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Quantum and Woody (2013) #1 [Review]

Quantum and Woody (2013) #1World’s Worst part 1

Writer: James Asmus
Art: Tom Fowler
Color Art: Jordie Bellaire
Covers: Ryan Sook, Marcos Martin, Andrew Robinson and Tom Fowler
Letters: Dave Lanphear
Editor: Jody LeHeup
Created by: M.D. Bright & Priest
Published by: Valiant
Cover Price: $3.99

I don’t know when it was that I first heard of Quantum and Woody, but I’m pretty sure it was at least a decade ago. Of course, I didn’t know their significance at the time–no, the appreciation I’ve developed has come only in recent months and thanks to Comixology’s 99-cent sale of the classic material a few months back.

I also don’t recall now if my Comixology purchase of the entire classic series preceded knowledge of this new series, though I’m pretty sure my interest was actually sparked by knowing there’d be new material and wanting to read some of the original.

Whatever the case–I’m familiar with the first half of the original run, which I think made this new #1 actually more enjoyable for me.

That being said, like what I’ve read of the original, the reader is kinda thrown into things here, to pick up information through flashbacks and such.

We open on a scene of our heroes, Quantum and Woody, falling from a building and making the news, basically seen as the world’s worst super-heroes, if indeed that’s what they are. We then flash back to their past as adoptive brothers, before moving to the present where the pair learns of the death of their father. As things unfold they learn that all was not as it seemed–and they seek answers that throw them together into a rather explosive situation leading to the obligatory To-Be-Continued.

Visually I’m quite pleased with this issue…no real complaints or negatives for me on the art side of things.

Story-wise, I rather enjoy the maintenance of the “chapter headings” Priest made popular back in the day on the original series as well as in his Black Panther run for Marvel Knights. While stylistically different from the other Valiant books, it gives a certain familiarity to this that is welcome and appreciated…it also keeps this book fairly unique, providing a different “voice” than the other Valiant titles right now.

Though the bulk of the issue is essentially “origin” stuff, I the non-linear narration allows for an appearance of the characters AS Quantum and Woody in this issue; introduces the characters behind the hero-guises, and sets up the motivation that drives them…which to me is quite good for being the first issue of a brand new series.

While this is a Valiant #1, retains the standard trade dress of all the contemporary Valiant titles, etc. you don’t need to have any background whatsoever with other Valiant books in order to “get” and enjoy this issue. If you were merely handed the pages to read and had never heard of the property before, there’s nothing whatsoever here that requires you to have read anything else.

I will probably never like the $3.99 price point on any standard-size comics, but as only the sixth one-issue-per-month Valiant title, I can handle this a lot better than double-shipped $3.99 titles from other publishers, and I consider this a welcome addition to my own pull list and definitely look forward to the next issue. (And while I wait, I have half of the classic run yet to read to keep me busy!)

Astro City (2013) #2 [Review]

Astro City (2013) #2Welcome to HumanoGlobal

Writer: Kurt Busiek
Artist: Brent Eric Anderson
Cover: Alex Ross
Lettering & Design: John G. Roshell & Jimmy Betancourt of Comicraft
Color art: Alex Sinclair
Editor: Kristy Quinn
Assistant Editor: Jessica Chen
Published by: Vertigo/DC Comics
Cover Price: $3.99

$3.99 sucks. I’m really, really very tired of this price point. I think I’m going to keep making sure that’s extremely well-documented in these reviews and other blog posts until I eventually give up on new comics altogether.

That said, if you’re going to pay $3.99 for a single issue of a comic, there are few better series out there than Astro City. Even when you don’t know what the issue will be about or it deviates from the previous issue or whatever…it’s hard not to look back on a given issue without a bit of a smile and some disbelief at how much it was enjoyed and sheds different light on superhero stuff typically taken for granted or outright not often considered.

This issue focuses on a new employee of a hotline–said hotline turns out to be for a call center that weeds out the truly important calls for the Honor Guard, and in other cases outright makes connections allowing Honor Guard to be sent after villains/terrorists before they have a chance to enact plans that would otherwise leave the heroes reactive rather than proactive. We see bits of her training, the sorts of calls she takes, and the excitement with her teammates when they manage to catch a big call and be part of the overall “process” that leads to the saving of so many lives. Though they largely have to keep the true nature of their work secret from family and non-work friends, they find certain perks within their work…but also learn that one mistake can be very costly.

