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Supergirl #42 [Review]

Who is Superwoman? conclusion: epilogues & homecomings

Writer: Sterling Gates
Penciller: Fernando Dagnino
Inker: Jamal Igle
Colorist: Nei Ruffino
Letterer: Jared K. Fletcher
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Joshua Middleton
Publisher: DC Comics

We see more wrap-up on stuff from the Who Is Superwoman? arc here as Supergirl faces Lana and Lois–telling the latter about the death of her sister. Lana fills Supergirl in on the relationshp between Lois and Lucy, while we see General Lane dealing with the death of his daughter.

This issue worked a lot better for me than the previous issue–while I don’t totally “buy” Lucy’s military career and role as Superwoman, it’s a lot easier to “buy” the fact that something horrible happened (her death) and someone having to break the news to Lois. This also adds a bit of depth (cold as it is) to General Lane’s character as he comes to grips with what he’s lost.

Gates seems to hve a good handle on these characters and the relationships they have between one another–such as in Lois’ handling of the news she’s presented with. Though on the book less than a year now, Gates has turned this from an outer-rim sorta book almost embaressingly tied to the Superman family into one integral to the family of books, making Supergirl into a real-seeming teenage girl (albeit alien and with tremendous super-powers). Igle’s style continues to work very well with the stories–though my sole gripe continues to be the way ears are drawn, for whatever reason.

All in all, another strong issue of this title, well worth reading if you’ve been following the book. If you’ve not been following it, you’ll likely be fairly lost, as much of the action in this issue comes from what’s transpired in the last few issues.

Story: 7/10
Art: 7/10
Whole: 7/10

Supergirl #41 [Review]

Who is Superwoman? part five: Daughters of Krypton

Writer: Sterling Gates
Pencillers: Fernando Dagnino
Inker: Raul Fernandez
Colorist: Nei Ruffino
Letterer: Jared K. Fletcher
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Joshua Middleton
Publisher: DC Comics

This issue “concludes” the “Who is Superwoman” arc. Basically it’s a drawn-out fight sequence between Supergirl and Superwoman, with some drama for Lana thrown in to round things out a bit. In a way I wouldn’t expect much else–the two have come to be enemies of sorts, especially given Superwoman’s role in the way things went down when Zor-El was killed during New Krypton.

The cover seems really flat and a bit stylized…definitely not an image that would “sell” me on a comic (the way Brave and the Bold #23’s did). Better than I could draw, but not all that appealing.

The art’s prett good for the issue–no real complaint from me on it. It fits the story, conveys what needs to be gotten across, and though largely seems like a darker/heavier color scheme, it feels like a story set in a world where Superman could exist.

The story isn’t nearly as enjoyable. I don’t for one second buy the identity of Superwoman (and even if I were to buy into it, it merely continues an unfortunate trend toward the unbelievable in comics that I can easily otherwise suspend my disbelief for).

On the whole, this isn’t all that enjoyable an issue–I’m hoping that now we’re past this silly “mystery” of Superwoman, we can get into more story and character exploration for Supergirl herself.

If you’ve followed the arc thus far, it’s worth snagging this issue as well. This is certainly not a good jumping-on point for new readers, and whatever your status, should not be taken as a representative issue for this series.

Story: 5/10
Art: 7/10
Whole: 6/10

Supergirl: Cosmic Adventures in the 8th Grade #5 [Review]

Graduation Day, Part 1

Writer: Landry Q. Walker
Artist: Eric Jones
Letterer: Pat Brosseau
Coloring: Joey Mason
Asst. Editor: Simona Martore
Editors: Jann Jones & Elisabeth V. Gearlein
Cover: Eric Jones
Publisher: Johnny DC/DC Comics

Like most mini-series do, this one is coming to a close. In earlier issues, we’ve been introduced to a rich supporting cast of fun characters–Lena and Belinda, teachers and students, even Streaky the super-cat…as well as (of course) Superman, Lex Luthor, and even Supergirl’s parents. These characters being part of things help to define and add character to Supergirl herself, and her interactions with these characters are what makes this book work.

Having this foundation laid, this issue is billed as Graduation Day, Part 1…lending feeling to this “series finale” (though I’d hope that “season finale” will be a more appropriate term before long!). Taking elements built through the first few issues, we see payoff for a number of characters: Belinda dealing with being a duplicate of Supergirl; Lena realizing who her roommate is, Supergirl encountering her future self, even Streaky returning to play his own (rather amusing) role.

The art is perfectly consistent with earlier issues, maintaining the style and tone I’ve come to expect of this book, and havin the visual style of a contemporary cartoon series.

