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REBIRTH WEEK 4: Action, Detective, Wonder Woman, Aquaman, Flash, Justice League

This post is a little late due to timing and leaving the partially-typed post at work. Six books this week, including the “in isolation” Justice League #52 that I got strictly because of tying to the Superman stuff in Rebirth

JUSTICE LEAGUE #52

justiceleague0052This week starts with a sort of one-shot, posing as an issue of Justice League. This issue is basically a “bridge” issue, taking Lex Luthor from one apparent status quo at the end of The Darkseid War and getting him into position for his role in Action Comics. We get a lot of narration from his side of things, making him definitely a sympathetic character…especially as he comes off–to me, on one reading–as actually being genuine, if not pure in his intentions. This IS Lex Luthor, after all…but I find it a lot easier to identify with this version of the character than I did the pre-Flashpoint one. Ultimately…it seems Luthor gave up rulership of Apokalips and all that would entail to return to Earth, to be a hero, a champion, to better himself such that he would make his sister Lena proud. Whatever else he is, whatever side things he might have going, whatever his methodology and such, he wants to be someone his sister can be proud of. And I kinda dig that.

ACTION COMICS #958

action_comics_0958This issue is the second of this Rebirth run, yet both issues take place after the Justice League issue. (Of course, JL apparently was delayed/late, so…your mileage on the matter may vary). We have Superman and Luthor forced to team up against Doomsday, while various elements of the story are brought to bear. Who is this Clark Kent, and how is he separate from Superman? We as readers know, but characters in the story are left to wonder who this Superman is, given they’ve been told Superman is dead. Lois and Jon watch news of goings-on on tv, as Jon begins to learn a bit more about his father, and we see Lois trying to hide her worry so as to protect her son. Because this is Doomsday, and seems to be THE Doomsday; somehow the same one that DID kill Superman, and not just some construct or entity that can turn into spores and be inhaled or infect someone. Superman–our Superman, this Superman, pre-Flashpoint Superman, recognizes the creature, feels its power, and is himself worried. The issue ends with a cliffhanger that leaves me wondering where the story’s headed, and very interested in the questions half-raised by it in the back of my head…all ultimately stuff that enrichens Superman, Luthor, and the story as a whole.

DETECTIVE COMICS #935

detective_comics_935“Only” two issues in, and I’m quite enjoying this series. Like Action Comics, it feels like a flagship title again. It is definitely, obviously a Batman book…but it’s more a “family” sort of title in that we have Batman, Batwoman, Red Robin, Spoiler, Orphan, and even Clayface in the mix. If I can’t have a Tim Drake as Robin/Red Robin solo book, I’ll absolutely “accept” his presence here…particularly seeing that there IS something between him and Stephanie…an element definitely missed since…too far back. I’m not too sure about Kate’s father and what’s going on there…but I’m interested in finding out. I like this mix of characters. I like seeing them, period. And I’m liking the art, and the story holds plenty of potential. I don’t like Marvel‘s double-shipping because of pricing and feeling “obligated” to a title or such. Here, with Detective shipping twice a month, I’m enjoying the story so far and am actually interested in the story, therefore getting another issue every two weeks is a rather welcome thing…especially with each issue “only” being $2.99 vs. Marvel’s $3.99.

THE FLASH #1

flash(2016)_0001While I had bought the entire The Flash: Rebirth mini-series back in 2009 or 2010, whenever it was–I’ve never been a huge Barry fan. Comics-wise, I’m still not, in that he was GONE when I was introduced to comics, and despite occasionally short appearances (Time being wibbly-wobbly and all that) he served as inspiration for Wally and the rest of the Flash family more so than being present himself. But thanks to the tv series, the character has grown on me, and since I’ve quite enjoyed that and I see some elements of crossover, I’m enjoying this. Granted, this is the first issue and only the second issue focused on the Flash in the Rebirth initiative thus far…so I’ve not had much to go on. The story’s not put me off, and something about the art strikes me as something I would not care for with most other characters, but something to it simply “works” for this character. I’m also quite eager to see what all comes up with the fact of Barry being one of apparently only a few individuals to really know “something” is going on, that ten years have been stolen, and so on. That that mystery is something I’m expecting to be drawn out over a couple years makes this title–as a rarity–all the more interesting as a key part of details being learned.

WONDER WOMAN #1

wonder_woman(2016)_0001Possibly the most appealing thing–to me–of this issue is the cover. That’s a beautiful cover, definitely worthy of a poster. Despite that, I’m not sure at the moment if I’d consider it “iconic” or not…I suppose we’ll have to wait and see what the cover of #2 looks like, as well as other elements such as how the title will be collected…as at least for the first few, we’re going to have one story going on in the odd-numbered issues with a “Year One” going on in the evens. While the cover may be the most appealing part…I still liked this issue. It’s just not singularly-stand-out or anything. I’d quite enjoyed what I’d read of Rucka‘s Wonder Woman back around Infinite Crisis and such, but by the time of The New 52 and such, I’ve had no particular interest in the character…really only having anything to with the character by her presence in other stuff–mainly Superman–that I’d read. I’m still looking forward to this series–these first couple stories at minimum–but this is more of a passive enjoyment than an active “chomping at the bit for more” kinda thing. On this single issue alone I could probably take or leave the title if I had to…but having the next several issues coming (eventually) as parts of bundles, I do look forward to reading them and going from there.

AQUAMAN #1

aquaman(2016)_0001I’ve both been aware and simultaneously ignorant when it comes to a lot of Aquaman stuff…particularly longform continuity and back story. I have a couple mental images of the character from the early/mid 1990s of the long-haired, bearded, harpoon-handed period of the character. Despite a couple silver/bronze age issues of my grandfather’s that I’d come across the character, my main introduction to him was in Zero Hour, with a continued “awareness of” the character through the ’90s. Which is all past stuff, and this is a new first issue, the Rebirth issue being a prologue. I don’t know these characters from much familiarity. The whole Aquaman-and-Mera thing is recent for me, from Brightest Day. I’ve known OF Black Manta as a villain going back to early DC Heroclix days. And I’m pretty sure somewhere I’d come across something about his history with Aquaman (I’m thinking Manta was the one that cost Arthur his hand in 1994). Which is alllll to say that I don’t have enough conscious background to really care much one way or the other for this character and his cast…except I’d heard good things about him with the start of the New 52 (though I never jumped in) and I consciously want to like this here, now. It’s a “good” issue, I’m definitely satisfied for my $2.99…but I’m just not EXCTIED by it. As part of a bundle I’m happy to keep reading the series…taken strictly in a pass/fail capacity I think this would be a “good, but just not my kinda thing for single issues” title.

