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The ’90s Revisited: Adventures of Superman #499

90s_revisited

adventures_of_superman_0499Grave Obsession

Pencils: Tom Grummett
Inks: Doug Hazlewood
Scripts: Jerry Ordway
Letters: Albert De Guzman
Colors: Glenn Whitmore
Assists: Jennifer Frank
Edits: Mike Carlin
Cover Date: February 1993
Cover Price: $1.25
Published by: DC Comics

We open with Lex and Supergirl finding an alarm going off…it’s from Superman’s tomb. Movement’s been detected, so Lex sends Supergirl to investigate. In her investigating the site, she inadvertently winds up getting the SCU involved as THEY investigate the movement of the grate over an airshaft that she opened. While she investigates the tunnel she’s found, we cut to Jose Delgado–Gangbuster–as he ponders where to go and what to do; as well as check in on Lois and the Kents as each feels they’ve been no good to the other(s).  Supergirl finds Underworlders and winds up fighting them–as does Turpin (without the SCU actually present). Meanwhile, Gangbuster’s back in action. Supergirl and Turpin get away from the Underworlders, as they realize that the culprit behind the missing body has gotta be Cadmus.

Over the years, I’ve read the comics, read the novelization, listened to the audio drama…and there’ve even been a couple animated films. The films of course rushed through the funeral stuff as if the POINT of the story was to kill Superman and then bring him back. My understanding and how I feel is that the point of the story was to detail a world without Superman…just that after that story, it was necessary with a corporately-owned character such as this to return the status quo–eventually–hence the eventual return. But with the various iterations of the story over the years, it’s interesting the elements that stand out and I remember, and the stuff I forgot.

So this issue is a lot more "action-oriented," rather than character-focused. We get SOME of that character stuff, but it’s brief and primarily contained to Gangbuster, Lois, and the Kents (with no mention of Lana). I’ve never cared for the Underworlders…not in 1992, not in 2022, nor the decades between. I remembered Supergirl investigating the motion sensors and finding tunnels…but I think the Underworlders may have been left out of the novelization and audio drama, so I’m less familiar with their part–and Turpin’s dragged-out fight with them.

I do feel like this chapter was dragged out quite a bit, and while I don’t recall specific details now from the next chapter, the tunnels and such I thought I remembered from that issue.

Story-wise this is a solid issue, if rather boring due to my distaste for the Underworlders stuff. Carve that out and the fact of Luthor’s motion sensors picking something up, Supergirl investigates, and Lois with the Kents could be tacked into another issue, perhaps. It’s not bad, just not to my taste…and probably a reason I remembered more from the first few chapters of Funeral for a Friend than latter stuff. The "Sequence Number Seven" move of an Underworlder dropping a grenade with someone to cover an escape rings a bit of a bell for me as a recurring thing…but it’s been so long now that I’d all but forgotten.

Visually this is a definite treat again…and as much as I don’t care for those Underworlders, Grummett gives us a great Clawster! The cover is also rather iconic, giving us a great look at the Superman statue…and that may be the best part of this issue!

This is definitely my least-favorite chapter of the story so far…though I’m sure it serves its purpose in bridging parts of the story, going from the immediate reactions to Superman’s death, the obvious funeral, and the other heroes doing stuff to honor their fallen friend…to Cadmus getting the body and setting up stuff for the rest of the back-half of the story.

Unlike other chapters, I wouldn’t particularly recommend this one in a vacuum…it’s worth getting if you find the series in a bargain bin, and the art is great just to look at. But while the issue is fairly well contained, it’s not all that interesting or stand-out to me as a single, isolated thing.

I do look forward to getting to the next chapter and seeing what ELSE I’ve forgotten and see how that hits me!

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The ’90s Revisited: Superman #76

90s_revisitedsuperman_0076Metropolis Mailbag II
 
Story & Art: Dan Jurgens
Finished Art: Brett Breeding
Letterer: John Costanza
Colors: Glenn Whitmore
Asst. Editor: Jennifer Frank
Editor: Mike Carlin
Cover Date: February 1993
Cover Price: $1.25
Published by: DC Comics
 
We open this issue on captain Marvel (aka "Shazam!" but he’s the original Captain Marvel!) descending to the roof of the Daily Planet, where a number of heroes have gathered despite the rain. It’s Christmas Eve, and they’ve carved time out to tackle the "Metropolis mailbag," letters sent to Superman, and they’re going to try to fulfill what requests they can since Superman can’t be there to do it himself. Meanwhile, Mitch Anderson has arrived in Metropolis and finds his way to where "Mrs. Superman" is holding a press conference…he’s run away from home in order TO try to make contact with Superman’s family. Jimmy and Lois were present as well…though Lois leaves, disgusted, at the so-called "Mrs. Superman," having told Jimmy "She’s no more Mrs. Superman than I am!" Jimmy notices Mitch and takes the kid under his wing. Lois gets to Clark’s apartment where Jonathan and Martha have arrived…as well as Lana Lang.
 
Jimmy takes Mitch to meet Bibbo where the three share a meal and talk, and find that Mitch believes that if HE hadn’t called Superman back to help HIS family…then Superman would have caught and beaten Doomsday withOUT dying (see Superman #74 / Adventures of Superman #497). Jimmy and Bibbo eventually get Mitch situated to return home, though they have one more place to take him before he leaves. At Clark’s, the Kents, Lois, and Lana discuss whether or no to step forth with the truth of Clark Kent/Superman, deciding that while someone will eventually discover the secret, they don’t have to hasten it. Elsewhere, one of the requests the heroes came across was a woman whose home was destroyed by Doomsday, and the Flash and Green Lantern (advised by the architect?) rebuild. Wonder Woman sought out a man who’d left his wife and kids and didn’t know they’d been involved in the Doomsday stuff. At Superman’s memorial statue, Mitch thanks Superman for saving his mom and baby sister, and as he leaves a photo of his whole family, the threads come together and we see that Wonder Woman has reunited his parents, their home’s been rebuilt, and as readers we see that Jimmy’s telling Mitch to have hope of stuff working out is well-placed. Meanwhile, beneath the crypt…Westfield’s goons have drilled into the burial chamber and make off with the coffin–Superman’s body.
 
This is yet another iconic cover and issue to me. The cover has a bunch of heroes atop the corner of the Daily Planet building and globe, Batman front-and-center (before it became the disgusting cliché I’d see it as if this was published in 2022), apparently casting the shredded remains of Superman’s cape off the building. Iconic, if a bit odd…almost like in a different context, they’re celebrating the DEFEAT of Superman at their combined forces.
 
I don’t remember offhand if I’d read whatever issue had the ORIGINAL "Metropolis Mailbag" story, but I do remember THIS one. As a kid I don’t think I realized how cliché this story is, how CONVENIENT it is to focus on allllll these heroes and we mainly see them rebuilding Mitch’s family’s life. Not that it’s a bad focus–and surely in 2022 we’d have three months’ worth of one-shots, each focusing on a different hero and their individual "mission(s)" from the mailbag–it’s implied they do so much more, the issue simply focuses on these relevant parts.
 
I was always with Jimmy and Bibbo and wondered how Mitch could truly blame himself for Superman’s death. Unfortunately, I do now know how that works and the way one can draw a line between their own actions and someone’s death and feel the weight of self-blame.
 
So the story is good, and the art is fantastic. As much space as I used to synopsize the story, I don’t do it full justice…you really need to read it yourself for the full impact.
 
This issue is a "contextual one-shot," in that it draws from the current continuity of the books from the time, ties directly to those events and sets up stuff for subsequent chapters…but by and large this stands alone. Superman is dead, and these characters are interacting in the aftermath.
 
