• February 2026
    S M T W T F S
    1234567
    891011121314
    15161718192021
    22232425262728
  • On Facebook

  • Archives

  • Categories

  • Comic Blog Elite

    Comic Blogs - BlogCatalog Blog Directory

Inferno (2015) #1 [Review]

secretwars_inferno001Writer: Dennis Hopeless
Art: Javier Garron
Colors: Chris Sotomayor
Letters: VC’s Joe Sabino
Cover: Javier Garro and Romulo Fajardo, Jr.
Assistant Editor: Xander Jarowey
Editor: Katie Kubert
Published by: Marvel Comics
Cover Date: July 2015
Cover Price: $3.99

I have yet to read the original Inferno saga. I remember and recognize its logo from comics I first saw in a friend’s collection, though now know it more personally through comics in my own collection, issues I’ve seen in passing in back issue and bargain bins, and know of it historically through prior revisitations and references as well as the “after-effects” it left on the X-Men-universe. But as a sucker for classic X-stories (with added appeal of late for lack of great X-stuff to get into), I was quite interested in this, if only to “check it out.” I wouldn’t necessarily choose Inferno–it’s hardly at the top of my list of favorite X-stories–but this issue was yet a mostly enjoyable read for me.

Several years after the demons took over the city, we find the Colossus willingly submits to doing Cyclops’ bidding in exchange for being allowed to–one day per year–take a squad of X-Men into the Inferno to attempt to free his sister from the demons’ grasp. After a particularly costly such encounter, the losses are driven home all the more, and Colossus finds himself nearly cut off, faced with one final rescue attempt that does not go nearly as he had hoped.

The story itself is good, taking the core concept of the classic story and giving it a different ending, pulling a “present” timeline out of that change. I’m not consciously familiar with the art team, but there’s a definite air of familiarity to me with the visuals, reminding me (I think) of Chris Bachalo‘s work…though that’s not entirely a positive. The art is not horrible or anything but it’s not exactly to my liking. Stylistically, it fits the story pretty well, and much of its simplicity works for getting across what’s going on. It could certainly be a lot worse, a lot more jarring, so I’m good with it as-is.

Where The Infinity Gauntlet had originally been its own title, and the 2099 line was basically a bunch of books with the 2099 tacked onto something (Spider-Man, Punisher, X-Men, etc) and so works with the current Secret Wars as Secret Wars 2099, Inferno works a little less so as a standalone to me. The logo is familiar and simple but on the cover seems to just be floating. Perhaps it’s the lack of a Secret Wars or Battleworld logo stretched across the top, but this mostly looks like a Bachalo-esque image with the logo elements pasted onto it.

In and of itself, this was a good issue and I’m definitely interested to see what happens in the next issue. I liked the stand-alone nature of this book: consciously I know it’s part of Secret Wars, one of the realms in that world, but on the whole this could just be an introductory issue of some parallel reality with the X-Men characters…and that works in a good way.

Perhaps not entirely worth $3.99, but getting an older, more classic-ish X-story back in the forefront is good enough for me. And given the seemingly arbitrary pricing model of Marvel‘s collected editions, I’m definitely ok with buying this as singles. Recommended particularly to fans of the original story, or early-’90s/pre-’90s X-stuff.

Secret Wars Journal #1 [Review]

secretwars_journal001The Arrowhead; We Worship What We Don’t Understand

Writers: Pru Shen; Matthew Rosenberg
Artists: Ramo Bachs; Luca Pizzari
Color Artists: Jean-Francois Beaulieu; Rain Beredo
Letterer: VC’s Cory Petit
Cover Artist: Kevin Wada
Editor: Jake Thomas
Published by: Marvel Comics
Cover Date: July 2015
Cover Price: $3.99

I think I thought and "assumed" that this was to be some broad, "down-to-earth" sort of title, like the "man on the street" view of Battleworld, since I’m pretty sure not every last inhabitant is a version of one of the previous multiverse’s "named" super-powered characters. What I got was two short stories (much like Battlworld #1), one of which trailed off into a "follow this character into a full title" note.

The stories are short and basic; Kate Bishop sneaks into Doom’s castle to steal an orb, and winds up having to take the "noble" road to see her thieving partners have a chance to escape. The second story follows some mutants as they seek to end Khonsu as their god, that they might know freedom.

