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Thanks, Valiant! (Superman and The Flash)

Three months post-Legends of the Geomancer, and with having dumped Valiant entirely from my pull list, I’m finding myself buying other stuff as I continue to support the local comic shop–just not via Valiant‘s offerings.

superman_flash_oct_21_2015

This week, I snagged an old Superman vs. The Flash for cover price, and at another shop managed to find Flash #53 for the price of a standard contemporary comic. I was willing to pay $3.99 for it for the immediacy and specificity–I was seeking this specific single issue, hadn’t seen it in bargain bins, and it’s not like I often see the Flash in quarter bins anyway.

I wouldn’t be (able to be) buying the back issues and collected volumes I have been lately, had I not been "freed" from the weekly Valiant expenditure…though in some weeks I think I’m actually spending a bit MORE, but I’m "affording" stuff I would NOT be able to ON TOP OF buying Valiant.

So, in response to the ridiculousness that was Legends of the Geomancer and my finding other stuff that I’m truly ENJOYING more than just "tolerating" the $3.99 and turning a blind eye to variant covers and such…

I can only say thanks, Valiant.

Superman: Lois and Clark #1 [Review]

superman_lois_and_clark_001Arrival, part 1

Writer: Dan Jurgens
Penciller: Lee Weeks
Inker: Scott Hanna
Colorist: Brad Anderson
Letterers: A Larger World Studios’ Joshua Cozine & Troy Peteri
Cover: Lee Weeks and Brad Anderson
Assistant Editor: Andrew Marion
Editor: Eddie Berganza
Published by: DC Comics
Cover Date: December 2015
Cover Price: $3.99

I’ve been looking forward to this, at least in concept. Superman…and Dan Jurgens. It can’t get much better than that, right?

I came into the thing expecting this to be “my” Superman sent back to help stop the Crisis and then picking up 5 or 9 or however many years later–with him, Lois, and their son (born in Convergence: Superman). Maybe I never thought through the details, maybe I was hung up on the notion of actually, finally getting “my” Superman (of sorts) back. The pre-Flashpoint Superman.

What I’ve found is that Superman apparently living on the New 52 Earth (or one very much like it), with things striking me as being pretty much the same as the “current” DC Comics Superman. Having realized the world was quite different, he stuck to the background, and even went “underground,” taking the name White, and operating strictly in secret, restraining himself from getting involved.

Since the New 52-ish world is similar in many ways, he’s–while operating in secret–sought to do what he can to prevent the rise of certain entities, prevent certain events from coming about. Meanwhile, Lois has written a number of books as an anonymous author, impacting the world as she can that way, while together they raise their son Jon.

When I think of Dan Jurgens on Superman, everything goes back to 1992’s Superman #75, The Death of Superman…particularly VISUALLY. It’s an unconscious thing, that issue, that story being such a key part of my childhood and early days in comics. As a result…it’s a bit jarring and such when my brain wants to see Superman one way visually and get something different.

Though he’s the writer, the art is actually be Lee Weeks, with a style distinctive from Jurgens‘ own. Getting past that, I like the art in this issue. Aside from “noticing” it’s not Jurgens‘ art, I really have no active/overt gripe with it. I never got pulled out of the story, out of the reading experience by any surprise or “weirdness” or such; there was no oddity to my eye with the depiction of the characters. And maybe it’s my earliest issues of Superman/Adventures of Superman–when I was introduced to the modern version of the character–but I really dig Superman/Clark with a beard.

Story-wise, this was a bit of an odd experience…having a lot of loaded pre-conceived expectations and notions as to what this should be, what I wanted to see, how I hoped the characters would be shown, etc. Given my personal “history” with Superman–the character being THE core of my comics-reading experience and the reason I was even first introduced TO comics–I freely admit that there’s really no way this was going to live up to my idealistic hopes.

What I got is mediocre compared to what I’d hoped for.

In and of itself? This was a solid issue. There’s some flashback/exposition that I’m not sure would make MUCH sense to someone just jumping onboard to “try” this, without familiarity with pre-Flashpoint continuity or having read Convergence and the Superman 2-parter from that. It provides just enough for me, to get around the lack of a textual “previously” page (and sets this up for the inevitable “graphic novel”) and to clarify that yes, this is the pre-Flashpoint Superman, yes, he went back and helped end the first Crisis, yes, he’s aware of this world’s other heroes, and despite reservations, he’s left them to their things and focused on protecting his family while helping in secret as he can.

