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DC Futures End Month, Week One

I wasn’t going to do it. I was going to just flat-out ignore all of DC’s output this month. I even dropped the weekly Futures End series a few weeks back to avoid being up to date on it and thus that much more eager to buy into things.

But I just HAD to look at these things at the shop. And where I’d thought from the previews that the 3D part was just the center image…like last year, it’s the ENTIRE cover. And I’m certainly more impressed with these than I am of the recent Valiant chromium covers.

And there’s the fact that despite all tying in to Futures End…these are all functionally one-shots, so like with the Villains issues last year, I don’t REALLY have to follow any of these issues with any subsequent issues.

FUTURES END: ACTION COMICS #1

futuresend_actioncomics001No matter how much I try to avoid the current stuff, there’s just no getting away from the fact that I’m a Superman guy.

This one caught my attention because the image reminded me of the sand-creature Superman, and I was curious if perhaps that would be some key clue to the fate of Superman in this continuity.

What I found instead was a short, slightly disjointed but overall enjoyable-for-what-it-is story about Superman and his powers, what he can do, as an inspiration to others.

Overall a rather generic issue, and it actually REALLY could have been set in the present…one might have questions as to status quo, but take away the “Five Years Later” caption common to all of these issues and you’d have a generically timeless Superman story. Still…I enjoyed the read, short as it was, but I’m quite glad it’s “just” this one-shot.

FUTURES END: DETECTIVE COMICS #1

futuresend_detectivecomics001It just didn’t seem right to me, somehow, to buy a number of DC books and not have Batman in the mix. While I’m not a particular fan of the Riddler or the way the character’s been trumped up as a new major “big bad” in Batman’s rogues gallery, the cover art here was just too good to pass up, so I got it into my head to give it a shot.

While ultimately, this seemed to be a Batman a bit harsher than I’d expect, it also seemed decently spot-on for the most part.

There’s usually something at least vaguely interesting about seeing him forced to “team up” with one of his rogues, and this was no exception.

I could’ve done without the various “Zero Year” references, but that just drove home the point all the more how much that story is being played as “the” Batman story of the New 52, and seems JUST interesting enough that I’ll probably gladly buy it Ii f it’s ever put out in one of these under/around $30 volumes.

FUTURES END: GREEN ARROW #1

futuresend_greenarrow001Given the cover and Green Arrow’s fate in the ongoing Futures End series, I was definitely interested here to see what the story would hold, what light it might shed on stuff leading to the character’s demise, or how his immediate “supporting cast” were dealing with the loss.

What I found instead was an interesting yet sort of dragged-out story that I guessed from the start was headed right up to the character’s death.

While it could have been totally cliché, the story did give some background and a new element to be played out in the ongoing Futures End book with more detail given to where GA was headed immediately prior to the death in Futures End #1.

Maybe not the best single issue, but I definitely enjoyed the read, and am glad I tracked this down.

FUTURES END: GREEN LANTERN #1

futuresend_greenlantern001I really had no idea what to expect from this going in….but flipping through it in the store I caught that it involved Black Lanterns, and I enjoyed that the logo is the same as it’s been for the past 10 or so years, and Hal looked good on the cover, and I figured if I’m randomly picking up an assortment of the DC books this month, Green Lantern ought to be one of ’em.

The story seemed rather disconnected from Futures End other than the fact that it’s set 5 years in the future and references the war between the Earths.

I’m not usually a fan of anything involving the Source Wall or anything Fourth-World/New Gods related, but I liked its use here. I have yet to actually read any of the stuff dealing with Relic, but still enjoyed the character’s appearance here and the way he and Hal played off each other, and contributes to my curiosity to stuff I missed already involving the character.

FUTURES END: SWAMP THING #1

futuresendswampthing001I’ve been particularly interested in Swamp Thing since the character “returned” after Brightest Day; and it was one of the titles I stuck with longest after the initial New 52 launch.

So it made sense to me to check in on the character (plus the more I looked at that cover, the more I was curious).

This was a nice standalone story of Swamp Thing’s apparent end, but works nicely seeing his final “quest” to cover his bases before undertaking his final act.

I recognized some elements, and others simply fit, so this was a “fun” casual read for me…as well as solidifying some suspicions I’d had for stuff I’ve missed, and reminding me that this is a title whose collected volumes probably would actually be worth my checking out at some point, given the chance.

OVERALL THOUGHTS ON WEEK 1

As said earlier, I was dead-set on avoiding these when I first walked into the shop. But the more I looked at them and considered, the more my curiosity got the better of me.

As did that little voice inside that prompted me last year to say the heck with it, and “give in” to the gimmick and buy a bunch of these one-shot issues since it’s just for this one month and not going to be any sort of ongoing thing.

And since I never was able to find any sort of “bundle” deal to get ALL the issues, and I’ve mostly decided not to keep up with the ongoing, I figured I’d just give in on the 3D covers, and go from there.

Where last year I had a checklist and interest in several specific villains and all to plan in advance, I’m thinking this year I’m just going to stick with the notion of seeing what grabs my attention each week on-the-spot, whether based on the title/character itself or just an attractive cover.

