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Supergirl #42 [Review]

Who is Superwoman? conclusion: epilogues & homecomings

Writer: Sterling Gates
Penciller: Fernando Dagnino
Inker: Jamal Igle
Colorist: Nei Ruffino
Letterer: Jared K. Fletcher
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Joshua Middleton
Publisher: DC Comics

We see more wrap-up on stuff from the Who Is Superwoman? arc here as Supergirl faces Lana and Lois–telling the latter about the death of her sister. Lana fills Supergirl in on the relationshp between Lois and Lucy, while we see General Lane dealing with the death of his daughter.

This issue worked a lot better for me than the previous issue–while I don’t totally “buy” Lucy’s military career and role as Superwoman, it’s a lot easier to “buy” the fact that something horrible happened (her death) and someone having to break the news to Lois. This also adds a bit of depth (cold as it is) to General Lane’s character as he comes to grips with what he’s lost.

Gates seems to hve a good handle on these characters and the relationships they have between one another–such as in Lois’ handling of the news she’s presented with. Though on the book less than a year now, Gates has turned this from an outer-rim sorta book almost embaressingly tied to the Superman family into one integral to the family of books, making Supergirl into a real-seeming teenage girl (albeit alien and with tremendous super-powers). Igle’s style continues to work very well with the stories–though my sole gripe continues to be the way ears are drawn, for whatever reason.

All in all, another strong issue of this title, well worth reading if you’ve been following the book. If you’ve not been following it, you’ll likely be fairly lost, as much of the action in this issue comes from what’s transpired in the last few issues.

Story: 7/10
Art: 7/10
Whole: 7/10

Supergirl #41 [Review]

Who is Superwoman? part five: Daughters of Krypton

Writer: Sterling Gates
Pencillers: Fernando Dagnino
Inker: Raul Fernandez
Colorist: Nei Ruffino
Letterer: Jared K. Fletcher
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Joshua Middleton
Publisher: DC Comics

This issue “concludes” the “Who is Superwoman” arc. Basically it’s a drawn-out fight sequence between Supergirl and Superwoman, with some drama for Lana thrown in to round things out a bit. In a way I wouldn’t expect much else–the two have come to be enemies of sorts, especially given Superwoman’s role in the way things went down when Zor-El was killed during New Krypton.

The cover seems really flat and a bit stylized…definitely not an image that would “sell” me on a comic (the way Brave and the Bold #23’s did). Better than I could draw, but not all that appealing.

The art’s prett good for the issue–no real complaint from me on it. It fits the story, conveys what needs to be gotten across, and though largely seems like a darker/heavier color scheme, it feels like a story set in a world where Superman could exist.

The story isn’t nearly as enjoyable. I don’t for one second buy the identity of Superwoman (and even if I were to buy into it, it merely continues an unfortunate trend toward the unbelievable in comics that I can easily otherwise suspend my disbelief for).

On the whole, this isn’t all that enjoyable an issue–I’m hoping that now we’re past this silly “mystery” of Superwoman, we can get into more story and character exploration for Supergirl herself.

If you’ve followed the arc thus far, it’s worth snagging this issue as well. This is certainly not a good jumping-on point for new readers, and whatever your status, should not be taken as a representative issue for this series.

Story: 5/10
Art: 7/10
Whole: 6/10

Supergirl #39 [Review]

Who is Superwoman? part three: Ticking Clocks

Writer: Sterling Gates
Pencillers: Jamal Igle & Talent Caldwell
Inkers: John Sibal & Talent Caldwell
Colorists: Tom Chu & Nei Ruffino
Letterer: Jared K. Fletcher
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Joshua Middleton
Publisher: DC Comics

This issue picks up on and deals with the ramifications of the “reveal” regarding Superwoman’s point of origin last month. We see her retrieve Reactron (who was earlier menacing his ex), and leave a scene that shows Supergirl that the stakes are quite high in this conflict. Supergirl converses with her mother and with Lana as she ponders her current place in things, and we begin to see the reaction of those who expect Superman and “get” Supergirl instead. Finally, Agent Liberty’s killer seems to stand revealed, prompting Supergirl back into action.

I’m not a big fan of Reactron–newish character I’m not all that familiar with; I wasn’t reading this title when he was introduced. However, I am quite glad to see that we continue to have all parts of Kara’s series/continuity recognized and not simply discarded. Though not a fan of Reactron, I can see how this character can come to be quite the menace for Supergirl, perhaps even on an ongoing basis (depending on how all the New Krypton stuff shakes out, ultimately). It’s interesting to see the continuing relationship between Kara and Lana, as well as the development of Kara’s relationship with her mother of late. I have no real complaint in terms of the story itself.