In and of themselves, the stories aren’t bad…they just did not come off as very interesting to me. The first one really felt like some sort of prologue or such, particularly for having a blurb to follow the main character into the pages of another Secret Wars tie-in series. The second has an ending, but was tainted from the start by the end of the first, and ultimately feels like just some random one-off. As "moments" within Battleworld’s existince, sure, that’s fine, it’s nice to have stuff that isn’t necessarily part of the driving force behind a singular "core event series story" and all that.

But…?

But I wasn’t expecting half-issue-length stuff, I either hadn’t read at all or didn’t particularly mentally "register" what this title was…I saw THAT it was coming out, so planned on picking it up, as a tie-in to an event whose start really worked for me, more than I’d even figured at the time.

I’m not all that familiar with the visual team. I’m not all that thrilled with it on the whole–it’s ok, it fits the stories, but nothing about it is consciously memorable for me (this goes for the cover as well). You could certainly do a lot worse, but this is also a good bit of distance away from my favorite comic art. It works for the issue, but–especially for one such as me–the art is by no means a "selling point."

All in all, I suppose it’s not the worst $3.99 I’ve spent. But especially in comparison to more specific stuff–Inferno, Infinity Gauntlet, and other stuff coming up like X-Men ’92, Years of Future Past, and so on–this is a fairly disappointing issue, and if I had to choose right now for certain one way or the other if I’d get the remainder of the series, I’d err on the side of caution and give it a pass. As-is, we’ll see what kind of week it is when #2 arrives, whether or not I continue with the series.

Secret Wars 2099 #1 [Review]

secretwars_2099001Writer: Peter David
Artist: Will Sliney
Colorists: Antonio Fabela & Andres Mossa
Letterer: VC’s Joe Caramagna
Cover Artist: Dave Rapoza
Editor: Devin Lewis
Senior Editor: Nick Lowe
Published by: Marvel Comics
Cover Date: July 2015
Cover Price: $3.99

I haven’t read a 2099 book in years. Sadly, it may have been well over a decade, and closer to two. But I’ve been on a major Spider-Man 2099 kick lately with toys and really loving the classic Spidey 2099 costume, having avoided the recent series primarily for the $3.99 cover price (though there were other ‘standard’ Marvel factors for me). But throwing in with a bunch of the Secret Wars stuff, this seemed well worth checking out, so I grabbed it.

The story of the issue gets around a bit, as we begin with getting to see the 2099 Black Widow in civilian guise get called away from flirtation to action, then we meet the other current ‘Avengers’ (a female Captain America, a new Hawkeye, a new Iron Man, and Hercules, as well as Black Widow). They face off against some teched-up thugs, while interpersonal stuff comes out about the characters, and after the fight with the villais we’re given more insight into who the new characters are as well as what’s exacerbated stuff with Hercules. We meet the team’s advocate in Alchemax, as well as the current Vision, and learn of a pending threat to the team.

Even as this story is relatively simple and generic, if not a bit blatant in showing us various personality bits with the various characters and how this tea has come to be, it still works well. There’s a definite feeling for me of an "older" comic with these elements, and knowing this is Peter David back on 2099 stuff is a definite treat, perhaps contributing to my enjoying this…to my wanting to enjoy this.

I’m less familiar with the art team, but I do like the visuals on the whole. I don’t care for the cover art overall…except for Iron Man, whose armor looks fantastic to me on the cover. I actually like it throughout the issue, but particularly on the cover.

As this is new stuff, pushing the 2099 universe forward a bit or in a different direction (but no mention or reference to Doom having taken over, etc), it’s not exactly a beginning…yet it doesn’t entirely feel like just some continuation, either.

I was curious about this…curious enough to check it out. This was not a bad issue, and I’m interested on the whole in learning more of these characters…but with all the many Secret Wars tie-ins, some of these will ultimately competed with each other. I’m more willing to check out *A* first issue than to stick with an entire (mini) series. I’m not choosing from this issue to not continue, but this isn’t quite enough for me to say I absolutely will get the next issue.

