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Infinity FCBD 2013 [Review]

infinityfcbd2013Writer: Jonathan Hickman
Penciler: Jim Cheung
Inker: Mark Morales
Colorist: Justin Ponsor
Letterer: VC’s Joe Caramagna
Assistant Editor: Jake Thomas
Editors: Tom Brevoort with Lauren Sankovitch
Published by: Marvel Comics
Cover Price: $0.00

Given my history with Thanos, Adam Warlock, the Infinity Gauntlet (and the Infinity Gems’ involvement in the Ultraverse)…even though I REALLY don’t want to get sucked into another Marvel Event, I wasn’t about to ignore the Infinity issue Marvel‘s got out as one of the Free Comic Book Day 2013 offerings.

The cover has a rather iconic look about it, a shattered pane falling away to reveal Thanos’ grin behind it–and images of a bunch of characters from around the Marvel Universe looking rather disconcerted.

The story is fairly simple, as we’re introduced to some aliens, including one whose latest mission was a success. The alien is given another task, which it sets about accomplishing quickly. A “tribute” is extracted from another alien people–who are but thousands where they were once millions. This tribute is presented to Thanos. And on Earth, we learn that tribute will be demanded there as well, or the world will burn.

This issue certainly serves its purpose–to be a “teaser” of sorts, something within the main story of Infinity yet probably not absolutely essential to understanding the story. This reeks of “prologue,” and other than seeing Thanos, I was honestly not very interested here. I don’t consciously know anything of any of these aliens or their worlds. I’ve yet to get through all of Annihilation, Conquest, or the Thanos Imperative, so other than tidbids of spoilery stuff, I’m not really current with Thanos…but this issue doesn’t hold up, considering I’d expect from the cover to either have more of Thanos himself, or of the general Marvel Universe presented.

The issue also reprints a Thanos backup story from Logan’s Run #6 in which Thanos once more survives the wrath of Drax the Destroyer. This was more to my liking, in that at least the focus was on Thanos, not a bunch of characters I didn’t know. Also, I’d never read this particular Thanos story, so it was still new material to me.

The art of the main story is pretty good, and quite to my liking. Thing is, I’m more interested in a story that I enjoy than I am pretty pictures, so it doesn’t make up for the lackluster story snippet. Meanwhile, the art from the Logan’s Run backup at least looks like classic Thanos, and while not entirely to my liking, is easily forgiven as a product of its time.

All in all…I’m not at all impressed with this “preview” or “prologue” or whatever-the-heck-it-is for Infinity. However, as a free issue, this is certainly worth it, if only for the reprint of the classic Thanos story.

Comics Mean Favorite Stories and Characters

The week of April 29th leading into Free Comic Book Day on May 4th, I’m asking bloggers, podcasters & artists to post something explaining what comics mean to you. (prompt courtesy of Comics Kick Ass Week)

batman442I’ve spent the last few days sharing some brief, loose thoughts on some of the things that comics mean to me, have been to my life.

But I haven’t talked about my favorite stories, my favorite characters. And truly, anything actually comprehensive on that front could be an entire blog in itself, something far larger than the scope and intent of this week’s posts. So I’ll touch on a few only.

Superman was the first–Superman is the reason I was introduced to comics. I touched a few weeks ago on the significance of the Death and Return of Superman Omnibus, aos500collecting that entire saga under one cover, as the ultimate story from my childhood is presently the ultimate single volume in my collection.

Another Superman story that holds a lot of meaning for me is Man of Steel, the John Byrne series that reintroduced Superman to the world, introduced the version of Superman that I consider “my Superman.”

Over on the Batman side, there’s A Lonely Place of Dying. Tim Drake–the third Robin (or now, Red Robin in the New 52)–had only JUST been introduced as I got into comics. So the character has been around the xmen041entire time I’ve been into comics, had comics of my own…but while I was new to comics, Tim Drake the character was new to being Robin. As he grew up, I grew up; as he gained experience, I’ve gained experience. Sadly, where Tim was once several years OLDER than me…even if they portray him as being 20 or so and not mid-teens…I’ve now got nearly a decade and a half on the character. And for that, Robin–the Tim Drake version–is also one of my favorite characters.