The art is strong as usual for an Astro City issue; everyone who should look familiar does, and those that don’t still look quite good. While the story itself isn’t your usual fare, the sequences with superhero action look as one might expect (if not a bit on the higher end quality-wise) while the normal people look…normal.

Story-wise, this is another great outing, showing that Busiek knows his stuff–and does very well giving us a look at the human side of things, as “normal humans” interact in a world filled with super-powered beings and threats, and how the culture itself is impacted by their very existence.

While I missed this issue on Wednesday and thought “oh well” I quickly realized that no, I actually really wanted to read this, and it became the entire reason of going back to a comic shop Friday rather than simply waiting and picking it up with next week’s books. There really aren’t many series that do that for me.

Provided you have any background at all with Astro City–I’d especially recommend the first TPB Life in the Big City (there’s even a new edition out now)–you’d actually be fine jumping in on this issue without even having read #1…which is another strength of this series: there are a lot of short arcs and done-in-one issues, rather than the “standard” fare from DC and Marvel necessitating 4-6 issues’ investment just for a single story.

I’d largely prefer to hold off for the collected volumes, but for now, this return of Astro City is such a welcome thing, I’m likely to keep going with the single issues for at least a few more months.

TMNT New Animated Adventures #1 [Review]

TMNT New Animated Adventures #1Story: Kenny Byerly
Art: Dario Brizuela
Colors: Heather Breckel
Letters: Shawn Lee
Edits: Bobby Curnow
Cover: Dario Brizuela
Published by: IDW
Cover Price: $3.99

I’ve been quite looking forward to this premiere issue for a couple months now, since at least the FCBD issue back in May. In many ways, this is sort of a #2 issue, as it fits excellently with the FCBD issue (which was itself a full issue and not just a few pages’ preview or a short one-off amidst so-called “dvd-style extras” or such.

As I’d said then and hold with this issue, this truly feels right at home within the continuity of the Nickelodeon animated series–the characterization is consistent, and I even “hear” the voices from the show as I read this.

The visuals are a great blend of simply “comic book art” and “adaptation form another medium” as the characters are very recognizeable as based on the CGI designs of the animated series…yet Brizuela‘s art is distinctive and does not seem to “try too hard” to BE what it is not–it’s 2-D art and works very well, and avoids being particularly “cartooney” or over-simple.

Story-wise, this is an April-centric issue, focusing largely on her integration into the turtles’ family unit, and showing her increasing skills unter Splinter’s tutelage while we see her equally as fallible as the turtles themselves–also teens.

After showing off her stealth and receiving praise from Splinter, April accompanies Donatello to a junkyard to track down a piece of of tech for his inventions. Unfortunately, the junkyard turns out to be a bit more than they bargained for, and April is captured by the military, and the turtles have to intervene. Ultimately, a lesson is learned by all, and things continue on.

I’ve enjoyed the main/”real” TMNT continuity from IDW these past couple of years, and despite not being entirely enamored with the animated tv series, I did enjoy reading this issue. As long as I’ve been into TMNT in general, I very fondly remember the original Archie-published TMNT Adventures, so this TMNT New Animated Adventures is a bit reminiscent of that in intent, it seems. It remains to be seen if this will branch off into its own individual continuity, but I’m content to follow this as an extension to the tv series’ continuity.

As with the tv series, this story is a done-in one/self-contained story…you get a full story in one issue, and there’s no need to get the next issue to FINISH this story…which is another nice thing about this. Though the next-issue ad indicates one of my least-favorite characters of the series, I’ll happily give it a chance simply for being TMNT, and of course Brizuela‘s art.

The Trouble (for me) with Marvel’s Digital Comics

Wolverine: Japan's Most WantedI saw on Comixology last week that the premiere “issue” of the weekly Wolverine “Infinite Comic” was now available–having read about its upcoming release awhile back. I naturally “assumed” it was 99 cents, but didn’t feel like even paying that much at the time. A few days later–newest non-rent paycheck in my bank account, I thought to splurge and go ahead and give it a try, drawn back by a guilty “interest” in Batman ’66 #2…but was dismayed to see the price as $2.99.