Looking back to last year, I “only” bought 4 issues that first week, while I bought five this year…but then I also had bought the first issue of Forever Evil with stuff last year, and there’s no such event/mini-series premiere this time around so it still worked out.

Could be worse…definitely going to make for a huge few weeks. But it is what it is, and I guess it kinda makes up for all my DC avoidance the rest of the year.

Superman (2011) #32 [Review]

Superman #32

Men of Tomorrow – Chapter One: Ulysses

Writer: Geoff Johns
Penciller: John Romita Jr.
Inker: Klaus Janson
Colorist: Laura Martin
Lettering: Sal Cipriano
Cover: Romita Jr., Janson, Martin
Published by: DC Comics
Cover Price: $3.99

I wasn’t going to buy this issue. I’d been annoyed by the ads the last couple months, and wasn’t a fan of the art from previews…to say nothing of being annoyed AT the previews themselves (having never been a particular fan of the 5-page or so previews masquerading as chosen content in any given issue).

But at the shop, the coloring of the cover caught my attention: It’s not an image I recognized from the ads (the ads’ image I’d thought for SURE was the COVER IMAGE for this given its use all over the place!). While I’m not a fan of the linework, the image caught me–the red of the cape, the blue of the main suit, and maybe all the more, the orange and yellow background. It’s reminiscent of two VERY familiar covers in my mind: the Kryptonite Nevermore issue, and Adventures of Superman #497 from 1992.

Where usually the cover and art are not the primary influencing factor in my buying a comic, in this case, it definitely “sold” me on at least this issue alone.
I also quite like the fact that the visual style fits the interior; it sometimes feels like the covers can be a distinctly different thing, giving one impression while the interior is a completely different visual style.
I recall liking Romita‘s art some 12/13 years ago on Amazing Spider-Man, JMS‘ run, but as I’d noticed from the previews and now having been through the actual issue, I’m not terribly thrilled with the style with Superman. It’s certainly not bad–and loads better than anything I could ever dream of being able to draw myself–just that for this first issue it doesn’t fit with my preferred visual take on Superman (a la Dan Jurgens, Jim Lee, Ed Benes, to name a few). The art certainly does its job…I’m never really left wondering what’s going on, and there’s nothing that jars me out of the story scratching my head at anatomy or some other quirks that different artists’ styles sometimes have done to me. If you’re a fan of Romita‘s style, this would seem to be a solid example of that, except it’s with DC characters instead of Marvel.

While Janson‘s name sticks out quite a bit to me, I’m honestly not one that particularly consciously notices inking–linework tends to go together as one thing, with the penciller getting much of the credit. In this case, given just how recognizeable the art is to me as Romita’s style, I’d say the inking maintains the style, complimenting it quite well…it certainly doesn’t detract in any way I notice.

If I’m correctly recalling, the last time Johns came onto a Superman book was in Action Comics, beginning the Last Son arc with Donner, and I was none too thrilled with elements reintroduced to the Superman story during that run. I was also not all that thrilled with the Secret Origin arc and what THAT reintroduced.
However, this is an entirely different DC universe, an entirely different Superman, and as such, I’m along for the ride and whatever elements are brought in. I’ve not been particularly invested in the New 52 Superman, at this point having read barely 1/3 of the run.
Johns introduces us to Ulysses, a boy sent from his dying world by his parents to another place in the hopes that he would live…an origin quite parallel to that of Kal-El. Years later, Superman takes down Titano, a giant (mechanical) ape troubling Metropolis. Not long after, we spend some time at the Planet with Perry, Jimmy, and a visiting Clark. Perry offers to bring Kent back in, and offers a bit of a ‘speech’ that will surely impact the young reporter/blogger/super-hero. A new threat hits the city, and though Superman intervenes, it takes the intervention of a new  figure to temporarily resolve the issue, as the man believing himself to be the Last Son of Earth discovers he’s not nearly as alone as he’d thought.
Frankly, I don’t want to be interested. I don’t want another $3.99 book on my slate each month, especially with the title being what seems to me arbitrarily bumped to the higher price, when Superman started as a $2.99 book and Action Comics was the $3.99 book.
But Johns has done it–I’m interested in spite of myself. I may not be enthused with the art, but the story more than makes up for it. I haven’t a clue how LONG Johns will be on the book, and this strikes me as likely “graphic novel” fodder (without getting much into the issue of stories “written for the trade”) so it remains to be seen if I pick up the next issue.
I’m not ready to add this to my pull list by any means…but I’m not disappointed in having spent the $3.99 that I did, I’m interested in what comes next within the story, and it’s highly likely that if I don’t pick up the rest of this arc in single-issue format I’ll definitely look at picking up the inevitable hardback.

adventuresofsuperman497      superman233

superman0032

Injustice: Gods Among Us Annual #1 [Review]

injusticegodsamongusannual001The Hunt for Harley

Writer: Tom Taylor
Artists: Xermanico, Jonas Trindade, Mike S. Miller, Bruno Redondo
Colorist: Alejandro Sanchez Rodriguez
Letterer: Wes Abbott
Cover: Juan Jose
Assistant Editor: Aniz Ansari
Senior Editor: Jim Chadwick
Published by: DC Comics
Cover Price: $4.99

Normally I’m not a huge fan of Lobo, though the character occasionally gets my interest. I had enough curiosity in September that I wound up snagging the Lobo Villains Month issue, and since I’m already following Injustice, there was no reason for me to avoid this issue arbitrarily.