With Batman, significant stories that I think of quickly include A rune000Death in the Family, as well as Knightfall, KnightQuest, and KnightsEnd. No Man’s Land was also quite important as it got me back into the Bat-verse for awhile, sampling the various titles since they tied in, and I tried to follow the entire thing (though trailed off when I went off to college).

On the Marvel side, while I kinda loosely followed some of the X-Stuff (particularly Fatal Attractions, the X-Men 30th Anniversary crossover/event) I didn’t actually start trying to follow ALL of the X-books until Legion Quest and the Age of Apocalypse. I got all the issues in batman497December 1994 that ended with the cliffhangers as those titles seemed to rather abruptly END…and then followed all the Age of Apocalypse titles for the 4-month event…and then for a few months afterward, I tried to keep up with the entirety of the X-books, learning about the characters I didn’t already know, learning about their “real versions” as opposed to their AoA counterparts, etc.

And of course, there are the Teenage Mutant Ninja Turtles. I was introduced to them by other boys in my Cub Scouts group having the interest, but their interest soon became my own. The comics, the cartoons, the movies, etc.–the tmnt050TMNT have actually been part of my life longer than comics, I believe. 

The Avengers and the non-X-related Marvel characters became a much larger part of my life in the late-1990s, having grabbed my attention with Heroes Reborn, but it was the Heroes Return where–for a brief time–I was buying everything Marvel that I could, while offhand sticking solely with Superman books from DC. I followed Avengers through Busiek‘s entire run, and a couple years each of Fantastic Four and Iron Man, and stuck with Thor a couple years longer than Avengers.

mantra001And significant as Marvel and DC were, I jumped onboard the Ultraverse with its launch in June 1993, and had the intention of following it in its entirety, though that quickly fell by the wayside due to the price ($1.95 to the $1.50 of the Superman books!) and sheer volume of titles. Ultimately, I followed Prime from the beginning to the very end, as well as Mantra, and I jumped on the Rune #0 promotion and so followed the Rune stuff in that entirety as best I could (I’m STILL missing one of the crossover issues with Conan!). Over the past couple years I’ve worked on tracking down the Ultraverse issues and titles I’d missed, and I’m down to a (relatively) small list of xo000missing issues from having a complete story collection of the Ultraverse…or at least, complete enough for me.

There have been book series and authors that I’ve followed–Brad Meltzer, Aliens, Dragonlance, Magic: The Gathering, Left Behind, Harry Potter, Percy Jackson and the Olympians–but ultimately…quantity-wise, it’s comics that have had the most impact on me, the greater variety and writers of stories that I carry with me.


Other posts in my participation in Comics Kick Ass week:
Comics Mean Memories | Comics Mean Connection | Comics Mean Education/Entertainment/Escape | Comics Mean Marking the Passing Time

Comics Mean Marking the Passing Time

The week of April 29th leading into Free Comic Book Day on May 4th, I’m asking bloggers, podcasters & artists to post something explaining what comics mean to you. (prompt courtesy of Comics Kick Ass Week)

aos453Comics in general–the whole of “comics,” collecting, reading, noticing–have provided an interesting way to mark the passage of time in my life. I’ve grown up with certain characters–literally and figuratively (most notably the third Robin, Tim Drake) and seen nearly a third of Superman’s existence, and more than half of most Marvel characters’ existence…and the entirety of many more.

But amidst that, going back to memories, connections, and education–a number of comics have coincided with events in my life, or major comic stories have been able to lend themselves to locking in memories that’d otherwise be forgotten.

tmnta025As I have memories of getting my first comics Spring 1989, basically 24 years ago…let’s use 24 years and not quibble over months and other highly-exactness that can make this more complicated than I’m already going to make it:

I’ve been into Superman for 24 years, or 32% of his existence. Batman, I’ve been into basically as long, so let’s say 32% there as well. Since my first four comics, I’ve been around for about 281 issues, give or take late issues, skip months, zero issues, etc. Superman #31-226, Adventures of Superman 453-649, Superman #650-714, and about 20 issues of the New 52 Superman. Action Comics would be 643-904 and 1-20 of the New 52. Batman I’ve seen from #439-700-something, and about 20 of the New 52. Detective Comics I’ve seen from #604-881, and about 20 issues of the New 52.