This issue is oddly specific in its timeframe…it is specifically set on Christmas Eve. December 24. Batman states that "We did just bury Superman last week." Which suggests, certainly, that Doomsday! happened in early December…we’re presumably just a couple weeks or so removed from Superman’s death; and a week removed from the funeral. Most comics don’t seem to get this specific time-wise. I don’t think it gets particularly referenced beyond this issue, and I’m pretty sure that all told, the events of Doomsday, Funeral for a Friend, and Reign of the Supermen only take place across a couple months in-continuity; though real world, we saw events unfold across about 10 months.
 
Between the plot of this issue and some mental association I have between this issue and my grandparents’ house, I’m quite certain this came out the week before Christmas in 1992. (according to Mike’s Amazing World, December 22, 1992)
 
While there’s definitely stuff I remember–"moments"–from the ‘back half’ of this 8-part story…I feel offhand like it’s these first four chapters that I most remember…probably because of their being much more "immediate" after Superman #75. The next few chapters all have an entire issue BETWEEN them and the Doomsday arc…a couple months’ time real-world. Though I suppose as I get to and go through those chapters, even more familiarity may come back to me. I suppose also that some of the "feeling" I have and associate with these first few chapters have something to do with that sense of the season, from right before Thanksgiving into Christmas.
 
As said earlier, this issue definitely works as a one-shot, and I would absolutely recommend it if you find it in a bargain bin, regardless of having the other issues handy.

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The ’90s Revisited: Superman: The Man of Steel #20

90s_revisited

superman_the_man_of_steel_0020Funeral Day

Story: Louise Simonson
Penciller: Jon Bogdanove
Inker: Dennis Janke
Letterer: Bill Oakley
Colorist: Glenn Whitmore
Ass’t Editor: Jennifer Frank
Editor: Mike Carlin
Cover Date: February 1993
Cover Price: $1.25
Published by: DC Comics

This issue opens a bit like a tv show with a “soft open” or “prologue” before getting to the main thrust of the issue and its credits. We see last-second construction and prep-work/planning being done for Superman’s funeral, checking in with construction workers and Luthor/Supergirl. We see the Kents dealing with the pending event from afar…while Jimmy is discouraged at “praise” being heaped on him by a coworker for his “death photo” of Superman. Lois torments herself for not yet having CALLED the Kents, and turns down Perry’s offer to take his spot at the funeral (as primarily superheroes and world leaders will be officially the attendees, Luthor having extended an exception to Perry). Lois leaves to go up to the roof–or rather, the giant globe atop the building where she so often met Superman/Clark, then as she’s made her way back down and out of the building she trips over a memorial plaque placed on the ground where Superman fell. Jimmy finds her and escorts her into the crowd lining the street where the funeral procession passes by. Lois insists on going with the crowd to the end.

We then jump around with several scenes–a random scene with Lobo hearing Superman’s dead and flipping out. Keith (an orphan) comforts another kid letting him hold his cat, while Batman stops a would-be-bomber from turning the funeral explosive. Professor Hamilton and Mildred watch the procession pass, while the Underworlders do as well. Bibbo finds someone selling commemorative copies of “the death issue” of the Planet and rather than beat the guy up, buys every copy and offers the guy a job…after all, it’s the sort of thing Superman would do. Arriving at the park, the crowd begins to get out of hand and Lois and Jimmy are separated. As Robin and Wonder Woman are shown stepping in, Jimmy is menaced by a sleazeball trying to buy the “rights” to his “death photo.” As the funeral itself gets underway, Lois leaves to call Clark’s parents, but they don’t answer as–in Kansas–they’re out in the field where they’d originally found their baby–they’re burying a box of his things, all they have OF him TO bury, themselves. Back in Metropolis, the funeral concludes, the crypt’s cover is moved into place entombing the coffin…while elsewhere, Lois finally gets an answer, connecting with her almost-parents-in-law as the three realize they need each other.

I’m really re-amazed this time through at just how MUCH is crammed into these seemingly “simple” regular-sized single-issues! This is a far cry from many modern comics that seem so shallow by comparison, where a ’90s issue would be “decompressed” into at least 3-6 issues.

There’s so much going on here…I’m sure I took it all for granted being as familiar with this period of Superman comics as I am. I don’t need any introduction to the main characters–I recognize them, know the context, have read the issues alluded to, and so on. This is moving stuff to me even with the brief scenes and frequent scene-cuts.

This period of Bogdanove‘s art is certainly nostalgic for me for its time…but of the four Superman titles, it’s probably my least-favorite. Still, it’s strong art and “works” and “fits,” if only because it is what it is…WAS.

The double-page spread of the funeral procession is the image I see in my head when I listen to the opening of the audio drama adapting the Death/Funeral/Return saga…even though in the drama it’s actually a flashback to Luthor’s funeral.

The images of the crowds don’t really totally mesh with the descriptions we get. My own frame of reference for this is the crowds I saw on tv when Cleveland won the basketball championship back in 2015 or 2016, whenever that was.

Lois initially thinking she couldn’t bear to be at the funeral itself changing to having to be there at the end, following the procession…rings absolutely authentic to me, with the crazy way grief works, and one can swing from thinking one thing to realizing another. There’s also Supergirl early in the issue insisting on bringing in the memorial statue when conventional logistics fail, as “the last thing she’ll get to do for Superman.” In the moment, so many emotions, feelings, and expectations leave one all over the place and eager to do their part, to do MORE, to do SOMEthing for the person lost…it just rings really true to me. Also the Kents’ burying the box of Clark’s things. Bibbo’s scene isn’t as poignant/moving as his scene in Action Comics 685 was…but it still gives the guy some spotlight and adds to his characterization and what I came to love about the character.

Back to the art–while Bogdanove may not be my FAVORITE Superman artist, his work is distinctive without making the characters unrecognizable. And he draws a beautiful Wonder Woman. I can’t quite put my finger on WHY, but one panel of his Jimmy Olsen actually put me in mind of Rob Liefeld somehow…giving me the momentary half-thought as to whether Jimmy’s personality was in any way based on Liefeld in the early ’90s or if it’s just one of those dumb, random thoughts I can have.

All in all, another strong issue with a depth that comes partly from nostalgia, partly rose-colored glasses of memory, and partly the sheer tight ship of continuity the Superman books had at the time, telling a singular ongoing story while each creative team got to “focus” on their own subplots and such for individuality (Man of Steel here had the Underworlders, for example).

This is “the Funeral issue” the way Superman #75 was “the Death issue,” so is worthwhile in that regard. It also lets it stand alone a bit…you get all these allusions and subplotty stuff and the overall story of the characters being nudged forward a bit, but the issue is readable by itself as slice of life, especially if you know the characters…and there’s context one can pick up on otherwise, albeit not perfectly.

Certainly worth a purchase from a bargain bin or such, but as with previous issues, not something to pay more than a couple dollars for individually with the collected editions and digital available out there. While I’ve seen multiple printings for myself of much of the Doomsday arc and the first couple chapters of Funeral for a Friend, I’m not sure if this issue actually saw multiple printings offhand or not. The copy I read this time through I definitely got from a quarter-bin myself…the whole Funeral for a Friend set I’m reading through I picked up for $2.25 including the Justice League issue.

