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Superman #683 [Review]

New Krypton part nine: Hard Times!

Writer: James Robinson
Pencillers: Renato Guedes & Jorge Correa Jr.
Inker: Wilson Magalhares & Jorge Correa Jr.
Colorist: David Curiel
Letterer: John J. Hill
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Alex Ross (variant by Chris Sprouse, Karl Story & Laura Martin)
Publisher: DC Comics

Superman faces a number of Earth super-heroes in this issue’s opening sequence–asking that they leave and let him attend to locating the Kryptonians who were responsible for a number of police deaths. They in turn give Supes an ultimatum–a half-hour before they’ll go into action. Superman confronts his aunt, and begins to realize things are beyond his control. As the battle is joined, we have Kryptonians vs. super-heroes, and then a moment between Superman and Supergirl that takes me back to a 1992 issue of Action Comics. The issue concludes with a certain “cavalry” arriving.

I’m still not the biggest fan of the art for this title–the style just seems a bit “off” to me; as probably stated before, the visual is shared by the entire art team–sometimes it’s the coloring that seems most “off” to me. I actually think I’d prefer to see Guedes’ linework inked and left uncolored–that might give me a different perception.

The story is decent if lacking complexity. Then again, given that we’re into the ninth chapter of this crossover story, it’s goot to get to action and not be bogged down with overly-complex layering and whatnot. The characters and situations are quite believable and make sense contextually. This certainly isn’t the best issue of this title–nor the “New Krypton” story–but it’s a solid chapter (and didn’t seem like some plot device forced into it for the sake of re-introducing old characters).

Not one to skip if you’re following the story; by this point in the story I assume one’s probably going to pick issues up whatever complaints they have, and doubt my recommendation would do much here. I’d recommend picking up earlier chapters before just grabbing this and wading in, of course.

Story: 7.5/10
Art: 6/10
Whole: 6.5/10

Batman #684 [Review]

Batman: Last Rites – Last Days of Gotham part 2 of 2

Writer: Denny O’Neil
Art: Guillem March
Letters: Jared K. Fletcher
Assistant Editor: Janelle Siegel
Editor: Mike Marts
Covers: Guillem March & Tony Daniel
Publisher: DC Comics

Nightwing finds himself in need of rescuing, followed by guilt at having been rescued. A conversation with Alfred gets him back into fighting shape, and he heads out to do what he’s gotta do. Meanwhile, the other players in the story are busy–looking over the city, beating heads in (doing so in another’s name), and dealing with the “order” side of things. The expected fight happens, and a number of characters ponder what life’s handed them.

This is a bit of a vague summary. Some stuff in the story feels a bit vague to me–specifically the new characters with ties going back to the Gotham quake. Names did not stand out to me at all, and without going back and re-reading just to look for a name, I don’t recall ’em.

However, I did like this chapter much moreso than the first–not sure what made this so different, unless it just played better having already gotten the foundational stuff outta the way with the Detective Comics chapter of this.

The story plays nicely with continuity–drawing from stuff going back over a decade, while being planted in the midst of current/contemporary continuity, which is a definite strength in my eyes. I’d almost be interested in seeing a longer story by O’Neil, though I don’t think the current continuity’s climate would work well for that.

The art is not bad, though not my ideal choice for a Batman-related story. There’s something about this art that reminds me of the art in Superman right now–though I prefer this to the Superman art.

All in all, a solid issue for a fill-in arc (which if this is not a fill-in, it sure feels like one). If you picked up Detective 851 with the firstd chapter, this is worth nabbing to get the 2nd half of the story. I’m not sure how/where this’ll be collected (if it is) down the line; definitely beats trying to track down a 6-parter. I do wish DC would adopt some system of recounting what’s come before. I also wish they’d quit GLUING these Mortal Kombat vs. DC Universe ads in–I wanna rip ’em out, but because of the glue cannot without ripping out actual story pages.

Story: 8/10
Art: 7/10
Whole: 7.5/10

Justice League of America #28 [Review]

Welcome to Sundown Town Chapter 2: Shadow and Act

Writer: Dwayne McDuffie
Penciller: Jose Luis
Inks: JP Mayer
Color: Pete Pantazis
Letters: Travis Lanham
Associate Editor: Adam Schlagman
Editor: Eddie Berganza
Cover: Ed Benes w/Hi-Fi
Publisher: DC Comics

I wasn’t gonna pick this up. I was gonna content myself with waiting for a collected volume, or just waiting for the Milestone characters to pop up in other books. But curiosity got the better of me, and so I picked this up after all.