hunterprey001Amidst these: I was 11 when I got back into comics in spring/summer 1992 and turned 12 a couple weeks after The Death of Superman. The Death and Return of Superman saga, the rematch with Doomsday in Hunter/Prey; Zero Hour and the first year beyond that–made up my junior high years. The Electric Costume Superman came about toward the end of my sophomore year of high school. The soft relaunch of the Super-titles in fall 1999 coincided with my starting college.

The X-Men event Age of Apocalypse closed out my junior high years, and all the Onslaught, Heroes Reborn, and Heroes Return stuff came during xmenalpha001my high school years.

Batman: Knightfall, Knightquest, and Knights End were part of junior high for me, and all the stuff that came out of those were in my high school years. Wolverine lost his adamantium during my junior high years, and didn’t get it back until I’d started college.

X-Men #100, The Shattering, The Twelve–these were part of early college for me.

tec6759/11 and the “new look” of “Nu Marvel”–the more grim and gritty, hide-the-heroes, leather jackets and grittier logos were the thing through most of my college years, and it wasn’t until I was into grad school that things started to pull back together to a callback to my childhood/junior high days.

The Avengers were Disassembled at the start of grad school, and Johns has been THE Green Lantern writer of note since I started grad school. Infinite Crisis, Final Crisis, 52, and Flashpoint have all been since I started grad school.thor085

Since moving into this apartment, I’ve seen Batman: RIP, Battle for the Cowl, and the return of Bruce Wayne.

Teenage Mutant Ninja Turtles Adventures carried from junior high and into high school. The original TMNT run had ended and the second volume was ending about the time I was headed into high school. The Image run came along sometime in there, though I didn’t discover it until college…and the “volume 4” series kicked off partway through my junior year of college, running til shortly after my wolverine145grad school days.

The height of the Ultraverse was junior high for me, while Black September marked the start of high school for me.

While many look down on the ’90s era of comics…that’s when I grew up. Most of my favorite comics are from the 1990s.

Comics also cover a huge part of the timeline of my life: December 1980-Fall 1988 was the time before comics.

prime001Fall 1988-Spring 1989 I was reading Grandpa’s comics. Spring 1989-Fall 1990 or so was my first foray into comics. Summer 1992-December 1995 was my second. And while the number of comics I’ve been getting any given month has fluctuated WILDLY, I’ve been fairly steady in comics since March 1997. I came close to trailing off in college, and have been down to just a handful of titles on several occasions.

All of this to say: just as you can measure stuff by things going on in comics, and specific issues…I’ve been around and into comics for so long, they’ve been such a big part of my life (intentionally or in retrospect) that much of the time I’ve lived can be marked by the comics that were coming out simultaneously.


Other posts in my participation in Comics Kick Ass week:
Comics Mean Memories | Comics Mean Connection | Comics Mean Education/Entertainment/Escape

Comics Mean Education, Entertainment, and Escape

The week of April 29th leading into Free Comic Book Day on May 4th, I’m asking bloggers, podcasters & artists to post something explaining what comics mean to you. (prompt courtesy of Comics Kick Ass Week)

Comics are a great source of education, entertainment, and escape for me. I’ve learned a lot from comics–stuff that’s stuck with me, even helped shape some of the ways I see the world around me. They’re certainly a source of entertainment, or I wouldn’t still have the interest I do in them (which in turn branches into everything else). And along the lines of entertainment, they also provide a means of (temporary) “escape.”

One of the most common, practical things I learned from comics comes from the price of the comics that had most of my interest at the time: $1.25. The majority of the comics I recall particularly from late 1992 seemed to be $1.25 for regular issues or $2.50 for (Eclipso) annuals, with some other price points thrown in. As such, I find it quite easy to recall that 1.25 goes into 10.00 8 times. That may not be terribly useful, but I’ve been amused at the times it’s come into play in my life.