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The ’90s Revisited: Action Comics #685

90s_revisited

action_comics_0685Re: Actions

Writer: Roger Stern
Artists: Jackson Guice, Denis Rodier
Letterer: Bill Oakley
Colorist: Glenn Whitmore
Assistant: Jennifer Frank
Editor: Mike Carlin
Special Thanks: Tom Grummett & Doug Hazlewood
Cover Date: January 1993
Cover Price: $1.25
Published by: DC Comics

This issue opens with contextualizing…with the front page of the Daily Planet indeed using that ‘photo’ from the cover of Adventures of Superman #498 stating Superman–Dead. Tv news informs the world of the events of the day up to Doomsday’s rampage, and recaps some of Adventures 498 and the eventual official pronunciation of Superman’s death. Meanwhile, Westfield and his Cadmus people try to get the alien bodies–Doomsday AND Superman–but are met with resistance from Maggie Sawyer, Dan Turpin and even the Guardian himself…and eventually, some Team Luthor agents and Luthor himself…and the Mayor, with faxes from the President that Superman was an American and is to be honored as such. We then get a montage of scenes as we jump to a number of people and their reactions to this news and consideration of what it means–from Lois, to Perry and Jimmy, to the Kents and Lana, to others worldwide. We then get a scene with Luthor at the morgue where he loses it, smashing a chair over Doomsday’s body. Another scene shows us the uptick in crime with authorities busy and Superman dead, though Supergirl tries to fill some part of the gap. And we close on Bibbo making it back to the Ace o’ Clubs and closing the bar, and praying for the world Superman’s left behind…lamenting that Superman is gone, but he–Bibbo–goes on living.

This is another issue that had several scenes in it that have stuck with me. The image of the Daily Planet front page definitely is one; as is the Cadmus confrontation having happened, though I didn’t remember all the details. That they were presented with an order from the POTUS that Superman was not to be considered an alien is there; and a lot of the scenes of Lois, the Planet staff, and the Kents have blurred for me over the years, clarified in re-reading this issue in the moment.

Bibbo and his prayer, though, is probably the most memorable part of the issue for me; what I feel like I "know" Action Comics #685 FOR. Because that scene has long stuck out to me and been very moving…and I recall in the past it’s even moved me to tears. Now, it gives me an ‘avatar’ of sorts…replace "Superman" with "Dad" and I could BE Bibbo. I’m pretty sure this scene was also one of the key scenes to really make me appreciate the character, far more than the drunken buffoon that tagged along with Lobo in some issue I’d read a couple years earlier.

Having JUST READ Adventures of Superman 498 and still having THAT issue’s art clearly in recent memory, I’m not AS thrilled with the art on this issue. Which is absolutely not to say that any of this issue’s art is bad…just that it’s not QUITE to the level of Jurgens or Grummett for me, apparently. As with AoS 498, the characters are all totally recognizable and do not feel like some artist’s interpretation of things…just the natural fact of the matter that different artists’ work will look different.

Story-wise I’m certainly "too close" to things to be impartial. Along with the actual Doomsday story, this one I feel like I’m extremely familiar with from multiple re-reads over the years (plus the Death and Life of Superman novel by this issue’s writer Roger Stern!). While many cite The Death of Superman as the main story, my understanding over the years has come to be that THIS is the story–Funeral for a Friend–that the writers wanted to tell, and you needed The Death of to get here so that this COULD be told.

The issue’s cover is iconic in and of itself as this 2nd chapter of Funeral for a Friend…but ALSO because it’s an obvious homage to the cover of Action Comics #1 but with Supergirl instead of Superman. And it’s even quite relevant to the issue itself with a scene playing out in the issue of Supergirl picking up a car and shaking the goons out of it/smashing the car. Something modern comics are sorely lacking in–covers actually relevant to their interior contents.

BECAUSE I’m personally so familiar with the Death/Funeral stories of Superman, and this "era" of the titles and such….this "stands alone" perfectly well for me; all the more being only a day removed from the previous chapter. That said, if you’re unfamiliar with this era of the character(s) you’ll be sure to have some questions or "huh?" moments…but I do think the issue still makes a decent read as a one-off, slice-of-life thing in the immediate aftermath of Superman’s death.

This would definitely be worth getting from a bargain bin, up to cover price or a couple dollars at most…by far not something to pay anything significant for–it has at least 3 printings, has been reprinted in multiple collected editions, and is available digitally as well. But definitely worth getting, and reading.

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The ’90s Revisited: Adventures of Superman #498

90s_revisited

adventures_of_superman_0498Death of a Legend

Writer: Jerry Ordway
Penciller: Tom Grummett
Inker: Doug Hazlewood
Letterer: Albert DeGuzman
Colorist: Glenn Whitmore
Assistant Editor: Jennifer Frank
Editor: Mike Carlin
Cover Date: January 1993
Cover Price: $1.25
Published by: DC Comics

This issue opens with a note to see Justice League America #70, which ALSO picked up from the final moments of Superman #75.

We open on an awkward full page shot of Superman’s body slumped against Lois, his cape draped over his chest while Lois looks over the shoulder of the reader, Jimmy stands behind her, The Guardian is seen behind him, while Bloodwynd holds the unconscious body of Ice off to the side. Bloodwynd has declared Superman dead–though Ice may yet live if he gets her to a hospital, and Jimmy questions Lois as to their taking Bloodwynd’s word for it that Superman’s actually dead. Subsequent pages bring us the reactions of various individuals–Dubbilex, Maggie Sawyer, Dan Turpin, Lois, Jimmy, Guardian, various SCU folks and some Cadmus…and Cat Grant joins in as well. Reactions to Superman’s fall; to whether or not the beast Doomsday is dead, and attempts to resuscitate Superman himself. While resuscitation attempts continue, Turpin wanders off, lamenting another loss and is startled by what appears to be a totally burned body and then the arrival of Lex Luthor II who carries it off, calling it his Supergirl.

Cat gives Lois a tough-love pep talk as tv crews arrive/set up, and as we see Cat begin her tv report on the fallen hero, we get a scene with Jose Delgado–Gangbuster, with Cat’s kid Adam as they react to the news. We get a scene of Jonathan and Martha Kent at home reacting to the news. Cadmus begins to remove Doomsday’s body, but is challenged when they try to remove Superman’s as well. With the arrival of Professor Hamilton and Bibbo with an energy-collection device, one last attempt is made to resuscitate the Man of Steel…that doesn’t work. Shifting to the Daily Planet, Perry White and Jimmy discuss Jimmy’s photos and they realize that as hard as they have things, Lois is hit harder…both with Superman having died in her arms…and her fiancé, Clark, is among the missing in the wake of Doomsday’s destructive rampage. Lois finishes typing her story to hand in to Perry, as he and Jimmy try to encourage her, that Clark will be found…though she tells them that Clark’s luck ran out when Superman died.

Like Superman #75, this is an extremely "iconic" issue to me. The cover certainly…black border as is the "trade dress" for the Funeral For a Friend arc–with further black background as the main image is a photograph–Jimmy’s–of Superman laying on the cracked pavement. While the cover image is symbolic, it’s also part of the story, as this photo is one that I believe gets mentioned a number of times in-continuity, and I believe is a referential image later for the "death of Superman" issue of the Planet. Other than some color variations for the LOGO The Adventures of Superman and a Roman numeral (or lack thereof) and a bar code or not…the cover itself–trade dress, image, etc–remains the same. There is REALLY only ONE COVER for this issue. Of course, there’d be probably a DOZEN or more if this was published in 2022, and it’d be an extra-sized $5.99+ issue rather than "just" "the next issue" of a title at regular price.