We’re introduced to a couple of elements I don’t believe have been dealt with in the New 52 Superman stuff (or if they have, it’s not been in the limited handful of stuff I have personally read/been made aware of). Intergang, and Hank Henshaw. Lois is working on something with this world’s Intergang (a dangerous proposition)…while Clark seeks to make sure that Henshaw’s spacecraft does not meet the same disaster it did in the world HE remembers.

Of course, as always…the world is different, and there are other forces at play, and this is only the first issue of four or six or some such (though I’d love for it to be an ongoing series).

There’s not enough here to truly display the historical significance of this version of Superman/Clark and Lois, or of their having a child, being married, etc. The significance comes from being an “old” fan, to fully appreciate the unspoken, unmentioned context that gives plenty of weight to this. I can only assume that otherwise–to a newer reader–this is nothing more than an alternate, older version of Superman. That this Superman is now what the “Earth-2” Superman may have been to others in the silver age comics, or the “pre-Crisis” Superman to readers in the time I was getting into comics.

This book can surely be enjoyable for new readers and old alike, but I am on-board as the older fan/reader, and appreciating this bone I’ve been tossed, as SOMETHING for me that isn’t New 52 or some “out of continuity” one-off.

The Fourth Fifty: IDW’s TMNT

four_fifties_banner

I remember picking up the Mirage Teenage Mutant Ninja Turtles #50 back in the summer of 1992. I didn’t fully “get” the issue, but it was a significant milestone in an age of round numbers (25/50/75/etc), anniversary issues and all that. It was apparently the first full collaboration between Eastman and Laird on an issue of the series in quite some time, plus it kicked off the City at War storyline, which to this day holds plenty of significance to the TMNT mythology 23 years later. In retrospect, the issue came out “only” 8 years into the turtles’ existence…basically in the first quarter of the entire time they’ve been around.

Only the year following, the 50th issue of Teenage Mutant Ninja Turtles Adventures from Archie hit, concluding a 3-part Black Hole Trilogy that picked up/integrated the alien Sarnath and “canonized” the 2-part The Incredible Shrinking Turtles story from issues 3-4. The issue included a pull-out poster, and gold ink on the cover, lending it a bit of a special look compared to other covers of the series.

In 2008, the second volume of Mirage‘s Tales of the TMNT reached its 50th issue, which was again a pretty significant milestone…all the more for me, personally–it was the first series that I ever followed uninterrupted from the very first issue TO its 50th (and/or beyond).

Now, in 2015, we have the 50th issue of IDW‘s Teenage Mutant Ninja Turtles series, another that I have followed uninterrupted from its very first issue to this 50th, and have every intention of continuing as far beyond as they’re willing to go without renumbering.

tmnt_four_fifties

Thoughts On This Week’s Secret Wars #6

secretwars(2015)006I think this is my final issue. This cover–probably for having been printed in advance–still shows “of 8” whereas the series has been expanded to 9 issues at least. And displaying the tardiness of this book, the first POST-Secret Wars books hit this week already…meaning that only 2/3 into this event series, we’ve already got the post-series status quo showing up.

Back in 2005/2006, DC did their One Year Later jump, intentionally midway through Infinite Crisis…but that was promoted that way. That something would happen in Infinite Crisis and all of DC‘s titles would jump ahead a year, though Infinite Crisis itself would still have a couple issues remaining to play out.

It was PLANNED that way.

And frankly, despite the early “fun” to Secret Wars stuff and the nostalgia factor…I find myself back to the general negative feelings on their stuff that I’ve often wound up with.

They hype this big, huge event far beyond anything that could truly, possibly be delivered. And then while the story has barely started, is less than halfway through…they’re already hyping the NEXT thing. The NEXT status quo, the NEXT event, the NEXT whatever.

There’s no room for things to just settle, to let something play out, to give books several months to “cool off,” to explore ramifications and “aftermath” of stuff from one big event before jumping into the next.

Solicitation cycles and all that, I’m sure. To say nothing of the 6-issue periodical volumes.

I’d truly had high hopes that we’d see a fresh, all-new Marvel Universe that I could start with, Day One, and “meet” characters anew. We’d still have had everything to that point, but now have a new universe for EVERYONE to start with…even if it also involved a mashup of “the 616” and the Ultimate lines.