There’s not much of a plot here–the bulk of the issue is a lengthy fight scene between the League and the Shadow Cabinet. However, toward the end of the issue theres a slight bit of a twist that both bucks cliche and yet manages to play right in familiar old cliche none the less.

I find myself much more interested in finding out more about the Milestone characters than I am about the Justice League, and so am possibly more disappointed in this issue than I should be. I would gladly (and with enthusiasm) picked up a mini-series re-introducing these characters that guest-starred members of the Justice League; as it is, the Milestone characters don’t get enough focus-time in this issue (though they get far more than in the previous one). I’m also quite interested in the Icon/Superman interaction(s).

The art here–while not Benes–is quite good, and similar enough to Benes’ work that I thought nothing of the art until I looked at the credits, and realized that sure enough, this wasn’t Benes. I was particularly impressed with the final page–which also has me sufficiently hooked as to pick up the next issue more than likely.

All in all, not a bad issue. Worth getting if you want to see the Milestone characters that are appearing in this arc.

Story: 7/10
Art: 8.5/10
Whole: 8/10

Final Crisis: Secret Files [Review]

Balancing Act!

Writer: Len Wein
Artist: Tony Shasten
Colorist: Alex Bleyaert
Letterer: Rob Leigh
Associate Editor: Adam Schlagman
Editor: Eddie Berganza
Cover: Frank Quitely (sliver cover by Jim Lee, Richard Friend & Randy Mayor)
Publisher: DC Comics

This issue introduces us to Libra. From his initial origin (with ties to the Ted Knight Starman) to how it is we have Libra in the Final Crisis story. The story shows us how the young man was impacted by events beyond his control as a child, and the home life he came from. We then see how he deals with it, and how he pulls himself up through the world to the point he was originally introduced at way back in the day, and the cost of actually achieving all that he seeks to do. We then find out how Darkseid came to have a “herald” or “prophet” Libra during the contemporary Final Crisis story.

I don’t recognize Shasten’s name, but the art here is quite good. It seems to fit the story well, and I have no real complaints. The story itself is fairly interesting, revealing the origin of Libra–not just as an obscure character from decades past, but as a character we see operating today.

As far as DC’s “Secret Files” specials go, this is certainly NOT what I expected. I should have been suspicious at the (relatively) small price point. Rather than character profiles and information about location and events that’ve unfolded in Final Crisis, this is simply another one-shot that fills us in on a character’s background and how they relate to Final Crisis. This should have been billed as a “Secret Origin issue, as the Secret Files title from DC has come to imply lengthy text/image pieces that go in-depth on bringing one up-to-speed on the current status of a number of characters related to the title.

As with other recent tie-ins, though…I enjoyed this a great deal more than I have the core series. When I saw Wein’s name on this, I was trying to place the name. I recognized the name, but didn’t think I’d seen it in awhile. This finally clicked for me when I saw a note in the credits that Libra was created by Wein. Given that, I find it quite cool that the character’s creator was brought on to reconcile past and present.

Simply as a one-shot that ties in to Final Crisis, this is a solid issue that–while it doesn’t move the Final Crisis story forward–goes a good way toward explaining a pretty major character related to that story.

I’ve had several times that by the time I’ve gotten to a comic store there’s been no choice BUT to get the “sliver cover” for a Final Crisis book. This was the first time that I found myself “stuck” with no choice but the full-cover image. Quitely’s art for the cover is not bad, and as I have yet to see the sliver image, I’m not gonna worry about it.

Story: 8/10
Art: 7/10
Whole: 7.5/10

Batman: Cacophony #2 [Review]

Wired for Sound

Writer: Kevin Smith
Penciller: Walt Flanagan
Inker: Sandra Hope
Colorist: Guy Major
Lettering: Jared K. Fletcher
Asst. Editor: Jann Jones
Editor: Dan Didio
Cover: Adam Kubert (variant by Bill Sienkiewicz)
Publisher: DC Comics

We open with typical Joker mayhem (one might be able to compare the method to that in a certain recent movie). Of course, Batman busts onto the scene and does his thing; though his other quarry shows as well. Batman then goes after Maxie Zeus. Plans are then set in motion, and a confrontation with the Joker yields the results Batman wanted…though the Joker finds himself rather disappointed.