The art for this issue comes from two sources, and while that’s often not a big deal with me, it was quite noticeable, which is something I’m not all that thrilled with. Neither batch of art is bad or anything; it’s just that each is different enough that it’s a bit of a distraction (especially in catching myself curiously looking to see how Caldwell draws characters’ ears, since ears are the only thing I’m not all that thrilled with from Igle’s art).

The issue’s story holds true to the characters involved, and continues to build on stuff not only from New Krypton but also from stuff going on in the other Superman books, and makes for a nice, satisfying read. You need not be following the other books to “get” this one as this series’ stories can work on their own. There’s a lot more to “get” and enjoy out of this with knowledge of the other books, and having this as just another part of the much larger ongoing story being told across all the Superman books.

Story: 7/10
Art: 6.5/10
Whole: 7/10

Supergirl #38 [Review]

Who is Superwoman? part two: Clashes

Writer: Sterling Gates
Penciller: Jamal Igle
Inker: Keith Champagne
Colorist: Nei Ruffino
Letterer: Jared K. Fletcher
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Joshua Middleton
Publisher: DC Comics

I’m finding myself with mixed feelings on this book. True, Kara finally has some depth and personality, motivation and complexity, and most of the crap from the earliest issues of the book has been dealt with to satisfaction and we’re moving forward. While that’s all a good thing, I also find myself growing a bit bored of the New Krypton stuff. The trouble with it is that I have no idea how long this will be a part of DC’s continuity for these characters–I feel like it’s still a bit of a bubble that’ll burst in some deux ex machina that’ll take us back to something resembling the recent post-Infinite Crisis status quo. I also don’t see how this title would have or could play much with Final Crisis–even if the Kryptonians would be too aloof to want to help earth, wouldn’t the New Gods have detected the presense of all these Kryptonians and sought them as hosts far more powerful?

All that aside, this issue picks up with Supergirl back on Earth–where “all Kryptonians except for Superman” have been legally banned. She’s there by order of her mother to retrieve Reactron–the man who murdered her father, Zor-El and bring him back to New Krypton to face the Kryptonians. At the same time, a Superwoman with questionable loyalties fights Kara, insisting that she not be on Earth and return to New Krypton at once, mission unfulfilled. After this battle, we cut (no pun intended) to the pending autopsy of Agent Liberty, and a squabble over who has rights to the body. Back at Lana and Linda Lang’s apartment, Supergirl staggers in, battered and beaten. Meanwhile, Superwoman faces Reactron herself–and poses a very interesting question.

The story itself maintains a solid flow–we’re building on events from the last few months, both from this title and the other Superman family books, particularly the New Krypton story. As said above, I’m growing a bit tired of it, though, and it’s not really holding my interest. Which is not to say it’ll hold no one’s interest, but it doesn’t hold mine the way the opening chapters of New Krypton did.

The art is solid–as with previous issues, for whatever reason my only real gripe is with the way the artist draws ears. Aside from that, I have no particular complaints visually–the art is distinctive, clear, keeps one in the action and does not leave me scratching my head as to what’s going on.

Origins & Omens
Writer: Sterling Gates
Artist: Matthew Clark
Colorist: Nei Ruffino
Letterer: Jared K. Fletcher
Asst. Editor: Wil Moss
Editor: Matt Idelson

I’m definitely growing a bit tired of the Origins and Omens backups–they take away valuable pages from the main story, rather than being an entire extra batch of pages tacked onto the existing full-sized issue. This one expands upon the fact of Kara’s being torn between Earth and New Krypton, the choices she faces by giving full loyalty to one or the other. This short also suggests a rather harsh road ahead for Lana, which may tie into a story done in this title before the current team took over.

Story was brief and simplistic…not much in the way of plot–it’s more a feeling or environmental, almost surreal sorta scene. The art was fine–I recognize the artist’s name, but can’t quite place it, unless this was the previous artist on Supergirl.

All in all, a good issue of this title, but not really flying to greatness just yet. I do expect the story will actually come across better down the road–in collected-edition format and/or simply with some time given to be able to look back on it and see where everything was headed, rather than wondering what IS.

Worth snagging, especially if you’re a fan of the character, the creative team, or those slightly-questionable-at-this-point green pentagonal “triangle numbers” still showing up.

Story: 7/10
Art: 7/10
Whole: 7/10

Supergirl #37 [Review]

Who is Superwoman?