I learned the differentiation between “justice” and “the law” from an old Batman comic, which informs my views to this day, that there IS a difference at times, between seeing the law upheld vs. seeing justice done, or vice versa.

I’ve learned about history and the world around me thanks to “exposure” through comics. I’m often fascinated when I discover that something referenced in a comic is true/corroborated elsewhere, or prompts me to research stuff on my own. I learned a lot that way from The Sandman series in particular.

Continue reading

Comics Mean Connection

The week of April 29th leading into Free Comic Book Day on May 4th, I’m asking bloggers, podcasters & artists to post something explaining what comics mean to you. (prompt courtesy of Comics Kick Ass Week)

comicskaylaYesterday I shared a bunch of stream-of-conscious memories–memories tied to comics. Tonight I’m going to talk about how comics mean connection for me.

Simply being “into comics” forms a basic connection with more people than I can possibly imagine at any given time or place. It’s an ice-breaker (or follow-up to one, anyway), a common point of interest with far more people than even necessarily the average comic reader.

I can go to a number of different conventions and interact with hundreds (if not thousands) lifeofwalt092of other like-minded individuals of all ages/gender/etc. based simply on the shared enjoyment of comics. And while entirely a topic unto itself, many conventions can hold interest simply by relation to comics, or that other convention topics also hold interest to comic fans.

For better or worse, with a number of my friends where there’s that shared interest, even if we don’t have much else to talk about at a given time, comics–past, present, future, etc.–mean there’s almost always something to talk about.

Comic shops–where I get most of my comics, virtually every Wednesday or so–mean comics connect me to Places; to a “constant.” The local comic shop is a familiar space and a regular space in my life. While a number of other things in life have changed, the comic shop has remained more constant even than where I’ve lived since 1999.

lifeofwaltspecial2010Comics connect me to fictional characters and worlds–to places of the imagination, and beyond my own imagination. Growing up, many comic heroes are not horrible role models or examples to aspire to.

Comics connect me to certain times in my life, and many of my longboxes are like time-capsules…flipping through a box I can remember the semester of college I was in when I got those issues, or the job I was working, or the convention I attended.

Comics given to me as gifts provide the connection to another person the same as any other tangible gift one might give or receive.

I’m sure there are plenty of other things–and far more detail–that I could get into on this, but I’ll stick with scratching the surface for now.

Comics Mean Memories

The week of April 29th leading into Free Comic Book Day on May 4th, I’m asking bloggers, podcasters & artists to post something explaining what comics mean to you. (Comics Kick Ass Week)

Comics mean memories. A connection to the past, and to others. Comics have provided an example, provided escapes, provided inspiration. Comics present heroes and thoughts and ideas. Comics are education, and analogy, and rite of passage. Among so many other things.

For today, let me touch on comics as memories. While I no longer recall the exact timeframe, I do remember Grandpa bringing a stack of comics when he and Grandma visited once. These were DC issues–silver agey stuff. I don’t recall the Batman comic whose cover sticks in my mind right now, and haven’t a clue the Superman comics from this stack…but it was Superman. And Batman and Robin, and The Joker. (And I remember being surprised to learn Robin’s just a kid!)

first2supermancomics

I remember being at the mall the following spring, and my sister came up to me in Waldenbooks with several comics, pointing out that they still make them. Superman and Batman, anyway. Mom bought at least a couple for me. While I couldn’t swear with any certainty if she bought all four in one go or if they were a couple different times, I do know my first four comics were Superman #31, Adventures of Superman #453, Batman #439, and Detective Comics #604. I have on my desk beside me what I believe to be THE actual copy of that Adventures of Superman issue from Waldenbooks, from spring 1989.

I remember talks with Grandpa, the shared interest in these brightly-colored comic characters. I remember his excitement at tracking down the entirety of the Avengers‘ crossover Operation: Galactic Storm.

I remember he was so tickled when he came across the 1999 or so Batman Beyond #1 while at a Kmart. He wasn’t bothered by the new character–he was excited to read it, and went on and on about this “new” Batman, that the original had finally retired and a new guy was going to be Batman.

