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Action Comics #876 [Review]

The Sleepers Part 2

Writer: Greg Rucka
Pencillers: Eddy Barrows & Sidney Teles
Inkers: Ruy Jose & Julio Ferreira
Colorist: Rod Reis
Letterer: Rob Leigh
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Andrew Robinson
Publisher: DC Comics

This issue is largely one big fight scene as Ursa deals a lot of damage to the new Flamebird, while also showing no hesitation at dealing harm to Nightwing as well. We also get a little bit of Lois tring to get into contact with her sister about their dad while this is going on.

The art for this issue is pretty good–while it’s not my favorite, it certainly serves the story quite well, and fits on the whole.

The writing isn’t bad, but doesn’t really blow me away. Rucka’s no stranger to the Superman universe-and the supporting cast–but I’m not giving an automatic pass for history. There’s still a huge amount of potential to the overall story–especially the meta-arc touching into all of the Superman books.

As a whole, this issue’s not much to recommend in and of itself. But if you’re following the title, writer, artist, or just the overall Superman-universe story right now, this is a worthwhile pickup.

Story: 7.5/10
Art: 7.5/10
Whole: 7.5/10

Superman: World of New Krypton #2 [Review]

Full review posted to comixtreme.com.

Story: 3.5/5
Art: 3/5
Overall: 3.5/5

Supergirl #39 [Review]

Who is Superwoman? part three: Ticking Clocks

Writer: Sterling Gates
Pencillers: Jamal Igle & Talent Caldwell
Inkers: John Sibal & Talent Caldwell
Colorists: Tom Chu & Nei Ruffino
Letterer: Jared K. Fletcher
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Joshua Middleton
Publisher: DC Comics

This issue picks up on and deals with the ramifications of the “reveal” regarding Superwoman’s point of origin last month. We see her retrieve Reactron (who was earlier menacing his ex), and leave a scene that shows Supergirl that the stakes are quite high in this conflict. Supergirl converses with her mother and with Lana as she ponders her current place in things, and we begin to see the reaction of those who expect Superman and “get” Supergirl instead. Finally, Agent Liberty’s killer seems to stand revealed, prompting Supergirl back into action.

I’m not a big fan of Reactron–newish character I’m not all that familiar with; I wasn’t reading this title when he was introduced. However, I am quite glad to see that we continue to have all parts of Kara’s series/continuity recognized and not simply discarded. Though not a fan of Reactron, I can see how this character can come to be quite the menace for Supergirl, perhaps even on an ongoing basis (depending on how all the New Krypton stuff shakes out, ultimately). It’s interesting to see the continuing relationship between Kara and Lana, as well as the development of Kara’s relationship with her mother of late. I have no real complaint in terms of the story itself.

The art for this issue comes from two sources, and while that’s often not a big deal with me, it was quite noticeable, which is something I’m not all that thrilled with. Neither batch of art is bad or anything; it’s just that each is different enough that it’s a bit of a distraction (especially in catching myself curiously looking to see how Caldwell draws characters’ ears, since ears are the only thing I’m not all that thrilled with from Igle’s art).

The issue’s story holds true to the characters involved, and continues to build on stuff not only from New Krypton but also from stuff going on in the other Superman books, and makes for a nice, satisfying read. You need not be following the other books to “get” this one as this series’ stories can work on their own. There’s a lot more to “get” and enjoy out of this with knowledge of the other books, and having this as just another part of the much larger ongoing story being told across all the Superman books.

Story: 7/10
Art: 6.5/10
Whole: 7/10

Action Comics #875 [Review]

The Sleepers Part I

Writer: Greg Rucka
Penciller: Eddy Barrows
Inkers: Ruy Jose & Julio Ferreira
Colorist: Rod Reis
Letterer: Rob Leigh
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Andrew Robinson
Publisher: DC Comics

As indicated at the top of the cover, this issue is part of “World Without Superman,” the general (apparent) over-arching premise of the next year or so in the Superman family of books. We’ve had New Krypton, we’ve had a couple months of after-effects and fallout, and finally we now have a story taking place after Superman has left Earth for New Krypton to live there, apparently (to the people of Earth) turning his back on them to live among his own kind. This title looks to be starring the new Nightwing and Flamebird characters that cropped up early in the New Krypton arc.

