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52 Week 12 [Review]

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Quick Rating: Good
Story Title: Mighty

Summary: Black Adam introduces us to Isis, Montoya and The Question come to an agreement as to where they’re off to next, and Ralph Dibny confronts Cassie about her cult’s theft of materials from a storage locker.

52week12 Writers: Geoff Johns, Grant Morrison, Greg Rucka, Mark Waid
Art Breakdowns: Keith Giffen
Pencils: Barrows
Inks: Stull
Colors: Baron
Letters: Lanham
Assistant Editors: Jann Jones & Harvey Richards
Editor: Stephen Wacker
Cover Art: J.G. Jones & Alex Sinclair
Publisher: DC Comics

I don’t think I knew who "Black Adam" was two years ago. After reading the Countdown stuff, I was surprised when I went back through my Superman collection and found an issue in which he was prominently shown on the cover–point being, even if I’d heard of him, certainly had no clue who he was, nor what he’s all about. I’m still not certain, but something about him has had me quite interested–and for roughly $2.50/issue I’d gladly follow a series with this character in the starring role if of such quality as 52.

As-is, this issue is mostly Black Adam’s story, with a few pages of the other two plots thrown in. While this is a bit of a let-down as far as seeing what’s going on with Steel, or Booster–or anyone else, for that matter–the story held my interest, and regardless of what comes down the line, has an air of significance to it, as to Black Adam’s story, and the Marvel family in general. Adam’s actions do seem a little rushed, but given what he’s been up to lately, I wouldn’t see it as out-of-character…especially if there’s more to it all than we as the readers have been let in on just yet.

Ralph and Cassie’s angle, while brief, also has some good stuff, even though I’m not entirely interested in that particular plot. Possibly my favorite part of their exchange is Ralph’s comment about everyone confusing him with Plastic Man–something that I was definitely guilty of before Identity Crisis. Cassie seems a bit out of character, though it may well simply be my reading of things and that I’ve not figured her out yet.

Renee and The Question get 3 pages this issue, and while they keep that particular thread going, I’d have prefered 3 extra pages of Black Adam–right now, I’m just not all that interested in their story–especially just a snippet like this.

I think my favorite part of this issue involved Billy, and seeing how he’s adjusting to his new role.

The art on this issue is good–everyone’s recognizable and things are easy to follow. Facial expressions–particularly Adam and Billy–come across well, and give depth to the characters visually without even considering dialogue. I have no complaints offhand with art on this issue…

Overall, a strong issue that looks to affect Adam (and the Marvels) for quite awhile, though there’s not too much from other stories going on here. Certainly worth getting if you’re following the series; worth getting if you’re just a fan of Black Adam or the Marvel family, and so on. Recommended.

The Origin of Wonder Woman
Writer: Mark Waid
Art: Adam Hughes
Colors: Laura Martin
Letters: Nick J. Napolitano
Asst. Editor: Harvey Richards
Editor: Stephen Wacker
Special Thanks to: Mark Chiarello
Wonder Woman created by: William Moulton Marston

If you’re looking for short ‘n sweet origin snippets, that’s what you’ll find here. This 2-page origin seems woefully inadequate to do more than tease just the barest, shallowest stuff involved with the character, and unfortunately, by itself doesn’t inspire me to want to know more about the character, other than the fact that this is so brief that almost anything would BE learning more about the character. The first 2/5ths-of-a-page panel/header seems a waste, and based on that visual, it’s a wonder that the character isn’t some porn-star.

The rest of the art on the pages works well, though being just a couple pages isn’t much to go on yay or nay. The bottom 2/5ths-of-a-page on the 2nd page offers a brief "Powers and Weapons," "Essential Storylines," and "Alliances" textual profile.

I’m not familiar enough with the character to know if anything in this 2-pager is new or sheds any light on any possibly "New Earth" changes/retcons, but nothing "feels" like new information to me. I hate to complain, but as with the disappointment the Origin of the DC Universe, this one is also a disappointment to me, and seems that it would serve better as some trading-card than taking up 2 pages that could have been used for continuing the overall 52 story.

Ratings:

Story: 4/5
Art: 4/5
Overall: 4/5

The Mighty #3 [Review]

Dirge

Story & Words: Peter J. Tomasi & Keith Champagne
Art: Peter Snejbjerg
Colors: John Kalisz
Lettering: Rob Leigh
Assistant Editor: Chris Conroy
Editor: Joey Cavalieri
Cover: Dave Johnson
Publisher: DC Comics

This issue sees Cole move fully into his new leadership position, accepting the “signal-brand” of Alpha One, and learning more about his hero and ally. After being able to relate to a child who Alpha saved but whose parents weren’t, Cole helps Alpha to relate to the kid, and Alpha reveals his own need for Cole’s presence on the job. The two spend some time in Alpha’s home/headquarters (male bonding and all that), and we see a new “normal” settle in for all.

The art for this book works really well, and fits with the characters. I’m not all that familiar with the artist, though, so don’t come in with any expectations…I almost like it better that way, as it contributes to letting the art be the art, with no other expectations of quality or style heaped upon it. There’s a certain feel to it that does not make me think of super-hero comics, and I think that adds to a nice realistic tone to this book, putting my mind in more of a place to see the characters as entities that “could” exist in a real world somewhere that isn’t full of the usual super-hero figures.

The story is surprisingly good. On the one hand, I’d expected this series to be much more generic and like any other comic with a “realistic” super-hero in a world NOT chock full of super-heroes. However, while there is a bit of a generic feel, it seems to be because the title is still so young, and virtually anything new dealing with any kind of super-hero is going to feel like something we’ve seen before. There’s a lot of potential–at least for my own experience–for this to move away from anything I’ve read in super-hero comics in the past.

That the creative team co-created the character and are the ones setting things up–this isn’t just a new team on an established character/series–is a definite bonus. This is only the 3rd issue–if you can find the first couple of issues, this is well worth checking out, and a very good read so far.

Story: 8/10
Art: 8/10
Whole: 8.5/10