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The Weekly Hauls: Weeks of 1/7 & 1/14

Been a couple weeks since I’ve posted one of these.

LAST week, had two huge issues in the Valiant Greatest Hits #2 and the Legends of the Dark Knight Super-Spectacular #5. Of course, as is standard nowadays, the three DC weeklies…and picked up Wolverines #1 to check it out…but it’s a $3.99 weekly, which I’m just not willing to pay. And the third issue of the new Eternal Warrior mini.

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THIS week, I decided to try the new Mortal Kombat X premiere, snagged the final issue of the AVP: Fire and Stone mini…and Marvel‘s new Star Wars #1 (I posted a review the other day).

weeklyhaul01142015a

There’s also the three DC weeklies, the latest Astro City…and 3 Valiants in one week.

weeklyhaul01142015b

It’s been a really heavy couple weeks…and it’s rather disconcerting–yet again–to realize how far behind I am on reading the weeklies…despite keeping up with the purchasing (so I don’t have to catch up later and hassle with the hunt).

I am looking forward to their being done, and getting that $9/week back in-pocket for other stuff…of course, I might just be trading those for a couple of HUGE September-like months with DC‘s big event this spring.

Age of Apocalypse Revisited: Generation Next #1

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generationnext001From the Top

Created by: Bachalo & Lobdell
Inker: Mark Buckingham
Colors: Steve Buccellato/Electric Crayon
Lettering: Starkings/Comicraft
Cover: Chris Bachalo, Mark Buckingham
Editor: Bob Harras
Published by: Marvel Comics
Cover Date: March 1995
Cover Price: $1.95

On a more pronounced scale than X-Man #1, I remember disliking this series and so kinda "dreaded" "having to" read it to progress through the Age of Apocalypse saga. I know present-day I tend to not care for Bachalo‘s visual style, finding it cluttered and often hard to follow in the flow of just reading the story. But I actually rather enjoyed this issue.

The bulk of the issue follows a "training exercise" in which the younger mutants fight–Danger Room style–as training in use of their powers. First against each other, and then against their teachers–Colossus and Shadowcat, who prove to be quite ruthless and deadly, and encourage the same in their students. "Training" gets cut short with the appearance of Magneto, who (in his first "live" appearance to the kids) has Bishop in tow and seeks discovery of a possible time traveler…who, as it turns out may well be the sister Colossus thought killed. It will be up to this team of mutants to retrieve her.

As said, I haven’t really cared for Bachalo‘s work in more contemporary comics, and as such really was not looking forward to this issue. But I actually forgot as I read that this was a Bachalo-drawn issue, as the problems I’ve had with more recent stuff he’s done does not seem to be apparent here. I don’t know if that’s the inks, colors, pencil styles, or what. Whatever it is, I’m thankful, as this issue thusly has a distinct grittier, darker tone than the other issues I’ve read so far of the Age of Apocalypse #1s…setting it apart but not distractingly so.

The story isn’t bad…it doesn’t blow me away and is actually fairly cliché in its own way…but it works here, setting tone and showing the harshness of things these kids are facing (though we don’t get much explanation for Kitty’s behavior/personality compared to her non-AoA self).

While I have YET to read the Phalanx Covenant in full and really much with all the Generation X characters, I always found the timing of this interesting: by the end of the Age of Apocalypse stuff, there’d been equal time spent with Generation X as a title as this Generation Next…4 issues and 4 issues.

Not a bad read, certainly much more enjoyable than I remembered or expected…we’ll see what the later issues do for me.

Star Wars (2015) #1 [Review]

starwars(2015)001Skywalker Strikes

Writer: Jason Aaron
Artist: John Cassaday
Colorist: Laura Martin
Letterer: Chris Eliopoulos
Cover Artists: Cassaday & Martin
Assistant Editor: Charles Beacham
Editor: Jordan D. White
Executive Editors: C.B. Cebulski & Mike Marts
Published by: Marvel Comics
Cover Date: March 2015
Cover Price: $4.99

I truly was not going to buy this. I don’t like that the license was–in my eyes–“taken” from Dark Horse, and envisioned this being like the “taking” of the various Disney-based books from Boom! Studios. But Marvel‘s immediately gotten into things rather than letting the license(s) languish, so here we are.

