to have a fond memory of having read this issue while it was still new, long before ever being referred back to it during Reign of the Supermen.

I can’t really put my finger on why this issue was included here except that it came out about the same time as the others and so perhaps “adds context,” but as a Superman/Batman-themed volume focusing on the characters’ early interactions, I really would have preferred to see Man of Steel #3 (One Night in Gotham City) included here (the issue/story is even referenced by the Action Comics annual!).

Action Comics #653 serves as a nice prologue to the “main event” of the volume, giving us the key point of the Kryptonite ring having been removed from Luthor’s possession, and how it winds up able to make its way to Gotham City.

Finally, we get to the three issues that are the actual Dark Knight over Metropolis story. Here, Batman comes across a radioactive ring that he traces back to Metropolis. Of course, Metropolis “belonging” to Superman, the two cross paths, and have to work together to uncover the source of the ring and deal with a threat from Intergang. At the story’s end, we see that although their methods differ, Superman realizes that he and Batman are truly on the same side with the same ultimate goals, and we get the key scene that would have ramifications for a decade or more in the DC Universe as Superman gives Batman the means to stop him should the need ever arise.

Overall–on all the issues–the story and art work well together. I can definitely tell these are from the late 1980s/early-1990s, though, visually…both stylistically (square, neat panels, virtually no full-splash-pages, no double-page spreads, etc) as well as the coloring…while the paper itself for this volume are not newsprint, some pages I could practically feel the newsprint, and some of the coloration “dots” are visible in panels from the original printing process.

The look and feel of this volume brings back fond memories for me, as–while different artists had different ways of depicting the characters–the whole seems consistent with nothing outlandish or particularly “off,” and I really had no complaints.

The stories as well are a nice blast from the past…and as I read this, I realized I may not actually have read all of these before this iteration, so it’s nice to know absolutely for certain that I’ve now read this story for myself as opposed to simply knowing it by references TO the story.

This is probably one of the most “bare-bones” volumes I’ve noticed as such in awhile…I was surprised to get to the end, and there aren’t even any ad pages or lists of OTHER Superman or Batman volumes that I usually ‘expect’ to see. Additionally, there’s no table of contents, introduction or anything…not terribly surprising since the “specialness” of collected volumes has gone away, though for such a specific story I’d almost expect some “extra” stuff to be included (since this isn’t “just” “the next” volume to contain several issues in a series).

All told, though…it’s quite gratifying that this volume now exists, and it’s well worthwhile for anyone interested in a quality glimpse into “early” Superman/Batman interaction from the post-Crisis on Infinite Earths DC Universe. This is a standard-size TPB, with the “standard” $14.99 cover price that one would expect for a 6-7 issue volume. In an age of collected volumes increasingly reflecting a greater-than-$3.99-per-issue price, this is a more than fair price point. I already own all of the single issues, and would really consider them to be quarter-bin/50-cent-bin issues, yet I still bought this, and consider it a very worthwhile purchase!

Superman vs. Shazam! TPB [Review]

[Reprints All-New Collectors’ Edition #C-58, DC Comics Presents #s 33, 34, 49, and DC Comics Presents Annual #3 (1984). Cover Price: $19.99]

supermanvsshazamtpbMy initial criteria for choosing this volume? “Cheap” and “Superman” and “Shazam”/Captain Marvel. Also, “new.” As in…this just came out a few months ago (March, 2013 as far as I can tell) and thus qualified as “shiny and appealing,” so to speak. I also have to admit to appreciating the Shazam logo I’m most familiar with at the moment for pre-New 52 stuff (primarily due to Jeff Smith‘s Monster Society of Evil but have noticed for other Shazam items). Surfacey stuff, sure, but it yielded the sale and put the volume into my hands.

The art’s fairly standard-ish, especially for what I tend to “picture” as the generic “pre-mid-’80s” type visuals. Not horrible or anything, but nothing that blows me away by “today’s standards.” Yet, I certainly appreciated that often–while they appear QUITE similar otherwise, I COULD distinguish Captain Marvel’s face from Superman’s face…certainly something QUITE good in my book! It could be argued that the art is limited a bit, constrained by the standard-ish panel structure…that is, a lack of contemporary creative layouts and full/half/double-page splashes and the like. With most everything being in individual panels, there’s not a lot of room for much of the artistic impressiveness that would grab me with more recent art. While that’s a bit broad considering this volume spans a number of years, I largely read it in one go, and the visual style kinda blurs for me on older stuff.

Story-wise…by contemporary standards (again), can’t say I’m all that thrilled with this. Characters didn’t seem all that deep to me (some seemed to just come out of nowhere, with little or no context), and there were plotholes one could drive a truck through. Characters were all too quick and willing to “accept” something at face value with seemingly no consideration for the depth or scope of the issue at hand…and villains’ motivations seemed extremely thin.

All that said, or despite saying all that, I rather enjoyed the volume in and of itself. Even with the extremely limited prior exposure I’ve had to Captain Marvel, I know enough to recognize Sivana, Mr. Mind, Black Adam, the multiple Earths, and have recently learned a bit about Hoppy and the extended Marvel family (Uncle Marvel was–like Hoppy–quite a bit on the far-fetched side, but I recognized the character as Billy’s uncle from Shazam: The New Beginning).

While the stories may have been published years apart, in the general sense of the pre-Crisis DC Multiverse of the ’70s/early-’80s, these fit together well enough, and it was cool to see the nods to continuity.

I don’t know that I’d really recommend this to a new fan of the Shazam or Superman stuff as any sort of ‘essential reading’ (unless you’re particularly interested–specifically–in “digging in” and “experiencing” the historical element of the characters’ earlier interactions). But this does fit in quite nicely with other “themed” classic Superman collections that take a particular element (Lex Luthor, Brainiac, Zod, the Phantom Zone, the Daily Planet, the Bottle City of Kandor, etc) and present some stories focused on it.

