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Green Lantern Corps #35 [Review]

Emerald Eclipse part three

Story & Words: Peter J. Tomasi
Penciller: Patrick Gleason
Inker: Rebecca Buchman
Colorist: Randy Mayor
Letterer: Steve Wands
Editor: Adam Schlagman
Cover: Nei Ruffino
Publisher: DC Comics

A Red Lantern causes havok on Oa by busting out the prisoners held there. Meanwhile, Sodom Yat arrives at his homeworld to serve his office, but not for any sentimental value in helping the people there. At the same time, Soranik finds herself confronted by someone she’d rather not have to face.

I continue to dislike the art on this series. As I’ve said before, it feels largely cartooney and exaggerated in such a way that doesn’t really lend itself to immersion in the story. That’s not to say it’s bad in and of itself, just that it doesn’t appeal to me as a reader here, with this particular title.

The story on the other hand is very good, and really continues to ramp things up as we head down this final pathway toward Blackest Night. Players are being brought back onto the board and shifted into position for the next round, and one can feel the tension to things building all around. The portrayal of the various focal characters works really well, and lends affirmation to the time that’s been spent building things since the Sinestro Corps War.

If you’re fine with the art, you’ve got quite the package here. If you’re not thrilled with the art…you’ve got an issue that plays things up on the story side, and is more than worth “putting up with” the art.

Recommended.

Story: 7.5/10
Art: 6/10
Whole: 6.5/10

Superman: World of New Krypton #2 [Review]

Full review posted to comixtreme.com.

Story: 3.5/5
Art: 3/5
Overall: 3.5/5

Billy Batson and the Magic of Shazam! #4 [Review]

Words, Pics, Heart: Mike Kunkel
Letters: Steve Wands
Assoc. Editor: Adam Schlagman
Editor: Jann Jones
Cover: Mike Kunkel
Publisher: Johnny DC (DC Comics)

This issue sees the culmination of elements from the first several issues come to a head as Billy and Mary confront Theo Adam with the help of the Wizard. Of course, it’s no easy task since the 7 Deadly Evils are along as part of Black Adam’s gang, and Captain Marvel is seemingly outnumbered.

The art is at once an annoyance and a delight. It’s annoying because I’m not a fan of the exaggerations it embraces visually. At the same time, it’s a delight–it’s far from my usual preference, but this issue (and those before it) make me feel like I’m parked in front of a tv watching a fun cartoon.

The story itself is fairly simplistic on the surface, but carries a lot of deeper stuff if one cares to look deeper. Like a well-crafted cartoon, there’s plenty to be enjoyed here even by adult readers, while holding what presumably would be attractive to the younger crowd. SUre, there’s violence, and sure, there’s fighting…but there’s no cussing, the violence is “cartoon violence” rather than “realistic,” and I daresay one would find much more enjoyment sharing this comic with them than a half hour on the couch with any of a number of contemporary cartoons.

Most comics that I really enjoy migrate to the top of the stack when I sit down with new books. This one makes its way to the bottom–it’s a great “happy book” or “palate-cleanser,” and with all the little panels and dialogue and such takes awhile to read–a great ending to a stack of new comics that otherwise flash by far too quickly. What gets this issue its rating is the overall enjoyment that transcends simply looking at the art or the story/writing.

Highly recommended.

Story: 7.5/10
Art: 7/10
Whole: 9/10

Oracle: The Cure #1 [Review]

Home Again, Home Again

Writer: Kevin Vanhook
Pencillers: Julian Lopez & Fernando Pasarin
Inkers: Bit & Hi-Fi’s David Bryant
Colorist: Hi-Fi
Letterer: Steve Wands
Assistant Editor: Harvey Richards
Editor: Michael Siglain
Cover: Guillem March
Publisher: DC Comics

We open on a view from outside Barbara Gordon’s new apartment building, as residents all react to flickering availability of power. We then move into seeing Barbara interact with her father, some other allies, hacker contacts, and so on, showing us much of what makes up the life of Oracle as she adjusts to being back in Gotham City after being gone for quite awhile.

The story isn’t bad, though I’m not terribly enthused by it. Nothing really blows me away…in fact, a couple points actually strike me as extremely cliche. There’s a point that’s brought up several times throughout the issue that screams foreshadowing to me (and cliched foreshadowing at that). Additionally, what happens with one of Barbara’s hacker friends seems laughably unrealistic to me, like a plot point jammed in because there was no other way to have such a point occur otherwise.

The art’s not bad. It seems vaguely generic at points, but comes across smoothly for the most part. Aside from some…questionable angles…you could really find a lot of art in comics out there that is far less appealing. What we have in this issue works for the story, and fits.

The way the foreshadowing pays off in the next two issues will really inform how integral this series is to the Battle for the Cowl story as a whole. For now, this seems to be at least a nice tie-in that takes the context of the overall story and is telling a smaller aspect of that story with a particular focus that needn’t include the entire Bat-verse.

Could be much better, but not a bad read if you’re interested in the character or having all the tie-ins and such.