I don’t know what–if any–place this story truly has in the Bat-continuity. Given that, I’m taking this simply as a Batman story with no particular place in continuity. Smith’s writing–his take on the characters–has a certain energy to it that is at once entertaining and yet a bit “off.” There’s a bit of crudeness present that somehow doesn’t seem to truly fit. I vaguely recall Onomatopoeia from Smith’s Green Arrow run, and it’s sorta cool seeing that character brought back–even though I don’t recal anything about him nor know/recall any background…just the “spoken sound effects” “gimmick” of the character.

I do have to credit Smith with an interesting analogy to explain a bit of what it might be if one were to picture the madness of the Joker. It doesn’t universally explain or apply to every prior version of the character…but it works here in this specific story.

The art is quite good, giving a nice, familiar visual for the Joker and Batman. The look on Joker’s face as he lands next to the Bat-Signal works well for this version of the character. Joker is dangerous, but he’s also quite enjoying himself here. To the character, this is simply great fun.

The cover seems a bit repetetive–how many times have we seen an image (cover or otherwise) of Batman and someone else diving/falling like this, gunfire and/or other projectiles a part of the fall? The cover’s art itself isn’t bad, just seems there could’ve been something “more.”

All in all, a solid issue for what this is. After years of primarily being stuck with 6-parters or lengthier, this seems particularly short–this is only the 2nd issue, but next issue is already the final issue.

Not sure if/how this story’ll be collected–perhaps a nice $9.99 paperback, though I would not be surprised to see it in a $19.99 hardback first–but if you’ve the inclination to read a Kevin Smith Batman story and can nab the first issue, too, you could do worse than to pick this up.

Story: 7/10
Art: 8.5/10
Whole: 7.5/10

Wonder Woman #27 [Review]

Rise of the Olympian part 2: A Sense of Loss

Writer: Gail Simone
Penciller: Aron Lopresti
Inker: Matt Ryan
Colorist: Brad Anderson
Letterer: Travis Lanham
Associate Editor: Sean Ryan
Editor: Matt Idelson
Cover: Aaron Lopresti & Hi-Fi (variant by Frank Quiety [sic])
Publisher: DC Comics

This issue opens on Donna Troy communicating with Wonder Girl about what she’s likely to find as she heads toward the scene of destruction Wonder Woman was last seen at. Warning Cassie about the need to mourn AFTER what needs done is done, we see the girl’s reaction as Donna continues toward her destination…where Wonder Woman is alive, but horribly beaten, anxious as her lasso’s been taken from her. We see others’ reaction to events, even as the creature that did this to Wonder Woman returns to the Secret Society [of Supervillains?] HQ. The creature is known as Genocide, and insists the lasso be made a part of it. Meanwhile, Zeus calls some of his people “home,” while Genocide faces the Justice League.

All told, I have no real problem with any of the art in this issue. In fact, it’s really quite good on the whole. There’s a slight bit of “shiny-ness” to certain parts that seem to me would probably work better without coming across that way–but then, I’m not the artist, and I assume there’s supposed to be something there that would reflect light that way. The characters are distinct and recognizeable, and you could do so much worse!

The story here is what surprises me. I can’t really put my finger on what it is exactly, only its effect: I’m actually interested in a Wonder Woman story. I was interested in the concept of a new character that was to be “Wonder Woman’s ‘Doomsday,'” and when I discovered I’d actually missed the first chapter, made a point of snagging issue 26 along with this one. For the first time in several years–moreso than merely enjoying an issue, I’m interested/engaged enough that I wish the next issue would be due out this coming week! Simone seems to have a good handle on this character and her supporting cast (and I’ll admit I think it’s cool that a woman is writing the character).

I’m unsure as to who the Olympian in the story’s title is–Diana? Genocide? Someone else?–but to be honest, that doesn’t bother me at all. If you’re not already picking this book up, and you can locate the first issue of the arc, this is a decent point to jump in.

Recommended–at least consider the collected volume if you’re not interested in the singles.

