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Superman #690 [Review]

The Setup

Writer: James Robinson
Artist: Pere Perez
Colorist: David Curiel
Letterer: John J. Hill
Asst. Editor: Wil Moss
Editor: Matt Idelson
Cover: Andrew Robinson
Publisher: DC Comics

While I really don’t have much of a problem at Superman himself being taking out of his own titled-book, I’m increasingly put-off by this title for its contents. This issue begins with a battle between Atlas and Steel in a sequence that flies by and is more than a little hard to follow, as Steel’s been duped into allowing Atlas into his home. We then get a 2-page sequence of Guardian naming team leaders within the science police…and a to-be-continued notice directing us to Superman: Secret Files 2009. Next up is a sequence with Zatara and a stage hand as we’re reminded of Zatara’s irresponsibility, and introduced to this stage hand who proves to be more than he appears, introducing a likely quest we’ll probably see unfold over the next few issues. After this is a one-page sequence between Guardian and Dr. Light in civilian guises, with a to-be-continued notice directing us to future issues of this title as well as Justice League of America. Finally, we get a 3-page sequence of Sodam Yat and an alien that explains away Yat and Mon-El’s lack of interaction…with a to-be-continued notice directing us to Superman Annual #14.

This issue as a whole felt like a lot of filler. We have a semi-pointless fight scene between Steel and Atlas (a character I still care nothing for, and have begun to actively dislike seeing appear in the Superman titles at all), followed by a bunch of seemingly unconnected “scenes” with no real transition from one to another, directing the reader to other titles and whatnot, rather than telling a thorough, consistent story to keep one interested in THIS title, in picking up the next issue. And perhaps this was filler, as I do suspect the Steel/Atlas scene to have at least some import on the Codename: Patriot story upcoming in the majority of the Superman titles for August; the rest of this issue would have been better served kicking off that story in some way.

I’m not much of a fan of the art–especially the depiction of Atlas. Other than that, not much problem with the visuals–my favorite probably being Sodam Yat and the alien, as both came across quite well overall…all things considered.

This issue seems entirely passable–all you need to know is that Atlas beats Steel, and you’re probably good to go for the next arc. Not recommended.

Story: 3/10
Art: 5/10
Whole: 4/10

Final Crisis: Legion of 3 Worlds #5 [Review]

Full review posted to comixtreme.com.

Story: 4.5/5
Art: 4.5/5
Overall: 4.5/5

Green Lantern #44 [Review]

Full review posted to comixtreme.com.

Story: 4.5/5
Art: 4.5/5
Overall: 4.5/5

Blackest Night: Tales of the Corps #2 [Review]

Full review posted to comixtreme.com.

Story: 3.5/5
Art: 4/5
Overall: 4/5

Blackest Night #1 [Review]

Full review posted to comixtreme.com.

Story: 4.5/5
Art: 4.5/5
Overall: 5/5

Blackest Night: Tales of the Corps #1 [Review]

Full review posted to comixtreme.com.

Story: 3.5/5
Art: 4/5
Overall: 4/5

Green Lantern #43 [Review]

Full review posted to comixtreme.com.

Story: 4.5/5
Art: 4.5/5
Overall: 4.5/5

Green Lantern #42 [Review]

Full review posted to comixtreme.com.

Story: 3.5/5
Art: 4/5
Overall: 4/5

Unwritten #2 [Review]

Tommy Taylor and the Bogus Identity: Chapter Two

Writer: Mike Carey
Artist: Peter Gross
Colors: Chris Chuckry, Jeanne McGee
Letters: Todd Klein
Editor: Pornsak Pichetshote
Cover: Yuko Shimizu
Publisher: Vertigo / DC Comics

This issue continues to show us Tom Taylor and his quest for the truth–of himself, his dad, and what’s going on around him. He seeks out the woman his father had an affair with while he was a boy to ask her about his real mother. He’s referred to where his father was last seen, and heads there. The present-day story is interspersed with excerpts from the Tommy Taylor books, adding an extra layer to the story.

The art continues to work very well for the story, taking on the appropriate visual style for showing the ‘real world’ or the world within the Tommy Taylor books. No complaints from me there.

The story also continues to impress–there’s definite development of Tom, and forward movement to the story; between the pages showing excerpts from the books as well as “web activity” related to “current events” in the present-day part of the story, there’s a lot going on within these pages that help to make it feel like a longer read than it is–one cannot simply flip through the pages skimming the words as one can with some comics these days.

I’m not as blown away with this issue as I was with the first, having extremely high expectations after enjoying the premiere issue so thoroughly (plus, this issue managed to sneak out two weeks ago and I didn’t even notice it the week it was released).

While certainly not a done-in-one story, I do feel like I’m getting a decent value following this as single issues (for all two issues out so far)–I hope it continues that way, making the collected volume feel like less of a necessity for enjoyment of the story at hand.

If you can find that first issue still, I highly recommend snagging both issues–especially if you’re a fan of Harry Potter or have any interest (even academically) in the nature of the “phenomenon” surrounding the Harry Potter books.

Story: 8.5/10
Art: 8/10
Whole: 8/10

Wonder Woman #33 [Review]

Rise of the Olympian part 8 (Finale): Monarch of the Dead

Writer: Gail Simone
Artist: Aaron Lopresti
Inker: Brad Anderson
Letterer: Travis Lanham
Associate Editor: Sean Ryan
Editor: Elisabeth Gehrlein
Cover: Aaron Lopresti & Hi-Fi (variant by Bernard Chang)
Publisher: DC Comics

In a time where the standard story arc wraps in six issues, this arc has taken eight issues. As such, it’s seemed a little long…but at the same time, it’s made up the entirety of my Wonder Woman purchasing of the last few years. It’s also–at 8 issues–made up probably the single longest stretch of my buying a Wonder Woman title, ever. All that being credit to Simone’s writing and grasp of the character, presenting both character and goings-on in an interesting light sufficient to keep me coming back month after month.

This issue opens with the Amazons finding the broken/battered body of their champion and then entering battle with Zeus’ male warriors. Wonder Woman–Diana–enters the fray, and takes on Ares–the god of war–who has long plagued her and her sisters. By her actions, the status quo for Diana as well as her mother and sisters is changed, as we clearly see what gave this arc its title.

The story in this issue is quite good–though some parts seemed a bit forced, and I didn’t enjoy it in and of itself as much as I would have hoped. Nothing seems to come out of nowhere, everything having basis in what’s been established in earlier issues. I do feel almost like I missed an issue, and nearly didn’t even READ this issue, thinking that I really HAD missed an issue. The visuals continue to hold up very well, and I have no complaint on that aspect of the book.

If you’ve not followed this story in single issues, I would definitely recommend the collected volume, as this seems likely be one of THE Wonder Woman stories…and certainly is poised to be integral to the character moving forward in the near future.

Story: 8/10
Art: 8.5/10
Whole: 8/10