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Supergirl #42 [Review]

Who is Superwoman? conclusion: epilogues & homecomings

Writer: Sterling Gates
Penciller: Fernando Dagnino
Inker: Jamal Igle
Colorist: Nei Ruffino
Letterer: Jared K. Fletcher
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Joshua Middleton
Publisher: DC Comics

We see more wrap-up on stuff from the Who Is Superwoman? arc here as Supergirl faces Lana and Lois–telling the latter about the death of her sister. Lana fills Supergirl in on the relationshp between Lois and Lucy, while we see General Lane dealing with the death of his daughter.

This issue worked a lot better for me than the previous issue–while I don’t totally “buy” Lucy’s military career and role as Superwoman, it’s a lot easier to “buy” the fact that something horrible happened (her death) and someone having to break the news to Lois. This also adds a bit of depth (cold as it is) to General Lane’s character as he comes to grips with what he’s lost.

Gates seems to hve a good handle on these characters and the relationships they have between one another–such as in Lois’ handling of the news she’s presented with. Though on the book less than a year now, Gates has turned this from an outer-rim sorta book almost embaressingly tied to the Superman family into one integral to the family of books, making Supergirl into a real-seeming teenage girl (albeit alien and with tremendous super-powers). Igle’s style continues to work very well with the stories–though my sole gripe continues to be the way ears are drawn, for whatever reason.

All in all, another strong issue of this title, well worth reading if you’ve been following the book. If you’ve not been following it, you’ll likely be fairly lost, as much of the action in this issue comes from what’s transpired in the last few issues.

Story: 7/10
Art: 7/10
Whole: 7/10

Batman: Streets of Gotham #1 [Review]

Full review posted to comixtreme.com.

Batman: Streets of Gotham
Story: 4/5
Art: 4/5

Manhunter
Story: 3.5/5
Art: 3.5/5

Overall: 4/5

Booking Through Thursday: Fantasy and Sci-Fi

Booking Through Thursday.

One of my favorite sci-fi authors (Sharon Lee) has declared June 23rd Fantasy and Science Fiction Writers Day.

As she puts it:

So! In my Official Capacity as a writer of science fiction and fantasy, I hereby proclaim June 23 Science Fiction and Fantasy Writers Day! A day of celebration and wonder! A day for all of us readers of science fiction and fantasy to reach out and say thank you to our favorite writers. A day, perhaps, to blog about our favorite sf/f writers. A day to reflect upon how written science fiction and fantasy has changed your life.

So … what might you do on the 23rd to celebrate? Do you even read fantasy/sci-fi? Why? Why not?

I’m not sure I’ll do anything to ‘celebrate’…I’m not much for the “big” holidays, even.

Fantasy/Sci-Fi is the primary genre I read in.  I haven’t read many of the “classics” in Sci-Fi; Ender’s Game is probably about the most “mainstream” sci-fi I’ve read. (Then again, I’ve read a number of Star Trek novels as well…)

I’ve enjoyed the Battletech books I’ve read, and I’ve read some of the more recent (2002-ish) Mechwarrior volumes (in part due to a brief period of time involved with the Mechwarrior: Dark Age miniatures game with some friends in my college days).

I’ve mentioned the Aliens series several times in earlier BTT posts–I’ve read the novelizations of the films, and about 2/3 of the novels based on the comics, and several of the Dark Horse Comics Omnibus volumes.

Some Star Trek, Stargate, Highlander, and a Star Wars novel or two can be added to the stack; and I’m sure I’ve read plenty of other sci-fi I’m not thinking of offhand…especially from the Science Fiction and Fantasy and Tolkien and Culture courses I took my junior and senior years of college.

Fantasy-wise, I’ve read The Hobbit and The Lord of the Rings; the primary series I’ve read in the genre, though are Dragonlance and Magic: The Gathering.

Comics-wise, it seems that a lot of the superhero stuff can be in one or both genres without being so overtly.  Superman involves plenty of science fiction elements (and certainly the same sort of “suspension of disbelief”) and yet would probably be classified “comics” or “super-hero” before “sci-fi.”  Ditto Green Lantern, and pretty much any of the “cosmic books” from DC or Marvel (or any smaller publisher. Runners, or the TMNT for example).

It’s also interesting to note that what was once only science fiction in some cases either IS–or is close to being–science reality.  And that while something may be fantasy, that does not render it un-real.

Now, despite my opening statement…perhaps–assuming I remember–I WILL blog on the topic in recognition of the day. Time’ll tell.

Personal Effects: Dark Art…an entertaining read so far!