OVERALL:

Another great week of stuff, with no major letdowns. I’m really glad that I ordered bundles starting with July because this is definitely way too much to keep up with, with any regularity otherwise. As with previous “special months” that DC has done, I will occasionally dive in with a bunch of stuff for that month…but to want to carry over fully into following months…this has not happened in a long time!

At this point, I’m thinking I will definitely throw support behind Action Comics and Detective Comics, as well as Superman–wherein even though I’ve ordered the bundles, I’ll still buy the singles day-of-release at the shop. (For what I’m saving on the bundles I still come out way ahead, price-wise).

Only hard thing will be waiting for the end of the month and then cramming in the time to get everything read!

The ’90s Revisited: Wonder Woman #112

wonder_woman_0112Game Over

Writer/Artist: John Byrne
Colorist: Patricia Mulvihill
Assistant Editor: Jason Hernandez-Rosenblatt
Editor: Paul Kupperberg
Published by: DC Comics
Cover Date: August 1996
Cover Price: $1.95

There was little doubt in my mind of Wonder Woman’s survival…more just a matter of “how” the story would end.

We have a much smaller time gap between issues this time, as we open in the midst of the battle with “Doomsday,” which we do know is not the REAL creature, but more a sort of “clone” being fed power from the machine that allowed its creation. Given the enormity of the situation, and the significance of Doomsday (apparently) showing up, it’s no surprise that we get a guest-bit with Superman…a family moment as he places a tree he got for his parents, right before Jonathan pulls up to share a radio report of the creature’s presence. Superman heads off intending to join the battle, despite his parents urging him not to. While Wonder Woman and Champion join forces against the creature, and even Cassie gets into the mix, stuff at Lazarus’ place comes to a head as the authorities arrive to take him into custody over the situation. His “son” the computer spawns yet another creature that kills on the spot, and finally a last-ditch idea is tried…that resolves the situation, allowing the creature’s defeat (before Superman even gets there), and an almost too-neat wrapup to this 4-issue chunk of the series.

As with the last three chapters, this was solid overall, particularly on the art. I liked that the story “expanded” a bit, and brought Superman into play–it only makes sense that he’d be made aware of Doomsday seemingly showing up again, and would NOT make sense to not even give any time to his reaction, or that of anyone who knows him. This is also placed as being during that time when Superman and Lois were broken up…which gives me a better “consciousness” as to the timing of this issue and why I was so totally unaware of Doomsday’s appearances in the previous issue and this one: this came out while I was “out of” comics, between the end of The Trial of Superman and prior to the Superman Wedding and then the Electric Costume saga.

There’s nothing “new” really to say on the art–the creative credits have been the same across all 4 issues unless I’ve misread something somewhere, and what I’ve said before holds true to this issue as well. Perhaps the fact that we get Byrne drawing the mid-’90s Superman with the longer hair is another plus (adding to what I’d said earlier about seeing Byrne tackle Doomsday).

Story-wise, my only primary complaint is the seemingly over-the-top language spouted by Ma and Pa Kent in the Superman bit–that just seemed so shoe-horned in/exaggerated that it didn’t ring true at all to my reading…despite the fact that Byrne was the one that did the early work on the Kents being alive into Clark’s adulthood and seeing him be Superman.

The end of this issue–and ostensibly the “story arc”–seemed a bit quick and almost too-tidy as a wrapup, with some exposition trying to suggest this could never happen again, Lazarus rather quickly coming around about the truth of it not actually being his son truly in the computer, etc. Echoing comments I made with one of the other chapters, this is very much from the era when it was relatively RARE for a collected volume to be put out, with only the biggest, most sold-out stories getting a volume. This was still single issues as the primary focus…such that I don’t even know what to call this four part story. With issue names like “Level 1,” “Level 2,” “Level 3,” and “Game Over,” I suppose it COULD be called Game Over (and probably would with a modern-day collection put out), but there’s no overall title, of which the names would (with a contemporary 2016 comic) would be “sub titles” within the arc’s title.

For an 80-cent overall cost to me for Wonder Woman #s 109-112, this was absolutely a real treat to read, and leaves me confident in the fun nature of Byrne‘s run on the title, and very much interested in carving out some more time (eventually) to read this series at length…along with the likes of the Wally West Flash series.

If you find these issues–this one, or the previous several–they’re definitely well worth bargain-bin pricing (up to $1ish each), as the four issues at even $1 would be the cost of a single current issue…and this story is more than worth the price of a single current comic. As this is not actually part of some large, singular overall story, one could even conceivably dive in here, with the majority of what you need to know being that Wonder Woman’s engaged in battle with fake-Doomsday, and how things go and get wrapped up. The stuff with Lazarus and his wife/companion even give what would seem to be enough context and exposition to let one “get” the basics of what is–and has been–going on to get to this issue.

REBIRTH WEEK 3: Titans, Superman, Batman, Green Lanterns, Green Arrow

This is the third week of DC‘s Rebirth initiative…and already the fourth week including the one-shot DC Universe: Rebirth #1. And though so far it’s basically all a ton of #1s on covers…it’s truly the quality of the stories that’s got me so all-in and interested and excited and just simply digging these stories, loving the DC Universe again!

TITANS: REBIRTH #1

titans_rebirth0001I’ve been looking forward to this issue probably more than any of the other Rebirth books. As much as I’d been pulled back into the Superman books with the Final Days of Superman story…the reveal several weeks ago of Wally West and his return was really the tipping point, the selling point, for me on this whole Rebirth thing. It was what pushed me from curiosity into embracing it. And here, we get to see the returned Wally West–formerly Kid Flash, now…something. Flash? In a new costume reminiscent of the Kid Flash outfit but sporting “adult Flash” colors. And while seeking answers, Wally winds up tangling with his old friends…but soon realizes that running away from his problem is no help…tactile contact sparks their memories, restoring Wally to them. By issue’s end, they remember him, know who he is–and they share with him that they’re already on the trail of someone they know messed with their memories…whether this is the same “big bad” Wally is pursuing as well remains to be seen.

I totally “appreciate” the Titans, and Teen Titans…I even followed a run of Teen Titans for several years into Infinite Crisis. But particularly at the New 52, they just failed to hold my interest, and so my enjoying this as much as I did is an extremely welcome thing. Add to that the (to me) “official” reunion image–and Wally realizing he’s home–and this was a highly enjoyable issue!

