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Azrael: Death’s Dark Knight #1 [Review]

Quick Rating: Not bad
Story Title: Simple Sacrifices

A new Azrael is chosen and sent forth as Gotham struggles for lack of a Batman.

azraeldeathsdarkknight001Writer: Fabian Nicieza
Artist: Frazer Irving
Letters: Sal Cipriano
Asst. Editor: Janelle Siegel
Editor: Mike Marts
Cover: Guillem March
Publisher: DC Comics

It’s been awhile, but this is one book I was interested in for the character, regardless of writer or artist. It actually reminded me of my earliest days in following comics, back before I really noticed specific writers or artists and simply read and enjoyed comics for the specific characters.

We open on a new Azrael beheading a criminal (in a scene that I couldn’t help but think to myself “In the end, there can be only one…”). We then move behind the scenes to a faction of the Order of St. Dumas that is apparently not the same as that which set Jean-Paul Valley into things back in Sword of Azrael and beyond. These folks realize they need another Azrael, and so recruit someone who fits their present “requirements” for the role. We see this character into action as the new Azrael, and into a somewhat counter-intuitive cliffhanger.

I’m not terribly impressed with the art…it’s not to say it’s bad or anything, but there’s something to the style that just comes off kinda strange to me, and Nightwing in particular looked rather “off” in proportion/shape as depicted in here. Otherwise, the style definitely sets this book apart giving it its own look/feel, which does contribute a bit to the story as it helps show that this is definitely not an Azrael we’ve already seen.

The story itself also isn’t all that impressive to me, especially as something that’s only gonna run for three issues. I don’t see how there’ll be room to really see enough to get to know the character(s) in this book prior to the conclusion of the third issue, and that takes me outta things a bit. (At the same time, if this were an ongoing book or had several more issues, I think I’d be pretty much satisfied as far as first issues go). Nicieza builds on elements introduced in Morrison‘s run on Batman, which is cool–showing that this fits in existing continuity and isn’t being showhorned in.

Since we’re only one issue in here and have only one issue of Battle for the Cowl out so far, I’m not sure exactly where this series is going to fit–how tightly this will play into the main story. At the same time, there’s plenty of potential as we get introduced to this character who could be just the latest to hang onto the role before passing it along.

If you’re a fan of the Azrael concept and don’t mind reading a character that is NOT Jean-Paul Valley, or you’re just following the entirety of the Battle for the Cowl “event,” this’ll certainly be worth your while.

Ratings:

Story: 3/5
Art: 3/5
Overall: 3/5

Red Robin and Booster Gold: A Tale of Two Books

Red Robin

I’ve long followed Tim Drake’s adventures. His first appearance was in the Batman: Year Three arc, the final issue of which was my very first-ever Batman comic to own. The very next Batman arc was the Lonely Place of Dying 5-parter crossing over with New Titans, that officially introduced Tim Drake to the Robin role. I had initially missed–but quickly caught up on–the original two mini-series the character had, bought the Eclipso: The Darkness Within annual that summer, and the first year or so of the ongoing series following Knightfall.

While I’ve not been a completist regarding Tim Drake’s series (I have the 3 minis and the ongoing up to One Year Later as well as a couple of the Batman: RIP tie-ins and the series finale), I’ve generally enjoyed keeping up with the character. His changeover to the Red Robin identity brought me back, and while I was somewhat interested in where the character’s headed, told myself that I’d stop at Yost‘s final issue (Red Robin #12), as the end of that story seemed as good a jumping-off point as any.

However, I couldn’t resist checking out what Nicieza‘s going to do with the character, and bought the first issue of his run–Red Robin #13–and quite enjoyed it. I’m fairly torn on sticking with the single issues, though and lean toward simply waiting for collected volumes. At the least, I’m confident that Nicieza‘s got a good grasp of what Tim Drake’s all about, and the character is in good hands moving forward.

Booster Gold

Along similar lines, Booster Gold is a character I’m familiar with going back to 1992’s Doomsday / The Death of Superman arc. The character has matured quite a bit since then, particularly throughout 52 and the current ongoing series. Aside from guest appearances, the character was largely off my radar, though, from the late 1990s until 52.

I initially picked up the ongoing because of Geoff Johns‘ writing, and having been hooked back into the character during 52. I considered leaving when Johns left, but the announcement that Booster Gold’s creator, Dan Jurgens, would be taking over after a short interim team kept me onboard. With Jurgens‘ departure, I decided that I would probably step away as well.

