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New Toys: TMNT, Rogue, and Aliens

Over the weekend, along with going to a small convention, I also found a couple toys I’d been looking for…and a friend gave me some others that are equally (if not moreso) cool.

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Quite some time back, I was disappointed at the "Karai Serpent" figure. When I recently came across the Armaggon figure, I noticed reference to this figure, and have had my eye out since. Heading into November very shortly and the shopping season, I did not want to pass on this figure, having found it… who knows when I’d come across it again.

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I again don’t really see any other figures of particular interest to me–I have come across my original 1980s Mondo Gecko, so am interested in getting the new one for the contrast as I have with a number of other characters. Between what I see on this card back and the 2016 live-action movie figures…there’s really nothing that I’ll be much looking for in the near future, that I am presently aware of.

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Here’s the "profile card" for Karai…


Rogue has long been one of my favorite X-Men characters…at least in the comics. And probably more specifically, the 1990s comics. Even more specifically, probably from 1991’s X-Men #1 to around The Trial of Gambit, maybe a bit beyond.

I had intended to–as with most other waves–ignore the X-Men wave of the Marvel Legends figures.

But I found myself interested in the Rogue figure…if not the price of these figures.

So when I came across the figure at a 25% discount…the price became a bit more palatable…"only" $2 more than what Target (ridiculously!) has as their pricing of the 3.75" figures.

And as I told my friend when I put the figure in the cart…if I did not buy it immediately, we’d never see this figure "in the wild" again. Of course, having bought it…I expect I might see it "everywhere" now.

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I’m not fond of the build-a-figure things anymore…not at these prices. When the regular figures were $7-8ish and you only needed 5-6 to build the bigger figure, they were pretty cool. But at $20/figure (regular asking price), they’re just way too expensive these days, especially when I’m truly only interested in a couple figures in the line and the build-a-figure itself.

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Halloween Comic Con 2016: The Convention Haul

Over the weekend, I had a chance to get to a quasi-local (for me) convention–Halloween Comic Con, hosted by The Pop Shop in Sandusky, Ohio.

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Prior to even going to the event itself, a friend gave me a few things he’d had for me, including a couple of Ultimatum hardcovers he’d picked up for me some time back!

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The main Ultimatum volume has Ultimates 3 and Ultimatum itself…unfortunately, does not have the Annuals that were collected in the March on Ultimatum regular-sized hardcover. The Ultimatum Companion includes tie-in issues in the run-up to, during, and after the event for Ultimate Spider-Man, Ultimate X-Men, and Ultimate Fantastic Four; it also includes the Requiem issues for those titles.

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All in all, a couple of excellent oversized volumes for the Ultimate collection, and they’re very much the sort of collections I absolutely love: One volume for the “main” event itself and anything “core” to it…then a “companion” volume with the various tie-ins and such! Great package…

Then we get to the actual convention stuff…

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Free with admission we got this Soulfire Collected Edition volume. Nothing overly special (to me), but as a freebie…not bad at all!

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This Superman figure worked out to roughly $4…the price of a single Marvel comic…yet it’s something that generally would be basically a $20 item. Anyone can say what they will about Superman…but me? $4 for a full-size figure like this is something I’m quite game for! (And someday soon I may have to post a photo of my Superman shelf…)

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Unfortunately, none of the other figures in this wave were present… I’m not a huge fan of this version of Wonder Woman, but Flash, Green Lantern, or especially the Captain Marvel figure would also have been great scores!

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I initially made a mental note of the Hawk and Dove figures, though didn’t spring for them right away. Once I’d had a chance to wander the tables, and we were about to leave, I doubled back to check, telling myself they were a set. I would buy both if they were both still present, leaving whichever one was there if someone had already bought the other. Needless to say…they were both still there, and I snagged ’em.

Neither figure is that remarkable or interesting to me on their own…but the two of them, together, are really freaking cool to me!

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The Superman figure above and these four volumes were part of a $5/ea or 5/$20 deal. There’s a whole bunch of Superman paperbacks I’d like to own, but not enough to pay much for. At the same cost as a Marvel comic, though…I’m quite willing!