This issue picks up on Nightwing and Flamebird in new costumes designed to give the appearance of being super-powered armor augmenting humans (to cover the fact that these two are Kryptonians…as all Kryptonians except Superman have been officially banned from Earth). They take down a threat, though things do not go as smoothly as they planned, which leads to some questions developing on multiple fronts as different parties harbor their own suspicions and motivations regarding what to do with these two. We also get to see the unfolding of some background and motivation of Nightwing and Flamebird themselves–what role they played in Kandor, and so on. We are also (after several months of not doing so) treated to a revelation as to WHO Nightwing really is. After this revelation, another twist is thrown in that explains how Nightwing can exist in his present condition, as well as suggest some potential of stories to come. The end of the issue shows that this book and World of New Krypton will not be operating as if the other doesn’t exist, but will continue to share in continuity.

The cover art seems kinda different from what I’m used to seeing, and has a sort of almost watercolored look to it…not quite surreal, but something close to that. And with the way the colors are used, and the logo and even the World Without Superman banner…I really, really like this cover.

The interior art’s pretty good overall as well, if a bit “basic.” By that, it’s not art that would in and of itself inspire me to purchase the book, but it is art that I really can’t complain about, as it does what art’s supposed to do in a comic. It conveys the visuals of the story in a clear, understandable way, and doesn’t leave me confused…it works well right alongside the written aspect of the story.

The writing’s by Rucka, whose work I’ve generally been a fan of. I’ve lost track of who all has handled what characters the last few months, but it seems just from this issue that he’s got a plan for some of these characters in context of the Superman corner of the DCU. That we’ve been given Nightwing’s identity allows I think for much more story potential than keeping it a mystery, and I’ll be interested to see where Rucka takes these characters. Having read his work on Adventures of Superman a few years back, I have confidence in his handling/developing the supporting cast with respect and believability.

On the whole, this is essentially a “First issue,” and does its job well. A new arc is begun; new characters introduced, old characters appear (showing no lack of continuity placement). We see our heroes in action, get some background on them and what’s likely to drive them; some conflict and a mission, plus a classic sorta cliffhanger.

While you’ll get a lot more enjoyment out of this if you’re familiar with Superman continuity of the last couple years–and the last few months in particular–this is a decent point to hop onboard for a Rucka-written story involving characters associated with Superman operating in a world without Superman actually present. Well worth checking out.

Story: 8/10
Art: 7/10
Whole: 8/10

Superman: World of New Krypton #1 [Review]

Superman: World of New Krypton #1 CoverFull review posted to comixtreme.com.

Supergirl #38 [Review]

Who is Superwoman? part two: Clashes

Writer: Sterling Gates
Penciller: Jamal Igle
Inker: Keith Champagne
Colorist: Nei Ruffino
Letterer: Jared K. Fletcher
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Joshua Middleton
Publisher: DC Comics

I’m finding myself with mixed feelings on this book. True, Kara finally has some depth and personality, motivation and complexity, and most of the crap from the earliest issues of the book has been dealt with to satisfaction and we’re moving forward. While that’s all a good thing, I also find myself growing a bit bored of the New Krypton stuff. The trouble with it is that I have no idea how long this will be a part of DC’s continuity for these characters–I feel like it’s still a bit of a bubble that’ll burst in some deux ex machina that’ll take us back to something resembling the recent post-Infinite Crisis status quo. I also don’t see how this title would have or could play much with Final Crisis–even if the Kryptonians would be too aloof to want to help earth, wouldn’t the New Gods have detected the presense of all these Kryptonians and sought them as hosts far more powerful?

All that aside, this issue picks up with Supergirl back on Earth–where “all Kryptonians except for Superman” have been legally banned. She’s there by order of her mother to retrieve Reactron–the man who murdered her father, Zor-El and bring him back to New Krypton to face the Kryptonians. At the same time, a Superwoman with questionable loyalties fights Kara, insisting that she not be on Earth and return to New Krypton at once, mission unfulfilled. After this battle, we cut (no pun intended) to the pending autopsy of Agent Liberty, and a squabble over who has rights to the body. Back at Lana and Linda Lang’s apartment, Supergirl staggers in, battered and beaten. Meanwhile, Superwoman faces Reactron herself–and poses a very interesting question.

The story itself maintains a solid flow–we’re building on events from the last few months, both from this title and the other Superman family books, particularly the New Krypton story. As said above, I’m growing a bit tired of it, though, and it’s not really holding my interest. Which is not to say it’ll hold no one’s interest, but it doesn’t hold mine the way the opening chapters of New Krypton did.

The art is solid–as with previous issues, for whatever reason my only real gripe is with the way the artist draws ears. Aside from that, I have no particular complaints visually–the art is distinctive, clear, keeps one in the action and does not leave me scratching my head as to what’s going on.