Another factor is the cover price–$4.99 is way, Way, WAY too much for a single regular issue of a comic. Where I’d intended to boycott this on principle, it occurred to me that it might just be an extra-sized debut issue…so I asked, and the store owner looked it up, and a later issue is solicited at $3.99, so I decided to step off that particular “moral high ground” and check this out.

It’s been several years since I’ve read a Star Wars comic. I’ve bought ’em here and there through the years, usually one-shots or full mini-series after the fact; though I dabbled for a few months back in 2005 with a couple series post-Revenge of the Sith

This has a completely different feel to me. I don’t know what it is–perhaps the Marvel branding, perhaps the hype; maybe something subconscious with the art and associating Cassaday with Astonishing X-Men and/or Aaron with Wolverine.

The art–by Cassaday–is quite good. I dig the way the characters have a good likeness of my memory of the actors’ portrayals. Yet, while the likenesses are obvious, they don’t feel gratuitously so to me. The characters are thus quite recognizable without feeling stylized or like effort was put into making them more comic-book-like than likeness-based. 

The story itself is solid enough; I know there was time between the films, so there’s room to play with and insert new story content that fits continuity without detracting from the films, so I can accept this. At the least, whether this is being pushed as “canon” or not, I can very readily accept it at face-value on the premise of being set between films; Canon or Extended Universe or New Extended Universe or whatever label might be appropriate.

The classic characters are here; the primaries. The issue opens on Han with a disguised Luke and Leia infiltrating a weapons factory as negotiators. The negotiator they’re to meet with, though, proves to be far more dangerous and certainly no lackey to simply be fooled…resulting in deadly combat and plenty of action throughout.

The issue FELT thick and heavy; though I was discouraged to find a SEVERAL-page “preview” of the upcoming Darth Vader title or one of the other related Star Wars books), this issue itself still manages to carry 30 story pages. If 20 pages are $3.99, then technically this could’ve been a $5.99 book for that page rate; but it’s “only” $4.99, so that makes the price point SLIGHTLY more “tolerable.” We also have a page of credits, as well as a very effective OPENING sequence of pages.

I say effective because I actually sighed and rolled my eyes at the first page and that classic line

A long time ago in a galaxy far, far away….

I thought to myself: Really? Had to go back to that again, huh?

Then I turned the page, and I swear I heard the opening strains of the familiar, classic John Williams score…and found myself smiling.

A fact that certainly lent itself to enjoying the issue overall.

I’m not convinced this issue is worth that $4.99 any more than any standard comic is worth $3.99. But the issue made me smile, I enjoyed reading it, I MIGHT actually try subsequent issues and/or the other titles…I’ll give this round of Marvel‘s take a chance. Issue by issue.

If you’re a die-hard fan of Star Wars, I expect you’ll enjoy this; if you’re thoroughly invested in what’s come before (besides the films) you may be disinclined to enjoy this. Either way…this felt to me like something special in spite of resisting the hype (and for BEING so hyped).

On a buy/borrow/pass rating scale…this definitely gets a “borrow,” and something closer to a “buy.”

Age of Apocalypse Revisited: Factor X #1

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factorx001Sinister Neglect

Writer: John Francis Moore
Penciler: Steve Epting
Inker: Al Milgrom
Lettering: Starkings/Comicraft
Colorist: Glynis Oliver
Cover: Steve Epting
Editor: Kelly Corvese
Published by: Marvel Comics
Cover Date: March 1995
Cover Price: $1.95

I’m beginning to consciously realize that some of my trepidation approaching these various Age of Apocalypse minis is that I apparently think of Astonishing X-Men, Amazing X-Men, and X-Men Chronicles as my favorites (along with the bookend Alpha/Omega issues). Any of these others are simply "other" and so part of me just isn’t as interested in the "idea" of them. Yet, that’s added to some relative surprise at enjoying these, thinking I’ve "forgotten" how much I enjoyed them…but if I didn’t enjoy them as a kid, there’d be no reason for Age of Apocalypse to reign as one of my all-time favorite X-stories.