SUPERMAN #1

superman(2016)_0001I really dug this issue, especially as a #1. Of course, this is a #1 geared for someone like me…even as it provides this starting point, a jump-on point, for new readers. We get to see the title character both in costume and out, as well as meet supporting cast–his wife Lois, his son Jon…even the neighbor’s daughter (surely to be a Lana Lang type figure). There’s even an early double-page spread that in some ways I “ought to” complain about (given my usual complaints about so many double-page spreads being “cheats” and “wastes of space” and all that)…but it just made me grin. I think the first official “shirt rip” as this Clark changes over to Superman to go into action.

What disturbs me about the issue–there’s a scene in which young Jon races off across a field along with the family cat…and he sees the cat snatched up by a bird (a falcon of some kind?)…and we see a display of his as-yet uncontrolled power: Jon lashes out instinctively at the bird with his heat vision…but–lacking control–the blast incinerates bird and cat. The kid is certainly not happy about this–a definite weight of failure on him–but it very definitely broke my heart…ESPECIALLY having imagined the joy at seeing the boy fly, or race after the bird, and rescue the cat. An argument with his parents, perhaps–he HAD TO use his powers, he saved the cat! But instead, in attempting to save the cat…

I’m an easy mark for stuff with fuzzy animals. I am admittedly desensitized to human death in fiction, but even in fiction I can’t not feel something at the loss of an animal…especially like this.

That said…the fact the scene hit me as it did, I can also see so much potential for stuff, and I look forward to more (even as I’ll try to “forget” those particular panels).

The cover, too, looks like a #1, and I’m again glad FOR the “regular” cover actually having an iconic look to it.

BATMAN #1

batman(2016)_0001In a way, I actually was not looking forward to this issue. I don’t know now what I was fully picturing regarding it–something like the Court of Owls, but people embodying the City itself, another “secret society” going after Batman. Seeing Batman leap into action to try to save a plane–or at least minimize catastrophic damage and loss of life when it crashes–was both exciting and a bit over-the-top. I’ve really grown tired of a Batman prepared for anything/everything. But I have to be honest that despite that, it’s still exciting and impressive to see the character in action like this, and to picture it as just some big summer action/blockbuster thriller that’s over the top but right in range of what I’m looking for.

While I certainly had zero expectation of yet another “death of Batman,” it was also–for me–quite effective seeing a Batman really not even phased at facing death. Regretful, perhaps, at unfinished/unfulfilled objectives, but plans in place for such circumstances…and then a mortal moment, wondering if his parents would be proud of him despite his dying. Aaaand then we get a couple of new characters–though for a moment I actually thought they might’ve just crossed over from Superman #1 and felt a thrill of continuity-excitement there. What I got leaves me “interested” and curious, definitely looking forward to the next issue.

And the art? I like this rendition of Batman…it’s slightly “off” but works, and I just simply like it.

GREEN LANTERNS #1

green_lanterns_(2016)_0001This title is a real surprise for me. I can say I definitely “miss” Kyle and Guy, even Hal. But where I was not at all interested in anything with Simon Baz in the “meta” sense several years ago in the hubbub of the character’s original introduction…now that I’m actually reading stuff with him and it’s tempered with another character completely new to me (yet who I can certainly identify with–probably way more than I’d prefer–I’m really enjoying this, and it’s technically only the first issue!

I like the idea of two “rookies” working together…and at least so far am definitely digging the dynamics we get here–the two focal characters vs. the world, vs. each other, and the simmering background developments with the Red Lanterns (whose series I have yet to really read). I don’t know how long my interest will hold, but I’ll definitely get the next issue!

GREEN ARROW #1

green_arrow_(2016)_0001I usually don’t much care for stuff tying in to TV, or feeling like a comic is drawing inspiration from a tv show inspired by the comic. But I haven’t really read much Green Arrow in so long, and a lot of stuff with what I had been reading had gone “downhill” that–the TV show Arrow being my main exposure lately–I rather welcome it. With “the goatee” and fond expressions like “Pretty Bird” being back, I’m cool with other differences and such, and willing to go with the flow, just glad to be on the ride and actually enjoying a book with this title again. I know Seattle had been the characters’ town for quite awhile in the ’80s and such during the Grell run, so even seeing them back there is a bit nostalgic, and yet there’s still a sense of freshness to me.

I actually waffled on the cover for this issue–I really liked the image on a variant, but figured while it was a great image, this one fits both the issue and my expectation better. Though I feel like the end of the issue is just a cheap shot at a clichéd cliffhanger…it actually leaves me curious, wondering at a couple possible directions stuff could be taken, depending on what the writer’s got in store, though the more jarring surprise would seem to fly in the face of this whole initiative. I’m definitely gonna be looking for the next issue, though! (and in the end, THAT is what shows the effectiveness…I’m looking forward to ‘finding out’ regardless of assumption or cliché!).

OVERALL:

These FELT LIKE #1 issues. We’ve had the prologue/#0/ __: Rebirth one-shots to set things up, but just as those felt appropriately like prologue, these feel like true #1 issues. However, they’re not cold-start, from-a-blank-slate #1s. These embrace their new directions, the modified status quo, giving us both beginning AND continuation. It’s been years since I’ve read Green Lantern, even more years since Green Arrow, I have not kept current with Batman, I only just “came back to” Superman a couple months ago, and really haven’t touched Titans or Teen Titans overall since well before the New 52. But I’m back in, I’m following stuff, I’m enjoying the reading, being reunited with characters/concepts I’ve enjoyed in the past and learning of newer ones I’m less–or not at all yet–familiar with.

And I’m truly having a blast, having a larger stack of comics each week that I’m actually eager to read into. Not shift a couple books to read while others go in the “I’ll get to it whenever” pile but actually ordering the issues, eager to read them ALL.

weekly_haul_week_of_20160615d

The ’90s Revisited: Wonder Woman #111

wonder_woman_0111Level 3

Writer/Artist: John Byrne
Colorist: Patricia Mulvihill
Assistant Editor: Jason Hernandez-Rosenblatt
Editor: Paul Kupperberg
Published by: DC Comics
Cover Date: July 1996
Cover Price: $1.95

This is the third issue of a story, and we pick up shortly after where we left off in the previous issue. Doomsday is on a rampage in Gateway City, despite the fact that–to the best of anyone’s knowledge–the creature was hurled into space some time back, never to return to Earth. As the creature tears up real estate, Wonder Woman is brought into the mix–interrupted from the advisory assistance she’s receiving in identifying the substance the fake-Flash and fake-Sinestro were made out of. Even realizing this is the creature that KILLED Superman, Wonder Woman doesn’t hesitate to engage it in battle. While taking her lumps, Champion joins in–though he takes a Supergirl-like hit that takes him out immediately. Seeking to aid her mentor, Cassie retrieves the Sandals of Hermes as well as an unknown artifact and goes to Wonder Woman’s aid. When she’s hit–and nearly killed–it distracts Wonder Woman enough that the beast gets the upper hand, and it looks like this might be game over for our heroine.