Origins & Omens
Writer: Sterling Gates
Artist: Matthew Clark
Colorist: Nei Ruffino
Letterer: Jared K. Fletcher
Asst. Editor: Wil Moss
Editor: Matt Idelson

I’m definitely growing a bit tired of the Origins and Omens backups–they take away valuable pages from the main story, rather than being an entire extra batch of pages tacked onto the existing full-sized issue. This one expands upon the fact of Kara’s being torn between Earth and New Krypton, the choices she faces by giving full loyalty to one or the other. This short also suggests a rather harsh road ahead for Lana, which may tie into a story done in this title before the current team took over.

Story was brief and simplistic…not much in the way of plot–it’s more a feeling or environmental, almost surreal sorta scene. The art was fine–I recognize the artist’s name, but can’t quite place it, unless this was the previous artist on Supergirl.

All in all, a good issue of this title, but not really flying to greatness just yet. I do expect the story will actually come across better down the road–in collected-edition format and/or simply with some time given to be able to look back on it and see where everything was headed, rather than wondering what IS.

Worth snagging, especially if you’re a fan of the character, the creative team, or those slightly-questionable-at-this-point green pentagonal “triangle numbers” still showing up.

Story: 7/10
Art: 7/10
Whole: 7/10

Action Comics #874 [Review]

Suspicion!

Writer: James Robinson
Penciller: Pablo Raimondi
Inkers: Pablo Raimondi & Walden Wong
Colorist: Hi-Fi
Letterer: Rob Leigh
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Aaron Lopresti & Hi-Fi
Publisher: DC Comics

This issue picks up with Superman having a bit of a tantrum on New Krypton at the fact that General Zod not only has been freed of the Phantom Zone but that he now lead’s New Krypton’s army. After fists fail, talking ensues, and Superman grudgingly seems to let things slide for now, though he makes known his misgivings.Back on Earth, Kryptonians–with a specific exception made for Superman–are banned, which sparks the new Flamebird and Nightwing into action as their clock is ticking (and a blurb informing readers to follow them into next month’s Action Comics). Superman and Lois visit his fortress while he ponders things, and then a voice from his past cries out, leading to the issue’s cliffhanger.

The story isn’t bad, but really lacks some “oomph!” I find myself actually bored by the New Krypton stuff, especially given the abrupt ending of the titled story while this still feels like it should fall under that heading. This story also feels like filler, just sorta moving pieces on the board around to force stuff into a new status quo for next month with the Superman family of books.

The art also is not bad, but doesn’t particularly thrill me. Not bad, but not spectacular. It gets stuff across that needs gotten across, but doesn’t begin to get in line to be art I’d specifically choose for Superman.

Origins & Omens

Writer: James Robinson
Penciller: Renato Guedes
Inker: Jose Wilson Magalhaes
Colorist: David Curiel
Letterer: Rob Leigh
Asst. Editor: Wil Moss
Editor: Matt Idelson

This backup stars The Guardian, and basically follows him through some (for him) relatively normal activities in his new job as head of the Science Police. Some of his history is touched upon–particularly recent developments/revelations, with some hints of what may be in store for him given.

Though I don’t particularly care for Guedes’ art style, it works for me pretty well here–perhaps because it’s not Superman/Clark himself depicted but other characters I don’t have so firm an idea in my head as to what they look like. The story is basic, but then, six pages is hardly room for any great storytelling for the most part.

If you’ve been following everything New Krypton, or the “triangle numbers,” this is worthwhile, This is probably also worthwhile as a bit of a prologue to the new status quo for Superman and Action Comics to come. That the main story is shorted for the backup doesn’t exactly make the issue all that enticing.

Story: 6/10
Art: 6/10
Whole: 6/10

Action Comics #873 [Review]

New Krypton part ten: Birth of a Nation

Writer: Geoff Johns
Artists: Pete Woods, Renato Guedes & Wilson Magalhaes
Colorist: Brad Anderson & David Curiel
Letterer: Rob Leigh
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Ladronn
Publisher: DC Comics

New Krypton the crossover/mega-arc concludes here, but the story is far from over.

The issue opens with the world reacting to Supergirl’s punch at Superman in the previous chapter, with General Lane and Luthor politicking over Doomsday’s for-now dead body. Some Kandorians are fighting the Justice Society and Green Lanterns (with a few other heroes), before a Superman Returns style solution is implemented that then takes on a Counter-Earth feel. We’re then treated to several prologue scenes to close out the issue.