The issue’s cover shows us Cyclops, Havok, (Dark) Beast, Northstar, and Aurora…Sinister’s "Elite" group of enforcers. Not a bad image, and certainly conveys the menace they exude…this definitely shows a group one would PROBABLY not want to mess with. Sort of generic, kinda iconic if forgettably so, but it works.

The story is a blend of Sinister’s narration as he prepares to fully set into motion his own plan against Apocalypse while we follow Cyclops, Havok, and the others about their business in the early days of Sinister’s disappearance. We’re shown the tense/adversarial relationship between Cyclops and Havok, and the latter’s jealousy/ambition; more of the atrocity from Beast, and that Angel’s "Heaven" is definitely neutral ground for anyone who can pay.

Showing the change in myself and the notion of picking up on new things each time through even a familiar story–there’s a snippet of conversation in the bar scene with reference to Lazlo and letters of transit that made me grin, picking up the obvious-to-me-now reference to Casablanca.

I rather liked the juxtaposition of Sinister’s narrative with the unfolding events–there’s something rather identifyable in the narration, in branching off on one’s own and wondering what others are doing without us after a period together.

The issue’s visuals are quite good, and aside from some slight weirdness to me in Cannonball’s appearance in a couple panels, everything else worked well and only stood out to me in appreciating how much I liked the way things looked.

In some ways, I want to judge this issue simply as another #1, but it (as the other titles also do) draws heavily on the events of X-Men: Alpha which in some ways makes this a #2 issue. We’re (re) introduced to several characters, others are furthered, and we’re introduced to still others, while things are set up for what’s to come: Beast and what he’s doing, Havok and his romance with a human, Cyclops being basically good despite currently working for Sinister and Apocalypse, and Sinister having something major up his sleeve in going against Apocalypse.

This title and the main group of characters it focuses on being "villains" adds another "side" to the overall story and rounds things out, giving some depth to even the "bad guys," rather than leaving them as two-dimensional strawmen to throw the X-Men against. I enjoyed this issue, and look forward to others…as well as the alluded-to reference to Havok’s incident in Weapon X #1.

That footnote reminded me that these issues don’t have an exact reading order printed in them…this is Factor X #1 with characters who appear in the general AoA continuity and thus other titles as well, and more is happening than is necessarily focused on for any given character in only one series…particularly high-ranking characters such as Havok and Cyclops. Which is part of the fun of continuity–for me–and the appreciation of footnotes in issues I read.

Wolverines #1 [Review]

wolverines001Writer: Charles Soule
Artists: Nick Bradshaw, Alisson Borges
Inker: Walden Wong
Colorist: FCO Plascencia
Letterer: VC’s Cory Petit
Editors: Katie Kubert and Mike Marts
Cover: Nick Bradshaw, FCO Plascencia
Published by: Marvel Comics
Cover Date: March 2015
Cover Price: $3.99

In a lotta ways, I’m lost. I recognize some characters, of course (at least by name/vague recollection)…but it’s rather difficult to reconcile this as taking place in the same continuity as the stuff I grew up reading in the ’90s and early/mid-2000s. It’s also quite a challenge to consider that Wolverine–Logan–is really, truly, permanently, not-coming-back-ever-never dead-is-dead DEAD. Moving on…

Thankfully, the “Previously…” page is there–I don’t have to track down all those Death of Wolverine follow-up minis I skipped. Sure, they’d flesh out the DETAILS, but for where this series and this first issue in particular picks up, that’d be superfluous for me.