Jumping back a couple years, I remember sharing the Heroes Return early issues with him–especially Thor #s 1-2 and how he enjoyed those.

I remember the day Superman died–of Dad going to the comic shop to pick up the whole story (we’d reserved and elected to wait for the end of the story), and of our sitting in the living room that night, reading the entire story; and the couple months after as we (weekly) shared the experience of reading the Funeral for a Friend issues.

For that matter, I remember all those weeks that Dad would get home from work, ready to just settle in and relax for the night, but he’d turn around and go back out with me so I could get a couple new comics for the week.

I remember the shared interest in comics with my friend Zack, especially the summer of 1992 and throughout ’93 and ’94; the death and return of Superman, Batman’s Knightfall, the beginnings of the Spider-Man clone saga, the Infinity War, Eclipso: The Darkness Within.

I remember the shared interest in comics with my friend Jim; of his introducing me to the X-Men…through the Pryde of the X-Men vhs tape, a couple issues of Uncanny X-Men from the 1991 “relaunch,” of him “quizzing” me on characters I now know as Storm, Wolverine, Bishop, and others. He introduced me to Thanos, through The Infinity Gauntlet, and it was the realization that Adam Warlock was to appear in Rune and my recognizing the character from Jim often talking about him–that caused Rune to be one of the series I followed most closely in late 1995.

I remember sharing and talking comics at lunches with my friend Craig, and of incorporating comics into papers I’d write for school.

I remember countless bike rides in good weather (and bad) to the comic shops–biking as far as 30 minutes just to get to the comic shop.

I remember making friends with a “neighbor” in the dorm freshman year at college–talking X-Men, X-Man; the Shattering and The Twelve.

I remember reading all those Hellblazer issues the summer I worked at a camp in Michigan, bonding with a couple other workers over the Vertigo stuff. And that winter, my parents giving me several Sandman volumes for my birthday; of reading/discussing those with my friend Drew. (And my parents gave me the rest of the volumes for Christmas!)

I remember getting into early Ultimate Spider-Man with my friend Mike, and the shared reading experiences there.

And I remember all those Fridays with Mike, Drew, and Greg–going to the gaming store, the comic shop, Skyline Chili, and in general hanging out so many Fridays that year.

I remember seeing my letter published in an issue of Teenage Mutant Ninja Turtles vol. 4, and how cool that was to me–also tied to the memory of finding the new TMNT toys with Drew, and his not only not discouraging me, but ENcouraging me to just buy all 4 turtles rather than regret it and have trouble finding them later.

I remember going with Drew to the Wizard World: Chicago con in 2007; meeting Paul Jenkins and Jim Starlin, attending a bunch of the DC and Marvel panels; the comics stuff we found and bought and shared.

I remember Lonnie introducing me to GI Joe, and buying an “extra copy” of Master & Apprentice #1, and giving that to me–which led to me tracking down back issues and following the Devil’s Due GI Joe series for years. (And beginning a tradition of comics-related ‘exchanges’ wherein we acquire stuff for the other and periodically actually get stuff to the other).

I remember several comic con excursions with my friends Earl and Michael–a couple small local cons, a new con this past November, and a trip to the Wizard World Columbus con a couple years back.

I remember talking comics often with my friend Hillary, and of at least a couple years our hitting several comic shops for Free Comic Book Day.

I remember a couple Free Comic Book Day trips with my friend Bridgett along with Earl and Michael; and a definite once-in-a-lifetime experience, meeting Stan Lee at the Pittsburgh Comic Con last year, and her agreeing to be in a photo with me with Mr. Lee.

I’m sure all this truly just scratches the surface. But all these positive memories because of comics…and this is hardly with even looking at the stories themselves…but the social bonds, the friends I’ve made, the friendships developed at least in part due to comics.

walt-bridgett-stan-lee-2012

I came across this Comics Kick Ass thing the other day, and decided it’s well worth sharing, and provides an excellent prompt for at least a couple posts this week. Find out more at the Tumblr page or Facebook event.