Writer: Sterling Gates
Penciller: Jamal Igle
Inker: Keith Champagne
Colorist: Nei Ruffino
Letterer: Jared K. Fletcher
Assistant Editor: Wil Moss
Editor: Matt Idelson
Cover: Joshua Middleton
Publisher: DC Comics

This issue has a large focus on Superwoman…whether that’s specifically for this being a Faces of Evil tie-in or not, I’m not sure…though I suppose it works in that it builds on the “mystery” of who this character actually is.

The issue opens from Superwoman’s point of view–though we conveniently are not shown her face without the mask. We then transition to a conflicted Supergirl who is attempting to adjust to recent changes in life. Supergirl is given a new mission by her mother–to return to Earth–and it seems that Superwoman has her own mission that conflicts with Supergirl’s.

The art for the issue is solid…nothing new to say there that I haven’t said on other recent issues.

The story is decent–it definitely feels like a continuation of the numbered New Krypton story. We get setup here for upcoming issues, though it almost seems a bit forced–that Supergirl had to be taken away from Earth for a plot element of that story, and yet here has to now be sent BACK for status quo elements set up in the first issue of Gates’ run.

I’m not really engaged with the “mystery” of Superwoman’s identity–we’ve not seen enough of her for me to care, and we’ve been given too much for me to really sympathize with whoever she is.

I recall really liking the first issue of this run, as it showed a lot of promise and potential. That was immediately interrupted by several issues participating in the New Krypton story–which started off as an awesome story but fizzled at the end. Now this feels a bit lukewarm–I’m interested in where things are going, but am not particularly engaged.

All in all, still much stronger than most issues I’d read of this series prior to this run, and worth getting if you’re following the series.

Story: 7/10
Art: 7/10
Whole: 7/10

Faces of Evil: Prometheus #1 [Review]

Full review posted to comixtreme.com.

Supergirl #36 [Review]

New Krypton part eight: Death in the House of El

Writer: Sterling Gates
Penciller: Jamal Igle
Inker: Keith Champagne
Colorist: Tom Chu
Letterer: Jared K. Fletcher
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Joshua Middleton (variant by Chris Sprouse, Karl Story & Laura Martin)
Publisher: DC Comics

After a brief reunion with parents she already thought were dead, Supergirl finds herself facing the death of her father, assassinated during an attach on the Kryptonians by Reactron and Metallo. While the loss is mourned, other more sinister elements build toward fruition, and Supergirl meets a Kryptonian calling herself Superwoman and wearing a mask.

This issue plays nicely within the overarching New Krypton story, while having plenty of space to do its own thing, focusing on its primary character. Given the recent “fixing” of the problems with her earlier appearances half a decade ago, this issue gives us a chance to move forward after those and give some development to Supergirl’s character as she faces the loss of her father–something her cousin is also dealing with in his own life…perhaps a point that’ll help bond the two in whatever’s to come.

The art is a mixed bag for me. Perhaps a personal thing, but something just gets me about the way characters’ ears are drawn that puts me off. Other than that, the art is quite good, and fits the story quite well.

On the whole, this is a solid issue. While Zor’s death could have just been an action point in the overall story, this issue allows for that to be dealt with in greater detail–a strength I’m seeing in this story as elements that most impact someone are dealt with by a creative team that will be playing with them the most. Whether you’re falling just this title, or the New Krypton story, this one’s well worth picking up.

Story: 8/10
Art: 8/10
Whole: 8/10

Supergirl #35 [Review]

New Krypton part five

Writer: Sterling Gates
Penciller: Jamal Igle
Inker: Keith Champagne
Colorist: Nel Ruffino
Letterer: Jared K. Fletcher
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Alex Ross (variant by Stephane Roux)
Publisher: DC Comics

This issue largely focuses on Kara and the fact that she suddenly has a family–her parents–back in her life. They want her to give up her human life (including “Linda Lang”), while she argues for her independence, that she’s just begun to make a new life for herself on earth, amidst the humans. During their conversing, Zor-El realizes something horrible about his daughter which explains her mood swings and other issues…Kryptonite Poisoning. While this is being dealt with, Kara regains some memories, and through flashbacks we, the readers, are filled in on her past as well. Sprinkled throughout we also see General Lane and Codename: Assassin reacting to the Kryptonians’ presence, and even a bit of Reactron and his possible future role. The cliffhanger promises more challenge for Kara and begins to raise a question about the place she and her cousin might have in this “New Krypton” world.

The story in this issue is quite believable. It’s a nice touch seeing a sort of “typical” parents/daughter dynamic–it humanizes Zor and Alura, and shows a further range of feelings with their daughter–going beyond simple joy at her being alive & reunited with them. We also get to see that there’s been growth on Kara’s side as well–she has actually invested herself in earth, and we get a feel for that conflict in her as these two parts of her life clash.