We open on a bloodied Mystique getting psyched to go through a door; then jump “back” to present. Where we find Mystique, Sabretooth, Daken, and X-23 being forced to work with some escapees from Dr. Cornelius’ experimentations. The mission is to locate/retrieve an object to help them survive. Unfortunately, the Wrecking Crew has also appeared in the vicinity, and confrontation ensues. Though the object sought is located–the adamantium-encased remains of the late Wolverine–this success is short-lived with the appearance of an old villain I certainly would not have suspected. The villain absconds with precious bounty, leaving our protagonists’ situation in disarray.

I picked this up to give it a shot–I’m currently buying all 3 weeklies from DC Comics, might as well give Marvel‘s a try. Moreso than that, though…the cover intrigued me. Kinda generic in a way, but it certainly grabs my attention, seeing the adamantium-encased body of Wolverine surrounded by individuals tied to him (from life, and from what he gave it for). We only get the arms of Deathstrike, Sabretooth, Daken, and X-23 (with a couple of the Weapon X kids in the background)…no Mystique. But that’s not something I even noticed until writing this review.

The actual story is ok enough…where I’d thought the premise of the series might be the characters tracking the body, the cover suggested otherwise, which was why I bought this. And since (thankfully!) the cover suggests these characters around the body and the opening of the issue has them seeking it…hardly spoilers to say that yeah, they find the body IN THIS ISSUE. However, the villain that showed up and left the group in bad shape gives the characters a new quest/hunt, which should sustain the weekly nature of the series for a bit.

I appreciate Soule being on this, given my understanding that he’s the architect of the death of Wolverine…good to see that he’s the one to follow-up “long term” on the development, rather than just killing the character and moving on. And while I wouldn’t think I’d care about the characters involved, have not kept up with them (for example, the last I recall of Sabretooth, he was beheaded by Wolverine…though I’m loosely aware there was a recent-ish story that saw his return) the interactions are not too bad here and I’d be interested in seeing more, seeing these characters in a world without Wolverine.

The issue’s visuals are not bad…there’s a cartooney quality at points that’s mildly distracting and reminds me of Humberto Ramos‘ work. Not a terrible thing, but not entirely my cup of tea. On the whole this simply has the look of a comic book…I credit that to the strong linework (and I suppose that’s a shared credit with the inking). Ultimately the art’s relatively neutral for me…neither a significant turn-off nor a draw. It’s just there, it does its job, and I’m satisfied with it.

Had Marvel priced this at $2.99 as an enticement to investing in FOUR issues monthly, I might’ve been tempted to give it a shot on a weekly basis. Unfortunately, this is a $3.99 book…and a large contributing factor to my having been almost completely driven me away from Marvel stuff is their pricing. Their $3.99 price point combined with frequent double-shipping was a huge turnoff…and if 2 issues at $3.99 apiece each month is enough to frustrate me away from Marvel books, DOUBLING that frequency does nothing positive to my mindset.

I did see somewhere (Bleeding Cool, perhaps) that this series is scheduled to be collected in monthly volumes…provided those are not $20 apiece and I can find ’em at a discount, there’s a possibility I’ll go a bit further into this series that way…or perhaps consider an advance/pre-order for a discount on almost certainly inevitable Marvel Omnibus.

If you don’t mind the $3.99 and are a fan of Soule‘s work with Wolverine and/or Wolverine’s death so far, this may be a decent series to consider. As a single issue this fits the norm…the overwhelming part of the price comes from the realization of the series’ shipping frequency.

[ My thoughts on the final issue of The Death of Wolverine (the week it came out) ]

Age of Apocalypse Revisited: X-Man #1

aoa_revisited_logo_thumb[2]

xman001_thumb[5]Breaking Away

Writer: Jeph Loeb
Pencils: Steve Skroce
Inks: Sellers, Smith, Larosa, Conrad
Lettering: Starkings/Comicraft
Colors: Mike Thomas
Editor: Lisa Patrick
Cover: Steve Skroce, Cam Smith
Published by: Marvel Comics
Cover Date: March 1995
Cover Price: $1.95

Well. That was a surprisingly fun re-read. X-Man #1…an issue I knew was–for purposes of this Age of Apocalypse Revisited project–at the head of the list, something I’d have to read pretty much first thing…but was thankful Astonishing X-Men was in that first bit as well. Though the cover is distinctive, I had it in my head to somewhat dread reading this issue.