While I tend to think of Dan Jurgens first as my favorite Superman artist, Grummett is absolutely right up there with him! The characters are extremely recognizable and–while going solely on memory withOUT comparing any issues side-by-side–consistent. This does not feel like "this issue’s artist’s ‘take’ on the characters," it just looks like those characters, as drawn by this artist. The art is distinct, it is different, but it does not have a feel of TRYING TO BE different or trying to stand out from the other Superman titles of the time, or to be some singular/distinctive "interpretation" of the character(s).

The writing is hardly noticeable in a way. For me, as an issue this close to Superman #75 and that–along with that issue–I’ve probably read more times over the years than just about any other single issue of a comic series–the story just IS. The characters just ARE. In reading the issue, I simply am watching the story unfold, and the characters all seem like themselves…in-character, acting as one might expect, etc. Though one COULD "join in" at this issue, you’d be kinda fending for yourself. You’re not spoon-fed WHO the characters are, what they’re all about, backstories and nuances and context. That stuff’s there if you know the general Superman stuff of the era, and there’s plenty to pick up on having that sort of context, or simply authentic-seeming details to suggest these are real characters inhabiting a real world going on in real time. There are a lot of characters and subplots present, the stories being nudged along…advancing, but not racing forward. Some jumps are a little abrupt, but some of that I think only seems so by comparison to modern "decompressed" comics.

This issue has a whole new sort of impact on me in early 2022. While I’ve lost a number of extended family members over the years, I’ve never experienced loss QUITE so close before as losing my Dad less than 48 hours before the new year, five weeks ago as of this typing.

There are some moments in the issue that especially stand out to me, that have stuck with me over the years. I’m not sure if it’s some sort of deja vu but I’m pretty sure I had a mental "flash" to the Guardian’s yelling "Then melt the blasted paddles!" while I saw what I saw in the hospital when I lost Dad.

And then there’s Jimmy’s frustration he shares with Perry: "I mean, the way everyone’s crawling over everyone else to be the first to officially pronounce Superman dead…you’d think they were HAPPY he died, to save them all from a slow news day!" That was poignant THEN 29 years ago and it’s all the MORE poignant NOW in 2022! Whether it’s comics sites tripping over one another to be "first!" to spoil something, or any "news" outlet PERIOD trying to be the first to post something public about WHATEVER.

I have a new sort of identification with Lois–the shock of seeing a particular death, of (perhaps projecting) seeing them given up on as even heroic efforts aren’t enough, of having to "go through the motions" and someone "existing" or "functioning," after being through a sudden, virtually-unthinkable loss. My own real-world loss also makes it far more identifiable with so many characters as they react. Knowing what I thought and felt and would have done if I could, the helplessness, all of it…there’s a painful authenticity to this issue that I never fully "understood" before.

While not necessarily FREQUENT, I have definitely found this issue in quarter-bins and other bargain bins. Particularly if you’re not looking for a high-grade first printing and just want THE ISSUE, I wouldn’t pay more than a couple dollars for it; pretty much anything over cover price (if that much, even) would be more of a "convenience fee" for immediacy, to me. You can find this issue digitally, and there have been a number of printings and editions of collected volumes with it, and there are at least 3 printings of the issue that I’m aware of (having a first and a third printing in front of me as I type).

As a "part of history" or just part of what I consider to be an extremely high-quality "era" for Superman, I’d definitely recommend the issue if you’re at all interested in Superman, these characters, or the story in general. I’m surprised at how well it seems to "hold up" nearly 30 years later…though that may be my "closeness" and that this is SUCH a part of my childhood and early period with comics.

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A Year of DC 3.75"/4" from Spinmaster

Last year, I started seeing some new DC action figures from Spinmaster. (Also from McFarlane Toys). The Spinmaster figures are smaller–3.75" or 4" scale, I’m not actually certain which…but considerably smaller than 6"/7" figures like the DC Multiverse or Marvel Legends figures.

Due to increasingly limited shelf-space…and already having a shelf jam-packed with loose Superman figures–I didn’t immediately open the Superman that I got. And then I chased down a black suit, bearded variant. And then over the past year, I’ve occasionally snagged another figure as my eye’s been caught.

spinmaster_dc_general

Having the "actual" Superman (Rebirth-era without the trunks) I’m not bothered by other variants. I’m actually hoping for a version WITH the trunks! I’m not overly-keen on Lex Luthor, but liked the appearance with the packaging and actually having the "logo" for his name. The "tech" Superman or whatever reminded me of the Cyborg Superman, so while obviously not that, I snagged it. Captain Marvel, Flash, and Aquaman were cool. After the Mattel 3.75 Infinite Heroes Wonder Woman standing out in my mind as one of those figures that would not stand on its own, I only got her figure to go with Superman and (separately) Batman.


But it’s been more than clear to me that Spinmaster‘s (and DC‘s!) HEART lies with BATMAN. Soooo many more figures, where the general DC ones seem–by comparison–to be token action figure presence to claim presence, perhaps to maintain a license or some such? Stuff over MY pay grade.

spinmaster_dc_batman

Robin (Tim Drake) is one of my favorite comic characters, and over the last few years I’ve wound up with quite a collection of Robin figures and such.I like to think that these variant Robins are intended to be the various characters–Tim, Damian, and Jason, at least.

I finally caved recently-ish and snagged the most NORMAL-LOOKING/most-comics-accurate-looking-to-me Batman. Nightwing and Catwoman for obvious ties to Bat-stuff.

And an apparently armored Batman putting me in mind of Dark Knight Returns, but perhaps intended more as Batman v. Superman. Whatever. It’s bulky and cool.

Then there were some of the big, bulky villains! Killer Croc, Bronze Tiger, King Shark, and Man-Bat.

Somewhere along the way, spotted Talon and figured for this line, and being (relatively-speaking) pretty cheap (1/3 to 1/2 the price of the larger Multiverse scale figures), I’d rather have more characters, so grabbed it. Same for Killer Moth. I even grudgingly bought Batwoman figuring she’d go well with a grouping of Detective Comics: Rebirth characters at least.

And that golden Joker…happened across that and initially figured I’d get it as "trade bait," but have since more or less settled on keeping it for the heckuvit, at least for now. There’s another Joker variant that I may keep an eye out for as well. Despite this, I still think it’s rather stupid to have limited chase variants in action figures; but all the more when they’re functionally UNPAINTED figures merely done in some alternate color plastic!

But as said…with this scale and the possibility quantity-wise, I’m more ok with stuff than I’d be if these were DC Multiverse or such.

And these are just "basic figures," without getting into any of the multi-packs and such that have even more recently caught my eye.

I see plenty of activity in a toy group I’m in on Facebook about the Multiverse figures…but I feel like I don’t/haven’t seen much of anything for this line.

Fine by me–if the only figure(s) being "chased" for this line ARE the solid-color-unpainted variants, that leaves more of the actual figures for me to be able to get without dealing with…shall we say…"resellers."

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The Weekly Haul: Weeks of December 16 and December 23, 2020

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Well…here we are again, closing in on the end of another year. And covering only TWO weeks of new comics instead of 4+!

I’m typing this on Christmas Day 2020…probably gonna let this post go "live" day after just to be relatively timely. Who knows?


Week of December 16, 2020

An odd sort of week…even with a couple of DCs, mostly non-DC…and no Marvel..!

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The Walking Dead Deluxe shouldn’t appeal to me. I got into the series via the collected volumes back when TPB vol. 5 was new. So I shouldn’t care for single-issue versions of those issues. But this is a colorized version…and very much in the vein (to ME) of TMNT Color Classics or the Usagi Yojimbo classic reprints from IDW. And at least for the moment, it’s more enjoyable getting and reading each of these issues than it is most others. And the physical quality of the book seems to be pretty good, too, making its $3.99 seem a better value than most other $3.99s!