But other than several characters “crossing over” or “carrying over” or whatever (hardly much different than say, Sugarman, Dark Beast, Holocaust, and Nate Grey–X-Man–carrying over to the “main” X-Men line after the original Age of Apocalypse), it’s the same Marvel Universe that we started with. 

“My” Wolverine is still dead, with X-23 and a crossed-over Old Man Logan as a replacement/excuse to keep original-Wolverine dead while still HAVING Wolverines.

Then there’s opening the issue onto a white page with gray lettering stating “Three Weeks Later.” Given the sporadic release of the title and my having trailed off on tie-ins and such, I found it a bit jarring and less than appealing. “Three weeks after WHAT?!?” I asked myself. “I don’t even remember how the previous issue ended!” Sure, a few pages in, I came to a recap, but that doesn’t change my initial, involuntary reaction to the issue.

And while I didn’t “notice” it as much earlier on, or could overlook it, or whatever…I can’t help but feel a sense of pretentiousness to the book…that sense now of it trying to be some High Story, on some higher, multiple-levels more than “just” some straight-up super-hero thing with a huge quantity of characters all interacting that leads to a new Marvel Universe from the parts.

As is often the case, though…it will likely read a LOT better in a collected edition, when the ENTIRE story can be binge-read. At this typing, I figure I’ll finish out the Age of Apocalypse series, probably watch for some other stuff in dollar bins that I started with…but by and large, I think I’m done with this until I suck it up and buy a collected edition. 3 issues left, one probably a $4.99 to $5.99 as an extra-sized finale…that’s $13-$14 toward a collected volume!

Batman and Robin Eternal #1 [Review]

batmanandrobineternal001Story: James Tynion IV & Scott Snyder
Script: James Tynion IV
Pencils: Tony Daniel
Inks: Sandu Florea
Colors: Tomeu Morey
Letters: Tom Napolitano
Cover: Tony Daniel, Sandu Florea, Tomeu Morey
Asst. Editor: Dave Wielgosz
Editor: Chris Conro
Group Editor: Mark Doyle
Published by: DC Comics
Cover Date: December 2015
Cover Price: $3.99

Against otherwise better judgment, I decided to check this out. I’m sure it had plenty to do with being a #1–a chance to “check it out” from the start, before things get deep. Also that I got the impression the series is due to focus heavily on the previous Robins–Dick, Jason, and Tim–which is something I’m quite interested in (particularly Dick and Tim). I also have the hope of it being a lengthy but mostly contained story, and while I’m really not thrilled at the prospect of a WEEKLY $4 book, since it’s not like I’m really following anything else from DC and Marvel at the moment, I might be able to tolerate a weekly dose at the higher price.

We open with a flashback, then jump to the ‘present’ with Red Robin, Grayson, and Red Hood pursuing someone; a bit of an action sequence. Scene skips abound as we get a moment with the new Batman interacting with would-be Bat-protégé Harper Row, then more flashbacky stuff, and Grayson encounters a costumed figure that could have used lethal force but doesn’t; we’re introduced to this “Mother” as a concept, and “The Orphan,” and ultimately get a fairly disturbing “reveal” for the ending of the issue.

Aside from the concept, probably the first thing I noticed with the issue was the art. I tend to enjoy Daniel’s work, and even on a hit-or-miss basis, this one’s a hit for me. I really liked the look of the issue on the whole–including Dick and Jason looking rather similar (thanks to metatextual knowledge of Jason’s creation/introduction back in the ’80s). Really no complaints visually.

Story-wise I’m less-keen on stuff. Structurally, I definitely appreciate the issue. I liked that we’re dropped in on action right away (rather than some “talking heads” situation), and I like that we get a bit of an overview of the characters that seem poised to be focal points of this weekly series. It’s silly details that hung me up–stuff like “The Narrows” as a location I don’t ever remember in Gotham prior to the Nolan films or the Arkham games, as well as stuff from Dick’s flashback to his first “super-villain” tying to those films. I can’t quite put my finger on why that bugs me, but it’s there. Hardly a “dealbreaker,” though. I have more concern with Batman–Bruce’s–actions and potential motivation, perhaps just on a metatextual level.