The new book by JC Hutchins and Jordan Weisman, shown with the pile of extras that come with the text to begin the immersion experience in the novel's story.

The new book by JC Hutchins and Jordan Weisman, shown with the pile of extras that come with the text to begin the immersion experience in the novel's story.

It’s pretty rare that I’m interested enough in an actual book (as opposed to comics/graphic novels) to purchase it.  Rarer still to go to several stores the day the book’s released in an attempt to acquire it.

Unfortunately, I’d NOT pre-ordered this as I should have, and so found myself having to do without for most of its first week.  I ordered the book online, and it arrived yesterday.

I’m only about 115 pages in, but it’s been a great read so far. I was incredibly impressed with all the stuff that came WITH the book.  The credit/bank card, insurance card, business cards, birth and death certificates, photos and artwork, a funeral card and whatnot are all documents included here to let the reader get a personal feel for what’s being talked about in the story itself.

I’ve yet to call the main character’s voicemail to hear his dad’s message, but I have already googled some stuff and found articles referred to in-story, and it’s quite cool.

Though these extras are there for more of an immersive experience, thus far the story itself is drawing me in enough that I suspect this is going to be something I read as a regular novel overall, and THEN go back to check out all the fun goodies associated with it.

May not be bait ‘n switch…but what gives?

Newsarama on Cap RebornNewsarama interview with Brevoort

Well…don’t *I* feel like a sucker.  I mean…that’s it?  Another point in the “bleh” column, methinks.


Just spotted this in the new DC solicitations.  The HC I fully expected.  But…what’s up with the simultaneous release of the paperback?

As an ISOLATED thing, I’m perplexed.

Now, if DC (and Marvel) were to start doing this with ALL their collected volumes…I’d be quite the happy camper, I think. I’d much rather have a CHOICE as to which edition to get…withOUT having to wait extra months or (a) year(s) for a paperback if I’m not interested in the hardback.

WONDER WOMAN: RISE OF THE OLYMPIAN HC AND TP
Written by Gail Simone
Art by Aaron Lopresti, Bernard Chang and Matt Ryan
Cover by Aaron Lopresti
When the gods change their plans for man’s world, it’s up to Wonder Woman to protect humanity against an invading army of male warriors and a new adversary called Genocide.
An army of Olympians has risen for an all-out assault on war across the globe and only Wonder Woman can stop them in this new title collecting issues #20-27! One particular attack could spell the end of the Department of Metahuman Affairs and end WW’s secret identity of Diana Prince. And Wonder Woman’s life is changed forever when she faces a monster named Genocide who goes toe-to-toe with her . . . and wins.
Retailer note: This title is scheduled to arrive in stores on November 4 in both hardcover and trade paperback editions.
Advance-solicited; on sale November 4 • 208 pg, FC
HC: $24.99 US; TP: $14.99 US

Booster Gold #21 [Review]

Full review posted to comixtreme.com.

Booster Gold
Story:
3.5/5
Art:
4/5

Blue Beetle

Story (Blue Beetle): 3.5/5
Art (Blue Beetle): 3.5/5

Overall: 4/5

Red Robin #1 [Review]

Full review posted to comixtreme.com.

Story: 3.5/5
Art: 4/5
Overall: 4/5

Batman #687 [Review]

A Battle Within: an epilogue to Battle for the Cowl

Writer: Judd Winick
Penciller: Ed Benes
Inker: Rob Hunter
Colors: Ian Hannin & JD Smith
Letterer: Jared K. Fletcher
Assistant Editor: Janelle Siegel
Editor: Mike Marts
Cover: Tony Daniel, Sandu Florea (variant by JG Jones)
Publisher: DC Comics

Though this issue boasts the Batman: Reborn banner at the top of its cover, it actually ought to be labelled with the Battle for the Cowl logo, the word “epilogue” clearly spelled out beneath. Though this issue takes place after the events of the Battle for the Cowl mini, it’s not all that firmly set into the territory of this new Batman: Reborn “era.”

We open on a flashback of Bruce and Dick, then move into Dick and Damian, juxtaposing the two relationships. We also see Alfred reacting to changes, as well as Dick and Tim having words over Damian’s new role as Robin (reminds me just a bit of things during the early issues of KnightQuest: The Crusade back in 1993). We also get to see Dick in action, having accepted the need for a Batman while still struggling to embrace the cowl. Damian shows his brashness, and Dick–as Batman–reveals himself to the city as he shows up to face the Scarecrow.