Batman #105 seems to conclude an arc and set stuff up for a new arc. But now we first get 8-9 weeks of Future State before #106…and I’ve seen solicitation stuff that suggests (again, to ME, I haven’t properly/fully researched yet) that with #106 the title goes to $4.99 as a REGULAR price point, albeit with an added "backup" story…but the BACKUP STORY will be multiple-part and cross over with Detective Comics, and so I’m feeling REALLY disenfranchised with it and DC in general on the matter.

These Tales from the Dark Multiverse things are not as enjoyable this time around as the first…though even the first wasn’t some total success for me. But for a cross between Marvel‘s What If..? and DC‘s own Elseworlds of years past, I’ve been getting them. How you can do a full such story retelling an alternate version of year-long and dozens-of-issues-long events is beyond me…and probably part of why they haven’t been holding up fully to potential (though the Flashpoint one has probably been my favorite of this year’s specials).

Commanders in Crisis I’m getting because of getting previous issues and not wanting to miss out. Though I’m also torn as I saw something indicating this is to be a 12-issue series. Do I really care to follow along for that many issues without it being an actual ongoing? And I have to wonder how similar (or not) it’s going to be to Crossover.

Then there’s Stillwater which is a similar thing–I got and read and was curious on the first issue, and getting subsequent ones though I’m behind on the reading. Probably ought to stop while I’m ahead, but as long as i’m not snagging loads of DC and Marvel, might as well get other stuff?

Pile Second Coming onto that list/reasoning, too, I suppose. I wasn’t gonna chase after the series, but being able to get the issue last-second off-the-shelf…yeah. Got it.

Finally…after putting it off from the previous week, since the Adventureman hardcover was still available, I went ahead and snagged it. I think it only contains 4 or so issues–so fairly expensive for its content…BUT it’s a hardcover, and oversized, and seems much more worth the price FOR it. All the more against generic Marvel or DC fare.


Week of December 23, 2020

…annnnnd we’re caught up to current week already!

And actually quite a small week for NEW stuff, at that! And it’s NOT EVEN the week BETWEEN Christmas and New Year!

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New Spawn (STILL HOLDING THE LINE AT $2.99!) and GI Joe: A Real American Hero #277. Funny, such high numbers when other publishers SHUN anything double-digit, let alone triple.

Some other stuff sorta interesting, but like the JLA: Winter’s Edge or whatever…with Death Metal still going on/lotta tie-ins, now this event, and Future State in the wings…it’s just event on Event on EVENT and it’s all going on at once but they’re separate…and thus semi-meaningless to me.

So I dug through back issue bins looking for Wolverine #1000. No luck on that, but did find this Exit Wounds issue that caught my eye, so why not? And only $5.25 or so, putting it well in line with current issues…but it’s a bit more rare and "special" because it’s a (gasp!) back issue! Yet it’s new enough to not reek of being a bloat-priced 25-cent-bin-book. (Though with recent "speculation" and such, how long are quarter-bins gonna hang around?)

Then, as with Adventureman the week before, I snagged Reckless a week after its initial release.

AND adding to the price for the week, a couple other THICK volumes for under-$20 each (a good half-or-so-off) caught my eye. So snagged them, cuz I’d rather get 12+ issues’ content for the price of 4-5 single issues.

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Draaaaastically inflating the price for the week as well was this new Gallery statue of Superman. I don’t think I realized this was coming out. I saw it, and decided to get it. It’s Superman, he’s got the trunks.

AND it’s available. Right there. No "hunting," no "chasing," no frustration trying to get it, no "luck" involved, etc. Just a SIMPLE MATTER OF: "here’s a product and its price" and "I will pay that price" and voila! Transaction’s done!

Something that toy company NECA and Target do NOT seem capable of grasping with their various TMNT figures.

So if they don’t want my money, since I have no real chance of getting say, April O’Neil with a generic battered footbot…I CAN get this Superman statue, farrrrrr less fuss and hassle!

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Since Comixology did away with its origins as a pull list thing, I’ve been using League of Comic Geeks to keep track of my weekly plan-to-buys. They showed this Sham Comics 80-Page Giant for this week. Buuuut it’s Source Point Press…which apparently broke ties with Diamond, so I wasn’t going to be able to get the issue at the shop.

So I went to the SPP website to see what issues were available and such. I wasn’t about to pay shipping for just one issue. Turned out all previous issues of the series were available, and at cover price. So…for interest piqued on ONE NEW ISSUE, I ordered all 7.

AND where I expected them to SHIP sometime NEXT week…they not only shipped but ARRIVED this week. BEFORE Christmas!

The issues were just the issues in a box. No bags/boards, no simple bag around all the issues…so I’m not impressed with the PACKING. But the shipping speed impressed me. And since none of the issues were particularly damaged…I’m happy enough with ’em.

This "go to the site and find what issues exist AND they’re all ACTUALLY AVAILABLE thing is REMARKABLE…and something other publishers (especially small-press/indie stuff) should look into. And/or make stuff print-on-demand. My qualms with MODERN not-first-print issues is the way everyone feels this need to make 2nd-or-later print issues with a different cover entirely, or inferior (i.e. "sketch") cover, or otherwise make it see like some dumb afterthought "consolation prize" if you were so unfortunate as to discover a series a few issues in, but too late to get the original printing/Kickstarter/etc.

Anyway…none of that frustration in getting these so I’m a happy camper on ’em!

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At a Walmart, found these guys. And I’m impatient, so I was happy enough to get them now rather than waiting for an online order. They’re not the cartoon versions…but at least they’re REASONBLE on price and affordable. Not the second hand $169 and $237 and such people are charging for the cartoon versions!

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I also went back to the comic shop after verifying which volume(s) I already had for The Complete Clone Saga Epic.(I had volume 1 already). So now I have 1-2. Maybe stupid of me–3-5 are probably long outta print and $300 apiece on the secondary market now. But whatever.

And the Ghost Rider volume has 19 issues, so…not a bad buy. And I’m very much a sucker for these nice, fat volumes instead of piddly tiny ones that fit in a bag and board same as any single issue.

These also fall into the above rant on NECA: they don’t want my money, I’ll spend my money where it’s appreciated and I can simply walk in and get something.


Just a few more days and 2020 is over.

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28 Years since Superman #75

Hard to believe it’s been 28 years since Superman #75 came out. 1992-2020.

Another couple years and we’ll be at the 30th anniversary. Whether there’ll be a DC Comics that even cares to recognize that at that point remains to be seen.

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Just tonight in working on this post, I’ve decided I need to add the "Platinum Edition" of Superman #75 to my Grails List. It’s certainly a grail–an issue I’ve been aware of and interested in since 1992, and which has eluded me to this day. I don’t think I’ve even seen a copy in person. (If I have, I’ve forgotten it for the moment).

As it is…I finally have the editions in the photo above all together in one place and where I know where they are TO be able to photograph ’em at the anniversary date of the issue!

The Black Bagged edition; a loose copy of the issue unbagged; all 4 original printings of the original newsstand edition, and then two reprints–one from 1999/2000 when DC was doing their Millennium Edition reprints of key issues from their history, and a DC Dollar Comics reprint of the issue.

With the way comics’ distribution was back in 1992, and my possibly faulty memory, I usually tend to think of November 19th as the date the issue came out, but have seen stuff indicating other nearby dates.

I’m choosing this year (2020) to observe the 28th anniversary as November 19.

And with a number of things going on in personal life right now and not really feeling up to a full-fledged/thought-out post (I’m surprised to have typed out as much as I have!), I’ll leave off with several links to posts I’ve done in the past about Superman #75!