If you’re a 2099 fan, you’ll definitely want to get this; ditto (I imagine) if you’d followed the recent Spidey 2099 series…or if you’re just a fan of Peter David‘s work. And of course, if you’re an Avengers fan this could almost be titled Avengers 2099, except its timing is such that it gets the Secret Wars branding foremost, and may prove to take on the entirety of the 2099 stuff, with just this first issue so focused on the Avengers team.

Recommended, definitely one of the more interesting of the tie-ins so far.

The Infinity Gauntlet (2015) #1 [Review]

secretwars_infinitygauntlet001Story: Gerry Duggan & Dustin Weaver
Artist: Dustin Weaver
Script: Gerry DUggan
Letterer: Comicraft’s Albert Deschesne
Cover Artist: Dustin Weaver
Production Designer: Idette Winecoor
Assistant Editor: Devin Lewis
Editor: Nick Lowe
Published by: Marvel Comics
Cover Date: July 2015
Cover Price: $3.99

Particularly given my "Thanos kick" this year, and the nostalgia for me of the original The Infinity Gauntlet series from 1991 (and its followups and the evolution/devolution of Thanos across the 24 years since), this one–as a first issue, at least–was a no-brainer for me on picking up.

I was put off a bit by the Novas on the cover, which I mistakenly saw as a couple generic Novas and the new "Kid Nova" character that replaced the one I knew growing up. Turns out from the interior that I actually would like to see these Novas. I’m also rather put off by what has become an extremely nitpicky sticking-point: the Infinity Gauntlet itself, as I’m most familiar with it, as it was in the ’90s was a left-handed device. Not a right-handed piece, despite recent (the last few years and the Marvel Cinematic Universe) having it as a right-hand thing. I’m not passionate enough on the point to research when the chance actually happened or if it was intentional…I just don’t like it and it bugs me.

The interior, the story of the issue follows a young girl and her family surviving in a dystopian environment. The matriarch of the family disappeared ages earlier, choosing to attempt to protect the world and thus her family by fighting an alien threat before it could hit home. The fact it did leads most of the family to assume the woman’s death, and it’s a point of contention between several characters. While a bit of "hope" is found despite horrific developments, the end of the issue indicates things are about to get much worse.

That this is titled The Infinity Gauntlet and does not "star" Thanos is a huge disappointment for me. I also don’t like that the comics are now following the cinematic universe in referring to Infinity STONES rather than Infinity GEMS. I appreciate this is a different take on stuff, and that we’ll likely HAVE a quest to assemble the Gauntlet by series’ end, but as a first issue I am not overly thrilled.

Visually, this is a solid enough issue, though something about it–for something I went into expecting superheroics and such–seems just a bit "off" for a super-hero comic, and thus my reading experience. There is a slight Runaways vibe for me flipping back through the issue, though, so it’s not entirely out of place for me.

While I am not a fan of losing content in favor of huge one or two page "splash" sequences, this issue’s double-paged title sequence worked very well for me, generic as it is. Basically just the title, credits, and representations of the six Infinity objects (Stones/Gems/whatever) on a starfield. But having that amidst the story itself, as actual story pages instead of a textual title page opening the issue, and being two pages instead of one…reminds me of the title pages of the original 1991 series, and I just enjoy its presence.

I’m not entirely certain what to make of this, but I’m interested in seeing where things go. Rather than just a reimagining of Thanos or the Infinity Gauntlet conflict, this seems like it actually could be the start of something new and truly ongoing, and well worth my having checked this out. I do expect to pick up the next issue, and really hope to enjoy this series in general.

Convergence #8 [Review]

convergence008Last Stand

Writers: Jeff King and Scott Lobdell
Pencils: Stephen Segovia, Carlo Pagulayan, Eduardo Pansica, Ethan Van Sciver
Inks: Jason Paz, Scott Hanna, Trevor Scott, Stephen Segovia, Ethan Van Sciver
Colros: Peter Stiegerwald
Letters: Travis Lanham
Cover: Andy Kubert, Brad Anderson
Special Thanks: Geoff Johns, Beth Sotelo, Mark Roslan
Asst. Editor: Brittany Holzherr
Editor: Marie Javins
Published by: DC Comics
Cover Date: July 2015

[Please note that I WILL be “spoiling” this issue in this review. If you have not read it yourself and/or do not wish to know how the issue–and Convergence itself in general–conclude, you’ll want to stop reading; though I have about 2 1/2 paragraphs before I truly get to “spoiler” territory.]