Atomic Robo / Neozoic / Bonnie Lass Free Comic Book Day 2012 [Review]

ATOMIC ROBO

Words: Brian Clevinger
Art: Scott Wegener
Colors: Matt Speroni
Letters: Jeff Powell
Red 5 Comics: Paul Ens, Scott Chitwood

This story reminds of me how much I tend to enjoy the Atomic Robo FCBD editions. As far as I can tell, this is a new/original story. Robo and Dr. Dinosaur team up to stop some Time/Space disaster, but the evil doctor has other schemes…which don’t exactly work out according to his plans, leading to everyone truly having to team up in order to save the day.

The writing’s solid, and the art is good. Unlike many, many other comics…this just simply is. It’s Atomic Robo, and for me, that’s all it needs to be. The story and art are what I know of the character, so it’s like simply checking out a random episode of some tv show and NOT finding a new group of actors or something different than I’m used to.

I’ve been reading these Atomic Robo FCBD issues for years now, but unfortunately it has yet to translate to me buying any of the single issues (due to pricing) or any of the collected volumes (again, pricing). But I do think I’m closer than before to biting the bullet and buying a collected volume, even if the price of the entire library of Atomic Robo seems overwhelming at present.

If nothing else, this was a welcome story in a stack of FCBD stuff, and made it to my “initial reads” stack, and this is absolutely a key issue well worth being a specific FCBD comic to seek out.

Rating: 9/10 Continue reading

Dark Horse FCBD 2012: Buffy Season 9/The Guild flip-book [Review]

BUFFY SEASON 9

A year ago, I would have probably been thrilled with the Buffy story. As-is, I’ve not followed the Season 9 comics (even dropped the title from my pull list once I realized I hadn’t READ an issue in several months), and have yet to get to finish Season 8. So I don’t know what the deal is with Spike, which really made this issue quite surreal.

Visually, Buffy doesn’t look unlike what I’ve come to expect for the comics, and the art for this story is not bad at all.

Story-wise, I was a bit lost…but certainly appreciated the nods to the Aliens franchise here.

I assume this one’ll be of interest to Buffy fans, who are relatively current, or at least know what the heck’s going on with Spike at this point in the characters’ continuity.

Rating: 6.5/10

THE GUILD

I’ve had a mixed sorta relationship with The Guild. Namely, I tend to go long periods of time without it in my life, followed by short periods of catching up on it. I’ve recently watched what I believe is the most recent season (fifth) in one go, so this story is a real treat.

Torn on where to have their in-person monthly meetup, the Guild has their avatars battle to the death for who gets to decide the location. Clara wins, and opts to have a beach day. The way each reacts to/handles the beach is the height of the story, and keeps quite true to the characters.

Like the Serenity cover (on the other Dark Horse FCBD 2012 issue), this one is really well-done, and really “gets” the characters and the actors. And the interior art is a lot more cartooney…but given the nature of The Guild, it works quite well here.

The story would make a great setting for a partial season of the web series. As-is as a comic, this has me suddenly quite interested in getting the collected edition of the mini-series from several years back.

…Which I suppose is ultimately the goal of something like this: provide an entertaining story, AND send the reader to other existing material.

Rating: 8/10

ALABASTER: SHELTER part 2

This is another 2-pager that really doesn’t do much for me. Story, art…just too short to really be meaningful.

Rating: 3/10

Dark Horse FCBD 2012: Buffy Season 9/The Guild Overall Rating: 8/10

Dark Horse FCBD 2012: Serenity/Star Wars flip-book [Review]

SERENITY

From this issue’s cover, I was hooked. One look, and my first thought was “Awesome!” Daniel Dos Santos perfectly captures Nathan Fillion as Captain Mal Reynolds. The story itself sees the Serenity put down on a world for some business. While the others go into town, Mal remains with the ship…but quickly finds himself defending it against a local who has determined that he’s going to take the ship for himself.

The story is quite short, but for being a new, original story of the Serenity and her captain any length is quite welcome by me. I could “hear” Fillion‘s voice as I read, a definite credit to the consistency from the story being kept “in the family.”

The art was a bit less to my liking after the cover. While the cover image captures Fillion‘s image as the character, the interior art is very much its own thing. It’s not hard to follow the action or pick up on who’s who, but I would not immediately see the actors playing these characters if the adaptation went from comic to screen.