Whatever the specifics…I enjoyed this on the whole. The issue also felt thick (and it is–I count 30 pages of story to the usual 20ish) and so the issue is much more worth its $3.99 cover price.

Seeing the third volume of the paperbacks for the previous Batman weekly–Batman Eternal–also out this week plants the seed in my mind all the more that I might prefer to just wait for collected volumes…particularly given how quickly I lost track of DC‘s weeklies last year. If I’m not going to get around to/keep up with weekly issues and binge-read anyway…might as well wait for my preferred format.

Still…a good first issue, working well as a “pilot” issue and getting me interested, confirming that yes, I am (myself, at least) interested in where this story goes, whatever the format. And as a first issue…this is well worth checking out if you’ve any particular interest in Batman’s sidekicks.

All-New All-Different Marvel November Checklist

November 2015

All-New Hawkeye #1
All-New Wolverine #1
All-New X-Men #1
All-New , All-Different Avengers #1
Black Knight #1
Carnage #1
Deadpool #1
Drax #1
Hercules #1
Howard the Duck #1
Illuminati #1
Mighty Thor #1
Moon Girl and Devil Dinosaur #1
Ms. Marvel #1
Nova #1
Silk #1
Spider-Woman #1
Star-Lord #1
Ultimates #1
Venom: Space Knight #1
Vision #1
Web Warriors #1

marvel_november2015_launches_checklist

[source: promotional postcard (pictured above)]

Happy Birthday, Little Cat…

25 years ago today, Miss Kayla Crystal was born…a purebred Himalayan. At 15 months, she joined our family–I was 11 at the time. She was just Kayla to us–our cat, a part of our family. Being a Himalayan was incidental to the fact of her place with us.

kayla_december_3rd_2008

Though she left this world in May 2010–nearly 5 1/2 years ago (preceded in September 2008 by our younger cat Christy), her memory is still there, is still here, is still part of me, she is still in my heart and memory and mind and…there just aren’t words for this feeling.

kayla_december_3rd_2008b

kayla_february_2009_a

One of my favorite memories of her, from 2009…I was searching comic boxes, and curious as ever, she joined me, and seemed to really enjoy climbing on the boxes, pawing at them, and even at one point found one I left a lid off and I caught her pawing madly at the tops of some comics. Where some might’ve been horrified…I just wanted the photo of her doing that.

kayla_on_longboxes_october_2009

I miss you, Kayla…

One Year Later

A couple weeks ago, I hit the one-year mark of having a new post for this blog every single weekday (Mon-Fri). Over 52 weeks of at least five posts per week.

What started as a personal “experiment” in seeing if I could do a month, then several months, then top my previous “record,” eventually turned into me deciding to keep up the daily schedule to hit that year mark. Then I decided to finish out the month.

When I found myself with nothing prepared Wednesday night, I used that as an excuse to finally ‘break’ my trend. Now I’m free of that…less pressure to put on myself to keep it up.

And while I’m not going to specifically NOT post…I’m probably going to (try to) allow a bit more time between posts for awhile. Take a break from writing ABOUT comics and comics-related stuff and spend more time just simply reading and enjoying them.

This blog will still be here, I’ll still be here, and even if I’m not posting daily for awhile, I expect to have stuff here and there.

Vampirella/Aliens #1 [Review]

aliensvampirella001Writer: Corinna Bechko
Artist: Javier Garcia-Miranda
Letterer: Simon Bowland
Colorist: InLight Studios
Cover Artist: Gabriel Hardman
Cover Colorist: Jordan Boyd
Published by: Dynamite Entertainment
Cover Date: N/A (September 2015)
Cover Price: $3.99

In twenty-seven years, throughout the entirety of the ’90s and the ‘bad girl’ craze and all that…I never bought even one single issue of Vampirella. That impressive run has now come to an end, thanks to a cover and crossover…with Aliens.

Some cloaked/hooded figures in some sort of underground temple on Mars are attacked by Aliens, and quickly revealed to be vampires. Even their enhanced abilities are no match, and they’re wiped out. Some time later, a ship arrives at the station on the surface, carrying an individual with special expertise…Vampirella. She and the station crew investigate stuff and–of course–encounter the Aliens. They also learn that vampires are not the cause of the strangeness but victims. After fending off an attack that left most of the group unconscious with creatures having attached themselves to faces…we see that even Vampirella isn’t immune to Aliens and their larval Facehugger forms.