The main thrust of this issue is that Lobo shows up to see if it’s worth trying to collect a bounty on Superman. When pointed out that Superman could just throw him into the sun, and there wouldn’t BE even a single drop of blood for Lobo to regenerate from, the big bad biker from space decides that nope, the bounty is not worth it. However, Superman makes his travel worth his time, and sics the bounty hunter on a thorn in his own side: Harley Quinn. So Lobo goes after her, to darkly comedic results, with a hint of Green Arrow and Black Canary thrown in.

This is by no means a written masterpiece…but I have to say that I enjoyed this issue and its story more than I have most comics lately! The story itself fits quite well within the established setting of the Injustice series and its parameters. I liked the longer singular story, compared to feeling more like I’m getting a couple of shorter stories and a random backup in some of the non-Annual issues.

I also enjoyed the visuals of the issue. Nothing glared out at me as weird or “off,” nothing took me out of the story as I turned the pages despite multiple artists; and I really like this version of Lobo.

While there’s a fair bit of context to be had, having read the series so far that makes this issue work, if you’re loosely familiar with Lobo and Harley (say, from the game itself or other media) and you know the premise of the game (superman’s taken over, the heroes are split and alliances are not what they used to be), you can probably enjoy this as a rather expensive (but at least thicker than a standard issue) once-shot story with nice art.

The overall saga of Injustice is not exactly advanced–this is a fairly “timeless” story within the setting and nothing stands out as “key,” though there are references grounding this in the continuity.

But this is still a good issue that I ultimately didn’t mind paying the $4.99 cover price quite as much as I would many others. If you come across this for a decent price (whatever you deem “decent”) it’s definitely worthwhile.

The Trials of Shazam vol. 2 TPB [Review]

trialsofshazamtpb002Writer: Judd Winick
Artists: Howard Porter, Mauro Cascioli
Letterers: Rob Leigh, Travis Lanham
Original Series Covers: Howard Porter, Mauro Cascioli
Reprints: The Trials of Shazam #s 7-12
Published by: DC Comics
Cover Price: $14.99

This volume took me a bit longer to “get into” than the first…partially less excitement to get into the volume (now having a good idea of the story and such after reading the first). Of course, plenty of distraction, too with a “new comics day” and a local comic convention since reading the last volume.

We pick up here with Freddy’s journey…he’s got part of the powers of Shazam, and Sabina has the others so far…with a couple of the gods’ powers as yet unspoken for. He winds up recruiting “help” from the Shadowpact, on the idea that his attaining the powers is less important than Sabina NOT getting them. As she steals more power and the balance of magic is close to being toppled, the “war” actually breaks out with Sabina launching a spell that needs one million souls and will push Dark Magic far beyond Light magic. Freddy meanwhile recruits the Justice League and leads the counter-assault. Things finally come to a head, and the legend of Shazam moves forward.

Story-wise, this volume is consistent with the first; this felt like the back half of the same story, with obvious progression and development from what came before. I definitely liked seeing the other characters involved…while I expected this to be Shazam-centric, seeing that this takes place in the shared, main DC Universe of the time makes it so much better than just being off in its own little corner. It’s also cool to see Freddy being responsible and involving others as the situation needs it rather than egotistically insisting on going it alone (suggesting there’s plenty of strength simply in recognizing when one needs to turn to others, perhaps).

Visually, the first couple chapters match the entire previous volume while the final four are a shift as we move to Cascioli on art rather than Porter. While this is in itself a bit jarring and quite noticeable, it works pretty well…and I definitely prefer a complete such shift than stuff being interspersed. It may not be entirely consistent with the first 8 chapters, but the parts are consistent with themselves, and everyone is still quite recognizable. I actually think I’d’ve preferred this latter visual take for the entire thing if that’d been possible.

As a whole, a good volume, though I maintain that I’d’ve by far preferred this be one large volume to its existing two skinnier volumes. This is a singular overall story that seems near-arbitrarily split in half just for the sake of being halved, or of keeping its collected volumes as the “standard” 6-issue things.

I’d think it obvious, but as the second of two volumes, if you’ve not read the first, I don’t see any real reason to seek this out unless you’re specifically looking for the ending of the story rather than the beginning or ‘full’ story. But if you’ve read the first half, this is definitely well worth getting to finish, to have the complete story. Overall, I’d recommend trying to get both volumes at once if possible to read as close together as possible.

I wasn’t sure what to expect of this series and already knew the “core” ending going in. But I definitely  enjoyed reading this, and find myself very disappointed to realize for the moment that other than the New 52 Shazam volume I read weeks ago, I don’t know if there are any collections with NEW Shazam stuff after this story out there or what issues to get for any appearances of Shazam.

The fact that that bothers me and that I’m interested in more of this take on the characters is a definite positive to me and credit to the story.

If you want to see the Shazam/Captain Marvel stuff actually progressed and status quo changed/updated (or at least don’t mind it happening), this is definitely well worth reading!