The cover is rather simple yet quite iconic. I like the bold red (plain as it is) of the background, with a powered-out Nate Grey (the X-Man) standing there over what is either simply rubble or rubble and an Infinite that he’s taken down. It’s bright, it grabs the attention, and is (based on the editions I have) the only one of these first issues to not carry the "badge" of ENTER NOW: THE AGE OF APOCALYPSE. This issue’s cover simply proclaims THE AGE OF APOCALYPSE BEGINS NOW! And as such, with no other fancy logo-ing, the typical (for the time) X-Men corner-box and such, this appears simply to be a premiere issue for something new and long-lasting…little did I know at the time I first read it 20 years ago.

The issue’s story picks up with what appears to be a flashback (turns out to be a memory) as we get a glimpse of Nate’s escape, as well as his "discovery" of the Xavier mansion as Magneto’s mission-setting wraps up. His walk on the astral plane or psychic projection or such is cut short by Forge, as we see Nate has unleashed an incredible amount of energy, causing plenty of destruction and possibly jeopardizing his friends. With apologies he resumes his usual role, and the group makes their way to another town for the night’s performance–they’re rather effectively masquerading as a simple traveling theater company. Of course, this being a first issue of the last days of the AoA, things are bound to "happen" and the group is attacked and Nate leaps into action to defend those he can…and as he does, a young mutant discovers she IS a mutant as she leaps to warn him of an attack from behind.

I really dug the art on this issue. Skroce‘s work really stood out to me. I particularly liked the look of Cyclops and Magneto…and all the other characters are quite well-done as well. There’s a look both familiar yet distinctive about them, and I consider myself quite impressed–to my surprise–at the visual feel of the issue.

As indicated above–this was quite a surprise to me as a whole, that I really enjoyed this issue. While I know what comes down the road, in and of itself this issue hooked me. As a start to the Age of Apocalypse proper–the "extended universe" of sorts, beyond Magneto’s group, I think this did a great job.

Age of Apocalypse Revisited: X-Men Alpha #1

aoa_revisited_logo

xmenalpha001Beginings…

Story: Scott Lobdell
Dialogue: Mark Waid
Pencils: Roger Cruz w/Steve Epting
Inks: Tim Townsend w/Dan Panosian
Letters: Starkings w/Comicraft
Colors: Steve Buccellato w/Electric Crayon
Editor: Bob Harras
Cover: Joe Madureira, Tim Townsend
Published by: Marvel Comics
Cover Date: February 1995
Cover Price: $3.95

The cover proclaims A NEW World! A NEW Beginning! This issue sports a fancy "chromium" cover, and is itself a rather iconic image–to me, at least–of the "new" X-Men, as brought together by Magneto. We see Weapon X (Wolverine) front ‘n center on the front panel of this wraparound cover. Blink, Sunfire, Bishop, Rogue, Magneto, Jean Grey, Quicksilver, Nightcrawler, and Gambit round out the bunch here. Open the issue up to see the back cover as well and we see Apocalypse in the background, with Sabretooth and Wild Child in the foreground, Jubilee and Colossus behind, and some flying stormtroopers (Infinites, I believe) filling out the sky-space of the image.

There are no ads in this issue. 48 pages of story, plus the cover–that’s it. For "only" $3.95. Sorta pricey "back in the day," but quite a bargain by today’s standards. I wouldn’t be surprised to see something like this priced around $9.99 by Marvel nowadays–and shocked to see it under $7.99.

Though this issue kicks off the Age of Apocalypse epic, it does not itself carry an Age of Apocalypse badge–this is a "bookend" issue that serves as a prologue to the entirety of the event encompassing ten or so titles across the four months.