Granted, this thing’s listed as having about 79 “pages,” but as an “infinite comic” designed for the Guided View technology, that reads as “79 screens” to me–where the only difference in one “page” might be a word balloon or caption box, not an actual, unique story-page in the sense I think of for a comic, so that $2.99 might–for all I know–be the equivalent of a 10-12 page story in a standard print comic.

So Marvel–and Comixology–lose out on my sale for this, given the price-point.

Additionally, I’ve several times found myself halfway interested in a new-ish Marvel comic that I maybe passed on at the comic shop(s) or otherwise would be likely to impulse-buy digitally, just to read because I’m in the mood “at the moment.” However, the digital comics being the same as the print comics for $2.99 issues, I’d just as soon have the print edition to read.

And for the $3.99 books…knowing that if I buy the print edition, I then–IN ADDITION for my same $3.99–also get access to a digital copy, I’m not ABOUT to spend $3.99 for a digital-only edition with no access to the print counterpart, so those “sales” are lost on me.

I just wind up sticking with the 99-cent sales, or half-off collected-volume sales where I may pay $3.99 but am getting at least as much if not significantly more content than I would paying $3.99 for a print Marvel comic (such as recent Star Trek volumes and Doctor Who volumes Comixology‘s offered for “special sales.”

DC–with their New 52–had dropped the price of the digital editions after a month (though sometime in the last year or so they bumped that two TWO months’ lag-time), whereas a look last night through some Marvel Now stuff (we’re what? 10 months into the Now age?) didn’t yield anything that I saw for under print editions’ cover pricing.

I look forward to the Monday and Friday “sales” specifically for the chance to get digital comics (when they’re ones I’m actually interested in) for the 99-cent price point…but I am not willing to–as a matter of course–spend “full print-edition cover-price” for a digital comic.

The ’90s Revisited: Action Comics #761

actioncomics761For a Thousand Years…

Writer: Joe Kelly
Penciler: German Garcia
Inker: Joe Rubinstein
Colorist: Glenn Whitmore
Seps: Wildstorm
Letterer: John Costanza
Associate Editor: Maureen McTigue
Editor: Edddie Berganza
Published by: DC Comics
Cover Price: $1.99
Cover Date: January, 2000

This is one of those fairly “one-off” issues, the sort I tend to quite enjoy, despite being one who thoroughly enjoys a rich “continuity.” While cover-dated as January 2000, this came out in 1999, and is one of the later issues of the ’90s run on the Superman titles that has really and truly stuck with me through the years.\

While there’s stuff with ongoing plot details, the heart of this issue is about Wonder Woman recruiting Superman to assist an ongoing battle of the gods. Unfortunately, the two find themselves stuck–they cannot return home until the war is over…and they learn that war can last for a very, very, very long time.

I quite like the cover of this issue…at least compared to the main interior art. The art isn’t bad, mind you–but it’s a bit less detailed and more cartooney than I remembered. Beyond that, I’m neither put off nor enamored by the art–it does what it should conveying visuals of the story, it just doesn’t blow me away in and of itself.

The story is what really makes this issue stand out in my memory, such that I had but to see the cover to know this was the issue the story was in, and recall the overall plot. This is the Superman I grew up on, and hold to be “my” Superman: the one who is great friends with Wonder Woman, but extremely sure of himself and his relationship with Lois. That what he had with Lois was essential to who he was, and not something casually set aside for some woman who also happened to be “more than mortal” or some such.

I like the epic-ness of the issue, though it’s a bit far-fetched in a lotta ways, especially in this “era” of Superman. At the same time, it fits–as there had already been hints–if only in Kamandi: At Earth’s End and the DC One Million stuff–that suggest Superman would go on to have an extremely long lifespan. I honestly don’t recall how much “fallout” there was from this issue–but there was some, I’m almost certain.

Despite plenty of attention given to the supporting cast, this issue is a fairly good stand-alone issue, if plucked by itself from a bargain bin. For me, it’s one of the stand-out issues of the 1990s-era Superman run, of all the ongoing titles, simply FOR its dealing with the Superman/Wonder Woman/Lois “triangle” and (to me) strongly affirming where the characters stand with each other.

