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Brightest Day #0 [Review]

Full review posted to comixtreme.com.

Story: 4.5/5
Art: 4.5/5
Overall: 4.5/5

Blackest Night #8 [Review]

Full review posted to comixtreme.com.

Story: 3.5/5
Art: 4/5
Overall: 3.5/5

Green Lantern #52 [Review]

Full review posted to comixtreme.com.

Story: 4/5
Art: 4/5
Overall: 4/5

The Flash: Rebirth #6 [Review]

Fastest Man Alive

Writer: Geoff Johns
Penciller: Ethan Van Sciver
Inkers: Ethan Van Sciver & Scott Hanna
Letterer: Rob Leigh
Colorist: Brian Miller of Hi-Fi
Colored by: Brian Miller of Hi-Fi
Cover by: Ethan Van Sciver
Assistant Editor: Chris Conroy
Editor: Joey Cavalieri
Published by: DC Comics

This mini started out billed as a 5-issue series. Then it got expanded to 6 issues. This sixth/final issue comes basically 10 months after #1 shipped. Frankly, the issue–while something I’d like to…well, like…seems to be something that ought to have been wrapped up long before now.

Story-wise, we open on Barry and Wally chasing Zoom through time–the latter has vowed to kill Iris, the former are trying to stop him. Of course, the duo catch the villain and ensure he won’t threaten anyone ever again (well, for the rest of THIS issue, at least…it’s a comic. He’s gonna come back!). Then they return home where there’s a parade for Barry…I believe the one he was nervous about way back in issue #1. And what would a re-insertion of a classic character into contemporary continuity be without the “validation” of the Justice League affirming the return and his place with them?

The art for this issue–while good–lacks a certain sense of greatness, and isn’t nearly as appealing as I’d’ve hoped. Perhaps the lateness of the issue would suggest time was taken to really make it pop, or something. Even on a couple of the huge full-page/double-spread shots, I’m not entirely clear what’s being shown, though they make a little more sense when I take time to go back and “study” them, looking for what they COULD be, beyond what simply looking at them AS I read the story gives me. There’s one that I’m not sure if it’s being suggested that this chase through time IS the lightning that gave Barry his powers in the first place (which would seem to be a time paradox), or if they’re just viewing it, or if it’s just there to fill out the page and clue us in that they’ve reached the earliest time OF Barry’s time as The Flash.

The story itself mostly ties up the broadest of loose ends, but already sets the stage for not only the return of Zoom to active status, but also someone called “Doctor Alchemy,” who I presume is some largely un-used silver-age Flash villain that’s gonna be raised up to show us how awesome he can be, much as was done with Black Hand in Green Lantern (though I’m not expecting lightning to strike twice, in this case). Johns seems to have a definite love for the character, which I applaud…but this series in itself has done far too little to “sell” me on Barry as the primary Flash character (seems if anything, it’s been Johns using Barry to such good effect with Hal in Green Lantern and the core Blackest Night book that’s sold me at all on the merit of having Barry around.

Obviously, if you’ve already bought the first five issues, this issue’s one that you might as well consider picking up for the sake of completing the series. It’s in no way a selling point in itself though for the series, and based on this issue alone I’d suggest ignoring it. The collected volume will probably read much better, with the wait between issues stretching a mere turning of a page or two rather than months, and the whole of the story will be fresher in one’s head and thus probably feel more coherent.

As a whole, this issue’s quite a disappointment, a lukewarm ending to what should’ve been a hot series.

Story: 4/10
Art: 7/10
Overall: 5.5/10

Blackest Night #7 [Review]

Full review posted to comixtreme.com.

Story: 4/5
Art: 4.5/5
Overall: 4.5/5

My thoughts on ‘Justice League: Crisis on Two Earths’ part 3: The Extras

A “bonus” feature (as far as I can tell, included with the barebones DVD, the special edition DVD, and the BluRay) is an animated short starring The Spectre.

This is a bit of an unusual piece to me–I’ve really only known the character as the primal/cosmic/universal force-of-naturehe’s been for the last 10 1/2 years. This short focuses on the character with Jim Corrigan as his “host,” where Corrigan grounds the Spirit of Vengeance a bit.

This short delves into some dark, disturbing territory…whether intentionally going there or taking advantage of less restriction due to being packaged with a PG-13 animated film, I’m not sure.

Not being particularly familiar with a down-to-Earth Spectre, I found it to be less interesting than I’d prefer in and of itself…but it’s still fairly interesting being exposed to this version of the character.

There’s also a preview of the next DC Universe project…Batman: Under the Red Hood, which is based on the 2003/2004 Under the Hood arc in the Batman comics.

While I have never bought into the “Return of Jason Todd” and everything that’s been done with that character for more than half a decade…as an animated project, it looks like this one has potential…at the least, this preview/”First Look” sold me on the concept. A large part of that, I think, is that it looks like the film will include material taken from A Death in the Family, which will more closely tie the Under the Hood story to that prior one, making it work as a unified whole in the film where it still has not for me as a comic story that essentially undid a key story in the Batman history.