The Trials of Shazam vol. 1 TPB [Review]

trialsofshazamtpb001Writer: Judd Winick
Artist: Howard Porter
Letterer: Rob Leigh
Reprints: The Trials of Shazam #s 1-6 and a selection from Brave New World #1
Published by: DC Comics
Cover Price:
$14.99

I vaguely recall the events preceding this…the huge goings-on around the run-up to Infinite Crisis as well as the events of Infinite Crisis itself…this is an aftermath that I was tangentially “aware of” but never got around to (being able to) read until now.

Given my recent/ongoing surveying of multiple eras of the Shazam stuff, other than some sentimental value on the Action Comics Annual during the Eclipso: The Darkness Within event I don’t feel any particular attachment to any version the way I am sure I have with Superman, Batman, and many other characters I’m much more familiar with at length. So that puts this story into a unique position in my reading knowledge.

The idea of this journey, the “trials” strikes me as a classic Hero’s Journey; giving us what I believe might be the first “starring role” for Freddy (outside a possible co-starring role in Ordway‘s Power of Shazam ongoing way back that I have yet to read) and setting him up to fill the shoes of the “original” Captain Marvel.

With the demise of the Wizard, everyone’s roles in the world of DC magic shifts. Billy Batson–Captain Marvel–steps into the role of the Wizard, and Freddy is prepping to fill Billy’s old role. But with the change in magic, the rules have also changed. The gods’ powers cannot now be merely “bestowed”…they must be EARNED. Thus, Freddy must go about these “trials” in order to earn each power, from each god represented in the name SHAZAM. He’s given a guide who leads him on this journey; even while opposing forces rally to prevent his completing the trials. 

This volume gives us the first half of the Trials of Shazam series. While it does contain six issues plus some material from the Brave New World one-shot, it still feels rather skinny. Thankfully, I obtained this volume through an eBay purchase along with the second…both plus shipping for less than the cost of either individual volume. This is another case of where I truly believe–for “only” a 12-part limited series–the story should be in a single volume, even at double the cover price of these half-size volumes. That this is only HALF the story is the core drawback of the volume.

Visually I’m not terribly impressed. The art’s definitely not bad…it’s good, in fact. But there’s something that I can’t quite put my finger on that’s missing or lacking, most likely simply my expectation given I had to put some conscious “work” into obtaining these volumes while prior Shazam stuff I’ve sought out were easily found on a shelf, in a back-issue bin or via Amazon. The art conveys the story and gives a look and feel to things and maintains consistency…I’m really never left with any confusion in a panel as to what’s going on. In and of itself the art is of a higher “technical” level than “emotional” for me.

Story-wise, this seems fairly run-of-the-mill and formulaic. As said above, it fits what I know/recall of the classic Hero’s Journey; plugging Freddy (and the Marvels) right in. Taken strictly on its own, as such, there’s nothing really all that new or “special” to this story. Being a super-hero comic (and something I’m reading the better part of a decade after it came out–knowing what ultimately came about and that the continuity this is part of doesn’t even exist anymore except in memory and “the back issue bin” and bookshelves) it definitely lacks an excitement and simply feels like it’s running through the motions more than anything else. That this is an extended “transition period” moreso than it is any true challenge or question of what’s to come.

Despite that, what makes this really worth reading is that it is a significant story in the overall Shazam/Captain Marvel saga, particularly in the late DC Universe of the 1990s/early 2000s…presenting actual, large changes to the status quo and moving characters forward in a way that they’re rarely allowed to; putting real growth into the Shazam mythos.

If you have an interest in the “legacy” aspect of characters; of passing-of-the-torch stories, of the Hero’s Journey, and the like, this fits in well with that. Ditto if you’re–like I am–surveying major available stories of the Shazam characters regardless of era/continuity. I’m not sure if this volume is technically out of print or not, but as it is only the first half of a singular overall story, I would definitely recommend getting the whole story at once if you’re going to at all…be it both volumes of the TPB edition or all the single-issue comics.

Superman: Dark Knight Over Metropolis (TPB) [Review]

supermandarkknightovermetropolistpbWriters: John Byrne, Dan Jurgens, Roger Stern, Jerry Ordway
Artists: Art Adams, Dick Giordano, Dan Jurgens, “Sludd” Giordano, Brett Breeding, Bob McLeod, Jerry Ordway, Dennis Janke, Kerry Gammill, John Kalisz
Reprints: Action Comics Annual #1, Adventures of Superman #466-467, Action Comics #653-654, Superman #44
Published by: DC Comics
Cover Price: $14.99

The Action Comics annual, while not bad, isn’t at all my favorite Superman/Batman story. It’s certainly an apt inclusion, being one of the earliest team-ups of the characters…I just don’t care for the vampires thing, and given the volume’s title and the “main” story of the volume, I was eager to get to that rather so quickly waded through the Annual.