The story itself draws nicely on elements put in place with earlier issues, moving things to a bit of a resolution this issue. By issue’s end, a lot of the tension and conflict built up so far is dealt with, even as a new threat (that I feel I could have seen coming, but didn’t) is introduced that has loads of grat potential for the final issue.

If you’ve not been reading this series…get the collected volume when it comes out. For longtime fans of the Superman books or just those familiar with the Superman “lore,” this is a fun book for adults, and quite suitable for the younger crowd. Along with Billy Batson and the Magic of Shazam, these Johnny DC books are providing much more fun in comics for me today than most other comics from the big publishers.

Highly recommended!

Story: 9/10
Art: 9/10
Whole: 9.5/10

Superman: World of New Krypton #2 [Review]

Full review posted to comixtreme.com.

Story: 3.5/5
Art: 3/5
Overall: 3.5/5

Supergirl #39 [Review]

Who is Superwoman? part three: Ticking Clocks

Writer: Sterling Gates
Pencillers: Jamal Igle & Talent Caldwell
Inkers: John Sibal & Talent Caldwell
Colorists: Tom Chu & Nei Ruffino
Letterer: Jared K. Fletcher
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Joshua Middleton
Publisher: DC Comics

This issue picks up on and deals with the ramifications of the “reveal” regarding Superwoman’s point of origin last month. We see her retrieve Reactron (who was earlier menacing his ex), and leave a scene that shows Supergirl that the stakes are quite high in this conflict. Supergirl converses with her mother and with Lana as she ponders her current place in things, and we begin to see the reaction of those who expect Superman and “get” Supergirl instead. Finally, Agent Liberty’s killer seems to stand revealed, prompting Supergirl back into action.

I’m not a big fan of Reactron–newish character I’m not all that familiar with; I wasn’t reading this title when he was introduced. However, I am quite glad to see that we continue to have all parts of Kara’s series/continuity recognized and not simply discarded. Though not a fan of Reactron, I can see how this character can come to be quite the menace for Supergirl, perhaps even on an ongoing basis (depending on how all the New Krypton stuff shakes out, ultimately). It’s interesting to see the continuing relationship between Kara and Lana, as well as the development of Kara’s relationship with her mother of late. I have no real complaint in terms of the story itself.

The art for this issue comes from two sources, and while that’s often not a big deal with me, it was quite noticeable, which is something I’m not all that thrilled with. Neither batch of art is bad or anything; it’s just that each is different enough that it’s a bit of a distraction (especially in catching myself curiously looking to see how Caldwell draws characters’ ears, since ears are the only thing I’m not all that thrilled with from Igle’s art).

The issue’s story holds true to the characters involved, and continues to build on stuff not only from New Krypton but also from stuff going on in the other Superman books, and makes for a nice, satisfying read. You need not be following the other books to “get” this one as this series’ stories can work on their own. There’s a lot more to “get” and enjoy out of this with knowledge of the other books, and having this as just another part of the much larger ongoing story being told across all the Superman books.

Story: 7/10
Art: 6.5/10
Whole: 7/10

Supergirl: Cosmic Adventures in the 8th Grade #4 [Review]

Writer: Landry Q. Walker
Artist: Eric Jones
Letterer: Sal Cipriano
Coloring: Joey Mason
Editor: Jann Jones
Cover: Eric Jones
Publisher: Johnny DC/DC Comics

This series just keeps getting better and better.

We begin this issue with an ominous scene of a student running from some clawed beast in the dark of the school’s halls, and then flip back to earlier in the day. We see that Kara is trying to solve her vulnerability-to-Kryptonite problem so that she could be of better use to her older cousin (visualized by a glimpse of her imaginary Moon Supergirl persona). Snapped back to other things she has to deal with, she inadvertantly exposes a cat to the Kryptonite she’s been working on. After Kara, Lena, and Belinda find themselves in a mostly empty school and begin to investigate, they come across a cat that seems to have Supergirl’s powers–and who they discover to have access to an underground lab where other students are being held. Amidst their tussel with the cat, Lena discovers Kara’s dual identity which puts a bit of a strain on their relationship.

This is my favorite issue yet. We wouldn’t be to this point if we didn’t have the earlier issues, as they introduced us to characters and concepts that play roles in this issue’s story. But this issue was just so thoroughly enjoyable that I’m quite sad to realize there are only two issues left. If ever a mini-series should be updgraded to an ongoing, this is one of ’em!

The art is strongly consistent with earlier issues–the primary characters are completely recognizeable, and the style of other smaller/newer characters fit in seamlessly with the established characters. The style puts me (as usual) very much in mind of contemporary animated series one might find on the Cartoon Network, while maintaining the feel of the intended media–this is a comic book, after all, and not a cartoon. The depiction of the cat is particularly amusing.