The Resurrection Man volume “rounded out” the deal, and for the price and having 14-ish issues (from the original 1990s run), not bad at all!

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Moving on into stuff, I snagged a 2nd copy of Superman #s 150 and 166 with the extra-shiny-ness thing going on. For the price, I was sucked in with the shinyness and the relative rarity…as in this is only the second time I can think of that I’ve seen this version of #150; and my original copy of 166 suffered some unfortunate rolling/bending years back being in the back of a longbox. For under $2/ea, glad to double-up!

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For “50 cents each or 5/$2,” I added an extra copy of the Superman: Save the Planet! special to the other four issues that had my attention.

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While I’d made sure ahead of this convention that I had my Ultraverse and TMNT comics sorted and missing issues logged…I neglected to log my stack of DC One Million issues…and unwilling to spend the extra $1 or 50 cents or whatever they would work out to on yet more doubles of those, I probably passed on a simple score of wrapping up my set of DC One Million.

That said…I snagged the DC One Million 80-Page Giant as well as what I hope is only a 2-part DC Two Thousand. I’d hoped for Flash: Terminal Velocity (the run-up to #100) but the stock skipped from the early 50s to the 120s…I settled for the four-part Born to Run story, as I couldn’t remember if I had the single issues or not.

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For basically $2 apiece, got Shade the Changing Man #1 and the Prime versus The Incredible Hulk. The former to compare/contrast with the new Young Animal iteration (Shade the Changing Girl) and the latter because hey, that’s a great price for an issue like this! (remember it, as this comes into play a bit later!)

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I believe I dug the Wild Dog and Uncanny X-Men issues out of a $1 bin. Hearing the character will be apparently playing a role in this season of Arrow and the surprise reference in another title recently, I figure I’d be glad to have this issue (unfortunately, they did not have the other issues of the series). And with the rumour of stuff for the upcoming Logan film (aka Wolverine III), I wanted to be sure to snag Uncanny X-Men 229 before it pulls a 266 in pricing on me!

(As an aside: if anyone has or could get me a copy of 226 in the $10ish range up to $20, I’d love to talk!)

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For the price of a single Marvel comic, I “upgraded” Aquaman #1 from a beat up copy to a nice copy…and filled out my Peter David run to now having a full run of #0 & 1-48! This includes “the” key issue–#2–where Arthur loses the hand…and I danced a fine line taking these photos between not actually sitting to read #s 1-3 and 0 and skimming through #2 and #0 in particular!  I remember when this series started, as well as noting Aquaman’s appearance in Zero Hour itself (see my 2016 Zero Hour Revisited posts), but had never gotten into/kept up with the series, to my later regret. Gladly, with ’90s comics being so (financially) cheap, I’ve embraced being able to catch up at a fraction of even the original cover price cost!

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My friend and I found a table with a huge selection of ’90s 25-cent comics. The listed deal was something like 25 cents each, so many for $2, or fill a USPS priority box for something…he saw us both amassing a decent stack, and made us a deal to go in one one together…so sharing the cost, we proceeded to grab some extra issues we’d passed on…and filled a box. Lotta cool/fun stuff…especially for less than 25 cents apiece!

I have (somewhere) a couple issues of the X-Men Archives, and apparently grabbed 5 of the 6 here. My friend pointed out the Magic: The Gathering issue…in a bag and board, it felt extra-thick, so I snagged it for curiosity of the thickness (turned out it included a copy of the Acclaim Comics preview I’ll reference below).

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Nothing really screams “’90s!” to me like these covers (and a handful of others from Image in 1992-1994). The ’90s get a bad rap, and to me, I’d say that a lot of what I think people really think of in the negative can be best referenced with early Image books moreso than stuff that leaked into DC and Marvel (as I obviously have an incredible fondness for the decade when it comes to comics!)

I also get a certain “satisfaction” out of scoring the “hot Image #1s!” of the early ’90s for a mere 25 (or less!) cents apiece.