I don’t honestly know what I expected from this. I’d known the series was coming up, probably even knew this first issue was due out, but I forgot about it all the same, until I saw it on the shelf.

Despite the presence of Vampirella…the cover looks like an Aliens comic. Aside from the ridiculously unnatural near-lack-of clothing on the female, this could be any Aliens comic, by the looks of it. And that suits me just fine, simply being interested in something new with Aliens. I also like the way the two publishers’ logos are…neither one seems out of place, and the way they appear with the issue number and creator names, if one didn’t know better it’d be quite possible to think that one’s an imprint of the other rather than two “competitors.”

I’m not familiar with the creative team, so nothing prior to compare this to in that regard. But in terms of being “an Aliens story,” this is pretty formulaic and familiar…which I actually appreciate and enjoyed as I read this. (That’s what Aliens crossovers ARE, too, to me: something entertaining despite formula…because it’s Aliens vs. ______ [insert character/property]!) So there’s not much story-wise, to me. I’m aware OF Vampirella but know basically nothing about the character or her past stories/continuity. Ok, so she’s a vampire? Cool…that means she’s at least “tougher” than “regular humans” (as we see in this issue). I don’t really “need” anything else…I’m entertained at “Aliens vs. Vampires” here.

Visually…I like the art. This looks and ‘feels’ like an Aliens comic. And that’s more than good enough for me. I’m especially impressed with the cover, though. Different artists, but the styles work well together–the interior art isn’t a match to the cover, but it’s not a jarring difference or anything. And surprisingly–almost shockingly–despite one particular glimpse of a “classic” look to Vampirella herself, we’re treated mostly to a far more feasibly-dressed female figure that doesn’t make me feel dirty for buying an issue with Vampirella in the title.

I’m not sure if this is 4 or 6 issues for the mini-series, but right now (particularly given the issue’s cliffhanger) I’m very interested in the next issue, and will be keeping an eye out for it next month, whether or not I stick with the single issues for the entirety.

Not being entirely familiar with Vampirella, I don’t know if fans specifically of the character will enjoy this (at least for this issue alone), though I can’t imagine (so far) that it particularly contradicts basic stuff with the character. As an Aliens fan, coming to this because of that side? I really enjoyed this.

The $3.99 for one story chunk is off-putting as ever, put I’ve been pretty much beaten into submission on the fact that all the comics I buy are basically $3.99. While this is certainly an issue worth picking up to try the series, to get to read the story now and as it unfolds, and whatever other usual motivations are present for buyiing a $4 single issue.

Based on this first issue alone, I suspect the eventual collected edition will be of definite interest to Aliens fans, and as we get further into the mini, I won’t be surprised if there’s more material with what will appear to be a distinctly Vampirella tone, for those fans.

Some Raw Thoughts to Start September

[This is a rather raw/unedited post. No fancy formatting, no strategically-placed images. Just some worn-out thoughts from a guy worn out with the ongoing comic-buying thing.]

I’ve seen (but not read many) articles about the apprent “failure” of the DC You campaign, the support remaining behind it, ways it failed readers and ways it reinvigorated ’em. Stuff like that.

But not having read MUCH (going mostly off quasi-clickbaity headlines and links to VIDEOS rather than text), here are some of MY thoughts.

For me, to me, it’s been a failure. I bought the first issue of Batman Beyond, based on learning it was now Tim Drake behind the mask, that Terry had died during Futures End or such, and having an interest in the Tim Drake character, as one of my (pre-New 52) favorite characters. As I type this, I do not recall issue #2, if I even bought it (I’m pretty sure I passed on it). Despite interest in the future Batman, interest in Tim Drake, and having a soft spot for Dan Jurgens’ work…it wasn’t enough to hold me. Sure, the $2.99 price is appealing in an overwhelming sea of $3.99 books, but I just do not have faith in DC keeping the book going longer than 6-12 issues, which would make for a couple of collected editions, likely accessible in a bargain bin in a year or two’s time…or single issues in a bargain bin for 1/4 to 1/3 on the whole cover price.