Igle’s art comes across a lot better to me this issue than the previous–I get the feeling my enjoyment of the visuals for this series will increase as he gets more familiar with the characters and gets to cut loose. While there is a noticeable difference in style from the Action Comics issue to this, the characters remain visually consistent enough that I have no real issue–artists are not clones with 100% identical styles; as such, there will be that difference in stle.

On the whole, I enjoyed this issue. I did not feel we got much forward advancement on the main New Krypton aspect of the story, but we did get a peek into Kara’s past, and a rather plausible explanation that deals with her personality the last few years since her introduction and a bit of slate-wiping that clears the way for future stories to come.

Well worth getting if you’re following New Kryptong, and if you’re only following this series, you really only need to know that there is an entire city of Kryptonians on Earth right now and go from there.

Story: 7.5/10
Art: 7.5/10
Whole: 7.5/10

Superman: New Krypton Special #1 [Review]

New Krypton

Writers: Geoff Johns, James Robinson, Sterling Gates
Penciller: Pete Woods, Gary Frank, Renato Guedes
Inker: Pete Woods, Jon Sibal, Wilson Magalhaes
Colorist: Hi-Fi
Letterer: Steve Wands
Assoc. Editor: Nachie Castro
Editor: Matt Idelson
Cover: Gary Frank (variant by Renato Guedes and Wilson Magalhaes)

This is the way “events” should be done. And with the (temporary, at least for this storyline?) return of the “triangle-numbers,” this issue immediately feels like “classic” 90s Superman–in its highest quality.

The issue opens with the fairly immediate aftermath of Action Comics #870 with a particularly powerful “silent” sequence–if you’ve ever been to a funeral, if you’ve ever lost a loved one or seen someone else having lost someone they loved–you know that there ARE no words…and what words there are, tend often to be private and unique to those involved. The way this sequence comes off, one can fill in their own words, their own feelings–and it is that much more touching. Any words the writer could put on the page would not measure up to what I, as the reader, can imagine…which makes the scene that much more personal. Even when we get to the flashbacks and words, the scene is still very effective…I was almost in tears at the full-page of Clark in the barn.

After the funeral, we see that the story of Brainiac is actually far from being “over,” as the military has a certain interest in our alien friend. And as is cliche…they don’t quite know what they’re getting themselves into. Meanwhile, after a moment with his mother–Martha Kent–Superman visits Kandor where he gets some time with his Uncle and Aunt–actual living, breathing, genuine blood-relatives. He also has the honor of reintroducing them to their daughter Kara–and the Family of El gets to have their first dinner together in many years.

Lois and Lucy have a sisterly reunion at their father’s grave, and later at the Planet, Jimmy returns with information he needs to share about what he found out on his recent leave of absence. Finally, we’re introduced to the folks pulling the strings behind the scenes in a cliffhanger with the potential for major ongoing ramifications for the entire Superman family.

We have three creative teams collaborating on this book. Where often I don’t notice much difference in sequences, here I felt there were several distinct pieces. The “Action Comics Sequence” seems obvious–dealing with Jonathan’s death. The “Supergirl Sequence,” too, seems obvious with the reuniting of daughter and parents. The “Superman Sequence” stood out for me more for the art. As such, this issue felt a bit like it contained several mini-issues of the regular ongoing books, probably largely for the differing art to go with their respective writers.

Despite that, the overall story works quite well, and on assumption that the entire story will be told in this fashion–one overarching story with individual creative teams going “deeper” into certain characters/interactions–this is some good, solid stuf.

There were a number of great “moments” in this issue, stuff that sets up elements for all three of the “core” Superman books as well as setting the foundation for this specific New Krypton event.

As a reader who remembers and enjoyed the days of the triangle numbering–when all the Super-books were essentially a massive ongoing weekly story, with the quarterly special often starting or bookending particular arcs–this feels like a return to form. Though the Brainiac arc worked really well for me in terms of the writing and art–this special issue has me actually excited for the first time in nearly a decade for the multiple Super-books as a whole.

While you’ll almost certainly “appreciate” things a bit more if you’ve been reading the books for awhile, this is also a strong jumping-on point if you’ve been curious about the Superman family of books. And if you’ve any interest at all…I’d recommend jumping in now–this story/event looks to be for Superman what the Sinestro Corps. War was for Green Lantern…and well worth getting in at the start!

Story: 8.5/10
Art: 7.5/10
Whole: 8/10