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gen13_pricing_wizard_52And speaking of…Gen13. I pretty clearly remember this issue being one of THE “hot” issues of its time…to the point that I now probably have bought 5 or 6 copies for 25 cents each just to retroactively stick my tongue out (figuratively) at all the people who may’ve paid $20, $30, even $40ish for a copy of the thing!

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#HPBHaul for October 21, 2016

Today I went to a local (regional?) clearance sale by Half-Price Books. I had hopes of scoring an elusive Predator novel, or maybe snagging some Magic: The Gathering or Dragonlance novels, but no such luck (long story short).

What I did find was a set of four Penny Arcade collections that–for half the cost of a single Marvel issue–was well worth buying.

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Along with these, I also found a huge (but rather skinny) volume, Storeyville. Not owning any myself, I assume it’s about the size of the IDW Artist’s Edition volumes…certainly larger than a DC Absolute edition.

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I also snagged a handful of comics…though not nearly as many as I’d initially loaded up on…they were 50 cents each, so those dollars piled up fast compared to a quarter-bin.

Overall, not a bad haul, but certainly not what I’d hoped for.

The Weekly Haul – Week of October 19, 2016

This was another simple, light-ish week overall, for me.

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Snagged the new Superman issue, as well as the first issue of Cave Carson Has a Cybernetic Eye (perhaps hereafter simply Cave Carson). Also picked up Reborn #1 after hearing about it from last week. Curious about it and figured I could check out one issue, at least.

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Last week, at this shop, they had a raffle for their 22nd Anniversary. I won two prizes–a credit in "Toys" that I used to get this Iron Man bust bank, and a credit in "Supplies" that I used to get a new longbox, 100 bags, and 100 boards.

Definitely not a bad haul for the week…though I think next week will be time for another lengthier drive to the usual shop. It’s amazing how much I took for granted the quick/easy access to it when I could go on lunch breaks or after work, only a few minutes "out of my way."

TMNT Revisited: Teenage Mutant Ninja Turtles Adventures #2

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tmntadventures002Return of the Shredder (part 2 of 2)

Written, Drawn, and Lettered by: Dave Garcia
Adapted from Scripts by: Christy Marx and David Weiss
Colored by: Barry Grossman
Editor: Victor Gorelick
Cover by: Eastman, Laird, Lavigne
Published by: Archie/Mirage
Cover Price: $1.00
Cover Date: May 1989

This issue gives us the second part of the adaptation of Return of the Shredder. There’s a lot going on in the issue as it zips through the second half of the episode. Shredder breaks Baxter Stockman out of the asylum he’s being held in and recruits him to build the greatest rat-catcher ever–which he does, capturing Splinter while the turtles are out. The turtles, meanwhile, find and take down the fake turtles gang and discover a message from Shredder. This leads them to a confrontation with the villain as he stands by with Splinter ctied to a wall and a huge battering ram situated to swing down once its rope is cut. Baxter bursts in with his modified forklift/rat-trap and provides the distraction the turtles need to rescue their master. Shredder escapes, taking Baxter with him, and tries to explain the failure to Krang. Back at April’s office, we see her boss’s fling end, and the turtles have a meta-moment in the lair watching her news report on the capture of the Crooked Ninja Turtle Gang.

Story-wise, I’m still not impressed with this. I hold that for me, at least, looking back across 20+ years–there’s little characterization here and most of what I “know” is experiential rather than learned from the issue. There are plot-holes a truck (or giant rat-catcher) could be driven through, and things seem overly simplified in their way. I also continue to lay the bulk of the blame for that on this being an adaptation, and the material it had to work from (to say nothing of the fact that this is aimed more at the audience of the ’80s cartoon series, and my present-day self is certainly far from being the target audience). That said, the adaptation is pretty faithful to the cartoon, enough so that I can “hear” the characters’ voices as I read.

Visually, the issue is in a middle ground somewhere. The art is solid, good, but not exactly a favorite. All the characters are recognizable except April’s coworker Irma, who just looks significantly “off” from her appearance in the cartoon. Beyond that my main issue with the art is primarily that it doesn’t match the cartoon exactly, and the differences are very noticeable.