We open on a wasteland, where we meet Bishop–whose mind was damaged by the energies that ripped Legion and the other X-Men away in X-Men #41. We find that he’s wandered for the 20 years since. Here, he’s become the focus of an attack from Unus and his troopers who were chasing a young human who found momentary hope in Bishop. The X-Men arrive–Magneto’s X-Men–and the battle is joined. Emerging victorious, the X-Men are then confronted by Bishop, who recognizes Magneto and levels some major accusations at him. Magneto sedates him and they take Bishop for questioning.

Meanwhile, we meet Beast–Henry McCoy–a mad scientist figure experimenting on mutants. Havok touches base, and the mutant (Blob) being experimented on attacks, and the pair are "rescued" by Cyclops–with long hair and only one eye, and see that he and Havok have a horrible relationship. The two are part of Apocalypse’s group, by way of Sinister–who arrives and chastises the two for fighting, and then speaks cryptically and leaves. The scene shifts to a bar maintained by Angel–Heaven–where he’s confronted by Gambit, who is looking for Magneto. We shift to the X-Men, questioning Bishop, then to Apocalypse and his upper ranks as he reveals plans to destroy the last of humanity.

The story shifts to Weapon X and Jean meeting up with the Human High Council, and then back to Magneto’s group. "Feedback" from Rogue touching him leads to Magneto seeing fragments of a universe that might have been, leaving the older mutant troubled. He immediately sends Nightcrawler to seek Destiny in order to get confirmation of his vision. Meanwhile, Sinister’s gone missing, and Apocalypse nudges things into motion. The X-Men know "something" is up, but not specifics. While off in space, a certain crystallization wave heads toward Earth.

I don’t usually like summarizing an issue so thoroughly–but there is a LOT going on here. And it all works, for me. There’s a lot of vagueness and toss-off references scattered throughout that don’t necessarily make a lot of sense now, in context of just this one issue–but having read this before and knowing the characters, I follow them quite well. This sets up the various books that make up the Age of Apocalypse saga, introducing us to core elements–the characters and places that will have significant roles in the story to come.

There’s a definite sense of "history" here, and it feels like this could easily BE just a random issue I picked up, amidst an ongoing continuity and not the first actual glimpse at the entirety of said continuity. This is–to the reader–a new world, a beginning of an "Event," but for the characters involved this is simply the present, 20 years after a key incident in Israel.

I remember being quite eager to get into the Age of Apocalypse as a whole and being fascinated by this new version of all the characters. Despite the dark setting of the story, I thoroughly enjoyed reading this, with a familiarity and warm sense of nostagia as I did so.

The art is slightly stylistic at points, and I’m not particularly familiar with Roger Cruz‘s name…but this issue being what it is, none of the art bothered me…I was simply a kid again, enjoying seeing all these characters and where they were, and trying to glean where the story was going from this single issue.

It’s refreshing to read this issue again, and getting a sense of pureness or "authenticity" from what I so enjoyed about this event…before everything that’s come in the past ten years or so as things were changed, pulled from, and generally mucked about with in attempt to get as much out of this story as possible beyond its relatively self-contained nature in 1995.

In short, this issue holds up extremely well to my memory, is still very enjoyable, and leaves me eager to get into the heart of the story.

Yet More December Acquisitions: The Complete Onslaught Epic

Thanks to a Black Friday sale (online), I was able to get vols. 0, 1, 2, and 3 of The Complete Onslaught Epic for well under the price of two volumes. I paid full price for vol. 4 at a local shop, as it was not available, and seemed (based on searches online) to be out of print and people asking WAYYYY above cover price.

xmencompleteonslaughtepic0to4

This set adds to my Complete Age of Apocalypse Epic as well as the Heroes Reborn and Heroes Return sets. I suppose next up–if I can find ’em cheap (say, $20 or less per volume) and be able to get the entire set in one go–is Spider-Man: The Complete Clone Saga.

Of course, I have a bunch of other volumes also on my “wish list” and I might actually use that as a topic of a later post before the year is out.