Story: 8.5/10
Art: 7/10
Whole: 8/10

Batman #683 [Review]

Batman: What the Butler Saw

Writer: Grant Morrison
Penciller: Lee Garbett
Inker: Trevor Scott
Colorist: Guy Major
Letterer: Jared K. Fletcher
Asst. Editor: Janelle Siegel
Editor: Mike Marts
Cover: Alex Ross (variant by Tony Daniel)
Publisher: DC Comics

DC could really benefit from a “previously” page. I know I say that quite a bit, but it’s something that–especially in the contemporary written-for-the-collection environment–just seems so very practical that I still don’t quite “get” why they haven’t followed Marvel’s example in this.

This issue resumes the journey to certain points throughout the history of Batman as the imprisoned Batman struggles against his Apokaliptian foes. As the struggle climaxes, we see what’s been happening in this post-RIP story–and also get clarification as to what DID happen at the end of RIP.

While I’m not that familiar with Garbett’s art–nor is he Tony Daniel–the art works here, and being the same as the previous issue feels less a departure than continuation with the “new” or “different” art team’s style. This isn’t the greatest art I’ve ever seen, but it is far better than a lot of what can be found in certain other comics.

Having had a couple weeks to cool after the disappointment of RIP’s conclusion, this feels slightly less the trainwreck I declared the previous issue, though this issue holds a similar disappointment as we now have to follow Batman into Final Crisis for his story (and presumably for whatever has led to the RIP arcs in Robin and Nightwing as well as the upcoming Battle for the Cowl and whatnot).

The writing is also slightly less frustrating here–where the previous issue was choppy and lacked context, this issue actually reveals what is going on, which provides perfect context for the choppiness, and shows that Morrison is perfectly able to deliver short stories with payoff instead of dragging stuff across numerous issues.

I wouldn’t recommend this as a jump-on point, though if you’re following Final Crisis and want more of what happen(s/ed) to Batman after that early issue he was taken off the board in, this arc’s for you–it is, after all, marked with “Final Crisis” on its cover.

The cover is another fine image from Alex Ross…and another that I feel is quite poster-worthy.

Story: 7/10
Art: 7/10
Whole: 7/10

Billy Batson and the Magic of Shazam! [Review]

Words, Pics, Heart: Mike Kunkel
Letters: Steve Wands
Assoc. Editor: Adam Schlagman
Editor: Jann Jones
Cover: Mike Kunkel
Publisher: Johnny DC (DC Comics)

This issue picks up with Billy–as Captain Marvel–sitting around ready to play hookey from school. Mary convinces him to go in due to identy and detention issues. While serving detention, Billy helps some other kids stuck in detention before Theo Adam strikes, still seeking the magic word to transform himself back into Black Adam. As a dangerous schoolyard-bullying act plays out, Mary innocently slips, and we’re reintroduced to Captain Marvel’s nemesis, Black Adam.

The story here is at once fairly complex and yet quite simplistic. In other words, kids or adults ought to be able to enjoy this…better yet, adults oughtta be able to enjoy sharing this reading experience with their kid(s).

The art has a simplistic style to it while conveying a good deal of emotion–and motion. Visually and story-wise, this feels like it ought to be serving as the comic-book counterpart to an animated series. And while I never really cared for the anime-styled Teen Titans show, a Shazam/Captain Marvel animated series would thrill be quite a bit.

This is definitely a good series for the younger crowd, yet should be fairly enjoyable to older readers. I’m actually enjoying this book more than many other “regular” DC titles these days. And in this day ‘n age, you simply cannot beat the price, either!

We do get a “to be continued” on this issue, but on the whole it’s quite a good read, with plenty of dialogue TO read and numerous panels per page rather than constant splash pages and few panels per page.

Taken seperately I my not generally like the story or art as much…but taken on the whole, I really enjoy this. The book is more than its individual parts. Very much recommended!

Story: 8/10
Art: 8/10
Whole: 8.5/10

Hellblazer #250 [Review]

Happy New F***ing Year, Christmas Cards, All I Goat for Christmas, The Curse of Christmas, Snow Had Fallen

Writers: Dave Gibbons, Brian Azzarello, China Mieville, Jamie Delano, Peter Milligan
Art: Sean Phillips, Rafael Grampa, David Lloyd, Eddie Campbell
Letters: Sean Phillips, Jared K. Fletcher
Colors: Val Staples, Marcus Penna, Jamie Grant, David Lloyd, Dominic Regan
Breakdowns (Snow Had Fallen): Giuseppe Camuncoli
Finishes (Snow Had Fallen): Stefano Landini
Asst. Editor: Brandon Montclare
Editor: Bob Schreck
Cover: Lee Bermejo
Publisher: Vertigo (DC Comics)

If you’re gonna charge me $3.99 for one issue, this is the way to go. 38 pages of actual story content, high-quality creative teams (multiple instances of quality Hellblazer talent), contained in a milestone issue that could be an event and yet isn’t an event. This is the longest-running Vertigo title, this is the milestone 250th issue of the series–an extremely respectable number in a day ‘n age when only a handful of titles in all comics have maintained consistent numbering while reaching such a point. Focusing in on Christmas (“holiday, sure, but there’s a lot of reference by name to Christmas!), we get five shorts showing John Constantine in slices of life, just being himself around Christmas.