Adventures of Superman #466 was the first appearance of Hank Henshaw, and a definite “nod” to Marvel‘s Fantastic Four, albeit with a much more tragic outcome. Three men and a woman are exposed to “cosmic radiation” and crash back to Earth, finding themselves changed–one into energy, one into a monstrous construct of shrapnel, rocks, and branches; one fading out of our plane of existence, one being eaten away by radiation that baffles even his intellect. This is a nice “one-shot” sort of issue, introducing the characters and seeing their apparent end all in one go…though Hank Henshaw would eventually return in Reign of the Supermen/The Return of Superman and go on to be a fairly recurring character throughout the 1990s’ Superman books. Though I can’t be certain of its accuracy, I seem to have a fond memory of having read this issue while it was still new, long before ever being referred back to it during Reign of the Supermen.

I can’t really put my finger on why this issue was included here except that it came out about the same time as the others and so perhaps “adds context,” but as a Superman/Batman-themed volume focusing on the characters’ early interactions, I really would have preferred to see Man of Steel #3 (One Night in Gotham City) included here (the issue/story is even referenced by the Action Comics annual!).

Action Comics #653 serves as a nice prologue to the “main event” of the volume, giving us the key point of the Kryptonite ring having been removed from Luthor’s possession, and how it winds up able to make its way to Gotham City.

Finally, we get to the three issues that are the actual Dark Knight over Metropolis story. Here, Batman comes across a radioactive ring that he traces back to Metropolis. Of course, Metropolis “belonging” to Superman, the two cross paths, and have to work together to uncover the source of the ring and deal with a threat from Intergang. At the story’s end, we see that although their methods differ, Superman realizes that he and Batman are truly on the same side with the same ultimate goals, and we get the key scene that would have ramifications for a decade or more in the DC Universe as Superman gives Batman the means to stop him should the need ever arise.

Overall–on all the issues–the story and art work well together. I can definitely tell these are from the late 1980s/early-1990s, though, visually…both stylistically (square, neat panels, virtually no full-splash-pages, no double-page spreads, etc) as well as the coloring…while the paper itself for this volume are not newsprint, some pages I could practically feel the newsprint, and some of the coloration “dots” are visible in panels from the original printing process.

The look and feel of this volume brings back fond memories for me, as–while different artists had different ways of depicting the characters–the whole seems consistent with nothing outlandish or particularly “off,” and I really had no complaints.

The stories as well are a nice blast from the past…and as I read this, I realized I may not actually have read all of these before this iteration, so it’s nice to know absolutely for certain that I’ve now read this story for myself as opposed to simply knowing it by references TO the story.

This is probably one of the most “bare-bones” volumes I’ve noticed as such in awhile…I was surprised to get to the end, and there aren’t even any ad pages or lists of OTHER Superman or Batman volumes that I usually ‘expect’ to see. Additionally, there’s no table of contents, introduction or anything…not terribly surprising since the “specialness” of collected volumes has gone away, though for such a specific story I’d almost expect some “extra” stuff to be included (since this isn’t “just” “the next” volume to contain several issues in a series).

All told, though…it’s quite gratifying that this volume now exists, and it’s well worthwhile for anyone interested in a quality glimpse into “early” Superman/Batman interaction from the post-Crisis on Infinite Earths DC Universe. This is a standard-size TPB, with the “standard” $14.99 cover price that one would expect for a 6-7 issue volume. In an age of collected volumes increasingly reflecting a greater-than-$3.99-per-issue price, this is a more than fair price point. I already own all of the single issues, and would really consider them to be quarter-bin/50-cent-bin issues, yet I still bought this, and consider it a very worthwhile purchase!

Injustice: Gods Among Us #10 [Review]

injusticegodsamongus010Betrayals

Writer: Tom Taylor
Artists: Tom Derenick, Mike S. Miller, Bruno Redondo
Colorists: David Lopez, Santi Casas of Ikari Studio
Letterer: Wes Abbott
Cover: Mico Suayan
Cover Colors: David Lopez, Santi Casas
Assistant Editor: Aniz Ansari
Senior Editor: Jim Chadwick
Published by: DC Comics
Cover Price: $3.99

Given the way I was drawn into this series, I almost hate to admit that it seems that even as things with the characters heat up, the series itself is cooling down for me. I have yet to get to play the game this is based on, so only have the story as this comic series to go on, and the premise is wearing a bit thin.

This issue gives us the next three chapters that were originally presented digitally…two dealing with the “main” story and one that’s really just a “side” story for “perspective.” In the main stuff, Superman’s group has learned that the Hawkgirl they were working with was actually the Martian Manhunter in disguise, while Batman’s group had taken out the original. In retaliation, Superman reveals Batman’s identity to the world. This doesn’t go over well with anyone–least of all Bruce–and prompts additional harsh action. Martian Manhunter confronts Superman and Wonder Woman, and uses his shape-shifting ability to threaten Wonder Woman’s life, prompting quick/deadly action from Superman. In the third part, we get a story of a kinder, gentler Superman of the past and how he went to extraordinary lengths to help a kid who fell off a bike.

Art-wise, no particular complaints. The art fits the stories the issue gives, and I never found myself trying to figure out what was going on due to confusing visuals. The “classic” Superman seemed slightly off, but I’m a lot more “forgiving” of that given this series is entirely its own thing…and I’ve gotten used to seeing a lot of visual interpretations of the character that don’t quite fit “my” preferences.