Three issues into the story and I’m enjoying stuff…and actually had to “force” myself to NOT dive straight into the next issue. I’m enjoying this story, the art’s good, and I just want to get more of everything. See more of Wonder Woman in action, see more of Cassie and get details of her background, as well as see more of the rest of the supporting cast–Cassie’s mom, Mike, Champion, Wonder Woman as Diana NOT in action…three issues in and this is simply flat-out an enjoyable book!

I had no idea just from the cover what the context of Doomsday’s presence was, but now having read the preceding issues and this one, the creature is a construct created by a computerized process controlled by the “consciousness” of someone’s son. The “clones” are created and programmed, and then let loose on the world, though Kris–who apparently died, but his consciousness was “saved”–can see through the constructs’ eyes. Even though it’s a “fake,” this Doomsday is quite powerful, and not “just” some run-of-the-mill villain, showing up and totally diluting the character. Flash-forward twenty years to present day, and the character is just another of Superman’s rogues–like Darkseid or Mongul. But in 1996, this was before The Doomsday Wars, so Doomsday itself was still an extremely rare villain to actually (or seemingly-actually) show up.

I like the cover (obviously), even though Doomsday is a bit “off” in appearance. This fits with the story, though, and so I can forgive it quite easily. There’s also something rather gratifying about seeing John Byrne handling the character–both from the writing side, and even moreso from the art side, as so much of the Superman mythos at the time of the Doomsday! / The Death of Superman was still closely, tightly tied to the foundation work laid out by Byrne during his tenure on the Superman titles.

This story started with level 1–The Flash, a hero–apparently accidentally causing damage. It continued to level 2 with Sinestro, a villain–causing damage but not outright killing anyone. Then on to level 3 with Doomsday and untold damage and destruction and death. Wonder Woman is facing one of the most powerful things she’s ever faced, and this issue ends trying to convince us of the bad place she’s in…but it’s a comic, it’s #111 where I know the series passed #200, and I don’t recall any other major “Diana-gets-replaced” type stories, so it’s a given she survives. Still, she and her fellow fictional chracters don’t know that as this ends, so it’s on to the next issue to see what comes of this build-up!

And once again, as noted before…EVEN THOUGH this is the third issue of an arc, it still reads like one could pick this up and be no worse off than I was reading the first part of the story. You’re thrust into the action, get a bit of context and new action, and a cliffhanger to lead to the next issue. One story, but each issue could pretty conceivably be someone’s first without them being as totally lost or “coming in mid-story” as one would be picking up the third issue of a present-day arc.

REBIRTH WEEK 2: Action, Detective, Flash, Aquaman, and Wonder Woman

This week gave us three new Rebirth issues–serving as starting point, prologue, and #0s for newly-relaunching ongoing books…as well as the first issues of two ongoing series: Action Comics and Detective Comics, doing the opposite of expectation and instead of a fresh #1 for either title, leap back to their “legacy” numbering–adding their past 52 issues onto their last pre-Flashpoint issue, bringing the books current as if they’d never been renumbered.

And while it may not be the best technical term, my overall feelings after reading the week’s issues lead me simply to the sentence “Holy crap! DC‘s comics are awesome again!”

ACTION COMICS #957

actioncomics0934I couldn’t contain myself to just a few basic comments…I absolutely loved Action Comics #957 and wrote up a bunch of thoughts on it separately.

Like…I thoroughly enjoyed the issue.

It’s the best single-issue Superman comic of one of the ongoing titles I can consciously recall as of this typing.

It’s like re-united with an old friend not seen in years, and realizing that even though life has gone on, we’ve grown and changed, what we had is still there.

Fantastic story.

Fantastic art.

A mere twenty pages for “only” $2.99, and just this issue alone made me smile, and feel like a kid again, and I really, truly am looking forward to the next issue. I walked away for four years. With an issue like this, such a strong start like this, it sucks that I have no choice but to WAIT two weeks for the next issue.

DETECTIVE COMICS #934

detective_comics_934I think I was originally intending to ignore this issue, this series. Unlike with the Superman books, I’ve been a lot more flexible in my overall Batman collecting, with a much more punctuated “history” with the character and books. Then I was “only” going to get this because of deciding to throw in for the start of the Rebirth initiative, just diving in with “everything” for a few weeks, to really give it a chance. And for the first time since I can remember, I thoroughly enjoyed an issue of this title.

I have never cared for this Batwoman character, but here, as presented in this issue, I’m cool with it. I didn’t read the whole Gordon-as-Batman-and-then-Bruce’s-Return stuff nor any recent Justice League stuff, so I’m certainly missing a bit. I don’t much care for the black-bat-outlined-in-gold chest-logo, but I can accept it as the current, knowing that it’s a lot more cyclical than say, Superman’s S-shield.

I love that I get Tim Drake here, seeming very much like the character I’ve loved and appreciated nearly my entire time with comics. And as he started out without a solo title, appearing in the Bat-books…so here he’s “just” another character in a book with several characters. And while he has a double-R logo now–Red Robin instead of “just” Robin–it’s a great melding of new and old, and I’m happy with it at least for the moment. The use of Clayface and Spoiler as well lend interest for me, and I think I’m around for the next several issues at least…doing as a single issue should, I’m quite entertained and felt my purchase was worthwhile, and I’m actively looking forward to the next issue.

THE FLASH: REBIRTH #1

flash_rebirth_0001This is the first of these issues to really, directly reference and involve stuff that went down in the Rebirth one-shot, weaving stuff from that into the flow of this story, giving us even more on the return of Wally and setting his journey and Barry’s own as we head into coming books. While the art was a bit off-putting, seeming a bit more “artsy” than I’d prefer, it worked well enough in conveying the story, and I was never left wondering what’d happened in a panel or scene. It’s just not a visual style I tend to prefer (even if it LOOKS very New 52 Flash to me at a glance).

We have Barry, and get Wally, and get some real, direct expansion on stuff from Rebirth. This issue makes me really look forward to The Flash and Barry in coming Flash issues, as well as Wally’s own journey, and seeing how things go with Batman as well. I never used to think of Batman and Flash as being a good pair, but this issue shows me how that definitely works, beyond contrivances with an alternate universe story I’d had little idea would mean what it did half a decade ago.