The art on this issue isn’t bad, but for the most part is not all that appealing to me. It gets across what’s going on visually, but leaves me missing Gary Frank’s art, particularly at the way Superman himself looks.

The story is a definite let-down. While this is supposedly the “conclusion” to this epic, I’m left at the end feeling like we’ve had a whole bunch of filler leading to this issue, just to kick off some outside mini-series. There’s been a lot of potential built up that doesn’t get resolved and seems to fizzle out, and just results in a hearty disappointment. As a Faces of Evil issue, supposedly we get a story from Luthor’s point of view. However, Luthor is really only on the first two pages as a pawn to General Lane. This isn’t the writer’s fault–this issue has no business being included in the Faces of Evil stunt.

All in all, what began as a very interesting premise with loads of potential comes down to this issue and a completely anti-climactic conclusion. Recommended only if you’ve been following the story thus far; otherwise, you’ll be just as well served finding spoilers online and spending your money elsewhere. If you want a story from Luthor’s point of view and how he interacts with Superman, I’ll recommend the Lex Luthor: Man of Steel mini-series from several years back.

Story: 7/10
Art: 6/10
Whole: 6.5/10

Superman #683 [Review]

New Krypton part nine: Hard Times!

Writer: James Robinson
Pencillers: Renato Guedes & Jorge Correa Jr.
Inker: Wilson Magalhares & Jorge Correa Jr.
Colorist: David Curiel
Letterer: John J. Hill
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Alex Ross (variant by Chris Sprouse, Karl Story & Laura Martin)
Publisher: DC Comics

Superman faces a number of Earth super-heroes in this issue’s opening sequence–asking that they leave and let him attend to locating the Kryptonians who were responsible for a number of police deaths. They in turn give Supes an ultimatum–a half-hour before they’ll go into action. Superman confronts his aunt, and begins to realize things are beyond his control. As the battle is joined, we have Kryptonians vs. super-heroes, and then a moment between Superman and Supergirl that takes me back to a 1992 issue of Action Comics. The issue concludes with a certain “cavalry” arriving.

I’m still not the biggest fan of the art for this title–the style just seems a bit “off” to me; as probably stated before, the visual is shared by the entire art team–sometimes it’s the coloring that seems most “off” to me. I actually think I’d prefer to see Guedes’ linework inked and left uncolored–that might give me a different perception.

The story is decent if lacking complexity. Then again, given that we’re into the ninth chapter of this crossover story, it’s goot to get to action and not be bogged down with overly-complex layering and whatnot. The characters and situations are quite believable and make sense contextually. This certainly isn’t the best issue of this title–nor the “New Krypton” story–but it’s a solid chapter (and didn’t seem like some plot device forced into it for the sake of re-introducing old characters).

Not one to skip if you’re following the story; by this point in the story I assume one’s probably going to pick issues up whatever complaints they have, and doubt my recommendation would do much here. I’d recommend picking up earlier chapters before just grabbing this and wading in, of course.

Story: 7.5/10
Art: 6/10
Whole: 6.5/10

Supergirl #36 [Review]

New Krypton part eight: Death in the House of El

Writer: Sterling Gates
Penciller: Jamal Igle
Inker: Keith Champagne
Colorist: Tom Chu
Letterer: Jared K. Fletcher
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Joshua Middleton (variant by Chris Sprouse, Karl Story & Laura Martin)
Publisher: DC Comics

After a brief reunion with parents she already thought were dead, Supergirl finds herself facing the death of her father, assassinated during an attach on the Kryptonians by Reactron and Metallo. While the loss is mourned, other more sinister elements build toward fruition, and Supergirl meets a Kryptonian calling herself Superwoman and wearing a mask.

This issue plays nicely within the overarching New Krypton story, while having plenty of space to do its own thing, focusing on its primary character. Given the recent “fixing” of the problems with her earlier appearances half a decade ago, this issue gives us a chance to move forward after those and give some development to Supergirl’s character as she faces the loss of her father–something her cousin is also dealing with in his own life…perhaps a point that’ll help bond the two in whatever’s to come.

The art is a mixed bag for me. Perhaps a personal thing, but something just gets me about the way characters’ ears are drawn that puts me off. Other than that, the art is quite good, and fits the story quite well.

On the whole, this is a solid issue. While Zor’s death could have just been an action point in the overall story, this issue allows for that to be dealt with in greater detail–a strength I’m seeing in this story as elements that most impact someone are dealt with by a creative team that will be playing with them the most. Whether you’re falling just this title, or the New Krypton story, this one’s well worth picking up.

Story: 8/10
Art: 8/10
Whole: 8/10