The Covers of Superman #75 – a 2016 post showing the distinct original covers to the 4 newsstand printings and collector’s edition from November 1992.


Superman #75 Revisited – a 2017 review I wrote of the issue.


Old-School Variance: Superman #75 – a 2016 post on the multiple printings of the issue and maintaining the iconic cover image.


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What If…’The Death of Superman’ Happened in 2016? – Probably one of my favorite posts in this blog, where I mocked up dozens of variant-style covers to point out the difference between the ICONIC original covers (2 of them!) and how the comics industry was 24 years later (and now 28 years later just as bad or worse!)


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The Weekly Haul: Weeks of 1/22, 1/29, 2/5, and 2/12/2020

Well…so much for those intentions of actually keeping up with these posts week-to-week!

Two or so weeks, and then nothing for the last 4 (almost 5!) weeks. Go figure.

Well, let’s jump in and look at the main hauls for the past 4 Wednesdays ahead of this week’s new stuff for the 19th.


Week of January 22, 2020

January 22nd had several interesting books, as well as a "lingering habit" I’m having a bit more trouble breaking than expected.

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New Hellblazer; I enjoyed the one-shot and first couple issues well enough…and definitely want to support the title as something as close to the old Vertigo version as we’re gonna get.

DC Dollar Comics are $1, so…yeah.

Superman #19 because I kept thinking I’d actually READ the reveal stuff, but it turns out I am just so against it and think it’s stupid, repetitive, unneeded, and totally NOT what I’m interested or looking for in Superman comics. C’est la vie.

IDW‘s color reprints of the old Image TMNT title has–I think–finally caught up to the two issues I got back in 1999/2000 or so. Which means it’s time for me to dig everything out, catch up on reading and prepare for the endgame of the title with the never-before-released ending.

Ghostbusters Year One was an interesting enough premise…and it seemed a small-ish week, so I bit. Guess what I’ve yet to read, though?

And the second issue (of 3, I believe) of American Jesus, following Millar‘s Chosen from back in the day. As of this writing, I believe the 3rd/final issue is due out this week, so looks like I’ll be reading the entire thing in one go as single issues where I could have simply waited for a collected edition.


Week of January 29, 2020

Final week of January was an interesting one for me…and a rare situation I’ve not had in probably more years than I care to consider.

I did not go to the comic shop. My parents had errands to run, one of which put them literally about 5 feet from Comic Heaven, so I was able to message ahead for issues I was interested in to be pulled (in addition to regular pulls), and Mom was able to go in and get my issues for me!

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We had the debut of IDW‘s color reprint series of Usagi Yojimbo in Usagi Yojimbo Color Classics #1. I’m hoping this is a rather indefinite series that will simply run on and on and on. It’s certainly worthy of it, reprinting a strong, long-running/STILL-RUNNING series but in color so it’s both reprint and new. And I’d much rather buy it than most other $3.99 books, and though I have most of the series in collected volumes I’m happy to get the this way to read individually in much smaller bite-size doses!

TMNT seems like a whole new book again, though I haven’t decided if that’s good or not. It’s got good art, though, and it IS TMNT. I’m VERY glad that IDW has at LEAST had the sense to NOT repeatedly renumber this series. As a whole new continuity kicked off in 2011, it obviously more than deserved its #1 then–new title, creative team, publisher, continuity/universe–but it’s been refreshing that it did NOT renumber after the events of #50, and yet again did not renumber after the events of #100…both of which saw seismic shifts in the story that then played out across quite a number of issues eventually growing familiar. Even if the property was NOT a personal "exception" on stuff, I definitely am glad to "support" the title for the numbering. And here’s another way to look at it: #100 is a mere 1/3 of Spawn, which has a brand going back to the early 1990s!

Criminal is on #12 already which means I’m probably about 8 issues behind on reading again. As I understand, the "back matter" of the title adds reading-time (aka "value") to its price, as well as unique material one only gets that way and not in a collected volume. (Leaving the collected volumes to collect the actual Criminal STORY).

Then for Marvel and DC, reiterating the fairly steady point of late wherein I’m not much interested in their NEW content but am glad to buy even extra-priced gimmickey REPRINTS of old material. Starting to seem like Marvel has some new replica edition out practically every week! I’m ok with that, though, as long as they don’t "double up". That said, they may HAVE for this week, in which case I’ve "missed" a replica edition. But AS a replica edition, not like it’s some "hot new" comic being speculated on or sporting umpteen different tiered variant covers, so I may eventually get around to it. I’m amused at the "old style" 3-D gimmick and though $8 is a bit overpriced for an issue, I’ll accept it as a rare/occasional gimmick. It’s not like it’s a trial issue of some new series, a premiere of a new series, and since it’s nostalgic (for me) material, so be it. Finally, apparently Black Canary’s modern costume’s debut is worthy of a reprint edition. For $1, though, I won’t complain much.


Week of February 5, 2020

…and another week of "indy" comics for new stuff and reprints for Marvel and DC! And contrary to my language above (*left in for my writing on each week based on the photo and memory rather than all 4 weeks as a whole) I "made up" that missed replica edition from Marvel here.

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As I repeat ad nauseum…the Ninja Turtles are a MAJOR "exception" for me in comics. I’ll tolerate far more with that property than any other property. Ditto on pricing, variants, etc. Though my patience has been tried a bit more lately, it’s that "exception" that overrides my blanket condemnation of Boom! Studios as a publisher (*See my 4-year-old grudge over MMPR #0 and variants) and "allows" me to buy something with their logo on it in MMPR/TMNT #3.

Then the newest issue of the ongoing/new content/main Usagi Yojimbo title from IDW. Just a week apart from the Color Classics issue. I definitely hope they keep these titles separate–with "only" 2 titles, it makes absolutely NO SENSE to me to cluster them on a single week, especially with the publisher having output all the other weeks of a month. That clustering is another factor that drives (people like me) to drop stuff. Expensive as comics are, one can rationalize/justify them when the per-week expenses are kept down…but even one or two "extra" issues can either blow a budget OR call attention to a budget one’s regularly exceeding and promote sticker shock, which in turn promotes dropping of titles.

I’m woefully behind on GI Joe: A Real American Hero to the point I’ve been considering letting it lapse. Of course, I tell myself I’m just one good binge-read away from catching up. However, I think I let a bit of another "exception" creep in these days with the title…that is, even when IDW started it, they kicked off with #155 1/2 as a "#0"-type issue and their first "proper" issue that usually would have been a #1 was actually #156. And they’re a good 114 issues into this run. First, 114 issues without a renumbering; second, 114 issues on a numbering from a previous series that had ended a decade and a half earlier!

Then Marvel‘s other replica edition in a Fantastic Four annual. An extra $1 to the cover price but it IS an extra-sized issue, and an annual, and a far superior value time-wise on reading than MODERN annuals full of full-page and double-page splash panels and few words and other "cheats" to pad out an issue’s page-count while reducing the time it takes to read any given issue. Like the DC Green Lantern replica edition, I really dig these sorts of reprints where they’re close enough to the original to be able to slot them in as that original without much problem (and for $4-$5 instead of $50-$1000s). There’s something to DC‘s Dollar Comics line–the trade dress, I think–that seems a bit "off" to me. It’s like they do this weird hybrid of taking the look of the original, but changing it to not be "overly-close" to the look of the original and to carry the "branding" of the DC Collar Comics. So they’re sort of iconic and yet not…at the same time.

Moving beyond the week’s new-printed comics…my first "grail of the year" acquisition!