Though the series is cooling off for me, the story isn’t bad. It’s a bit jarring to see these characters–especially Superman–take things as far as they do; and to see where there can be more drastic, shocking consequences since this isn’t the “main” continuity (characters can be killed, maimed, etc.). I’m finding Flash to be a bit more of a “voice of reason” and the most true-to-form of the various characters; certainly “vocally.”

By and large, this far in, the story is steeped in its own continuity so there’s not much of a jumping-on point, and it seems rather unlikely that anyone would be randomly jumping in at a 10th issue without context of the earlier issues; there’s no real recap–externally or within the story itself–which works for me, having read all the earlier issues…but it wouldn’t seem likely to truly “clue in” a new reader looking for context.

Superman allowing–even instigating–the revelation of Bruce’s identity, particularly as retaliation seems uncharacteristic of Superman, given likely ramifications. I’ll buy it for the sake of the story, but with a healthy dose of skepticism. My favorite part of the issue was the flashback which is a rather strong Superman story, period–Injustice and otherwise.

All in all, not a bad issue…certainly nothing to disgust me into dropping the book, but nothing that particularly drives me to recommend someone jump in on this issue, or even the series, without already being interested in the concept to begin with.

As the issue re-presents 3 chapters that were originally 99-cents each, I’m paying a $1 “premium” to get/read this in print. Yet given the page count, it’s in line with (or has more than) other $3.99 books, so no huge issue there.

Superman vs. Shazam! TPB [Review]

[Reprints All-New Collectors’ Edition #C-58, DC Comics Presents #s 33, 34, 49, and DC Comics Presents Annual #3 (1984). Cover Price: $19.99]

supermanvsshazamtpbMy initial criteria for choosing this volume? “Cheap” and “Superman” and “Shazam”/Captain Marvel. Also, “new.” As in…this just came out a few months ago (March, 2013 as far as I can tell) and thus qualified as “shiny and appealing,” so to speak. I also have to admit to appreciating the Shazam logo I’m most familiar with at the moment for pre-New 52 stuff (primarily due to Jeff Smith‘s Monster Society of Evil but have noticed for other Shazam items). Surfacey stuff, sure, but it yielded the sale and put the volume into my hands.

The art’s fairly standard-ish, especially for what I tend to “picture” as the generic “pre-mid-’80s” type visuals. Not horrible or anything, but nothing that blows me away by “today’s standards.” Yet, I certainly appreciated that often–while they appear QUITE similar otherwise, I COULD distinguish Captain Marvel’s face from Superman’s face…certainly something QUITE good in my book! It could be argued that the art is limited a bit, constrained by the standard-ish panel structure…that is, a lack of contemporary creative layouts and full/half/double-page splashes and the like. With most everything being in individual panels, there’s not a lot of room for much of the artistic impressiveness that would grab me with more recent art. While that’s a bit broad considering this volume spans a number of years, I largely read it in one go, and the visual style kinda blurs for me on older stuff.

Story-wise…by contemporary standards (again), can’t say I’m all that thrilled with this. Characters didn’t seem all that deep to me (some seemed to just come out of nowhere, with little or no context), and there were plotholes one could drive a truck through. Characters were all too quick and willing to “accept” something at face value with seemingly no consideration for the depth or scope of the issue at hand…and villains’ motivations seemed extremely thin.

All that said, or despite saying all that, I rather enjoyed the volume in and of itself. Even with the extremely limited prior exposure I’ve had to Captain Marvel, I know enough to recognize Sivana, Mr. Mind, Black Adam, the multiple Earths, and have recently learned a bit about Hoppy and the extended Marvel family (Uncle Marvel was–like Hoppy–quite a bit on the far-fetched side, but I recognized the character as Billy’s uncle from Shazam: The New Beginning).

While the stories may have been published years apart, in the general sense of the pre-Crisis DC Multiverse of the ’70s/early-’80s, these fit together well enough, and it was cool to see the nods to continuity.

I don’t know that I’d really recommend this to a new fan of the Shazam or Superman stuff as any sort of ‘essential reading’ (unless you’re particularly interested–specifically–in “digging in” and “experiencing” the historical element of the characters’ earlier interactions). But this does fit in quite nicely with other “themed” classic Superman collections that take a particular element (Lex Luthor, Brainiac, Zod, the Phantom Zone, the Daily Planet, the Bottle City of Kandor, etc) and present some stories focused on it.

For the price (especially if discounted) the volume is quite a good value for the time it’ll take to read, even though the art and stories don’t hold up real well with contemporary comics. This is a time-capsule showcasing Superman/Captain Marvel (Shazam) crossover/team-ups of the past, and for me, upon filing, will be a welcome addition to my bookshelf.

Shazam! (New 52) Vol. 1 [Review]

shazamvol001Writer: Geoff Johns
Artist: Gary Frank
Colorist: Brad Anderson
Letterers: Nick J. Napolitano, Dezi Sienty
Cover: Gary Frank & Brad Anderson
Published by: DC Comics
Cover Price: $24.99

I’ve never really been a fan of the Shazam/Captain Marvel property. I haven’t exactly disliked it, but I’ve never really had any active interest in it. Actually, my primary interest has probably come much more in retrospect in the last 10-15 years, looking back to where I came across the character(s) in the 10 or so years prior, and seeing how the concept’s been worked into the general DC Universe, and given the history as tough competition to the Superman publications.