The story is fairly straightforward. It’s not all that moving exactly–I definitely wish that Final Crisis had not had the epilogue it did–better to have been left guessing at the truly definitively final fat of Bruce to make this stuff more moving and impactful. It is nice, however, to see some of these moments happening given how entirely RUSHED the ending of Battle for the Cowl felt.

The art’s quite high-end…it’s good to get Benes’ art again on something I’m reading; I’ve enjoyed his work pretty much since I first started recognizing it in particular.

As an epilogue story, this will probably be more enjoyable/fitting for longer-time readers (particularly those who followed the Battle for the Cowl stuff in any form). The next issue I believe will kick off the action within the new status quo, and so will probably be a better jumping-on point for new readers.

Not a bad issue, but nothing to get terribly excited over.

Story: 7.5/10
Art: 8.5/10
Whole: 8/10

The Flash: Rebirth #3 [Review]

Rearview Mirrors

Writer: Geoff Johns
Artist: Ethan Van Sciver
Colorist: Brian Miller
Letterer: Rob Leigh
Assistant Editor: Chris Conroy
Editor: Joey Cavalieri
Cover: Ethan Van Sciver, Alex Sinclair (variant by Van Sciver & Brian Miller)
Publisher: DC Comics

The “Rebirth” bit is losing its shine with me here. While expectations have been that the trumpeted return of Barry Allen is the focus of this series–that he’d be restored as Hal Jordan was to Green Lantern in that title’s “Rebirth” mini–my expectations are steadily dropping.

This issue sees reaction to Barry apparently interacting with the speed force in such a way that others tapping into it are dying as his body seeks more and more speed power, in an almost vampiric sorta way. While everyone else hustles to figure a way to separate Barry from the speed force–sure, he’d lose the speed, but at least he’d be ALIVE–Barry determines to go his on sacrificial course…one that puts him back in the familiar role of essentially racing Superman. The issue’s ending puts Barry face to face with who the villain of the piece likely is, in a way that also reminds me very much of the Green Lantern: Rebirth series.

The story, somehow–perhaps I just don’t want to like it–seems one of the weakest I can think of from Johns. While I’d known Kyle as Green Lantern longer than Hal, I’d still known Hal as Green Lantern first. However, the first real exposure I had to the Flash, it was Wally–and in restrospect, had BEEN Wally for bout 3 years before I owned my first comic. While the situation presented in this story is mildly interesting, I do not find Barry himself interesting…certainly not the way I did Hal. And I make the comparisons given the creative team and the title of this series–obviously meant to BE compared to GL:R.

The art by Van Sciver–ESPECIALLY the cover–is top-notch; I really can’t complain about it. Much as Van Sciver brought in the glowing/projected imagery for the GLs of the Lantern logo, he brings that to bear on the Flash with the lightning. Not that it’s original, but something about it really pops.

As a whole, this is a higher quality book than the first couple issues of the post-Bart-as-Flash title that I actually read. It’s not bad for those new to the Flash family of characters (I am myself learning more of the character grouping than I’d known of them prior), so overall accessible to new readers. It’s just lacking a certain excitement and enjoyment factor. With Green Lantern, it felt like the return/rebirth of Hal Jordan mattered. With Barry…it feels like we’re looking for a reason FOR his return to matter.

Story: 7/10
Art: 9/10
Whole: 8/10

Action Comics #878 [Review]

The Sleepers Part 4

Writer: Greg Rucka
Artist: Diego Olmos
Colorist: Rod Reis
Letterer: Rob Leigh
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Andrew Robinson
Publisher: DC Comics

This issue finds a couple of the “Sleepers” (the ones Nightwing and Flamebird are after) house-jacking (cuz hey, they’re Kryptonian and powerful…so let’s go that step above and beyond car-jacking). Lois and Thara talk a bit as Thara explains a bit about her relationship with Chris (K’riss to her). General Lane reacts to recent goings-on and continues to show questionable judgement. Nightwing and Flamebird find themselves back in action (no pun intended) and before long come across an ambush that may or may not pose a significant threat to them.

This issue continues to hold plenty of promise, though the execution is definitely flawed. I’m not all that engaged with the characters, nor do I particularly like them. The abnormally-fast-aging thing with Chris isn’t all that original to me (and I enjoyed the dynamic of him being a much younger child in Clark/Lois’ life, but as a semi-adult super-being…he’s just not that interesting). The story is decent, but not wonderful.

The art’s also in the good-but-not-spectacular sorta category. It fits the story and conveys what needs to be gotten across.

This remains an ok title, and mostly lives up to its name. It’s just not the most engaging, enjoyable thing you’ll find out there these days.

Story: 7/10
Art: 6.5/10
Whole: 7/10