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It "only" took me a bit over 20 years to get this foil edition of Wolverine #145. Back in (October?) 1999, when Mom went to the comic shop for me to get the issue, she got the "regular" non-foil edition ($2.99 vs. this edition’s $3.99). Once I went back and tried to track down this edition, I’ve either not found it whatsoever, or it’s been astronomically priced. EVEN the ONLINE regulars have not had the thing in-stock, and I’ve not found it at any shops in-person nor at any conventions where I’ve looked.

I "discovered" a new (to me) online selling site (online fleamarket of sorts) and someone had it on offer for $8 or so. With shipping, it hardly cost me 3 modern Marvel comics that (thanks to variants, over-frequent shipping, generic covers, generic stories to be undone in a year and/or by short-term creative directions, etc) made it a real steal for what it is!

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Of course, it’s a definite "wall book" for me!


Week of February 12, 2020

And here we come to the "finally caught up"…for a day, or so.

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Again with "supporting" some format, I am definitely very much behind stuff like what these Dawn of X volumes appear to be: 6-issue collections…but not of individual titles. These volumes are collecting sequential issues of ALL 6 TITLES that made up the Dawn of X "initiative" following HoX/PoX last year. This one has the #1 issues of all 6 titles in an "anthology" format. $24.99 for 6 issues that were $4.99 apiece. So even though I already did get X-Men #1 last year, that still means that I’ve basically paid $30 for all 6 total…breaking even, even WITH that issue being doubled-up with this collection.

DC Dollar Comics reprinting the first appearance of Cassandra Cain; and a replica edition of the first issue of the Claremont/Miller Wolverine mini-series. Sorta interesting that in paying $3.99 for this edition, that’s 16 times what I paid for the copy of the original that I own.

The Vampirella magazine is a replica edition as well–I believe this is the first 3 issues now reprinted like this.

And while I really haven’t had or taken the time to read cover-to-cover any of the TwoMorrows magazines, I do find it’s often one or two (or a few) articles that are of particular interest. And really, if I spend 20 minutes on an issue, it’s certainly matched the time-"value" of virtually any modern $3.99-$7.99-$9.99 comic!

Sort of goes to show how much I’ve managed to cut back lately that I actually had NO NEW COMICS ISSUES (content-wise) for the week. Nothing but REPRINTS and a magazine ABOUT comics (creators)!

While checking out, I glanced over at the display case with "priced" significant back issues, and recognized something I’ve only seen digitally or as reprints: the Marvel Two-in-One Annual #2.

For $20.

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Now, this thing has seen better days. It’s creased, worn, beaten…overall in pretty crummy condition. As much as I’m all FOR buying umpteen duplicates of an issue as "convenience copies" from 25-cent bins, generally this condition would get even a 25-cent comic left in the box.

Except this is an issue I’ve been interested in for 22-some years or so. And with last year having broken my "$10 or less" thing for single issues, I’m now willing to pay more than $10 for a single issue…IF it meets certain criteria (that might be accumulated "in the moment"). In this case: it’s THE issue. It’s one I’ve known of and been interested in for over 20 years (over half my life!). At $20…that’s "only" 5 modern $3.99 issues, or 4 modern $4.99 #1 issues…or 2.5 modern $7.99 #1 issues. And let me tell y’all, I’m far happier with having this book than I’d be to have a random Fallen Angels #1, Darth Vader (since 2015, vol. 3) #1 and Wolverine vol. (what are we up to? 8? 9?) #1.

As I am NOT a collector to resell, but collector to HAVE…I’m MORE than happy to have this in this condition!

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And it fits quite well on "the wall" with other similar type issues. Older keys, just lacking in that "NM+" grading condition and such. But it has sentimental value for me for its content and notoriety and memories it brings up…and that puts it on a level that FEW (if any?) modern (2005-present, let’s say?) comics attain.

So…there we go. Four weeks of new-comics-days’ hauls, plus 2 "grails" acquired. Factor in that huge Spawn acquisition in early January and it’s been a much more productive back-issue year than new-issue.

I also–for the week of February 12–resisted the temptation to buy the Superman: Heroes (late!) issue dealing with (MORE) of the ditching-of-the-secret-identity crap. A $5.99 issue that reinforces how 20-year-old non-quarter-bin comics for $4 and $5 and $6 are an EXCELLENT value by comparison…at least to me.

And after the speculation and speculators and whatnot blow over, I would not be surprised to find the issue (the main, non-variant regular basic un-special cover) available in $1 bins this spring/later this year at conventions.

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Redeeming Black Friday: The Haul

This year’s Black Friday was particularly frustrating and discouraging due to a number of factors. I feel most justified in my disappointment that after getting the newest Big Bang Theory season on DVD from Best Buy Online the last 6-7 years, this year there was no such deal.

In the end, for the first time in about a decade, I did not buy anything from Best Buy (online or otherwise) on/around Black Friday. For that matter, the only movie I remember buying was Bumblebee because it was a combo pack with digital for about the price of one weekend’s Redbox rental. I did buy my first Keurig for about 1/3 off–not bad, but not exactly grandiose or living up to the general "hype" of Black Friday as some wallet-melting sale-day. 

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So where I’d not been sure if I was going to go to the big Black Friday event at Carol & John’s in Cleveland–after all, I remembered last year‘s crowd and wasn’t planning on spending much, so the odds of winning any of the raffles–especially one of the Marvels Platinum Edition hardcovers–seemed highly counter to being worth braving the crowds.

But I was disappointed and discouraged from the day, and figured it’d do my mind some good to at least get out and get a few comics–my sort of "retail therapy." Plus, I had a bit of "FOMO" wondering if there’d be a treasure-trove of Spawn issues I could get on the cheap.

And it eventually occurred to me that the sale was ongoing–and figured I could "cheat" a bit and if I got there early, have more time in a quieter space to dig through boxes of comics, knowing I wouldn’t be checking out until the sale was in effect.

Little did I realize that I’d lose track of the time, and despite not finding one single issue of Spawn to buy, I’d more than meet the minimum to further halve the cost of the comics I was buying. $1 each, or 100+ for 50 cents each. Functionally, at 50, it would be the same price whether I bought 50 issues or 100 issues…so why stop AT 50?

And then after managing to get my precariously-balanced stack of comics to the checkout and adding several supplies and eventually a sticker to goose my final price to one more raffle ticket, I got stuff out to the car and returned for the first raffle.

Where I didn’t win anything.

So I wandered around the store awhile and ended up buying a book and a couple current single issues. Paid for those, got two more raffle tickets, and then read outside for a bit until the second raffle.

Where I actually won one of the "bonus" prizes–a slipcover/box set of DC’s Greatest Hits! I took my newest purchase and my prize out to the car, and listened to an audiobook for a bit. Then headed back in for the next raffle…and won a graphic novel from a curated selection. I chose the Joker tpb collecting the ’70s Joker series. I’d had my eye on the book for years (thinking as I type, it has the 2012-2016 DC logo, so I must’ve had my eye on the book since at least as far back as 2016 pre-Rebirth!).

Having not had dinner (I hadn’t actually planned to stay past the first raffle) by going-on-9pm it was definitely time to get some dinner, so I walked to Subway a few stores down in the plaza and got a sandwich that I took and dropped off in my car before heading back over for the next raffle–where I did not win anything.

Back out to my car, ate half my sandwich and listened to an audiobook, and realized I was exhausted and with the huge crowd and seeing people seemingly spending way more than me and having my odds of winning ANYthing falling further, it was time to get going.

BUT.

But being "only" about 15 minutes from the next drawing, why not go back in for one last one before getting the heck outta Dodge?