I think I left off about six weeks ago–I’m pretty sure I jumped off after #2, never picking up #3 of this series. And though my enthusiasm quickly, almost totally tapered off…I again found myself curious about how this would wrap up, particularly given recent rumors at certain comic sites, and wanting to see/experience it for myself instead of just reading about it.

Of course, that was not truly worth the $4.99 cover price (at this point, that means I’ve bought THREE $4.99 issues and only one $3.99 issue of Convergence proper, which is absolutely disgusting to me). The cover also is quite generic and basic, not impressing me at all.

The story itself is relatively basic, and I certainly lack context of the past few issues. A group of heroes has gathered, to make their last stand. Someone named Deimos has just been killed by Hal/Parallax resulting in the planet becoming unstable, and its destruction threatens the Multiverse itself. A few remaining time-travelers (specifically Booster Gold, his sister, and Waverider) show up…and their solution is to bring Brainiac back. In turn, Brainiac’s solution is to absorb the temporal energy that’s been unleashed and return the heroes home, while having himself restored and the Multiverse fixed. Part of fixing the Multiverse is preventing its total collapse in the “first” Crisis. And fix stuff they do, and all the worlds are restored, the many many worlds of a Multiverse.

I mention that the story is relatively basic, and that’s in the “heroes are gathered, a last-ditch solution arrives, is executed, and we get page after page of “moments” to end the current series/event while not truly capping things off” sense.

Essentially, it seems that in a way, this means that Crisis on Infinite Earths is given a different ending, in which the final five Earths, at least, do not collapse into one single Earth, and generally that anything and everything that has ever happened in a DC comic has a place in the multiverse and is still out there somehow.

[The way I choose to interpret it is that we’re seeing the creation of a divergent branch OF the multiverse with worlds where Crisis on Infinite Earths, Zero Hour, Flashpoint, Infinite Crisis, etc. all happened or will happen existing amidst worlds in which none of those happened, and so on.]

The issue’s art is a mixed thing, with a bunch of pencilers and inkers involved. Fortunately, though seeming much like a “jam piece,” dealing with multiple versions of characters and various Earths and all that, I didn’t honestly consciously “notice” that overly much…I noticed some differences here and there but mentally wrote them off as nature of the story.

While the series didn’t hold me week to week, knowing now how it ends, I do expect I’ll still be interested in a collected volume–I half considered that it’d “only” be 5 issues to fill in my “gap,” but with DC‘s rather reasonable pricing, that $20 for 5 issues will probably be 2/3 or more the price of the inevitable hardcover of all 9 issues, so I expect to try to “hold out” for that.

Unless you’re like me and just want to get the immediate gratification of “experiencing” (reading) this issue and its place in DC History right now, or have already kept up ith the rest of the series…you’re better off waiting, I think.

This isn’t the worst ending of an event, but I wouldn’t consider it great, either as it seems to throw wide the doors on things than it does close them on even this story in itself. It does set up the new Earth 2 for the ongoing “primary”/focal part of the DC Multiverse (formerly The New 52) and leaves the entirety of DC history open such that it seems “possible” that anything/everything that’s ever been at DC is now “available” to be used in DC comics in general. Whether this ultimately proves to be good or bad, I don’t know.

I can’t say I’m thrilled with the issue in and of itself…but I am glad to have gotten to read this immediately, and be given some small “hope” of interesting self-contained stuff down the line. For the immediate present, though, this serves as a jump-off for me.

Ultimate End #1 [Review]

secretwars_ultimateend001Writer: Brian Michael Bendis
Penciler: Mark Bagley
Inker: Scott Hanna
Colorist: Justin Ponsor
Letterer: VC’s Cory Petit
Production Design: Manny Mederos
Cover: Mark Bagley
Assistant Editors: Chris Robinson, Emily Shaw
Editor: Mark Paniccia
Published by: Marvel Comics
Cover Date: July 2015
Cover Price: $3.99

Despite missing the first two issues (to this day 14-some years later I’ve had to rely on reprints for my personal collection) I had jumped into the Ultimate universe basically at its start, with Ultimate Spider-Man #3, and I believe I finally got to read the first two issues initially in a Mighty Marvel Must-Have edition. As such, seeing as how–after several false-starts on the “end” of the Ultimate universe–the ending is finally here, I couldn’t pass this up. And like I started with Ultimate Spider-Man with the single issues, so, too, I found it fitting to follow the single-issues here as well.