Finally, there’s a short documentary that looks at the recent history of DC Comics, with brief interviews with the likes of Paul Levitz, Dan DiDio, Geoff Johns, Brad Meltzer, and others discussing Identity Crisis, Infinite Crisis, and Final Crisis, and a lot about how the stories were crafted and made to build toward one another. The interviewees also discussed what got them into comics, and their influences…and in general, made for a very enjoyable piece.

Of course, it was also interesting to see several of their roles/titles, given changes announced last week for the organization at DC.

I’m a sucker for such documentaries/interview pieces…I enjoyed the Death of Superman retrospective, the Green Lantern/Blackest Night piece on the Green Lantern: First Flight release, and of course this one.

_____________________
My thoughts on Justice League: Crisis on Two Earths
part 1: What Came Before
part 2: The Movie Itself

Green Lantern #51 [Review]

Full review posted to comixtreme.com.

Story: 3.5/5
Art: 4.5/5
Overall: 4/5

Blackest Night: The Flash #3 [Review]

Full review posted to comixtreme.com.

Story: 2.5/5
Art: 3.5/5
Overall: 3/5

The Atom and Hawkman #46 [Review]

Full review posted to comixtreme.com.

Story: 4/5
Art: 4.5/5
Overall: 4/5

Superman: Secret Origin #4 [Review]

Writer: Geoff Johns
Penciller: Gary Frank
Inker: Jon Sibal
Colorist: Brad Anderson
Letterer: Steve Wands
Covers: Gary Frank, Brad Anderson
Asst. Editor: Wil Moss
Edior: Matt Idelson

Lex Luthor has a lottery. Each day, he’ll pick one person from the assembled crowd outside his building, and attempt to make their dreams come true, putting his expansive resources to full use. The latest “winner,” Rudy Jones, has already been shown to be a bit of a parasite, leeching off those around him. Thanks to his disgusting disregard for things better left to common sense, he finds himself victim of a chemical spill that transforms him into the being that will become known as The Parasite. Amidst this, Luthor has summoned Lois and Clark to question them about the “flying man” spotted around Metropolis. As The Parasite’s threat escalates, Clark bows out and the “flying man” returns, saving many and yet winding up looking questionable to the city as Luthor hurls accusations at him. When he takes some time for himself atop the Daily Planet building, he finds he’s not alone–young Jimmy Olsen is there, saying goodbye to the city he’s failed to become a part of…not realizing what an important friendship he’s about to enter into with another necomer to the city…and reaps the reward of taking a chance and asking a favor.

There’s something that’s lost by this being an origin tale in years-old continuity where much has already been questioned. We’ve already seen much of the change this origin would essentially set up, losing any real discovery, revelation, or chance to follow a huge, unfolding story. While Byrne‘s Man of Steel significantly altered the details of Superman’s beginnings in the mid 1980s, it was also the opening chapter, the actual foundation, of the official Superman story. This series, while altering the details of Superman’s beginnings yet again, feels like more of a plug-up-the-holes sort of thing than a foundation.

This issue doesn’t feel quite like the earlier issues. We have some origin-like stuff in terms of The Parasite, but there’s not much character development. Parasite’s an unlikable, uninteresting character to me–rather two-dimensional, really–and seems to serve little more here than plot device to give Superman something to fight, to punch…and to be more directly “outed” as existing to the public of Metropolis.

The art by Gary Frank, of course, is stellar…on the whole, I really enjoy his art, and it brings a great look to this series and this issue. My primary gripe is the seemingly obvious use of Christopher Reeve as a “model” for this depiction of Clark/Superman…there are panels–such as on page 7 where Clark suggests to Perry’s question of the man actually flying “Um, up, up and–away”–where the imagery just SCREAMS Christopher Reeve. On the one hand, a fitting tribute, and acknowledgment of the man’s legacy and impact on this character, especially in the eyes of the public in and outside of comics. On the other hand…it seems another sign of Superman being “stuck” and unable to really grow and develop beyond a decades-old image that’s clung to, returned to, after decades of actually growing and developing the character beyond simplistic and hokey stories/concepts.

If I were a new fan of Superman, or at least new to the comics, I suspect I would find this a great, thrilling issue and enjoy it very much. As it is, as a longtime DC reader watching the character I’ve grown up on over the past two decades being phased into something of an amalgamation of every possible version of the character…it’s frustrating and discouraging. Johns is a great writer, and obviously has a knowledge of much that is Superman–from the comics, from tv, from the movies–and I can appreciate that effort’s being put forth to reconcile many versions into one cohesive whole.

Usually for me it’s the story that makes the issue…but in this case, the art’s the primary draw for me. I don’t like where the Superman books are headed, nor the revamping and loss of “my” Superman–but this is at the very least the best-looking Superman book out there these days.

Story: 7/10
Art: 9/10
Overall Enjoyment of the issue: 6/10