Surprisingly, I then ran into an old coworker from a job I had a couple years ago; so got to chat and catch up a bit. It was such a shock and pleasant surprise! That made it worth having stayed–having gone back in–one last time.

And then as we and others noticed/commented that no one had chosen either of the Marvels books (several of the other large prizes had been snapped up) I heard my name.

After verifying that it was indeed my name and that it was indeed for one of the large prizes…I chose the Marvels Platinum Edition.

All the more knowing there was a 3-prize-cap for the evening (and I’d definitely hit my 3!), it was a good time to call it a night.

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I’ve won occasional prizes in drawings here and there for various things. Even at comic shops–I’d won a $20 credit a number of years ago at Kenmore, and a $25 credit at Comic Heaven back in Fall 2016. But these three items–the Marvels edition, the DC’s Greatest Hits, and the Joker volume–make up the largest/most expensive I’ve ever won.

And absolutely "redeemed" Black Friday for me.

The comics I got were already more or less worthwhile for having gone out; but these made it more than worth having gone out–especially the Marvels book. (And, extra added bonus? The digital code that supposedly expired several years ago redeemed so I got the digital copy along with the physical…the FULL PACKAGE even though the book came out in 2013 or 2014!)


While the raffle prizes moooooore than made the evening for me…I also scored over 100 (what worked out to be) 50-cent comics, making quite the ’90s-riffic haul.

The crux of the sale was a room full of longboxes of $1 comics. $1 each…or 100+ for 50 cents each. 50 comics for $50, or 100 comics for $50. At 50, it just makes sense to get another 50!

And as my 2019 blogging has primarily been showing off the various hauls…why not show off the Black Friday haul as well?

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So, after determining no Spawn (that I could see, anyway), I kinda took a haphazard approach to my browsing. Top of my pile–several Wolverine issues. As far as I know, all are duplicates…making these very much "convenience copies." 48-50 to get TO #50 with that classic die-cut cover. And incidentally, a "sequel" to the classic BWS Weapon X serial that ran in Marvel Comics Presents #s 73-84 or so. And then the "classic" #104 where we found out Onslaught’s tie to the events of Fatal Attractions. And while I may very well never get to it (especially with my lack of blogging the last couple years) I’m willing to grab convenience copies for potential The ’90s Revisited coverage!

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Grabbed a handful of old Image issues (and 1 Eternity with Zen). And yeah, that was two copies of Youngblood #1. Because hey, get to show off both covers. BUT this being a variant DONE RIGHT: it’s a flipbook! BOTH covers on one issue. You only have to buy multiple copies of the issue if you want to DISPLAY both sides!

And both the Prophet and Knightmare issues sport nice, shiny "chromium" covers! I’m always on the lookout for more chromium in the wild. Turned out I already had the Prophet issue, but Knightmare is a new addition to my chromium covers collection!

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The Tim Drake Robin is one of my favorite characters, so for sheer nostalgia, snagged these. The ongoing Robin #1 is fairly iconic–at least to me. And I’m NOT actually sure offhand if I have any of the Robin II: The Joker’s WIld collector sets before this. I have the various single issues, and even a slipcase of the series with all covers (holograms). These remind me a lot of the Robin III: Cry of the Huntress bagged editions, which is part of what casts these into doubt in my mind as to whether I already had them or not…making them all the more cool to have/find!

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Snagged copies of several of the Superman #1 issues largely for the nostalgia and convenience. Ditto for the Action 600, Superman 100, and Adventures of Superman 505 (this latter is one of my all-time favorite Superman covers!) (THOUGH apparently it wasn’t one of my top 10 when I did a post on such covers 6 1/2 years ago. Top 11, or I think of Man of Tomorrow #1 moreso; the two are remarkably similar at a glance!)

And Blackhawk because hey, why not?

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A handful of Batman issues–largely nostalgia, and convenience-copies with Tom Lyle art. And for the heckuvit, Batman #500 for the sake of having it (yet again). Meanwhile, Batman: Shadow of the Bat #25 is one of my favorite covers from that series and the whole KnightQuest thing. Especially for basically having a really cool-looking cover celebrating 25 issues, while serving the ongoing overall story, and the "gimmick" being the silver color not usually found on comics.

Resurrection Man #1 for the "hologram" thing; and Phantom Stranger because I’m not actually sure I had the issue!

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Snagged a bunch of DC One Million tie-in #1,000,000 issues. I had a bunch already and couldn’t find a reference in my phone of which ones (ugh!) so I bought one of each that I could!  black_friday_haul_11292019hStill working on the set overall…but I’m pretty close to having the full DC One Million event in single issues!

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A new convenience-copy of the The Kingdom "fifth-week event" (I believe) from back in the day. Pretty sure this was where we got Hypertime; though pretty sure as well we’re a couple of such things further on now. Hypermulticrisisverses?

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I am STILL after all these years waiting for a SINGLE VOLUME collection of the Thy Kingdom Come saga. Maybe I’ll have to get a copy of the issues bound for that to happen?

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This makes for a good start on a second copy of the saga to (maybe) eventually get bound. Or for a convenience-copy re-read someday before I get my accumulation properly sorted.

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Snagged a bunch of Astonishing X-Men issues since it was most of the run!

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Highly glad I hadn’t tried to "catch up" on the single issues before, given the way of the X stuff the last couple years and finite-ness of the particular run, and here getting 8 issues for the cover price of 1!

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I picked up some X-Force stuff. Pretty sure I have all 5 cards’ editions, but snagged dupes of 4 of them; and the first 3 (of I believe 4) issues of a mini-series.

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Grabbed some 2099 #1s for the nostalgia, convenience, and just liking the pretty foil. Ditto on the Namor issue. And for cheap copies of gimmicky covers, grabbed the Punisher: War Zone issue. Also grabbed a couple further issues of Namor for the story beyond the shiny cover; and the Machine Man/Bastion annual as a giant-sized issue. And I may eventually accumulate a set of these team-up annuals yet.

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Grabbed a few Spider-Man issues for interesting covers and such; stuff that caught my attention in a "I might enjoy reading that or re-reading it" kinda way. The X-Men Unlimited #2 always catches my attention. And the Marvel Spotlight issue for Uncanny X-Men hitting 500 issues looks interesting.

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Found a lot of X-Men stuff. I tend to snag #40 when I come across it…it’s one of my all-time favorite/most memorable issues from childhood. X-Men: Alpha is another favorite (plus it’s shiny!). X-Men: Prime is similar, and pretty. And there’s also some serious nostalgia for me on the two main Onslaught issues, so snagging a pair together is quite cool.

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Then I’m starting to build up my Marvel Comics Presents collection; so with some recent purchases, I think these two extended my collection 2 issues further into the run from #1. And I have visions of destroying X-Men #1 to use the cover as a poster to hang. And the inside cover is also a poster-image…so I’ll have to destroy at least two copies. And if I can do that to 50-cent copies rather than tracking the issue down for $4-6, all the better!

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And thanks to some then-VERY-recent discussion of the issue and the variants and being able to get all 5 (6 total) I went for it. Here’s the comparison of the "deluxe" edition fully opened up compared to the 4 single-panel covers laid out.


Over 120 issues. It’s amazing how quickly they can pile up and add up. Plenty of random "junk" in there, but it was also a bit of "retail therapy" and all. But does continue to contribute to me eventually hitting a point where it’ll just make full financial sense to get my accumulation organized so that I won’t even be interested in buying "convenience copies" of anything!

THAT said…if I get to them, I’ve got a couple more large bargain-bin hauls to potentially show off…whether I get to that before the end of the year remains to be seen!

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