Though this is a single issue and not a 6-issue mini-series, like its predecessor, I’m more interested in Barry than I was before reading, and am definitely looking forward to continuing adventures of the character.

AQUAMAN: REBIRTH #1

aquaman_rebirth_0001I’ve never been much of an Aquaman fan. I’ve been aware of the character, read plenty of issues of varying quality involving the character, dabbled in reading iterations of ongoing series with the character, but despite “potential” several times, just never got into the character. As such, by rights, I shouldn’t care to check this out, or to enjoy this issue all that much…but I checked it out, and enjoyed it, and I’m looking forward to seeing a bit more development.

That said, this is (for me) probably the weakest of all the Rebirth issues so far. It’s NOT bad, and the art is fantastic, and there’s a heckuva lot of potential for the series. But this one issue doesn’t do a lot for me…doesn’t change my take on the character, doesn’t infuse me with excitement and interest for the next issue…it’s just an issue serving as prologue to the initial arc on the officially-ongoing series (making this very much a #0 issue). Particularly when stacked up against the likes of Action Comics #957, the one-shot Rebirth issue itself, and my excitement toward several other launching-soon titles, this didn’t have much chance.

Another way to put it, though, I think would be this: Aquaman sits amidst some phenomenally enjoyable comics that are collectively serving as a breath of fresh air after years of really just flat-out NOT REALLY CARING, PERIOD about DC comics in general, and finding refuge in bargain-bin back issues. This issue is solid, introducing/re-introducing characters, status quo, motivation(s), and setting up what’s to come. I’m not disappointed at buying it. I just find the thought rather interesting that weighing the various issues out so far, if I had to “cut” any from purchasing, this would likely be the first. Still, I’m onboard for now, and it’s great to see the character in action and in a relationship, and coming off as a serious character, while there’s acknowledgement of the rap the character gets.

WONDER WOMAN: REBIRTH #1

wonder_woman_rebirth_0001Rucka on Wonder Woman again… yeah, that’s definitely a positive selling point for me. That this issue addresses and begins in its own way to ADDRESS discrepancies in the character’s origin and backstory, moving the story forward while not disregarding or throwing anything out goes a long way in making me want to read more. There’s a familiarity to the character in this issue that I really enjoyed, both narratively and visually. I recognize the character as one I’ve seen here and there and even read a bit in the Superman/Wonder Woman book for the New 52…but I also see something of prior iterations of the character as well–Rucka‘s run from around Infinite Crisis as well as stuff going back to Byrne, and even back to the beginning of the post-CoIE run with Perez.

While I’m “aware OF” something with Wonder Woman and her being the God(dess) of War now (from reading Superman/Wonder Woman), other than that, in my own reading experience, the character has felt largely defined as “finally” being Superman’s girlfriend…I’ve not followed the solo series, and so have only really seen much with the character when it’s involved Superman.

Here we get a character that’s very much her own, in an issue whose story is strong in how it shows the character and in acknowledging mixed versions of her origin and backstory. The art is solid and I like it overall…despite the way the character could easily be conveyed, I feel like the character radiated independent strength that leaves me wanting to read more and see more, without it being tied to how she looks.

The familiarity from having Rucka back on the character’s title is another positive, and a key factor for me to just stick around, trusting from the past that this is gonna be a great ride.


Three weeks in…and still enjoying stuff, still greatly enjoying the fact that for the first time in years, the DC Unierse feels like “home” again, that I’m as interested in the “universe” as I am individual characters or a couple individual titles.

I know the quality won’t hold–I can’t imagine any line could–but this whole push is just SO refreshing that I’m enjoying it, and “on the hook” for at least the next seven or so weeks and ready to add another 4 to that!

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Action Comics #957 [Review]

actioncomics0934Path of Doom

Writer: Dan Jurgens
Artist: Patrick Zircher
Colorist: Tomeu Morey
Letterer: Rob Leigh
Cover: Ivan Reis, Joe Prado, Sonia Oback
Associate Editor: Paul Kaminski
Editor: Mike Cotton
Group Editor: Eddie Berganza
Published by: DC Comics
Cover Date: Early August 2016
Cover Price: $2.99

This issue gives me pretty much anything/everything I could reasonably want from a contemporary, 2016-published Superman comic (post-New 52, post-Flashpoint, post-New Krypton, post-Secret Origin, post-Final Crisis, post-Infinite Crisis…).

The cover–the regular one, at least, I don’t know if I’ve even seen the variant, but the regular cover I’ve seen marketed and that is shown with this review–we have the title carved in a rock, being lifted by Superman–the “pre-Flashpoint” Superman, the Superman that we had prior to the New 52, though the journey has been circuitous. We have a Doomsday-looking thing in the “classic” green suit, suggesting a much more “grounded” Doomsday than anything from Doomed to some entity flitting in and out of the Phantom Zone. We see Luthor in a suit reminiscent of Steel. We have Jon–the son born during Convergence and raised for ten years in hiding on the New 52 Earth. We have Clark Kent–a character virtually purged from Superman, it seemed. We have the Lois married to this Superman…and we have longtime allies Wonder Woman and Batman. So many characters, maybe not the most “dynamic” composition, but certainly “iconic” and hinting at the greatness within the issue! The logo being part of the stone–to be overly analytical–suggests that whatever else, this is Action Comics, with Superman, and it has endured some 78 years, and a reboot, and is still here.

The issue itself drops us into an unfolding terrorist situation…one that is resolved–at least for the moment–by an unseen entity we come to realize is a power-suited Lex Luthor. This is the New 52 Luthor, who has been through Forever Evil, worked with the Justice League, and so on. Foregoing the “classic” purple-and-green thing, this suit is much more reminiscent of Steel’s armor, and we see Luthor is intent on replacing the fallen New 52 Superman (to him, to everyone–THE Superman, the genuine one-and-only). As he announces his intentions to live media, the broadcast reaches Clark White, who has operated in secret for years, avoiding the spotlight and trying to leave events of this world alone to unfold as naturally as possible. Luthor’s boldness spurs him into a seeming snap-decision: he shaves, dons a costume, and reveals himself to the world. If there is to be a Superman, it will NOT be Lex Luthor!

Said revelation occurs in confronting Luthor directly, to the point…and unfortunately, into immediate violence. As the two have it out, we get some bits of subplot…something’s been stolen from an extremely durable vault, and some of this world’s Clark Kent’s allies are shocked at “confirmation” of his death…even as they, and Lois & Jon, and even us as readers get the surprise arrival of Clark Kent (while Superman is actively engaged with Luthor!). And then the arrival of another jarring but familiar character…a green-suit-clad Doomsday…said green suit being one the character has not worn in this way since his first appearances nearly 24 years ago.