Overall, the issue simply “is what it is,” the second of a two-part adaptation of a single episode. Which is far preferable to the “ultra-compressed” nature of the mini-series. While this is still compressed by contemporary standards, it fits well enough into its place in history.

My copy of this issue is in fairly rough shape–a bit yelled, rough edges, the cover doesn’t quite line up with the pages. The cover image works well, though, and is far superior to any of the interior panels of the turtles facing Baxter.

I’m looking forward to the next issue, as it’s a story I haven’t read or particularly thought about in quite awhile…plus, I’m looking forward to getting into the “new stories” that made me love this series, beginning with #5.

Buying Into Young Animal From DC

I don’t know what it was, exactly–perhaps a simple comparison to early Vertigo from DC–but at the end of last week, I decided maybe I actually do want to check out the Young Animal stuff.

Life got in the way for several days, but I ventured out to a shop I hadn’t been to in quite awhile, and found that they (surprisingly?) actually had all three issues that I was aware of being out already, in stock.

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I was a bit put off by the cover of Doom Patrol #1…but a quick search using my phone turned up several results showing that cover and without mention of it being a variant (needless to say, if I find out it is a variant, I’m not gonna be a happy camper. Not. At. All.)

There were two covers for Shade the Changing Girl, and I didn’t feel like messing with more searching, so I grabbed this cover. Again…not gonna be happy if I realize it’s a variant.

With the Young Animal stuff, though, I think it’s that I’m craving some imprint or line that I can follow entirely that isn’t some huge universe thing. And since (I believe) these are technically taking place in the DC universe, there’s potential for a lotta interesting stuff…"experimental" under the YA imprint, but not necessarily absolutely removed, either (the way there was a hard boundary between DC universe and Vertigo stuff back in the day).

I also enjoy getting in on stuff at/near the beginning, so getting in on the first issues of the first several series, I can try the things out. I’ve avoided basically anything regarding them, so I’ll be diving in fresh on the actual reading.

Of course, it’s also just occurred to me that I’ve actually doomed the line, being interested and actually actively seeking these out. Please don’t blame me if the whole thing flops within a year…

The ’80s Revisited: Crisis on Infinite Earths #12

crisis_on_infinite_earths_0012Final Crisis

Writer/Editor: Marv Wolfman
Co-Plotter/Penciller: George Perez
Embellisher: Jerry Ordway
Letterer: John Costanza
Colorist: Tom Ziuko
Published by: DC Comics
Cover Date: March, 1986
Cover Price: $1.25

This is a large, convoluted issue with way too much going on to really summarize and address in any great detail in the general length I allow myself, and to do so without having to go into a lot of detail. Essentially, an infinite multiverse has been condensed down to one universe, though a bunch of heroes from parallel universes remain, having been outside time when that consolidation occurred. They’re split up to address issues on multiple fronts…namely the Anti-Monitor. Said villain just refuses to go down and STAY DOWN, rising multiple times from seeming defeat. In the course of this, a number of elements get loosely addressed, we have some characters killed off, others get a sendoff, and others simply get brief appearances with loose/quick details "setting stuff up" for moving forward (such as Wally learning of Barry’s death and becoming Flash instead of Kid Flash).

While I tend to like and appreciate Wolfman‘s art, and certainly enjoy Perez and Ordway both, reading this issue was a chore. I first read it about a decade ago–sometime around Infinite Crisis, if I recall correctly–having "finally" sought out the collected volume to actually read the "original Crisis" for myself given its 20-year anniversary had cropped up with a "sequel" of sorts (yet, amazing to consider yet another 10 years have passed and we’ve had a 30-year anniversary edition!).

Given what it is, and dealing with an entire universe and wrapping up stuff from a year’s worth of issues and all that, I have no real problem with the story…it’s just dense and seems like it has a huge amount of ground to cover in its limited pages despite being an extra-sized issue.

The art, of course, is fantastic–Perez and Ordway teamed up? Doesn’t get much better than that!

The creative team as a whole packs a heckuva lot into this, which I do like; but I can only imagine what I’d feel about it if it were a brand-new issue in 2016.