In more recent years, I neglected to follow the Trials of Shazam series, though seeing the changes wrought by Infinite Crisis and its lead-up seemed to hold a lot of potential. I just never really got around to going back and checking up on the saga.

Then the New 52.

I didn’t care for Justice League, so wasn’t about to buy a title “just” for some “backup feature” or “co-feature” or whatever. It seemed to me that there was some miscommunication as to when the Shazam stuff would even start, and ultimately that came down to “out of sight, out of mind” for me, if not simply “don’t care.”

Skip then to Villains Month and the heavy house-ad presence for the Shazam! vol. 1 hardcover, combined with a conversation I had with a friend whose only real exception to “no super-heroes” IS Captain Marvel/Shazam. Beginning with simply being “cute” and sending an SMS photo of the ad (“hey, here’s something NEW you can buy!”) followed by realizing I’d been enjoying the stuff with Black Adam in 52 and then the JSA story near the end of Johns‘ run there, and opting to get the Black Adam Villains Month issue…and I fell into my own “trap.”

I was curious, and interested.

Which, finally, brings me to the book itself: Shazam! Volume 1. This book collects the Shazam! feature from Justice League (2011) #s 7-11, 0, 14-16, 18-21…or 13 chapters. Being–as I understand–functionally “backup” or “co” features, these were each significantly shorter than a standard issue, so these 13 or so chapters work out to approximate six issues…making this a standard-size volume overall.

That I was able to get the hardback for $15 shipped made it like getting a paperback, but the added “plus” of actually being a hardback…though that’s probably moreso the immediacy, as my curiosity had gotten the better of me and I was more interested in checking out the New 52 iteration of the property than caring about having a hardback vs. paperback.

The cover’s depiction of the character is a bit “off” to me, looking questionably sinister, power-mad, or at the least, slightly creepy. Based on the interior, it looks to me like that image was from a variant cover of an issue of Justice League, and seems modeled after the 2012 #0 issues of the New 52. Fitting, as this is the introduction of this version of the character…not so fitting as it’s the only image of the character that stuck out to me in that way.

Gary Frank‘s art is a definite draw for me, and made the book quite easy on the eyes. Everything taken solely in context of this single volume, I haven’t much to say about the art other than I enjoyed it quite a bit–in general as well as the character designs themselves. Adding my knowledge of more Shazam stuff than just this volume, Mary seemed a bit too “old” and not so “innocent” as I’m used to seeing the character (excepting Final Crisis and such), and I’m not familiar with Pedro, Eugene, or Darla offhand. Additionally, the hooded full cape isn’t an aspect of the costume I’m used to, though Frank makes it look good.

Story-wise, it was a bit stranger to me seeing a more rebellious, cynical Billy Batson, one quite lacking in the wide-eyed worldly wonder and “Holey moley!” of even the ’90s take on the character. While that’s long been a relatively defining aspect of the character, its absence in this was actually quite welcome to me. This Billy seems much more grounded and realistic, and it’s a lot easier to identify with the character himself. That there are echoes of the typical “with great power comes great responsibility” refrain thematically doesn’t hurt things, either. I also found that I don’t at all mind the missing “Captain Marvel” name, as I’ve grown up with Shazam as the cover designation involving the character(s). It remains to be seen the long-term designation of the siblings’ names, but as I’ve (as of this writing) yet to even read Ordway‘s Power of Shazam series, I have no particular vested interest in the old naming convention.

Throughout this volume, we get to see some honest growth of the character as he first takes advantage of his power, then attempts to learn to channel it, and finally shares it and steps closer to being the hero he’s gotta be. We also have the introduction and a bit of development of the villain–Dr. Sivana–whose quest for Black Adam and access to magic dovetails into the overall arc of Billy getting HIS powers and stepping into action. Sivana’s motivation also rings true, as he’s seeking to save his family with the magic and not “just” some mad scientist-type scheming against the magical hero.

There were a number of splash pages, enough that I couldn’t always tell where a chapter definitively had ended. In this single-volume format, that’s definitely a good thing…yet it underscores how much I would have hated this in its original serialized format. The story taken as a whole–this entire volume–works very well, but pull out any one chapter by itself and there’d be a lot left wanting for that chapter–either focus on Billy and his building relationship with his new “siblings,” or continued development of things on Sivana’s end with Black Adam.

As touched on earlier–I very nearly bought this for full cover price just for the immediate gratification…but currently holding an Amazon Prime account with free 2-day shipping, I forced myself to hold off in order to save $10 (40%). At the $15 I ended up paying, this was more than worthwhile as a purchase. The full $25 might be a bit of a stretch…but as a hardcover, it’s not a horrible value, and as something I was actively interested in acquiring TO read, this seems one of the better volumes I could have chosen. 

All in all…I’m quite satisfied with this book, and the amount of time it took me to read the thing cover to cover for its price compared to the same price for say, four of last month’s Villains books. I don’t know that I’d jump into buying single issues with a continued backup series featuring Shazam or the Shazam family, but I would certainly check out an ongoing title or occasional special.