This triggers plenty of nostalgia for me from the cover, which utilizes the original trade dress of the Ultimate books–the two solid-color bars down either side of the cover with a skinnier image between. The Ultimate End logo looks familiar, though I think the font is slightly “off” from some of the other Ultimate _______ logos; and of course we have the Battleworld banner across the top and the Secret Wars stamp marking this as part of the overall Secret Wars 2015 event, specifically the Battleworld class of tie-ins. I had noticed an alternate cover with the Miles Morales Spider-Man costume, that looked like the original Ultimate Spider-Man #1 cover that I almost chose over the standard cover. However, never having acquired an original USM #1, I stuck to my guns on getting just the standard/main non-variant cover for this.

We open on (a) Spider-Man tangling with a Serpent Squad, putting him into interaction with Cloak, Dagger, and a Spider-Woman. We then shift to a huge gathering of heroes that seems made up of a mix and combination of “616” characters and “Ultimate” characters. Spidey joins in as everyone is debating the fault and situation itself they all find themselves in, before the party is further crashed by Thors.

Simply opening the book and reading, I was actually expecting the Miles Morales Spider-Man, so was surprised to see a classic-costumed Spidey. Further, this seems to be a Peter Parker Spidey, suggesting he’s either the 616 Spider-Man or another. The issue has a prologue and then jumps to “3 weeks ago,” and references a white portal/other world, so as a cursory read-through I’m not certain on the timing and how much the characters know of where they are and if that was pre-incursion or what; I have not kept up on any Marvel the last several years until Secret Wars #0 and 1. So what may be totally obvious to readers following along was not to me.

Still, knowing the basic premise, that didn’t bother me much…I recognized the various characters overall. Whether this was actually Battleworld as I assumed or a flashback to the universes still being separate isn’t a huge deal to me. Story-wise this worked well enough and had a familiar “feel” stylistically. The art of course is familiar, and Bagley‘s work is just as good now as I recall from when I was following the Ultimate Spider-Man series with his art.

This is only the first issue of–I believe–five, so there’s by no means a complete story here. We’re introduced to stuff, mostly, with a little bit of background/flashback given; this is clearly a first chapter of a larger singular story within the Secret Wars/Battleworld stuff. As I expected that going in and did NOT expect some one-off single-issue tale, I’m fine with that; I also went into this with the expectation that I’d enjoy it and that barring some huge disappointment or negative factor, I wasn’t going to bail on the series just from whatever this single issue held.

I enjoyed the issue overall–story and art, and appreciated the mix of nostalgia and new. I do look forward to the next issue and want to see where things go. I bought this because of my own history with the Ultimate books; though I suspect this may be one of the more “key” tie-ins to the overall Secret Wars as it deals specifically with ending the Ultimate Universe. (After all, Secret Wars is kicked off by the Ultimate and 616 Universes as the final two in existence, merging).

This seems like a very strong issue for a tie-in reading experience, and well worth getting if you’re following Secret Wars. It also seems likely to be a good story overall for putting the lid on the Ultimate Universe, fairly friendly even to readers like me who haven’t really read any of the Ultimate books for years. You could certainly do a lot worse than this issue!

Secret Wars: Battleworld #1 [Review]

secretwars_battleworld001Soldier Supreme; M.O.D.O.K. Madness

Writers: Joshua Williamson, Ed Brisson
Artists: Mike Henderson, Scott Hepburn
Color Artists: Jordan Boyd, Matt Milla
Letterer: VC’s Joe Caramagna
Cover Artist: Paco Medina
Editor: Jon Moisan
Published by: Marvel Comics
Cover Date: July 2015
Cover Price: $3.99

This issue gives us two stories set in Battleworld. The first is a skirmish between a Punisher merged with the spirit of Dr. Strange, Sorceror Supreme and The Infernal Four (a Hulk, Ghost Rider, Wolverine, and Spider-Man). The battle seems to shift things from one status quo to another, perhaps a transitional/origin type thing for stuff either to come or as a side-story to put a reference “on-panel.”