The ’00s Revisited: Captain Marvel #17

captainmarvel017Cheating Death

Writer: Peter David
Pencils: Jim Starlin
Inks: Al Milgrom
Colors: Steve Oliff
Letters: RS/Comicraft’s Wes Abbot
Assistant Editor: Marc Sumerak
Editor: Tom Brevoort
Published by: Marvel Comics
Cover Price: 2.50
Cover Date: May, 2001

This issue grabbed my attention because of Thanos on the cover. Besides Thanos himself, there’s just something to the cover’s colors that I really dig…it’s so colorful without being gaudy or even all that bright…it’s just really nicely drawn and colored; the generic background sets Thanos, Thor, and Genis off quite well; and the coloring of the logo and such even fit nicely…though I might’ve gone with more of a gold for Captain Marvel to better match Thanos’s gold coloring.

This was another quarter-bin discovery, at least this copy of the actual issue–I’d bought and read it as a new issue back in 2001, and still have that copy…somewhere. So I do vaguely recall some context, both prior and subsequent to this issue, once I got to reading. But even sticking solely to this one issue by itself, I rather enjoyed the Thor/Thanos bickering, and even the dynamic with Rick and Genis and having to be aware of the environments they’re in when the swap places. And of course, the now-iconic “Klang” that I’ve come to appreciate in context of Quantum & Woody from Valiant.

We find Thanos recruiting Thor for some part of a larger plan…of course, Thor is not at all a happy camper, given his recent tussles with Thanos. But he’s convinced of his necessity in things, and goes along grudgingly. Meanwhile, Marlo (Rick’s wife) is being haunted by the ghost of…a friend, or coworker, I don’t recall exactly, she’s just here (the details were in earlier issues of this run). Rick finds himself in a bit of trouble, as the entity that has Thanos recruiting Thor to begin with makes his appearance, and the “big guns” duke it out.

Visually, I very much enjoyed the interior art. Starlin has–for me–defined these characters to the extent that just seeing his name on the cover would have drawn me in. As far as I’m concerned, “Marvel cosmic” doesn’t get much better than sharing involvement from Starlin.

Story-wise, David always did have a great feel for the characters he involved in this series, making them his own, and giving them quite a memorable voice. There are elements from this series that settled into the core of my thinking about comics, and this take on Captain Marvel remains my absolute favorite.

This issue reminds me of how much I’d enjoyed this run on the series, and has me remembering rather fondly other issues, and a bit of a rekindled interest in re-reading the entire run…and certainly wishing Marvel would put out an omnibus collecting this entire first run of PAD‘s Captain Marvel.

The ’90s Revisited: Uncanny X-Men #325

uncannyxmen325Generation of Evil

Writer: Scott Lobdell
Penciler: Joe Madureira
Inkers: Townsend & Ryan
Colors: Steve Buccellato & Electric Crayon
Leters: Richard Starkings and Comicraft
Editor and Chief: Bob Harras
Published by: Marvel Comics
Cover Price: $2.95
Cover Date: October, 1995

This issue always throws me, just from the cover. This is from that period of time when Marvel apparently thought the covers’ numbers didn’t matter and would have the issue’s number in tiny print somewhere in the UPC box, at the bottom of the cover, rather than somewhere near the upper part with the cover logo. For this cover, they actually hide all of that–the title logo folded to the inside, and the UPC to the back cover, so all you have is Storm, Colossus, and Wolverine attacking someone off-panel, and a tiny banner at the top specifying this as a Special X-Men Anniversary Issue. (20th anniversary of the “All-New” X-Men from Giant-Size X-Men #1)

While the issue opens on the X-Men playing baseball, the bulk of the issue features a “return” of Morlocks, apparently in the wake of some of their number taking on the name “Gene Nation” or such and executing terrorist acts around the city. Leader of the Morlocks Callisto shows up and explains it’s the “younger generation” that feels the older has failed them, failed to act–and seeks to rectify the issue. This also brings up Storm’s “history” as a former leader of the Morlocks (having once challenged and beaten Callisto FOR said leadership), and what that means for her in the face of the current situation.