Ultimately, well worthwhile, and this should be quite a treat for Firefly/Serenity fans to get a little more Mal with a hint of the other characters still around in this series.

Rating: 8.5/10

STAR WARS

This flip-side’s cover is nowhere NEAR as appealing as the Serenity one. The image of Han and Chewie seems extremely familiar like I’ve seen it used elsewhere. But hey…the issue’s free, I already read the Serenity side, so might as well read this, right?

The basic story is rather sitcom-ish and follows Han and Chewie making a drop-off. They’re dealing with a rather unsavory character who not only refuses to fully pay the smugglers for their smuggled goods, but decides he wants the Millennium Falcon itself. Of course, that doesn’t go over well with Han or Chewie, and the buddies survive to meet Luke, Leia, etc. in A New Hope.

Story-wise, pretty simplistic, if a bit amusing. I’m not all that impressed, but reading the story wasn’t a complete waste of time. The art’s about the same…nothing impressive, but it’s not horrible.

All in all, this seems really standard fare, likely to appeal to others specifically interested generally in Star Wars. For me, it simply pales next to the enjoyment I found in the Serenity story.

Rating: 5/10

ALABASTER: SHELTER part 1

Squeezed in between Serenity and Star Wars, this issue gives us a two-page short from some title called Alabaster. The short text overview before the two-pager gave me more context than the story itself, which for a comic is a BAD thing. I only vaguely pick up any real concept, and to try to convey it in this review would be to render it pointless to read. Conceptually I’m mildly interested, to the point I’d probably look at the collected volume if I saw it, but there’s not enough here to truly “sell” me on it.

Rating: 3/10

Dark Horse FCBD 2012: Serenity/Star Wars Overall Rating: 7/10

The Hypernaturals Free Comic Book Day Edition [Review]

Written by: Dan Abnett & Andy Lanning
Art by: Brad Walker & Tom Derenick
Inks by: Mark Irwin, Tom Derenick
Colors by: Stephen Downer
Letters by: Ed Dukeshire
Editor: Dafna Pleban
Cover by: Francesco Mattina
Published by: Boom Studios

The appeal for me of this issue is exactly what its back cover celebrates: “Abnett & Lanning do Cosmic at BOOM! Studios.”

I’ve enjoyed Abnett & Lanning‘s work on other cosmic stuff from Marvel (what I’ve read so far of the Annihilation stuff and am looking forward to with War/Realm of Kings and so on). So, being a free issue, this caught my attention for their names alone.

Reading the issue itself, I’ve decided that part of their appeal for me came from their work involving characters I already had familiarity with, rather than all-new characters I know nothing about.

The basic bit of this issue is that we’re in the future / in space somewhere, and there’s this super-hero team that’s been around for ages, with a continual change in membership as folks try out for the team. At present, there’s some sort of celebration of the centennial for the team, but an emergency crops up that seems to be well beyond the capabilities of the current team, and may necessitate calling retired/former members of the team back to some kind of active status.

This seems to be largely prologue material–I get the feeling this is a sort of zero-issue, and the first issue will drop the reader right into the action, some of the events being shown “on-screen” in this issue but otherwise being mere exposition for the main series itself.

The story itself isn’t bad, and I kinda like the concept as this truly plays with the idea of legacies; and having a super-hero team for a century with all sorts of people moved through it in that time in varying capacities holds a lot of potential. The art’s not bad, though it’s not overly appealing to me. I had a certain distraction to trying to figure out/follow timing and the new terminology used throughout the issue, so the art wasn’t all that high on my priorities.

This is the sort of issue I tend to most enjoy from Free Comic Book Day: a new series, a new concept, and a relatively full-size issue’s worth of content that introduces the main characters/concept and really sets things up a bit for the debut issue. I’m intrigued, but I’m not sure that it’s enough to get me to pay the presumed $3.99 for this series, though I’d possibly pick it up for just $1 less at $2.99.

If you’re an Abnett and Lanning fan, I’d definitely recommend picking this up, though…especially as THIS issue’s price is quite right.

Rating: 7/10