Thanks to having the Superman: Rebirth issue prior, as readers (if one read that issue) we have had a slight bit of transition already, to move past and deal with (not simply ignore) the seeming loss of the New 52 Superman. That lets us get right into the action here, characters all fairly well established, stuff in continuity in place to allow this, and the events of this issue also leave plenty of room yet to explore reasons, consequences, and the simple fact-of-the-matter present.

We have a mix of past and present, of being part of a world that’s been around nearly as long now as the post-Crisis on Infinite Earths one had been at the time of the original Death of Superman. Allowing for alterations through the years, particularly changes, tinkerings, and so on out of Infinite Crisis, this is still–as much as is possible–the Superman that can be traced back through the years, to Infinite Crisis, back to Our Worlds at War, to Zero Hour, to Reign of the Supermen, to the Death of Superman.

And while I gush so, emphasizing the above…that’s very much what I consider a joyful reality, an understood-despite-outward-obfuscation recognition of “my” Superman, of reading about–essentially–the same character here, now, that I first read about running low on air as he battled phantoms on some dead planetoid in 1989’s Exile arc.

I can see that far back, and appreciate the incredibly rich depth to be had here. On the other hand, for newer readers…this is a Superman, with background to be uncovered, details to be filled in, and for all he has a role to be earned, despite fitting into it so well.

I love that this is written by Dan Jurgens. I know the writer’s work primarily from his work on Superman from 1992-1999 or so (a range of years that saw me from junior high through high school and just before college). For me, after several years on the side, away from Superman, this is an amazing homecoming (albeit preceded by what I’d initially seen as simply a “bone” tossed to fans like me in Lois and Clark). He merges elements of the “new” with elements of the “old,” where we’ve had status quo changes, aging, advancement…and it’s like everything’s part of one large tapestry.

I have suspicions regarding Clark Kent from this issue, and am eager to see more of the conflict with Luthor play out…as well as seeing how Doomsday is handled at this point. I’m eager to see more with supporting cast characters, and while this title is due to be biweekly, I’d love to have it weekly; for once I want something “decompressed” and frequent, exploring many characters, while an ongoing story unfolds continually forward.

And the art…wow. I’ve seen Zircher‘s work in the past and liked it, but something about it here–and combined with the characters, characterization, and just the sheer feeling of refreshment I get reading the issue–it’s fantastic. Zircher‘s art here is the next best thing to Jurgens himself…and in some ways, melding old with new, I think surpasses the idea of this new issue in 2016 having his art, bringing an excellently-detailed and nuanced appearance to the characters and doing nothing but impressing me, through my own cynicism at a lot of modern takes on Superman.

This is a bi-weekly book now…two issues per month. In other words, it’s being double-shipped. Instead of 20 pages once a month for $3.99, it’s going to be 20 pages twice a month for $2.99 each (40 pages for $5.98). Jurgens on writing, a rotating art team (I believe) (said rotation given the incredible boost of Zircher‘s art kicking things off on such a high note in this issue), and a Superman I’m not just WILLING to read, but eager to read.

I can’t NOT be biased in this–I am far from objective. But honestly–simple, outside objectivity seems to be what led to a Superman character I was wholly uninterested in, and saw me walk away from for nearly four years. Now, I’m not only back but excited for it, as should be evidenced by my gushing above.

It’s said that one can “never go home again,” and that’s true, this is not some over-simplified “return” to the past–it’s like re-uniting with an old, dear friend…recognizing that years have passed, life has gone on, things have changed…but they’re still them, you’re still you, and you’re back together, and feeling great for it.

As a review or ratings would go…I walked away for four years. I flat-out ignored Superman for four years of current comics, punctuated by a handful of issues a couple years ago that did not hold me, and further solidified my giving up and letting go. I’d ceded Superman, and comics featuring him, resigned myself to maybe checking in here or there but mostly only to find the simple, fun ENJOYMENT in back issues.

And now? I loved this issue–story and art. I love the price point compared to the $3.99 the title’s been for nearly half a decade. Whatever the rest of DC‘s Rebirth initiative holds, at least when it comes to Action Comics, as things look now, I’m in for the long haul…the run up to #1000 at least.

The ’90s Revisited: Wonder Woman #110

wonder_woman_0110Level 2

Writer/Artist: John Byrne
Colorist: Patricia Mulvihill
Assistant Editor: Jason Hernandez-Rosenblatt
Editor: Paul Kupperberg
Published by: DC Comics
Cover Date: June 1996
Cover Price: $1.95

This is only the “second” issue I’ve read in this particular set of issues, but I’m quite enjoying the title. Where the previous issue appeared to guest-star The Flash (only it turned out to be a fake), this issue has an appearance of Sinestro–who at this point in DC‘s continuity was dead, his neck snapped by Hal Jordan just before he went all Parallax and such.

We open on Sinestro/not-Sinestro carving up the city, trying to get Wonder Woman’s attention. Once he has her attention, they battle–or moreso, Wonder Woman battles him, and he just keeps on keeping on…at first seeming like a joke, then an actual-true threat. Eventually, it appears that Wonder Woman’s defeated, and a new guy–Champion–shows up, saving her…though he gets the same result from “Sinestro” as Diana had last issue with “The Flash” as we see that this is just some sort of construct that can self destruct into dust. While Champion (who has himself a back-burner subplot brewing that surely leads to something bigger down the road) and Diana puzzle over the similarities in the Flash attack and now Sinestro, as readers we’re given the inside scoop, as the scene shifts and contextual details are revealed…explaining the fakes’ presence and setting things up for the next couple issues.

As with the previous issue–Wonder Woman #109–I definitely enjoyed this issue. The story and art both worked well in and of themselves, and especially as a cohesive whole. With the same creative and editorial team as the previous issue, this definitely FELT like the next issue. No major changes, no weird oddities…it’s just the continuing story.

Perhaps by comparison to contemporary comics, though, this issue does NOT pick up 100% EXACTLY from the previous issue…it picks up as a “next chapter” without being merely the next chunk of story in a larger graphic novel being ‘serialized’…and I actually like that. I’m all for the singular story of a graphic novel…but for this being a “single issue” I like that–even as a continuing story–it maintains its identity AS the single issue.