Story-wise this is a solid issue; nothing horrible about it to me; but nothing fantastic, either. However, having the baseball game is a great moment…the sort I recall truly enjoying in the X-books…just seeing the characters relax and not have to be fighting the villain of the month/issue…I’d probably thoroughly enjoy a full issue that’s nothing but the characters just being who they are, interacting with each other; no villains or any particular antagonist, period. I like that the issue is definitely set in continuity, dealing with the history of the Morlocks, as well as keeping several subplots moving (Gambit, and Rogue/Iceman).

Visually this is a mixed thing for me: the style is a bit cartoony at points and feels a bit “off” to my sensibilities with these characters, and yet it totally brings back (good) memories OF this era of X-Men comics, and works in that regard.

For an issue fished out of a 25-cent bin, certainly well worth the purchase and reading. There’s no funky foiling on this copy, so I think this is the “newsstand” edition where the original copy I bought when it came out new I’m pretty sure was the “direct edition” or otherwise had shiny-ness about it. (Which works for my interest in “converting” FROM shiny covers to standard/newsstand editions for my various “runs” of series). It’s also worth noting that these days, this would probably be at least 2-3 variant covers, rather than the 4-panel wrap-around/fold-out this actually carries.

Given the lengthy role Marrow (I believe) went on to play in the X-Books, this is a good jumping-on point to see where she comes from and (presumably) changes. All in all quite a high-quality bargain-bin purchase!

Valiant: Coming in August

I don’t like variant covers, I don’t like 5-5+ page “previews” of other comics in the backs of my books, I don’t like $3.99 as a price point, and I don’t like “clumping” or “clustering” of books.

But I’ve stuck with Valiant for over a year now, and despite some practices I don’t like, they do a lot right.

And one of the things I really like is that the backs of their comics keep me apprised as to what’s coming out when, showing cover imagery for the next month’s books.

I find this to be a rather attractive design, and as a person who is presently maintaining a pull list that includes “all Valiant single-issues,” informative. When–across the prior month–I see these images regularly, I know what I’m looking for when the issues DO come out, and there’s a certain familiarity that I like.

Though these can be a bit spoilery (at least in who’s gonna show up or survive), that familiarity means when I get to a new issue, the cover’s not a surprise, but I don’t have to have read solicitation text for it, either. And sometimes I find myself guessing at what’s going to be going on in an issue or otherwise just looking forward to it because of the cover imagery.

valiant-coming-in-august

For example, that Bloodshot image looks very interesting, I like the coloring, and I’ve got time between these back covers and the inserted checklists that’ve been coming with some issues (whether packed that way or the comic shop tucking them in, I’m not sure) to come to really associate that Bloodshot image with the #0 issue, which goes a way toward making it somewhat “iconic” without being some chromium/foil-enhanced anything.

I also find myself quite amused lately at the Archer & Armstrong covers, as they seem to carry a certain sort of “humor” to them, given what we know of the characters, and that alone adds a little extra something to the title. Seeing the image so small, I look forward to the “full size” cover, and it keeps me wondering just how literal the cover may be–will that scene be in the book, or is it just drawn as a parallel to the book’s story?

And frankly, these collages “do” a lot more for me than any other ad on the back of a comic; sure, they’re not getting the outside advertising dollars for this house ad, but they gain a bit of good will from me as a reader, and set themselves apart from being “just” another Marvel or DC.

Infinity [Checklist]

AUGUST 2013
Infinity # 1
Avengers # 18
New Avengers # 9
Avengers Assemble # 18 [tie-in]
Captain Marvel # 15 [tie-in]
Thunderbolts # 14 [tie-in]

SEPTEMBER 2013
Infinity # 2
Infinity # 3
Avengers # 19
Avengers # 20
New Avengers # 10
Avengers Assemble # 19 [tie-in]
Captain Marvel # 16 [tie-in]
Infinity Heist # 1 [tie-in]
Infinity: The Hunt # 1 [tie-in]
Mighty Avengers # 1 [tie-in]
Nova # 8 [tie-in]
Superior Spider-Man Team-Up # 3 [tie-in]
Superior Spider-Man Team-Up # 4 [tie-in]
Thunderbolts # 15 [tie-in]

infinity_checklist_01a

infinity_checklist_01b

source: promotional postcard (pictured above)