Still, like with Red Robin, I couldn’t resist picking up the first issue with the new creative team (despite an ugly cover) to check ’em out, see what they seemed likely to be doing with the character. And again, I have to admit that I’m intrigued. Though this is the “Bwa-Ha-Ha” creative team, they keep a decidedly serious angle on the character (just with that humor thrown in), which is a welcome element: both in having the humor as well as them not in their very first issue discarding everything that’s come before. Instead, they seem to be leaving in place what’s already come, and are simply building from it…moving forward with a look back in the rear-view instead of turning the whole car around to GO back.

Also as with Red Robin, I’m not sure I want to stick to the single issues…but I’m definitely likely to be interested in the collected volumes. Lack of interest in the single issues is a comics-in-general thing for me, and not indicative of the creative teams’ quality.

Other thoughts

In the wake of the huge Blackest Night event across 9 months or so, and the majority of comics seeming to be hitting the $3.99 price point with virtually no stop in the $3.25 or $3.50 range, I’m burning out. I’ve also been increasingly frustrated at collected volumes either being over-priced for what they contain, or being a superior “package” to the single issues, as they often make me feel like I’m almost being “punished” for buying single issues.

Rather than burn myself out entirely and buying strictly out of habit and such, I’m looking at starting from scratch as to what titles I’m going to buy and keep up with, and probably cut loose a bunch of others for a time, as I can play catchup later if needbe–whether single issues at a convention or collected volumes from the comic shop or Amazon.

Red Robin‘s the only Bat-book I’ve been getting after deciding to bail on the Batman Reborn stuff last summer, and Booster Gold‘s been the only “general-DC” book I’ve been getting after opting to stop buying JSA when Johns left (I tried the first issue after and wasn’t sold on the new team).

And now as I look to pare down my buying even further…I’m likely to let these two titles go primarily for budgetary reasons. Red Robin will likely tie in to the Return of Bruce Wayne and/or whatever follows that, and Booster Gold‘s likely the same, as well as having ties to Brightest Day and Generation Lost.

If you’re interested in either character, where they’re going, or the creative teams…I still very much recommend them, and my choosing to let ’em go does not feel like a statement of quality as much as sacrificing books that seem likely to play into larger stories I’m not willing to risk getting pulled into on top of these books.

Azrael: Death’s Dark Knight #3 [Review]

Full review posted to comixtreme.com.

Story: 2/5
Art: 2/5
Overall: 2/5

Azrael: Death’s Dark Knight #2 [Review]

Full review posted to comixtreme.com.

Story: 2/5
Art: 3/5
Overall: 2/5

Azrael: Death’s Dark Knight #1 [Review]

Full review posted to comixtreme.com.

Gotham Gazette: Batman Dead? #1 [Review]

The Veil, Vicki Vale, Stephanie Brown, Leslie Thompkins, Harvey Bullock

Written by: Fabian Nicieza
Art by: Dustin Nguyen, Guillem March, ChrisCross, Jamie McKelvie, Alex Konat, Mark McKenna
Letters: Swands
Colors: Guy Major, Guillem March
Assistant Editor: Janelle Siegel
Editor: Mike Marts
Cover: Dustin Nguyen
Publisher: DC Comics

This one-shot takes a quick look to check in with several major characters operating in Gotham City, and how they are impacted by the apparent death of Batman. The opening/closing is from the point of view of The Veil, who I’m pretty sure is the character introduced in a recent Detective/Batman two-parter. The scene shifts from her to the other characters. Vicki Vale is back in town, working for the Gotham Gazette again, rather than a tv studio; she finds herself needing to re-proove her abilities at the paper, and seeks to contact Bruce Wayne who also seems to be gone, though there have been a number of sightings of the man around the world. At the same time, Stephanie Brown–Spoiler/Robin IV–looks at the city from her (apparent) new role as she observes Robin (Tim Drake) in action. Leslie Thompkins returns to the city, and seeks to get a feel for herself of what the city is like now, minus its caped crusader. Harvey Bullock has his hands full with a new partner as he himself continues working back from his recent “fall from grace.”