The other story shows us a bunch of M.O.D.O.K.s brought together by a “prime” MODOK who has realized it might be best to work with himself rather than others. Of course, this really turns out to be a poor plan, as MODOK(s) tend to have a bit too much ego to not try to be THE leader of any group instead of following.

I was good with the art for both stories. Though I’m not particularly familiar with the visual team, I had no real issue following along and was simply able to take in the story as I turned the pages. The stories themselves, similarly, were simply what they were. Essentially half-issue length done-in-ones to offer us glimpses of different characters that might not otherwise get a spotlight in Secret Wars.

Opening the issue and seeing that there were two stories, I was immediately disappointing, mentally flashing back to the “extended fight-scenes” nature of AvX: Vs from several years ago and assumed this was that series’ counterpart. Actually reading the issue I was pleasantly surprised to find something that while still basically “just” fights, at least a little more plot-driven and developmental for Secret Wars.

I could see enjoying this series for the glimpses of characters not otherwise overly spotlighted, but I’ve also been “trained” to be used to (and even prefer) the multi-issue/several-issue stories. Given that, these seem to (by simple pagecount) lack something to be more engaging and interesting for me.

All in all it’s not a bad issue, and well worth reading if you enjoy MODOK or the Sorceror Supreme…or if (like me) you’re simply delving into Secret Wars and want to see characters from different (former) realities interacting. This should also work well as a “companion” book to expand on the main Secret Wars book running through the event.

Battleworld does not seem (yet) to be all that ESSENTIAL…just kinda fun-ish and “worthwhile” to read if you so choose. I haven’t decided yet if I’ll continue with the series…it might depend on how much clustering there is the week the next issue is out and whether I feel like adding it to the stack.

Convergence: Adventures of Superman #2 [Review]

convergence_adventuresofsuperman002Writer: Marv Wolfman
Penciller: Roberto Viacava
Inker: Andy Owens
Letterer: Rob Leigh
Colorist: Sotocolor
Cover: Mikel Janin
Assistant Editors: Brittany Holzherr, Michael Kraiger
Editor: Marie Javins
Published by: DC Comics
Cover Date: July 2015
Cover Price: $3.99

I bought this primarily because I’d bought the first issue, and it just seems too weird to me to buy only HALF a story. Plus…this is Superman, and Supergirl, and moreso, it’s Adventures of Superman, back for a shiny moment.

We open on the Phantom Zone villains beating on Superman, while Supergirl tries to save him. In the “real world” Lucius is able to contact the Super-duo and prepares to bring them back. Superman forces Supergirl to go but remains behind until she uses one of Lucius’ devices to bring Superman back through, destroying the portal before the PZ villains can come through. Then the two join up with Kamandi to fight the gorilla invasion and ultimately realize they have to take the fight beyond the city to actually make a difference.

Frankly, I found this issue to be boring. I don’t much care for the over-use of the Phantom Zone, the re-use of the villains (nor their redesign to match Man of Steel (the 2014 film) rather than classic pre-Crisis costumes), and something just seemed “off” about Superman in particular here, like he was more caricature than anything else. Supergirl seemed overly obsessed with the notion that Superman MUST Live and concern over her own pending fate to a degree that she, too, felt fairly two-dimensional. The characters, their environment, etc. continue to fall into the appearance of “based on ____” rather than BEING the same characters I’d remember or know from the past and so significantly lack any sense of true importance.

That this issue has a to-be-continued note (into Convergence #6, which I believe was out LAST week) was a surprise as I’d thought these were to be self-contained two-parters…so rather than any real attempt at an ending or any finality, and having dropped the main Convergence title due to feeling it was irrelevant to my weekly reading experience…I now find that to not be the case, which is annoying and puts me off more than a little bit.

I’m not familiar with the art aside from the previous issue of this mini, and can’t say I’m overly enthused by it…though it’s not bad or put-offish in itself. I think the primary issue I have with the visuals is that this LOOKS too “modern” for the characters involved. The cover has some interesting contrasts in colors, particularly Superman and Supergirl against the Gorillas…but the whole thing just has a certain “flat” look that I don’t particularly care for.