The ’90s Revisited: All New Exiles vs. X-Men #0

90srevisited

allnewexilesvsxmen000X-Over

Writer: Terry Kavanagh
Penciller: Ken Lashley
Inker: Tom Wegrzyn
Letterer: Patrick Owsley
Color Design: Shannon Blanchard
Interior Color: Malibu
Cover: Dan Panosian
Editors: Chris Ulm, Jerald Devictoria, Bob Harras, Ben Raab
Published by: Malibut Comics
Cover Date: October 1995
Cover Price: n/a (promo/mail-away issue)

I’ve long sought this issue…based on the cover date, it’s safe to say I’ve had at least SOME level of interest in this for 19 years. From what I recall, this was a send-away promo issue. Mail in some bound-in coupon from an ad along with $10 or so, and receive the issue in the mail once it shipped. Simple…but very, very EXPENSIVE…especially for a then-14-year-old. As such, the offer passed me by and my life moved on none the worse for it.

This copy, that I’m covering this in mid-December 2014, came from finding the issue loose in a 25-cent bin this week, and in remarkably good condition for its age and rarity. Of course, I say rarity as I cannot recall ever before coming across this issue in any sort of bargain bin. While it’s not a particularly expensive issue, it’s been expensive enough–more than “just” a couple dollars–that I hadn’t acquired it before now.

Unfortunately, this issue’s had nearly two full decades to build my anticipation of the reading experience…which made this the obvious let-down that one really ought to EXPECT from the situation. This is a one-shot, in-continuity for the Exiles characters but not so much the X-Men side. It was published as a promo outside the regular numbering of the post-Black September All New Exiles series. And it’s no “key issue” of any sort that I can tell…a fact that adds to the sense of disappointment. So let’s leave all that aside.

The cover feels a bit odd to me with the two teams’ logos seeming strangely small on the cover. Granted, each logo individually would usually fill the top space of a cover and it’s not likely anyone wanted to crowd out the image with logos. But these logos being so small and the image being what it is, the logos kind of get lost in the viewing. The image itself, though–of X-Men Storm, Beast, Iceman, Rogue, and Gambit standing in front of some sort of poster of the Exiles–works quite well for me despite the visual style seeming vaguely manga-esque and cartooney to me (particularly compared against some of my favorite Age of Apocalypse-era X-books from early 1995).

The interior art is not bad, and carries a definite ’90s “feel” to me. I recognize Lashley‘s name from Excalibur (and the title’s Age of Apocalypse iteration X-Calibre), so there’s that air of “authenticity” on the X-Men angle for me, even if Excalibur was never a “core” X-book to me growing up. Characters look pretty good throughout this issue with only moments of difference to me where something doesn’t look quite “right.” I do attribute this to the art not being Kubert, Lee, or someone I’m more consciously (and nostalgically) familiar with far more than I do any particular artistic fault. I’m not unimpressed, and other than the conscious analyzing for this review, the art remained relatively unnoticed and simply “there” as I read the issue.

The story isn’t anything fancy…it has a lot of potential but seems rather rushed. Of course, that particular fault I’d attribute to contemporary comics and the drawn-out 4-6 issue story arcs and lack of done-in-one single issues…especially something with only 22 pages, that isns’t even an over-sized/extra-length issue.

We open on Charles Xavier–founder of the X-Men–frustrated at his inability to locate the Juggernaut (Cain Marko, his step-brother) anywhere on Earth. Having picked up on their mentor’s frustration, the X-Men join a physical search, enlisting the aid of Gateway to check other dimensions. Once in another dimension, they find themselves face to face with the Juggernaut and others, where a fight breaks out. The two groups are then distracted when a creature attempts to come through the portal Gateway had opened, and they’re forced to work together to stop it. Ultimately, the status quo is restored with the X-Men returning to their dimension and the Exiles left on theirs with no way to follow the X-Men without re-energizing the creature they’d just stopped.

There’s not a lot of room for any characters to have actual characterization given how many are here and how few pages, along with the story being set up and moved along. Again based on contemporary standards, something like this seems like it would be best served existing as a 3-4+ issue mini-series. Crammed into one issue, we pretty much need to be familiar with the characters to get anything out of this. Familiar or not, everyone’s pretty much to be taken at face-value, with limited dialogue to contextualize things.