For the price (especially if discounted) the volume is quite a good value for the time it’ll take to read, even though the art and stories don’t hold up real well with contemporary comics. This is a time-capsule showcasing Superman/Captain Marvel (Shazam) crossover/team-ups of the past, and for me, upon filing, will be a welcome addition to my bookshelf.

The ’80s Revisited: Shazam: The New Beginning #s 1-4

shazamthenewbeginning001Writers: Roy and Dann Thomas
Artist: Tom Mandrake
Inker: Jan Duursema
Letterers: Agustin Mas
Colorists: Carl Gafford, Joe Orlando
Published by: DC Comics
Cover Dates: April/May/June/JUly 1987
Cover Price: $0.75

Until this month, I’d really only known DC‘s Captain Marvel (Shazam) as a guest-star…an important figure, but I’d only really ever stuff where he was a guest-star, not THE star, of a book. While memory may fail me, I’m pretty sure my first real introduction to the character was Action Comics Annual #4 (a 1992 Eclipso: The Darkness Within crossover).

I saw him again pictured in Death of Superman stuff–the funeral stuff at least. I believe I would have seen him in Zero Hour, and I was aware of the Power of Shazam series though I’ve yet to actually read any issues except the Blackest Night issue from a few years ago. Maybe his most significant–and to me, emotional–appearance was in Kingdom Come.

Of course, he again wound up on my radar with the Superman/Shazam: First Thunder story shortly before Infinite Crisis, and then during the magical side of that story. I was aware of (but again have yet to read) the Trials of Shazam series. I was aware of the “corruption” of Mary Marvel with the Final Crisis stuff, and recall seeing Captain Marvel in the I Can’t Believe It’s Not the Justice League, as well as an issue or two of Giffen/DeMatteis‘ original Justice League. And of course, I was aware of the property from various things I’ve read about the history of comics, and seeing solicitations for the various collected volumes (such as the Showcase volume).

And most recently, probably getting my hands on the collected edition of Jeff Smith‘s Shazam and the Monster Society of Evil and a few issues of the Johnny DC Billy Batson and the Magic of Shazam series.

shazamthenewbeginning002I saw the Monster Society of Evil and Billy Batson stuff as stand-alone/out-of-continuity things, so haven’t considered those.

Which brings me to my recent acquisition/reading of the New 52 Shazam vol. 1, which in turn led me to an immediate reading of the serendipitously having-just-bought this entire 4-issue mini in a quarter-bin…which I understand backtracks a bit from the Legends crossover and tells the origin of Billy Batson and Captain Marvel in context of the then-new DC Universe post-Crisis on Infinite Earths.

All of the above to get to actually talking about the issues this post purports to be about.

Much as I wanted to LIKE this, much as I was interested–at least conceptually–in reading this, and appreciate HAVING read it, now having the “experience” of the series as part of my Shazam/Captain Marvel knowledge-base…the series was ROUGH to get through.

First and foremost, this is a series from some 25 years ago–more than 1/3 of the character’s entire existence ago. It’s very much a product of the ’80s, and quite verbose…there were times I was taken out of the story simply being overwhelmed by the density of text in any given 2-page section I’d turn to.

shazamthenewbeginning003I’m honestly quite convinced that this same story told in present-day with all the main elements would easily be done as at least 12 issues (a 3-issue mini per issue). (Given that density, I’m honestly not going to attempt to recap the story itself in this post!).

Yet, rough as it was to get through–having read primarily “new” comics for a number of years now and rarely actually delving into anything older than 1993 for more than a single issue at a time–I’m quite glad to have read this. Sure, it’s a lot packed into few pages…but while that drives against what I’m “used to,” and so gave a bit of negative by way of my having to “force” myself to stick to the series rather than read something else and then come back to it…ultimately, I am glad I did so. 

There were plenty of plot holes and “leaps” of logic, stuff that wouldn’t fly today…but there was a lot more to ’em than I imagine there’d’ve been to similar concepts a decade or two earlier, or even at the beginning of the property in the 1940s.

But we got the “essential” stuff: Billy, the Wizard, Sivana, Black Adam…even reference to Hoppy. And with the density of narration and dialogue, while not as smooth as a modern depiction, we get quite a bit of detail and motivation. Not so much “shown” as “told,” but the end result is largely the same…especially combined with my pre-existing knowledge of the character.

shazamthenewbeginning004Visually, I can’t say I was all that impressed. The art wasn’t bad, by any means…but it really didn’t stand out all that much to me (especially not compared to Gary Frank‘s art on the New 52 volume, and my memory of the cover to Action Comics Annual #4). Sure, those may be unfair comparisons, but they are what they are. It also certainly did NOT help that the copy of the issues I read are very much “reading copy” condition…with much of the art a bit faded and blurred due to the ink/newsprint paper quality from the time.

Barring specific interest in this take on the character–time period or creative team–I don’t know that I’d particularly recommend seeking these out. However, if you find ’em in a bargain-bin in readable condition, they’re worthwhile, and if you can get the set for $4 or less, the time you’ll likely spend reading one issue would “value” the issue far beyond a modern $3.99 issue.

Having now read this, I’m definitely interested in reading/re-reading other Shazam stuff…though beyond the recent Superman vs. Shazam tpb, I don’t think I’m gonna go “older” than this series…I’ll stick to the Power of Shazam run I bought a year or two back, and whatever collected volumes I can get my hands on. I’ll also be seeking out more on Black Adam, having come to like that character quite a bit under Johns‘ writing, in 52 and in JSA.