The story in this issue fills us in as readers much more than the previous issue…this is where comics worked quite well in the ’90s as both ongoing sagas and having stories that can be collected into a “graphic novel” or such. We (I) had no idea any background on stuff in the previous issue–The Flash simply showed up, turned out to be a fake, and we’re left to wonder what the heck’s going on. THIS issue gives us the context and such on where not only The Flash but also Sinestro came from…and goes beyond that to show us the genesis of the threat for the next issue, serving as setup and cliffhanger, and getting to the last page left me quite ready to get to the next issue. Of course, it wasn’t surprise, as it’s the cover of the next issue that grabbed my attention to begin with.

Even though this is Level 2, a second chapter of a story (though perhaps not quite as solid/singular a story as I’d thought–though it plays into the genesis of these back-from-oblivion characters), one could conceivably pick up this issue and be just as good as starting with the previous issue. You get the characters, some context as you go through, and editorial notes to point you where to go for a bit more expansion of stuff touched on here.

It’s also EXTREMELY REFRESHING that there’s just the one cover, it’s (presumably, since there’s no separate cover credit provided) by the interior artist, so fits both visually AND exaggerates (slightly) a scene that actually appears in the issue, and is not merely some stock or “iconic” image that could be interchanged with any other cover.

First issue, Second issue (in this present read-through, it’s MY second), or just another issue if one is reading a run, this is a strong, solid issue well worth the 20 cents I paid for it!

REBIRTH WEEK 1: Superman, Batman, Green Lanterns, and Green Arrow

This week saw the release of the first of the individual titled Rebirth one-shots, that serve (functionally, it would seem) as #0 issues leading into new relaunched titles from the publisher, utilizing a new status quo set up by last week’s DC Rebirth one-shot.

SUPERMAN: REBIRTH #1

superman_rebirth_0001I really dug this issue. It touches on the events from The Final Days of Superman, and begins transitioning the pre-Flashpoint Superman into the lead role. We get some interaction between him and Lana, as well as some flashback/context establishing some differences between this Superman and that of the New 52. I really liked that we got to see reference–even 24 years later–to an event as significant as the Death of Superman–even as it is used to add depth to this world’s fallen Superman. That these events are brought up while the older Superman seeks to resurrect the younger pays definite homage to the fallen hero, while establishing that we’re getting a somewhat reluctant Superman–he’s stepping in out of necessity, and certainly NOT from any desire to replace a counterpart. This issue has some great art to go with the solid–and refreshing–story, and makes this (for me) probably the best, most exciting Superman issue I’ve read in a long, long time in terms of “new” issues…and surpasses last year’s Superman: Lois and Clark #1.

BATMAN: REBIRTH #1

batman_rebirth_0001I’m way outta the loop on Batman…I only just a couple weeks ago read the Endgame arc, and never read beyond the first half of Batman Eternal nor beyond the first couple issues of Batman and Robin Eternal. I’ve not kept up with any of the “family” books for various reasons, despite any initial interest. So I don’t know who this Duke is, or his context…but I roll with it. Alfred has both his hands, it seems, which sure beats the way Endgame ended! It seems that Batman is training a new “junior partner,” but getting away from the Robin model. We see him face the Calendar Man–who threatens Gotham with a dangerous spore. Batman and Duke keep things under control but remain challenged–having to better themselves to keep up with a comes-back-better-each-time villain. I’m not familiar with this villain, but there’s enough in this issue for me to “get by,” and to be interested in the new/ongoing Batman title. I enjoyed this as I read it, but didn’t retain much from it in conscious memory. Still, a solid issue–one that does a great job of being a one-shot WHILE also setting some stuff up for a continuing, ongoing story.

GREEN LANTERNS: REBIRTH #1

green_lanterns_rebirth_0001Other than the plurality of the title and “knowing” that there would be multiple Lanterns starring in this issue, I had zero idea what to expect. I figured ok, read it, but I wasn’t expecting to like it or care about any of the characters or the title…it’s just another Rebirth issue. But darned if the art didn’t impress me, even as I enjoyed reading about Simon Baz as well as an (apparently) new character that I could identify with, in that I’m not much of a social person, so being thrust into any kind of public eye would be quite anxiety-inducing. This gives us a glimpse of Hal as he initiates the new GLs of Earth and sets before them a mission and motivation. We see that they don’t (yet) get along or care for each other…but despite that Hal is forcing them to work together, and if they don’t, they won’t even be able to power their rings (an arbitrary limitation that I can already see being a major weakness for villains to exploit). When I opened the issue I cared nothing…on reaching the conclusion, I’m anxious to read more and see where things go with these characters. I’d call that a pretty effective (and successful) introductory issue!

GREEN ARROW: REBIRTH #1

green_arrow_rebirth_0001Once upon a time, I considered myself somewhat familiar with Green Arrow. I jumped in with Kevin Smith‘s run back in 2001, and followed it through the end of Meltzer‘s arc or so. Prior to that, I’d had some exposure to the character–primarily a scene in 1994’s Zero Hour that moved me then and moves me to this day, and a bit to his son via the “next generation” stuff with him and Kyle. When they undid the Ollie/Dinah marriage heading into the New 52, I wasn’t that bothered–by then I wasn’t following the character and didn’t really “miss” anything. But…I wasn’t interested in the “new” Green Arrow, either. Then Arrow hit tv, and has led to quite a tv universe, and I’m once more interested–at least conceptually–in the character. The Ollie/Dinah scene in the Rebirth special last week hit particularly well…and so I really quite enjoyed this issue. While not as “old” as the Ollie I remembered, I’m good with appearances…if nothing else, “someone” stole 10 years or so from our heroes, right? So he’s younger. But the goatee is there, the attitude is there, he and Dinah “meet” and it’s no rocket science to see where things COULD go from here. The story itself didn’t make  much of an impression on me beyond that…it was just an enjoyable issue that has me looking forward to where things go!


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The ’90s Revisited: Wonder Woman #109

wonder_woman_0109Level 1

Writer/Artist: John Byrne
Colorist: Patricia Mulvihill
Assistant Editor: Jason Hernandez-Rosenblatt
Editor: Paul Kupperberg
Published by: DC Comics
Cover Date: May 1996
Cover Price: $1.95

This is one of those ’90s issues that–while revisiting “the ’90s,” is a new-read for me. I’ve dabbled here and there through the years with this book–getting the odd issue because Superman’s on the cover, or something tied to a comic book course in college, or some cover grabbing my attention or there’s a chapter of a crossover I’m following. I jumped on the book toward the tail-end of Rucka‘s run in the lead-up to Infinite Crisis, and then followed for a few issues shortly after, but never stuck with the book for all that long. So while I can’t recite lists of characters–particularly the supporting characters–I’m at least “loosely familiar” with who Wonder Woman is, that the exact “who” she is has shifted a bit through the years, and I know OF some of the major story beats of her series.