I checked out a couple years ago from buying the single issues, finding that I was enjoying this series far more through the collected volumes; I’ve fallen behind on those collected volumes, so am not up to date on recent happenings for this book. That said, I feel like I only missed nuances here. The character, the feel and tone of Constantine is still there. The stories fit the character. And though just picking this up for the “special” nature of the issue, I don’t feel out of it nor lost.

The first story follows Constantine as he pursues someone who has been assembling stuff to invoke immortality for himself–the price of said immortality likely requiring the life of a child. In Christmas Cards, John watches a game of poker he himself is banned from–offering commentary and observations none the less, as well as the nature of a couple of people present. All I Goat for Christmas suggests a ritual that may have broken the curse on a certain sports team seemingly cursed right out of any championships. The Curse of Christmas shows an encounter Constantine has with someone who managed to work an actual curse into an address given by a very public official. Finally, Snow Had Fallen details a fairly magical sort of snowfall that challenges the faith of a man overseeing sick children.

All five stories have that “classic” Constantine feel to them. They’re sorta slice-of-life due to being short and not part of some big event–these are the sorta things John deals with routinely in his world/experiences, specifically around Christmas.

The art varies, giving different visual styles, different visual interpretations of Constantine & Co. The first three–by Phillips, Lloyd, and Grampa respectively–are probably my favorites, as they get across a certain feel of darkness or grittiness that seems particularly appropriate for their stories. The fourth didn’t work very well for me visually–personal preference, probably. The final story’s visuals were not bad, but had something I can’t quite put my finger on–perhaps a bit of brightness–that simply didn’t put it in the top three for me of this issue.

All in all, this works very well as an anniversary-style issue. Rather than hosting a huge event, this serves also as a “holiday special” with the focus of the tales. And the tales are provided by Hellblazer creative teams from throughout the years.

Whether you follow this series regularly are are merely aware of the character’s existence, this seems a great issue to pick up as a one-shot, whether you plan to continue with the next issue or not. Besides….you could do so much worse for $4. I give this issue an extra half point as a whole–the package is greater than any of the individual parts.

Story: 8/10
Art: 8/10
Whole: 8.5/10

Supergirl #36 [Review]

New Krypton part eight: Death in the House of El

Writer: Sterling Gates
Penciller: Jamal Igle
Inker: Keith Champagne
Colorist: Tom Chu
Letterer: Jared K. Fletcher
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Joshua Middleton (variant by Chris Sprouse, Karl Story & Laura Martin)
Publisher: DC Comics

After a brief reunion with parents she already thought were dead, Supergirl finds herself facing the death of her father, assassinated during an attach on the Kryptonians by Reactron and Metallo. While the loss is mourned, other more sinister elements build toward fruition, and Supergirl meets a Kryptonian calling herself Superwoman and wearing a mask.

This issue plays nicely within the overarching New Krypton story, while having plenty of space to do its own thing, focusing on its primary character. Given the recent “fixing” of the problems with her earlier appearances half a decade ago, this issue gives us a chance to move forward after those and give some development to Supergirl’s character as she faces the loss of her father–something her cousin is also dealing with in his own life…perhaps a point that’ll help bond the two in whatever’s to come.

The art is a mixed bag for me. Perhaps a personal thing, but something just gets me about the way characters’ ears are drawn that puts me off. Other than that, the art is quite good, and fits the story quite well.

On the whole, this is a solid issue. While Zor’s death could have just been an action point in the overall story, this issue allows for that to be dealt with in greater detail–a strength I’m seeing in this story as elements that most impact someone are dealt with by a creative team that will be playing with them the most. Whether you’re falling just this title, or the New Krypton story, this one’s well worth picking up.

Story: 8/10
Art: 8/10
Whole: 8/10