We have a number of artists on this issue, each providing the visuals for the different characters’ chapters. Nothing really stood out to me…which is both good and bad here: bad because hey, nothing blew me away. But it’s good as nothing stood out that I’ve any real complaint with. That each artist contributed to a specific chapter speaks to me of intention rather than “fill-in” work. Having different artists also helps to separate the characters involved, injecting just a bit of a difference or personality to them that could be lost with a single artist.

The story is solid if a bit choppy, since there’s no singular through narrative; we’re checking in on a numerous characters in different contexts and situations, unified simply by being in Gotham and not knowing if there is still a Batman. Nicieza, though I’ve not read much of his Batman work, seems to have a feel for the characters much as I associate with Chuck Dixon’s work on the same, which certainly is for the positive in my eyes.

This issue I believe is to serve as a prologue of sorts to the Battle for the Cowl mini and its tie-ins. This does a pretty good job of showing situations characters are in at present, giving them some facetime that may not be found in the main Battle for the Cowl series.

I’m not sure that this is essential to that story except to add context, but it is probably worth getting if you’re planning on following the entirety of the story.

Story: 8/10
Art: 7.5/10
Whole: 8/10

Robin #183 [Review]

Last Rites: Robin Dies at Dawn!

Storytellers: Fabian Nicieza & Freddie Williams II
Letters: Sal Cipriano
Colors: Guy Major
Assistant Editor: Janelle Siegel
Editor: Mike Marts
Cover: Freddie Williams II
Publisher: DC Comics

Robin’s ally on the GCPD receives a note suggesting that at dawn, Robin will die. It is quickly determined that it is from Lady Shiva–one of THE most dangerous individuals in the world (and the woman against whom Tim Drake proved his mettle at the beginning of his career, showing that he had what it takes to BE Robin). As he faces his own “final night,” Tim/Robin touches base with–or tries to–with some key individuals in his life. Toward the story’s end, having prepared himself for what he is to face, Robin once again goes up against Shiva in mortal combat.

The art for this books is pretty good. I’m not sure if the artist’s style has changed or if I’m thinking of a different artist, but I like this far better than I liked the artwork on this title pre-One Year Later. I still find it sorta strange seeing Robin’s black-and-red costume after so many years of the other; ditto Tim’s longer hair. But really, both aspects of the visual show growth and change in the character–it’s great to be able to see that even as the character has matured, the visuals have matured to go with the overall maturation.

I’ve been following this title rather sporatically lately–an issue here, an issue there, so I can’t speak to where this plays in terms of the overall continuity. The story I found here was rather fitting, though, for a final issue–we got to see Tim interact with a number of characters who I’m familiar with (and one I think I am, but not sure), sorta touching base with them on this possible final night, before he steps up to face his responsibilities. I’m not sure how many issues now (between the actual RIP tie-ins and the Last Rites semi-arc) this title has featured Robin solo withOUT Batman. It’s rather like the series’ beginnings during the Knightfall arc when Jean-Paul kicked Robin out of the Cave to fend for himself. Bruce was gone then, and Bruce is gone now…but the details and characters are different.

Though pretty well done, this does feel a bit rushed–and we know Tim’s part of the Battle for the Cowl–so this basically just touches on stuff, offers some sentimentality, but then we’re going to follow the character to another writer and possibly huge status quo changes.

Origins & Omens
Story: Fabin Nicieza
Art & Colors: Freddie Williams II
Letters: Sal Cipriano
Ass’t Editor: Janelle Siegel
Editor: Mike Marts

This backup–like the “main story”–touches on stuff going all the way back to the earliest days of Tim Drake–I believe back to even before his very first MINI-series. We see him fighting the man who killed his mother, and facing a choice between vengeance and justice–a choice that apparently is going to have some definite impact on the future of this character.

The art’s decent, but not wonderful–I don’t like it nearly as well as I liked the art in the main story. On the whole I could’ve really done without this backup (or enjoyed a text/prose page or journal entry from Tim in its place).

All in all, as final issues go, this isn’t the best, but certainly isn’t the worst. As a standard comic with no fancy covers or extra pages/higher price and such–that just happens to be the last for this title–it’s fitting…especially since we know it’s not the end of the starring character.

Recommended mainly for regular readers of the most recent stuff…but as a lapsed reader who read all 3 original minis and then followed the first 120-some issues of this title…it’s also worth while to see where Robin’s wound up.

Story: 7.5/10
Art: 8/10
Whole: 8/10