While we do have the "ultimate defeat" of the Anti-Monitor in this issue and a bit of an epilogue explaining a few things, overall this issue itself caps off the series, and I feel like I missed a lot by not reading the previous couple issues, and lost the scope or "epic-ness" of the story jumping in on this alone. As the story has been a "complete, full story" for three decades, I don’t think I’d recommend this as something to just sit down and read as an isolated issue. It’s sort of neat to flip through and see just the isolated chapter rather than the final segment of pages in a collected volume…but I think Crisis works much better read as a whole than just grabbing an issue.

For a 25-cent issue, it’s not a horrible read…but there’s certainly a lot of nuance that I am not picking up on given the decade’s space between this and when I last read the earlier issues.

Old-School Variance: Superman #75

I’ve often referenced it, but rarely had actual "live" photographic example to illustrate the point.

I do not consider 1990s "Collector’s Edition" and "Newsstand Edition" comics to be variants. Technically, I’ll give you that they are variants–one issue with two (or more) different covers.

Perhaps it’s that typically there would be two covers, and two covers "only" in such cases. There was also the notion of the selling channel–one version was intended for the "direct market" (comic shops) and the other for standard newsstand distribution. Also the fact that they were equally orderable by a shop–no "regularity" of 1:10 or other worse "ratios" on ordering and the other ridiculousness seen today. (special cases such as "platinum" or "gold" editions could be an exception, but those tended to seem truly "special" compared to 2016 1:50 or 1:100 or 1:500 or 1:1000 ratios!)

Back in 1992, there was the cover image. This is what people were looking for. They’d seen the image on tv, in the newspapers, in magazines, etc…so this is what they were looking for; and it was the content of the issue, the "event" of the story that was key, not which of fifty dozen alternative covers you had.

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The variance (as opposed to variants/multiple editions) of the Superman #75 covers is due to the multiple print-runs. You have your standard first print; and then for later printings, rather than taking interior art or additional artists, the color of the Superman logo and text The Death of Superman! was changed, and a small Roman Numeral was added to the cover copy to clearly indicate which printing the issue was. (I recently came across at copy of The Killing Joke that I had and couldn’t find anything saying which printing it was…I finally realized/remembered that which printing is indicated simply by the color of the book’s title and the cover price). That’s part of why the issue(s) are so clearly "iconic" and memorable…they’ve not been diluted by umpteen hundred different images for just one issue.

It’s occurred to me that there’s likely additional variance–the UPC box. In my photo here, the first print has an actual bar code…while printings II, III, and IV have the creator credits (these are direct market copies of the "newsstand edition.") I also make a distinction there–bar code vs. not–I consider the same. I’m not actually sure if the later printings have a version with the bar code, or if the later printings were comic-shops-only (newsstands perhaps having gotten the first printing only, and anyone else had to go to the direct market?)

Anyway…the ultimate point of this post is the photo; that these are 4 different versions of the same edition of the same issue, just produced as separate print-runs. Yet same cover image, still instantly recognizable as the same issue, despite not all being printed at the same time.

TMNT Revisited: Teenage Mutant Ninja Turtles Adventures #1

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tmntadventures001Return of the Shredder (part 1 of 2)

Art and letters by: Dave Garcia
Adapted from Scripts by: Christy Marx and David Wise
Color by: Barry Grossman
Editor: Victor Gorelick
Cover: Eastman, Laird, Lavigne
Published by: Mirage/Archie
Cover Price: $1.00
Cover Date: March 1989

We begin the issue with Mikey and Leo in a supermarket, doing some casual shopping. A couple of would-be thieves try to hold up the place, but the turtles stop them without any trouble at all. Back home, they wax nostalgic of the workout Shredder’s foot-bots gave them. Meanwhile in Dimension X, Shredder laments his recent defeat and begs Krang to send him back to earth. Tiring of the whining, Krang does so…but sends him alone. To Shredder’s surprise, he’s been left without any of his previous resources, and must make do with himself and anything new he can do.