So this issue opens with a flight passing over Gateway City, where the Lexair passengers are surprised at the random sight of a girl flying with winged shoes. As readers, we quickly learn that this is Cassie Sandsmark and those are the Sandals of Hermes, and she’s not exactly well-practiced in their use yet. Wonder Woman flies after, and the situation is soon resolved as Cassie figures out–a bit–what she’s doing, and the two get back safely to the apartment Cassie and her mom live in. They then prepare for an evening–Cassie is under Wonder Woman–Diana’s–care, and Diana has a “date” that’s not a date. Unfortunately, the Flash shows up and causes a lot of destruction to the buildings along the street the restaurant’s on and more than a little trouble for Wonder Woman. This isn’t Wally West, though, and when he bursts into dust, no one has any idea what he was or why he was there…leaving Wonder Woman with a mystery on her hands.

I bought a 50-issue run of this series, and one cover that REALLY stood out to me had some iteration of Doomsday on it, which had me quite curious–it’s not an issue I was ever consciously aware of back in the day, nor was it something I knew of AS a Doomsday appearance. Fortunately (or not, depending on perspective) I noticed the “title” of the issue included a “3,” so I checked the previous issue–that had a “2,” so I went back another issue–this one, #109–to find the “1.” I have no idea what happened immediately preceding this issue, nor do I recall what happens after. I’m nearly entirely certain this is AFTER “the Artemis” stuff when Diana ceded her role as Wonder Woman, so she’s “back in the role” now and things are moving along at a good clip.

Story-wise, we’re dropped right into the action, with no immediate context–just story. Being somewhat aware of stuff, I followed along without any trouble. I did not open the issue expecting to “know everything,” and so I was not disappointed. It’s like watching an early episode of some tv series from SEVERAL seasons earlier. I’d forgotten Byrne‘s run on the title, or that it was this early–what I DID remember made me think he’d started on the book more in the early 2000s, so that shows what I know.

Visually, I really enjoy his art here. It works very well with the story, and both Wonder Woman herself and the Flash look good…though through no fault of the art, Cassie does NOT look like I think of her from Geoff JohnsTeen Titans run…which makes sense, as this is from 1996, predating Young Justice by a couple years, and Young Justice itself ran several years before Teen Titans.

All in all, for an issue I had not planned to read, but ended up reading for momentary/immediate ‘context’ to the issue that actually grabbed my attention, I really enjoyed this, and look forward to progressing a couple more issues to the one I actually originally planned to read. This also bodes well for my enjoyment of the run, and of (eventually) filling in the gaps in my Wonder Woman run from the Perez “reboot” through Infinite Crisis.

The ’90s Revisited: Uncanny X-Men #308

uncanny_xmen_0308Mixed Blessings

Writer: Scott Lobdell
Penciler: John Romita Jr.
Inkers: Dan Green, Al Vey
Letterer: Chris Eliopoulos
Colorist: Steve Buccellato
Editor: Bob Harras
Published by: Marvel Comics
Cover Date: January 1994
Cover Price: $1.25

This issue brought back a number of fond memories, as well as a new feeling as I “noticed” the art rather consciously this time. Having this issue relatively on-hand for this reading is something I must credit to fellow blogger Chris Sheehan, whose comments/discussion of the issue prompted the purchase and encouraged making the time for the re-read. It was his post that prompted me to re-purchase the issue (for the convenience of immediate availability in print without digging through umpteen unorganized longboxes to locate my original copy).

For a single issue, there’s a lot packed into so few pages. Essentially, though, we have Scott and Jean–Cyclops and Phoenix–walking the grounds outside the X-mansion. For once, there’s no overt threat, no villain interrupting, the world-at-large doesn’t need immediate saving, etc. Just a young man and woman spending time together, enjoying cool fall weather (well, Thanksgiving Day) and doing so amidst a larger group also living on the premises. So we get a bunch of “moments” between characters…and while the couple reminisces, they also come to a decision about their future.

This issue is one of a handful of X-Men comics I recall from the early/mid 1990s where we basically just have the characters hanging out at the mansion, interacting with each other in down-time withOUT having to deal with some villain or crossover or whatever. And reading this in 2016 where every story is written for the trade, and every trade is part of some big event and every event leads into the next with no time between…this issue is highly refresshing. There just aren’t issues like this anymore (at least not from Marvel/DC!).

The story itself is very much what I prefer in comics, giving us the characters, “quiet” “moments” and generally giving us a glimpse of what these characters do, how they might interact when not in the midst of fighting for their survival. We get to see them presented as actual people…which makes them that much more truly relatable (at least, to me!).

I remember thoroughly enjoying this issue over 20 years ago…and I enjoyed the story now. Unfortunately, while I don’t recall noticing the art–back then, if I did it didn’t throw me–but this read-through I REALLY consciously noted the art…and between this and bailing on a Superman story some time back for so disliking the art, I must conclude that as a general thing I dislike Romita Jr.’s visual style. There’s something to the style–sometimes a sense of sketchiness, other times something to faces and lips particularly that just doesn’t work for me and proved flat-out distracting to me, taking me out of the story itself. Which, while a complaint that I have, myself, is not to suggest the art is bad…it’s just definitely not to my taste, and it now being a conscious thing, it’s something I can watch out for.

And then, regardless of the linework and such itself, I had consciously forgotten (but hey, deja vu or such!) how much I dislike the flipping and flopping one must do to read certain ’90s comics, when the artists played fast ‘n loose with the “traditional” comic page and layouts. Some pages read fine, but rather than just varying panels across one or two pages, where one can just page through the issue with a single physical orientation and be fine…here, we’re given some instances with a double-page piece where you have to turn the comic sideways for a top-to-bottom experience with the issue physically turned sideways; others where the issue must be turned on its side for a then-typical left-to-right experience, and so on. Rather than being able to just lay the issue flat and page through, reading, while say, eating a bowl of cereal as breakfast it requires an active, physical experience of manipulating the book, which gets distracting and kicks one out of the story.

All in all, though…this is an excellent X-Men comic that I paid less than $4 for, and got so much more from it than any $3.99 new comic I can think of. If you know your X-Men and enjoy such stories, or have never read this, I’d urge you to give it a shot, if you can get the issue for (or less) that $4. If you find it in a 25-cent or 50-cent bin, all the better!