While I’d consciously choose to like this issue if I could, I just don’t like it, despite appreciating Wolfman‘s past with comics and that he’s handled these characters as well as post-Crisis versions before and those hold a key point of nostalgia for me.

Along with the main story there’s a Martian Manhunter short that makes this issue thicker…but as I have zero interest in the character in this context, of a reinvention or such and have an active disinterest in DC‘s “mini relaunch” in a couple weeks, I couldn’t bring myself to truly READ the thing, and skimmed it instead. It adds nothing to this issue for me, and despite knowing it’s technically new/original content it just seems out of place and just like any other “preview” I am more than used to actively ignoring. Given what it is–that it’s supposed to promote the upcoming Martian Manhunter book I’m surprised there’s no blurb or any kind of indication on the cover…if it’s a “selling point” that there are 8ish bonus pages of original content promoting the June lineup in the various Convergence issues this month I would think they should be on the cover.

In and of itself this seems quite skippable in general, particularly if you’re not keeping up with Convergence. Nothing about this issue really seems essential, fun, or important…and for the cover price, you’re better off passing on this unless you feel compelled to get it for the same nostalgic factors that hooked me, or because you really want the Martian Manhunter content because you plan to check that book out.

Darth Vader (2015) #5 [Review]

darthvader(2015)005Vader part V

Writer: Kieron Gillen
Artist: Salvador Larroca
Colorist: Edgar Delgado
Letterer: VC’s Joe Caramagna
Cover Artist: Adi Granov
Assistant Editor: Heather Antos
Editor: Jordan D. White
Executive Editors: C.B. Cebulski, Mike Marts
Published by: Marvel Comics
Cover Date: July 2015
Cover Price: $3.99

I intended to drop this. I don’t like the lack of dialogue, and captioning, and how quick it is to read. The speed at which I can blast through an issue makes it a REALLY HORRIBLE “value” for what I spend. But DARN IT…this thing is great to look at, sure is pretty. And I already got the first FOUR issues, the first 2/3 of the arc, and I just had to go and look inside to see if this was a new story or still continuing the existing one, and it’s part 5. So…I bought this, against conscious prior intent…and so help me, I’m really enjoying this title when I get past the conscious, principled complaints.

It ALSO certainly did NOT help that I just re-watched the original Star Wars films, so have these characters–and this time period in the Star Wars canon–front and center in my mind, craving whatever else there is that looks good, looks like it fits, and…in some ways, perhaps I’m just a “sucker” for this stuff right now. The fact that as I sit and type this I feel like I have a stupid, silly grin on my face accentuates that.

Of necessity, we already pretty much know the ultimate fate–or lack thereof–that will befall most of these characters. These droids aren’t around come Empire Strikes Back–they’re not even significant enough to be referenced. Ditto Doctor Aphra. But that doesn’t excuse the feeling they matter right now, in this story, as it is presently unfolding.

I don’t care for the Doctor Who comics, and shoehorning in of new/different/”extra” Companions…yet I’m ok with this for Star Wars comics. Aphra is unlikely to survive, but she’s cool right now, and likeable, and written well and modern despite being set in a story between movies that saw initial theatrical release more than three decades ago.

There’s not a LOT of story in this issue, and I have to keep going back to the art as what makes this. I’m aware of Gillen having done a fair bit with the X-Men title/characters some years back, but largely have yet to read that run, so there’s nothing to the story itself here that I can look at as seeing/feeling this is a Gillen story. But the consistency of the characters and the witty one-offs (Triple-Zero being what he is yet having concern for politeness made me grin) and such give this a modern, contemporary feel while Larroca‘s art (though actually, credit’s gotta go to the ENTIRE visual team) really makes this book. And I don’t usually care about the art enough to gush like this.

I’d love to simply not like this book, because it’s published by Marvel and I’ve not been thrilled with Marvel for awhile as well as the fact that Star Wars and Dark Horse have been pretty much synonymous to me for basically the entire time I’ve been reading comics until just a few months ago.

But despite myself, it’s enjoyable and a fun read and quite worthwhile in and of itself. If you’re a fan of Star Wars, and Darth Vader…I highly recommend this. If you haven’t followed the single issues, it will definitely be worth checking out in the inevitable collected volume.