The story–as said–builds on what’s already been established. Though this is slated to be only a 6-issue mini-series, we have all the trappings of an ongoing series. Characters are changing and developing as we go along, with still loads of potential for continued growth beyond a mere two more issues. The story in this issue is at once self-contained and yet continues to develop over-arching themes.

All in all, this is one of the most enjoyable comics I’ve read in a long time. Highly recommended!

Story: 8/10
Art: 8/10
Whole: 8.5/10

Supergirl #38 [Review]

Who is Superwoman? part two: Clashes

Writer: Sterling Gates
Penciller: Jamal Igle
Inker: Keith Champagne
Colorist: Nei Ruffino
Letterer: Jared K. Fletcher
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Joshua Middleton
Publisher: DC Comics

I’m finding myself with mixed feelings on this book. True, Kara finally has some depth and personality, motivation and complexity, and most of the crap from the earliest issues of the book has been dealt with to satisfaction and we’re moving forward. While that’s all a good thing, I also find myself growing a bit bored of the New Krypton stuff. The trouble with it is that I have no idea how long this will be a part of DC’s continuity for these characters–I feel like it’s still a bit of a bubble that’ll burst in some deux ex machina that’ll take us back to something resembling the recent post-Infinite Crisis status quo. I also don’t see how this title would have or could play much with Final Crisis–even if the Kryptonians would be too aloof to want to help earth, wouldn’t the New Gods have detected the presense of all these Kryptonians and sought them as hosts far more powerful?

All that aside, this issue picks up with Supergirl back on Earth–where “all Kryptonians except for Superman” have been legally banned. She’s there by order of her mother to retrieve Reactron–the man who murdered her father, Zor-El and bring him back to New Krypton to face the Kryptonians. At the same time, a Superwoman with questionable loyalties fights Kara, insisting that she not be on Earth and return to New Krypton at once, mission unfulfilled. After this battle, we cut (no pun intended) to the pending autopsy of Agent Liberty, and a squabble over who has rights to the body. Back at Lana and Linda Lang’s apartment, Supergirl staggers in, battered and beaten. Meanwhile, Superwoman faces Reactron herself–and poses a very interesting question.

The story itself maintains a solid flow–we’re building on events from the last few months, both from this title and the other Superman family books, particularly the New Krypton story. As said above, I’m growing a bit tired of it, though, and it’s not really holding my interest. Which is not to say it’ll hold no one’s interest, but it doesn’t hold mine the way the opening chapters of New Krypton did.

The art is solid–as with previous issues, for whatever reason my only real gripe is with the way the artist draws ears. Aside from that, I have no particular complaints visually–the art is distinctive, clear, keeps one in the action and does not leave me scratching my head as to what’s going on.

Origins & Omens
Writer: Sterling Gates
Artist: Matthew Clark
Colorist: Nei Ruffino
Letterer: Jared K. Fletcher
Asst. Editor: Wil Moss
Editor: Matt Idelson

I’m definitely growing a bit tired of the Origins and Omens backups–they take away valuable pages from the main story, rather than being an entire extra batch of pages tacked onto the existing full-sized issue. This one expands upon the fact of Kara’s being torn between Earth and New Krypton, the choices she faces by giving full loyalty to one or the other. This short also suggests a rather harsh road ahead for Lana, which may tie into a story done in this title before the current team took over.

Story was brief and simplistic…not much in the way of plot–it’s more a feeling or environmental, almost surreal sorta scene. The art was fine–I recognize the artist’s name, but can’t quite place it, unless this was the previous artist on Supergirl.

All in all, a good issue of this title, but not really flying to greatness just yet. I do expect the story will actually come across better down the road–in collected-edition format and/or simply with some time given to be able to look back on it and see where everything was headed, rather than wondering what IS.

Worth snagging, especially if you’re a fan of the character, the creative team, or those slightly-questionable-at-this-point green pentagonal “triangle numbers” still showing up.

Story: 7/10
Art: 7/10
Whole: 7/10

Supergirl: Cosmic Adventures in the 8th Grade #3 [Review]

Writer: Landry Q. Walker
Artist: Eric Jones
Letterer: Travis Lanham
Coloring: Joey Mason
Editor: Jann Jones
Cover: Eric Jones
Publisher: Johnny DC/DC Comics

This issue opens in the 8th-grade lunchroom as Linda and Lena are eating–“banished” from fellow students. Belinda moves in and pretends to be friends, actually stirring up trouble. Linda spots danger and zips into action as Supergirl, saving the city–but gets blindsided by a second asteroid. When she wakes, she finds that all her fellow students are now pretty super, and needs to adjust to this strange new status quo.