DC Villains Month, Backtracking

villainsmonthcatchup

With the end of Villains Month and all the issues I wound up getting, I still found myself curious about a few more issues…and ended up “backtracking” and picking up several of the “leftover” 2D editions for a few issues…and figured I’ll offer some some thoughts/commentary associated with each of these same as I have all the rest this month.

ARCANE (Swamp Thing #23.1)

foreverevilarcane001I jumped into Swamp Thing at the start of the New 52, but never got to “meet” Arcane himself. I’ve heard of the character through the years, been aware that he existed, but never actually encountered him. I also–based on where I left off when I dropped the title before the Rotworld stuff or whatever it was–knew “something” was going on with Abby, so her appearance here (while not to my taste) isn’t all that “shocking.” It’s interesting finally meeting the character, and it’s easy to see just how dangerous he really is; I could also tell that there seems to be some retconning going on as he interacts with Abby. No problem with the story or art; this one issue is not enough to draw me back in to the ongoing series, though it gets my curiosity up where I’ll be interested in learning where things go, down the line…and/or perhaps I’ll seek the series out in bargain bins someday or snag the issues digitally if there’s a sale or such. Definitely enjoyed this, and I’m glad I picked it up.

BIZARRO (Superman #23.1)

foreverevilbizarrow001Bizarro is another character I’ve really never cared that much for. I didn’t mind the interpretation used in Byrne‘s Man of Steel mini, and the Bizarro’s World arc not long after the Return of Superman wasn’t bad (as I recall). But I’ve never been thrilled with the more recent version from the early-2000s to present. However, having checked out a number of the other Superman-related villains’ issues this month I figured I’d check this out, and have to say that I found this at least somewhat “interesting.” I actually think I’d prefer this interpretation of the concept to a singular character, as this makes more sense to me than some backwards quasi-duplicate of Superman. This issue fits the “Morrisonian” aspects of my understanding to the New 52 Superman, and this felt like it would’ve been right at home in the pages of Action Comics moreso than Superman, but c’est la vie. As an issue I “backtracked” on, I’m glad I didn’t pay $3.99 for the 3-D cover as I’d’ve been particularly disappointed…but as a 2-D edition “after the fact” this was a good read.

H’EL (Superman #23.3)

foreverevilhel001I’d already bailed on the New 52 prior to the recent H’El on Earth Super-book crossover, and never paid attention to any of the solicitations or covers for that story, so knew virtually nothing of the character until seeing this cover. This was another issue that I got–backtracking–because of having grabbed other Superman-family villains’ issues, I figured I might as well be a bit more comprehensive in my “experience” for the month. While I don’t entirely buy into the time travel aspect of stuff, I still felt like I got a better handle on this character from this issue…enough that if there’s a single-volume collected edition of H’El on Earth I might be inclined to try to get/read that sooner than not. Along with that, I’m ALMOST inclined to watch for the Action Comics Annual, except I actively want to keep from getting sucked into more monthly titles right now. I probably would’ve enjoyed this had I bought the 3D edition when I had the chance, but I’m satisfied with the 2D edition and simply having read the issue.

PENGUIN (Batman #23.3)

foreverevilpenguin001The Penguin was one of the earliest Bat-villains I remember becoming familiar with, in whatever iteration. I don’t think I consciously noticed the shift in the character from washed-up umbrella-guy to master gangster, but now that I have noticed that, it’s a fitting role for the character, in my eyes. This issue touched on a number of things I do like about the character and associate with him–from his past having been bullied to present-day exacting revenge upon those (and other) bullies, as well as being a kingpin-like character. I also definitely enjoyed seeing confirmation that he’s not JUST some backseat leader…this Penguin is dangerous on multiple levels and quite capable of wading in and getting his hands dirty, doing his own dirty work, when provoked. This isn’t enough to get me to rush out and buy the recent Penguin mini-series…but if I find the collected volume for a decent price I’m more inclined to check it out, or might even be inclined to on a whim buy the issues digitally since they’re all well into the discounted 2+ months old range. All that said, this issue felt rather short–it pulled me in and the whole thing flew. I’m actually rather disappointed that I didn’t pick this up the week it came out…but content with having read it as I did rather than waiting til sometime later.

TWO FACE (Batman and Robin #23.1)

forevereviltwoface001I’ve got a mixed history with Two Face…generally I’m not that enamored with the character, though I’m not necessarily going to avoid his appearances. I did avoid this issue earlier in September…but found myself curious and so tracked this down to read for the immediacy. I’m not all that impressed by the issue’s story–of the character using his coin-toss to decide to help or hurt Gotham–but it “works” with what I know of and think of regarding the character. It might have been the quick read of flying through the issue but I didn’t get much “substance” from this, and really didn’t feel I gained any particular insight into the character or anything of much interest to consider watching for later. This was just sort of a slice-of-life/what-he’s-up-to kinda thing to me. I would have been quite disappointed buying this at $4 (or the marked-up $10+ I saw the 3D edition going for)…but as a $2.99 issue, not AS disappointed.