Convergence – Batman: Shadow of the Bat #2 [Review]

convergence_batmanshadowofthebat002Home is the Sailor

Words: Larry Hama
Pencils: Rick Leonardi
Inks: Dan Green
Colors: Elmer Santos
Lettering: Steve Wands
Cover: Philip Tan, Elmer Santos
Assistant Editors: Holzherr & Kraiger
Editor: Marie Javins
Published by: DC Comics
Cover Date: July 2015
Cover Price: $3.99

Batman and Azbats…er…Azrael, vs. Wetworks, for the fate of the city? Yeah, but I don’t even know WHICH city they’re in from this. The previous issue was several weeks ago and this one lacks anything to bring one up to speed. Sure, it’s ONLY the 2nd issue of two, but…really? So the Batmen fight Wetworks while befriending a woman and her son as the notion of getting the Wetworks team to slow down long enough for a teamup to be proposed, to endeavor to save BOTH cities. And while both cities are still around at the end of the issue, there’s no truly definitive ending.

We get the "conclusion" of a story that is NOT a conclusion. At best it’s the first act in a larger arc…but there’s no To Be Continued note, no "continued in Convergence #7," no "for the final fate of BOTH CITIES, check out Convergence #8 on sale in TWO WEEKS!" note, just some ridiculous, cliché stopping point because we’re out of pages.

And I really feel like I should have gone with my initial instinct and left this thing on the shelf. But in a fairly rare instance of it happening, the cover sold me, just by its weird coloring, and the title logo…and the strength of the previous issue’s cover (which I liked SO MUCH that I made it my phone’s lock screen, so have been seeing it several times a day for the past month or so).

I was further sold, again, by Hama‘s name on the cover…though sadly, that (and the interior credits) are the only place I have anything to truly suggest to me that Hama‘s even involved. Nothing about this "feels" like some kind of GI Joe thing, nothing reminds me of 1993-ish Wolverine, and nothing about this otherwise screams "I’m by Larry Hama!" to me.

I blame that not on Hama, but on the lack of room for anything to truly develop. And having soured CONSIDERABLY on Convergence in general since its start, having allowed myself some general enjoyment of Marvel’s version of stuff in Secret Wars, this just pales all the more as an issue.

This felt paced to be the opening of a larger story, and if this were a six-issue arc, it would seem on track to be a good story overall, having spent the first issue (re)introducing us to Zero Hour-era Batman and Azrael and setting up the Wetworks fight; this issue gave us the actual fight and leaves us with the two groups seeming about to team up; leaving several issues to show them interacting and preparing a plan; putting the plan into action and the plan going awry; an issue to refocus or have some significant change to the Batmen at least, and lead into some cataclysmic or miraculous event for one/both of the cities and a possible lead-back into some core event series.

So in a way, this is like a 6-issue mini getting canned after only 2 issues; or checking out a couple episodes of some tv show, being somewhat interested, but then told "oh, no, they just never put any more episodes out" or some such.

I’m irked at the length (technically, the lack thereof); irked at the Deathstroke "preview," that I don’t care about especially for not caring about the title or character, I’m irked at the $3.99 cover price vs. $2.99; and I’m irked that I bought this thing at all as a single issue.

This totally feels like it’s something destined for bargain bins; whether dollar bins or cheaper I don’t know. The entirety of Convergence does, for that matter. I’d bought the Superman #2 issue last week and now this; I’m wrestling with OCD on the STEEL issue as well as the handful of other #2s still pending. Consciously I know I should wait for the bargain bin appearances, but there’s part of me that just HAS TO "experience" what’s happening real-time with some of these ‘key’ issues, that is not content to just sit back and get it second-hand.

As long as you’re not feeling that way, I’d say this issue is totally skippable and inconsequential…to whatever the main story has gotten to and in general. There’s no #3 and no new #1 for Batman: Shadow of the Bat that I am aware of; no new pending title debuting starring Jean-Paul Valley, any incarnation of Azrael, or a Zero Hour era Batman, so…if the cover doesn’t suck you in or some other sentimentality grab you, wait for the bargain bins or an attractive collected volume that includes this.