I would expect more of this issue–as a singular, special thing. Given its length and publication, this feels more like I picked up a random issue of All New Exiles that happens to guest-star the X-Men…something rather akin to what I picture of random crossovers in “indy” comics…that is, one side or the other takes more out of the story and the other property seems to have no reference to it other than the character(s’)’s existed in the given issue.

Despite my expectations and relative disappointment…for the 25 cents I paid, this was a very good issue and well worth my having bought and taken the time to read. It does also lift my interest in delving into the All New Exiles…though that particular reading project is quite a ways off yet as I seek to complete my Ultraverse collection.

allnewexilesvsxmen0

The ’90s Revisited: Cable #20

90srevisited

cable020An Hour of Last Things

Writer: Jeph Loeb
Guest Artist: Ian Churchill
Guest Inkers: Bud Larosa w/Barta & Carani
Lettering: Richard Starkings/Comicraft
Colorist: Mike Thomas
Editor: Lisa Patrick
Group Editor: Bob Harras
Published by: Marvel Comics
Cover Price: $1.95
Cover Date: February 1995

This issue takes place during and after Uncanny X-Men 321. That issue had noted this as a must-read; this returns the favor. This issue definitely requires the context of the Legion Quest story so far, but those issues don’t require this.

We get a bit of exposition while seeing the present-day group facing the apparent dangers Cable, Xavier, and Jean face with their psionic time-communication thing. We then pick up with Cable’s "return" to the present, and realizing that despite his having made contact, it apparently didn’t do any good–nothing in the present has changed, and the universe is still coming to an end…which forces everyone to face the fact that this IS their final hour. Much of the issue is the reactions the characters have, who they turn to and how, in this "hour of last things."

Despite some panels where the art seems a bit minimalistic or at least not as detailed in linework as I’m used to and would expect…I really enjoy the visuals in this issue. As with all the previous chapters of Legion Quest, this is extremely "familiar" to me, bringing back memories…something that surely colors my views on the art–where I might complain a bit with a contemporary issue, this one sits perfectly fine with me, being simply another part of a whole, a piece of a larger positive memory, and the general good feelings I have revisiting a favorite, favored period in comics.
I did notice, however, that Archangel’s costume seems to have a lot of red to it here, where I’d noticed blue previously. I’m not sure if there was something I’ve forgotten in-story for the varied colors, but it was a bit of distraction. I like the LOOK overall, just not sure why the red instead of blue.

The cover is one of those distinctive "iconic" ones for me. And yet, somehow looking at it for this review now MIGHT be the first time I consciously realized it’s showing the crystallization wave taking the characters, and not just a generic shot of them facing something else.

The story itself is by Jeph Loeb–who at the time I didn’t know from any other writer–but whose name I know quite well at present and have not been overly thrilled with despite quite enjoying Superman: For All Seasons and such in particular. While this IS part of a larger story, I love the "moments" between the various characters, as well as the overall feeling OF this being a final issue, an actual final chapter.

I’m pretty sure I knew better at the time, back in 1994 than to think these titles were going away PERMANENTLY, and was certainly geared up for the Age of Apocalypse as a large but temporary story. The "official" revelation in-story of Scott and Jean’s part in Cable’s life was particularly key, as is Cable’s "moment" with Domino. Despite this issue covering some of the same ground as Uncanny X-Men 321 and X-Men #41, it leaves certain particularly beats and "moments" to those issues…but what we see here builds on the overall feeling of continuity, that this is truly taking place in the same world and time as other issues rather than just being "related" to each other.
Perhaps it’s the issue’s ending, or the interaction of Cable, Cyclops, and Jean, but this is easily one of my favorite issues of the entire Cable series…and reminds me why the Cable of this period is my favorite take on the character (especially in the face of the last few years of the character).

Only one issue directly involved with Legion Quest remains, as the X-Universe comes to an end…if only for a time.