The art in the issue is quite good–sure, it’s not Perez or Ross–but it really gives this book its own visual and tone. Moreso than many other comics, that unique tone is necessary for the story to work; and here, it does. I’m put in mind of any of a number of animated series on tv, while this does not directly adapt any existing series. The familiarity sells it, while the uniqueness makes it work.

The writing is consistent with earlier issues, and pulls one in–providing at once a story that one can pick up and read without having read the first two issues…but if you’ve read those, you’ll start seeing where things have been set up to have continuing impact on the larger story.

I recall being lukewarm on the first issue, more interested with the second issue, and at this issue, I’m sold. We have an engaging title character, silver-age elements made to seem perfectly contemporary, and a story with stuff adults can enjoy without the issue being aimed for adults. Ridiculous as some of the “drama” is, I can’t imagine it being anything but realistic, particularly for the age-range this book’s aimed at.

Recommended.

Story: 8/10
Art: 7/10
Whole: 7.5/10

Supergirl #37 [Review]

Who is Superwoman?

Writer: Sterling Gates
Penciller: Jamal Igle
Inker: Keith Champagne
Colorist: Nei Ruffino
Letterer: Jared K. Fletcher
Assistant Editor: Wil Moss
Editor: Matt Idelson
Cover: Joshua Middleton
Publisher: DC Comics

This issue has a large focus on Superwoman…whether that’s specifically for this being a Faces of Evil tie-in or not, I’m not sure…though I suppose it works in that it builds on the “mystery” of who this character actually is.

The issue opens from Superwoman’s point of view–though we conveniently are not shown her face without the mask. We then transition to a conflicted Supergirl who is attempting to adjust to recent changes in life. Supergirl is given a new mission by her mother–to return to Earth–and it seems that Superwoman has her own mission that conflicts with Supergirl’s.

The art for the issue is solid…nothing new to say there that I haven’t said on other recent issues.

The story is decent–it definitely feels like a continuation of the numbered New Krypton story. We get setup here for upcoming issues, though it almost seems a bit forced–that Supergirl had to be taken away from Earth for a plot element of that story, and yet here has to now be sent BACK for status quo elements set up in the first issue of Gates’ run.

I’m not really engaged with the “mystery” of Superwoman’s identity–we’ve not seen enough of her for me to care, and we’ve been given too much for me to really sympathize with whoever she is.

I recall really liking the first issue of this run, as it showed a lot of promise and potential. That was immediately interrupted by several issues participating in the New Krypton story–which started off as an awesome story but fizzled at the end. Now this feels a bit lukewarm–I’m interested in where things are going, but am not particularly engaged.

All in all, still much stronger than most issues I’d read of this series prior to this run, and worth getting if you’re following the series.

Story: 7/10
Art: 7/10
Whole: 7/10

Action Comics #873 [Review]

New Krypton part ten: Birth of a Nation

Writer: Geoff Johns
Artists: Pete Woods, Renato Guedes & Wilson Magalhaes
Colorist: Brad Anderson & David Curiel
Letterer: Rob Leigh
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Ladronn
Publisher: DC Comics

New Krypton the crossover/mega-arc concludes here, but the story is far from over.

The issue opens with the world reacting to Supergirl’s punch at Superman in the previous chapter, with General Lane and Luthor politicking over Doomsday’s for-now dead body. Some Kandorians are fighting the Justice Society and Green Lanterns (with a few other heroes), before a Superman Returns style solution is implemented that then takes on a Counter-Earth feel. We’re then treated to several prologue scenes to close out the issue.

The art on this issue isn’t bad, but for the most part is not all that appealing to me. It gets across what’s going on visually, but leaves me missing Gary Frank’s art, particularly at the way Superman himself looks.

The story is a definite let-down. While this is supposedly the “conclusion” to this epic, I’m left at the end feeling like we’ve had a whole bunch of filler leading to this issue, just to kick off some outside mini-series. There’s been a lot of potential built up that doesn’t get resolved and seems to fizzle out, and just results in a hearty disappointment. As a Faces of Evil issue, supposedly we get a story from Luthor’s point of view. However, Luthor is really only on the first two pages as a pawn to General Lane. This isn’t the writer’s fault–this issue has no business being included in the Faces of Evil stunt.

All in all, what began as a very interesting premise with loads of potential comes down to this issue and a completely anti-climactic conclusion. Recommended only if you’ve been following the story thus far; otherwise, you’ll be just as well served finding spoilers online and spending your money elsewhere. If you want a story from Luthor’s point of view and how he interacts with Superman, I’ll recommend the Lex Luthor: Man of Steel mini-series from several years back.

Story: 7/10
Art: 6/10
Whole: 6.5/10