Batman/Superman #1 [Review]

batmansuperman001Crossworld

Writer: Greg Pak
Artists: Jae Lee, Ben Oliver
Colors: June Chung, Daniel Brown
Letters: Rob Leigh
Cover: Jae Lee with June Chung
Associate Editor: Rickey Purdin
Group Editor: Eddie Berganza
Published by: DC Comics
Cover Price: $3.99

I bought this issue to meet a credit card minimum. Of everything on the “new” shelf, it was the only thing that really grabbed my attention for a one-shot purchase with potential. Other than setting this apart from the Loeb-launched Superman/Batman from a decade ago, I do find myself mildly curious as to any significance to the title, having Batman listed first. At least BOTH characters are spotlighted on the standard cover…you don’t have to track down two covers to get both title characters in one shot.

Unfortunately, it was a lot more disappointing than I expected. I’d avoided it on Wednesday–I just had zero interest in it from the start. ANOTHER “Superman meets Batman for the FIRST TIME” story. And that’s where it goes wrong; where I go wrong. I am absolutely NOT the “target audience” for this book: I’m bored and put-out by the New 52 at this point…and to ME, the “first meeting” between Superman and Batman happened “One Night in Gotham City” in the 1980s’ Man of Steel #3.

Leaving nostalgia and such aside, I have a real problem with a young Superman–Superboy???–being so…arrogant, angry, violent. To say nothing of the fact that I did read the first-ever New 52 issue, Justice League #1. And I’m recalling a scene in which Batman and Green Lantern talk about some alien in Metropolis, and meet Superman “for the first time.” So that makes this issue essentially a fairly big plothole to a casual such reader as myself.

Clark Kent visits Gotham, and realizes he really does not fit into this dark city. When he confronts some kids bullying another, he meets a drunk, stinking boy billionaire with more street sense than he’d’ve expected. Turns out Clark was looking for Bruce, to see what he knew of several Wayne employees murdered recently. The two part on neutral terms, neither impressed with the other. The murderer strikes again, and Batman leaps into the fray, surprised at the identity…before Superman busts in, throwing around violence and making a bad situation worse. Another entity joins the situation, and just makes things confusing…though that seems to set up what may be the plot for the next few issues.

Visually I’m not all that impressed…Lee‘s art is not particularly “up my alley,” it’s very stylized and just not what I would choose. Because it’s so…what it is, this feels like it ought to me some sort of Elseworlds book, or some intercompany crossover in the vein of these characters meeting the Aliens or Predators. I’ve never really cared for the jeans, t-shirt and cape get-up for Superman; the look is done no favors here, in my eyes. There’s also something to the way Lee depicts the “S” that bugs me–like it’s trying to be a mash-up of the overly-lined Man of Steel film logo and the more stylized Superman Returns film logo.

Lee‘s art gets the job done, though…even depicting the violence fairly disturbingly (something Lee‘s style does well with). So while it’s not my cup of tea and I have nitpicky issues, I won’t fault it too heavily in and of itself.

I don’t care for the art shift toward the end of the issue. It fits reasonably well given the shift in scenery and all–but I find myself wondering if this is an issue of timing or a planned function to serve the story itself (or just happened to work as it is).

The story itself roughly fits a fairly standard mold for these characters…the idea that while they come to work together when more seasoned at the whole “super-hero” thing, they clash in the early days of their careers is not new. What little I know of the New 52 incarnation of Superman kinda fits, though again I don’t like it much. Batman I’m less sure on–this Bruce Wayne sorta fits with Year One, and probably perfectly fits with the upcoming Zero Year stuff. Given Clark’s readiness to cut loose with his powers it’s sort of astonishing that he doesn’t (seem to) recognize Batman as a mortal man and “reveal” him or at least peek under the cowl with X-ray vision. (Then again, I realize I don’t know the origin of this version of Superman, so maybe he didn’t have access to that power yet).

All in all, I imagine that if you’re a fan of Jae Lee‘s art, of the New 52 early Superman, and/or Pak‘s writing, and have no particular “attachment” to ’80s/’90s Superman and Batman, you’ll probably enjoy this. You might have to overlook that this is yet another $3.99 book…but hey? $2.99 seems to be an exception rather than the rule, these days.