Still meanwhile, at Channel 6, April’s boss has a new girlfriend who hates turtles, and thus he tries to impress her by pushing an anti-turtle agenda that April (of course) rebels against. Shredder recruits some thugs at a dojo and has them dress in turtle costumes…on the idea that if he turns the citizenry against the turtles, they’ll be forced to come out to defend themselves. Krang disagrees, and maintains his strict notion: Shredder’s on his own until he produces results. We leave off on Shredder musing that he’s left with just one place to turn…

While still rather corny and hokey (and I mostly blame the plot the comic’s creative team had to work with), this is a huge step up from the initial mini-series. While that was cramming nearly an episode and a half into each issue, this series gives the adaptation room to breathe. This entire issue comprises a mere HALF of one single episode.

The story feels a lot more open and a bit more complex as a result of the extra space for pacing. However, the characters all still seem rather surfacey and underdeveloped. If I didn’t already know plenty about them, I’d hardly know one from another. Additionally, April’s coworkers are little more than plot-point gags.

The art has a much different feel to it while maintaining a certain familiarity. The creative team is different from the mini-series, and other than the cover doesn’t seem to be utilizing any names I recognize as being from Mirage. The art isn’t bad, but it’s not wonderful…though I do definitely appreciate the layouts and that we aren’t given a bunch of huge splash panels or full or double-page splashes. This sticks very much to a “typical” comics feel and appearance, just differentiated by the turtles.

All in all, nothing terribly special about the issue–though I definitely like the cover. It’s one of the most “iconic” to me, and to this day it would hold up well as a poster or some oversized print, I think.

This was one of my earliest #1 issues of anything…back when #1s were actually a ‘special’ and significant thing, not something that came around every year or two for the same series again and again. Though I remember this as one of my earliest, I can’t honestly remember where I got this issue–whether it was a $5 issue at Capp’s Comics, or something I found at Comics & Collectibles. And I’m pretty sure I did not get it through American Entertainment–I remember a couple other issues from the mail-order route.

While I’ll get to it when I cover it, I’m actually more inclined to count these earliest issues as a longer mini-series, and see #5 of TMNT Adventures as being the true first issue of the run.

The Weekly Haul – Week of October 12, 2016

This week proved to be another "small" week for me, though also "key" and "expensive" in others.

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Firstly, yet another week with a new Superman comic (Action Comics, specifically)…I’d have to dig back, but I’ve gotta be getting close to the half-year mark of the week-to-week actively wanting to get the next Superman-related comic out that week, just for the next bit of story. And unlike even the New Krypton stuff (which PALES by comparison to Rebirth!), this is a FUN excitement, a new/updated status quo that I like and am not just going with. And rather than tease me with pseudo-triangle-numbering, the two main Superman books are just coming out, telling solid stories, and now with this issue of Action we’ve even got footnotes again–referencing the sister title (Superman) as if BOTH TITLES are actually taking place in the same timeline, part of the same universe, etc! We also get a nice reference to another series that means next issue will be interesting as well…

I was going to hold off on Supergirl, but that cover just grabbed me! Not so much the rendition of the character herself (this art style is not very much to my liking for her) but the Cyborg Superman, and the promise of potential that it holds in that image.

And I pulled the trigger on the Hellblazer volume to get that outta my system…I don’t think vol. 15 is due for another few months, and unfortunately, I worry too much about stuff going out of print these days, thanks to Marvel refusing to keep anything in print all that long or predictably. This volume is also a bit more of a "key" volume than I’d considered initially.

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With Hellblazer vol. 14: Good Intentions, these new editions have fully caught up to where I came into the series back in 2001 (just over 15 years ago!). This single volume combines three previous paperbacks, as it collects Hard Time, Good Intentions, and …Freezes Over. Sixteen issues in one volume; three story arcs…plus material from Vertigo Secret Files: Hellblazer.

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Now begins the steady march through as the new editions finish, and hopefully over the next several years, we’ll get a full Hellblazer library of volumes that actually look like the single series that they are, and allow one to–in this format–have the entirety of the 300-issue 25-year series.

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Even if the new, numbered editions do not end up spanning the entirety of the run…I do have–with the probable exception of the Hellblazer: Bad Blood mini–the run between the new editions and the smaller "original" editions.