Story: 7/10
Art: 7/10
Whole: 7/10

Green Lantern Corps #34 [Review]

Emerald Eclipse part two

Story & Words: Peter J. Tomasi
Penciller: Patrick Gleason
Inkers: Rebecca Buchman, Christian Alamy
Colorist: Randy Mayor
Letterer: Steve Wands
Editor: Adam Schlagman
Cover: Pat Gleason (variant by Rodolfo Migliari)
Publisher: DC Comics

This issue deals with a number of points in the ongoing story: Sodom Yat’s mother has arrived to try to bring him home to save his people. Meanwhile, back on Daxam, Mongul and Arkillo are having it out for control of the Sinestro Corps. Their battle ends with one a decisive victor. At the same time, Kyle and Soranu continue their relationship, discussing how it’ll play into their roles as GLs; and we check in on the Sapphires and Kryb, as well as Guy, Kilowog, Salaak & co. who are dealing with their new Red Lantern prisoner.

The story’s pretty good, really…keeps everything moving along, and we see all the characters being lined up for where they’ll (need to) be for Blackest Night. No real complaints there…this’d be an interesting story just as prose, without visuals to go along with it/as part of it.

However, I’m just not digging the art. There’s something about it that for the most part comes across as too cartoony or stylistic or SOMEthing…and actually detracts a bit from my enjoyment of the book…it distracts me a bit from the story. I much prefer books where I find that the art is either unobtrusive, or is so good that the entire story just pops and I enjoy looking at the visuals as much as reading along.

This probably isn’t the best point for jumping-on, but longer time readers probably shouldn’t pass this up, as there are things unfolding that are certain to be quite germane to Blackest Night (as if the banner on the cover wasn’t already clue enough).

Story: 7/10
Art: 6/10
Whole: 6.5/10

Superman: World of New Krypton #1 [Review]

Superman: World of New Krypton #1 CoverFull review posted to comixtreme.com.

Green Lantern Corps #33 [Review]

Emerald Eclipse part one

Story & Words: Peter J. Tomasi
Penciller: Patrick Gleason
Inker: Rebecca Buchman
Colorist: Randy Mayor
Letterer: Steve Wands
Editor: Adam Schlagman
Cover: Gleason, Buchman & Nei Ruffino
Publisher: DC Comics

Mongul arrives on Daxam, where his arm (powered by yellow rings) makes short work of defenses. Mongul is here to set up a new home base for the Sinestro Corps, of which he now considers himself the leader. He sends out a signal to draw remaining members of said corps to Daxam, while he terrorizes native citizens. Meanwhile, Kyle and Soranik discuss where they’re going to go in terms of their blossoming relationship, particularly in light of the latest new law added to the Book of Oa by the Guardians–that there can be no romance between Corps. members. A short segment at the end of the main story brings someone from Sodam Yat’s past back into his life.

The story holds potential, and is heightened a bit simply by the billing of “Prelude to Blackest Night on the cover (as well as the loaded story title Emerald Eclipse, given prior major GL arcs Emerald Whatever). Mongul having his amputated arm acting in his stead seems really over the top to me (even in a book with aliens and little rings that harness the emotional spectrum and all that). Though technically focusing on the GL Corps as a large body, this book feels like it’s Kyle and Guy’s book…and that’s something I’m liking. That I’m so greatly enjoying the Kyle/Guy interaction is certainly testament to Tomasi’s writing.

Not a huge fan of Gleason’s art, but it holds a fairly solid consistency from recent issues, so though not my preferred visual style for these characters compared to depictions in Green Lantern, I can’t fault it in and of itself.

The main story here is fairly solid, and moves the story forward, fleshing out reactions to events and setting into motion stuff that’ll obviously be touched on as this arc builds.

Origins & Omens

This backup seems rather out of place as it doesn’t feel like it quite fits the title. However, it certainly does what a good backup should: though a mere six pages, it tells a nice little story that expands on stuff found in the main story. Basically, Kyle and Guy are priming the surface of a building that Kyle’s going to draw a mural on–the history of the GL Corps. He’s determined to do it by hand, no cheating with the ring (much as Hal is about flying a plane without the ring), and adds that little bit of characterization to Kyle. We also get to see some other lanterns with tidmits of insight into them, as well as the way they’d react to the actions one Lantern is about to undertake.

All in all, not a bad issue, though not stellar, either. That the backup expands as it does on Kyle’s artisitic undertaking justifies the shortened main story, and so the backup works, giving for a solid issue on the whole.

Story: 7/10
Art: 7/10
Whole: 7/10

Wonder Woman #28 [Review]

Rise of the Olympian part three: Blood of the Stag

Writer: Gail Simone
Penciller: Aaron Lopresti
Inker: Matt Ryan
Colorist: Brad Anderson
Letterer: Steve Wands
Associate Editor: Sean Ryan
Editor: Matt Idelson
Cover: Aaron Lopresti & Hi-Fi (variant by Cary Nord & Hi-Fi)
Publisher: DC Comics

Having been badly hurt in combat with Genocide, Wonder Woman–Diana–has to face Tom in her weakened state, armored up for a battle she feels she must face as her own responsibility. As the JLA doesn’t fare well against Genocide, Wonder Woman, Donna Troy, and Wonder Girl (re)join the battle. Meanwhile, Zeus & co. set their own plans into motion.