I’m forcing myself to try a few issues of Constantine, missing the Vertigo Hellblazer incarnation. While the first two issues (I’ve bought but not yet read the third) seemed a lot more in line with that…again, I haven’t a clue how long this incarnation will last; whether the creative team will bail or leave or be let go, or the book will be cancelled, etc. There’s no “history” to it, with “only” 3 issues, while there are 3 HUNDRED issues of the Vertigo series…plus assorted guest-starring roles, specials, and so on.

Pretty much everything “continuing” from before Convergence just simply doesn’t interest me–especially as serialized graphic novels rather than monthly episodes in any sort of truly ongoing story.

And perhaps is was misunderstanding on my end, but the notion that ‘continuity’ doesn’t matter and that ‘story’ is more important REALLY put me off to some of the truly new things (as well as–again–the lack of faith in any true longevity to the series beyond what I can eventually get in bargain bins or discounted collected volumes in a couple years’ time).

And maybe that’s the thing, too, in the face of stuff that’s otherwise just “the latest” thing or the most current in a series of things that puts me “off” of new/current comics while leaving me totally embracing ’90s stuff and older stuff.

Ten years ago, maybe eleven, I was railing against $2.99 comics, up from $2.50 or less. The last seven or so against $3.99 comics, having gone straight from $2.99 with no stops at $3.25, $3.50, or $3.75 between.

And for wanting to follow entire continuities, entire universes…at the rare/occasional $3 and mostly $4/issue anymore, that’s just not possible for stuff like Marvel and DC. Even for sub-groupings or “families” of titles. Marvel double-ships a bunch of titles last I paid attention, and DC…has just really lost me with the New 52, beyond however much they’d “lost” me prior.

Valiant was manageable with only about 9 titles/month, but in terms of single issues for “everything they publish,” they blew it big-time with LotG (see anything I’ve posted in the last couple months about Valiant).

Which leaves me with my old fallback and readily-admitted exception to most anyother “stance” or “principle” I’ll take in comics: the TMNT. 2 books/month (1 ongoing, 1 of whatever the ‘current’ mini-series is), 1 book/month based on the cartoon, and about 1 book/month reprinting classic material…four books/month. I can handle that, and I get the entirety, pretty much, of comic book output of TMNT.

I might try something different here or there–Thom Zahler’s Long Distance, giving in to nostalgia with X-Men ’92 or Age of Apocalypse (with the added benefit of knowing these are mini-series and not an ongoing ‘investment’).

But at this point, I’m sick of the event-into-event-into-event-into-EVENT model. I’m sick of renumbering. I’m sick of the “seasonal” model of Marvel, and I’m sick of a crappy Superman.

I’m sick of the speculator-collector stuff, I’m sick of variant covers, and I’m entirely sick of shrinking pagecounts with increasing prices.

I’m sick of comics being nothing more than serialized graphic novels, where shocks, surprises, and “key” story elements have to be taken in within larger groupings of issues and not simply as the latest unfolding chapter of an ongoing continuous series. An X-Man dies in chapter 2 of a 6-part story, there’s no TRUE bearing on the series until at least the next arc–she might be back or the death undone in 4 issues as the larger story for the “graphic novel” resolves, or the very next “arc” as part of a larger 2-volume thing.

And I don’t like the unpredictability of most “indie” comics…and particularly WITH the serialized graphic novel bit…either I have no idea when/if I’ll get a second issue if I trie a first, or the thing’s geared toward the graphic novel. The “guaranteed-to-be-collected-into-a-single-volume” thing dooms most single issues for me.

Raiding quarter bins, I can buy a 16-issue (more than a YEAR)’s run of something for the price of a single current issue. I can sample smaller runs of various series. For only SLIGHTLY more than buying a 6-issue arc, I can buy a HUNDRED issues from 20 years ago. From a period of definite nostalgia for me, of a time when I simply enjoyed comics for what they were, and following ongoing stories with little regard–outside the occasional in-title “event” or “crossover”–for any notion of collected volumes.

And while I absolutely will NOT knock it–with Marvel Unlimited, I can read 40 issues for about what ONE would cost me, and I can truly “binge-read” series without laying out a small fortune.

So, bringing this stream-of-conscious post to a close: yeah. DC You was a failure for me. It has not drawn me ‘back’ in, it doesn’t leave me at all reinvigorated toward DC, and I’m desperately chasing alternatives to the former “joy” of the weekly/monthly comics-buying experience.