I’m still not all that familiar with Wonder Woman, having gotten in only at the very end of the last series, and not really jumping into this series until a month ago. However, I’m finding the basic story easy to follow, and the depiction of the characters to be quite well-done for what little I know of them–and at the least, they’re interesting and I’m still hooked, wanting to know more. Simone seems to be breathing life into a character that often has not seemed all that important nor complex…showing that she really is important and does have complexity.

The art is good, and I have no complaints with it, really. It has a classic sorta look to it, somehow reminding me just a bit of the late 1980s series, while maintaining its feel as a current, contemporary style.

This is only my third issue of this round of following the character, but I’m following along just fine. If you can locate the first couple chapters of this story, it’s well worth jumping on-board for! If you’ve read those issues, this issue gives no reason to stop. My only real complaint with the issue is a quibble at most–Cheetah doesn’t play a large role nor is she the focal point of the issue despite the Faces of Evil focus.

Very much recommended.

Story: 8/10
Art: 8.5/10
Whole: 8.5/10

Green Lantern Corps #32 [Review]

Sins of the Star Sapphire part four: Hearts and Minds

Story and Words: Peter J. Tomasi
Penciller: Patrick Gleason
Inker: Rebecca Buchman
Color: Randy Mayor
Letterer: Steve Wands
Editor: Adam Schlagman
Cover: Gleason, Buchman, Nei Rufino
Publisher: DC Comics

While a Lantern gives birth, fellow Green Lanterns fight Kryb in order to keep the Sinestro Corps member away from the baby. During the battle, the latest revision to the Book of Oa is made known to all GLs, prompting yet another decision to be made–one that is echoed throughout the Corps. with significant implications for down the road.

I think I’m finally getting used to the art on this book. It’s probably never gonna rank in my tops list of fvorite art, but it works with the GL Corps concept with the various aliens and all that. Kryb comes across as both creepy (presumably intended so) and rather stupid looking…almost like some sort of “emo alien” type.

The story continues to move forward as the GLs (with some help from a Star Sapphire) attend to Kryb who has been kidnapping children of GLs for awhile now. We have several good moments in this issue…between the parents and their new child; Kyle and Soranik; and between Kyle, Soranik, and one of the Star Sapphires. However, I’m still not clear on who Star Sapphire is or was, and thus far can’t tell any of the new Star Sapphires apart…they just don’t come across as distinct to me, nor do they come off as all that interesting–certainly not enough for me to bother researching them online.

Right now, this feels like a filler story even though it’s introducing us to one of the numerous Lantern Corps. I haven’t cared about Kryb, and being a relatively young, single adult with no children and no spouse of my own, I’m not really all that engaged with the story of the GLs’ children being put in danger…especially not when it follows on the earlier story of the GLs PARENTS being in danger.

You could do worse than this issue, but unless you’re intent on following the GL franchise in general, this is nothing special to seek out (though I hope that that’ll change soon as we head into Blackest Night later this year).

Story: 5/10
Art: 6/10
Whole: 5.5/10

Billy Batson and the Magic of Shazam! [Review]

Words, Pics, Heart: Mike Kunkel
Letters: Steve Wands
Assoc. Editor: Adam Schlagman
Editor: Jann Jones
Cover: Mike Kunkel
Publisher: Johnny DC (DC Comics)

This issue picks up with Billy–as Captain Marvel–sitting around ready to play hookey from school. Mary convinces him to go in due to identy and detention issues. While serving detention, Billy helps some other kids stuck in detention before Theo Adam strikes, still seeking the magic word to transform himself back into Black Adam. As a dangerous schoolyard-bullying act plays out, Mary innocently slips, and we’re reintroduced to Captain Marvel’s nemesis, Black Adam.

The story here is at once fairly complex and yet quite simplistic. In other words, kids or adults ought to be able to enjoy this…better yet, adults oughtta be able to enjoy sharing this reading experience with their kid(s).

The art has a simplistic style to it while conveying a good deal of emotion–and motion. Visually and story-wise, this feels like it ought to be serving as the comic-book counterpart to an animated series. And while I never really cared for the anime-styled Teen Titans show, a Shazam/Captain Marvel animated series would thrill be quite a bit.

This is definitely a good series for the younger crowd, yet should be fairly enjoyable to older readers. I’m actually enjoying this book more than many other “regular” DC titles these days. And in this day ‘n age, you simply cannot beat the price, either!

We do get a “to be continued” on this issue, but on the whole it’s quite a good read, with plenty of dialogue TO read and numerous panels per page rather than constant splash pages and few panels per page.

Taken seperately I my not generally like the story or art as much…but taken on the whole, I really enjoy this. The book is more than its individual parts. Very much recommended!

Story: 8/10
Art: 8/10
Whole: 8.5/10