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Marvel Zombies: Dead Days [Review]

Quick Rating: Good
Story Title: Dead Days

The Marvel heroes assemble to take down a threat to the entire universe…aw, who’s kidding who? Marvel Heroes become Marvel Zombies, and there’s lots o’ good eatin’ going on!

marvelzombiesdeaddays001Writer: Robert Kirkman
Artist: Sean Phillips
Colors: June Chung
Letters: VC’s Rus Wooton
Production: Marvel Bullpen
Zombie Food: John Barber
Editor: Ralph Macchio
Editor-in-Chief: Joe Quesada
Cover: Arthur Suydam (after Jim Lee)
Publisher: Marvel

I assume that if you haven’t heard of ’em, you’ve been hiding for the last couple years, or just ignoring everything Marvel. Otherwise, who hasn’t heard of the Marvel zombies? (No, not the readers…the zombified Marvel heroes!) When I first heard of the concept, back when the 2006 mini-series was announced, I thought the idea sucked.

I couldn’t see how there’d be any point, or any fun, to the concept. Fifteen some months later, that mini is on an extremely short list of series that I’ve read one issue, and could not stop myself from reading every other issue that I had in my possession.

What’s that got to do with THIS issue, you ask? This is a prequel to that series, that shows us pre-zombified versions of the characters…how certain ones came to be bitten, and even some gruesome scenes of them eating loved ones or trusted butlers and all that…stuff mentioned or alluded to in last year’s mini.

Does it live up to the hype, and the quality, of that series? I’m not sure it does. While good…for me, this was just lacking something; though I can’t quite put my finger on it.

The story itself is really straight-forward as stated above. It cuts from one scene to another, as we see the rapid progression of the super-powered zombie plague. The scenes jump around a bit, with little time spent in any one space, though certain characters receive much more time than others in the spotlight. Even though this is a larger-sized issue, it’s still just a single issue, and it packs in what could fairly easily drawn out into a 6-12 issue series, if not more. Dense content means lack of deep characterization. But in the end, when you get right down to it, it seems that the point of this issue is the "fun" and the random gore and gruesome zombified heroes depicted on the page…if you want deep characterization, there’re six volumes of the writer’s other zombie series available, and loads of other superhero books with more room for characterization.

On the art-end, we’ve got some good quality stuff from Phillips…in and of itself, I really have no complaints visually. Where there might be some complaint would be the amount of visible gore and all that…this is not a comic to hand to the target audience of a Marvel Adventures book, and well deserves its "parental advisory" note on the UPC box.

The cover is an homage to 1991’s X-Men #1-E…the version with the double-gatefold/4-panel cover. While yet another cool zombified piece, it’s not my favorite.

I’m not sure exactly where in the Marvel Zombies timeline this fits, with the still-running Marvel Zombies vs. Army of Darkness, so perhaps more will be made clear with that in the grander tapestry. Taken alone, this issue offers key scenes that impact Crossover and the original Marvel Zombies mini, and provides an extra-sized issue’s worth of violence, gore, and hero-eating-hero action. If that’s not your thing, don’t bother with this. If you do enjoy the concept (or enjoyed prior exposure,) this issue’s well worth getting.

Besides…there’s far worse (and less ‘fun’) out there you could give up your money for.

Ratings:

Story: 3.5/5
Art: 3.5/5
Overall: 4/5

Last Planet Standing #1 [Review]

Quick Rating: Good
Title: Last Planet Standing (1 of 5)

Reed Richards makes a disturbing discovery, the Avengers mobilize, and the Shi’ar face Galactus…

lastplanetstanding001Script, Plot & Pencils: Tom DeFalco & Pat Olliffe
Finished Art: Scott Koblish
Colors: Avalon’s Rob Ro
Letterer: Dave Sharpe
Editor: Molly Lazer
Editor in Chief: Joe Quesada
Cover Art: Patrick Olliffe
Publisher: Marvel Comics

Reed Richards off in space investigating some ‘cosmic’ situation? Check. Trouble for Richards and Sue leads to Torch and Thing mounting a rescue mission? Yup. Seeing Avengers in action against a team of villains? Yeah, that’s familiar, too. The Shi’ar face some cosmic threat? More familiarity. Spider-[girl] annoying thugs in an alley while [she] beats ’em up? Hmm…some of the characters look different, and a bunch of them ARE different…but the feel is familiar.

It’s been quite a number of years since I’ve read an ‘MC-2’ comic, so I wasn’t quite sure what to expect coming in to this issue. What I’ve found is a relatively accessible debut issue of a mini-series that feels like a crossover’s ‘core mini’ and yet…isn’t.

The story here works quite well, and is pretty accessible. If one is familiar with the ‘normal’ Marvel Universe these characters are easy to "get." The premise–a renewed threat involving Galactus–doesn’t seem all that original. And the familiarity may reek of retread in itself. But this issue is a refreshing change from the "usual" of the last couple years.

The art fits the story very well, with the characters all maintaining their distinct appearances, and it’s clear what’s going on panel-to-panel. Nothing seems over-crowded, and the overall tone is bright and open.
While the story is likely to take a much more serious turn later in this mini, right now it reads like a story reminiscent of what one might’ve found in the late 80s or early 90s when I first got into comics–before the big speculator boom and bust. The visuals somehow are also reminiscent of this, and results in a nice, clean, ‘fun’ issue that promises a big story involving a lot of characters, affects a comics universe, but there are only five issues total to the story, as opposed to a huge crossover involving multiple titles and mini-series.

I’m not sure if this issue follows up on last year’s Last Hero Standing in anything other than title, but I did not feel lost reading this issue. There’s no "Previously: in the MC-2 universe…" page, but there is a full page of character head-shots with names and abilities that serves to introduce readers to the main players of the issue…and I suspect that even if one has never before read any of the MC-2 titles, this is a decent point to jump on, especially if you just want one, single story.
In an age of waiting for the collected volumes, this series looks to be one that’ll be fun to follow incrementally, and is worth getting as singles. Regardless of format, this is definitely one to check out.

Ratings:

Story: 3.5/5
Art: 3.5/5
Overall: 4/5

Uncanny X-Force #5 [Mini-Review]


Full review posted to cxPulp.com
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Rating: 3.5/5

Deadpool/Cable #26 [Review]


Full review posted to cxPulp.com
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Rating: 4.5/5

Fall of the Hulks: Alpha [Review]

Quick Rating: Good
Story Title: Meeting of the Minds

The Leader and his group of intellectual villains work behind the scenes through Marvel’s history to assemble the lost knowledge of the Library of Alexandria.

fallofthehulksalphaWriter: Jeff Parker
Penciler: Paul Pelletier
Inker: Vicente Cifuentes
Colorists: Guru eFX
Letterer: Simon Bowland
Cover: Ed McGuinness, Mark Farmer, Dave Stewart
Production: Irene Y. Lee
Assistant Editor: Jordan D. White
Associate Editor: Nathan Cosby
Senior Editor: Mark Paniccia
Published by: Marvel Comics

I wasn’t really sure what to expect from this issue, except perhaps a jumping-on point in preparation for the coming Fall of the Hulks "event." What I did not expect was what seems to essentially be an "Illuminati" of intellectual Marvel villains and their "backstory" throughout Marvel’s past.

This issue basically follows The Leader, M.O.D.O.K., Egghead, The Wizard, The Mad Thinker, The Red Ghost, and Dr. Doom as they assemble the contents of the formerly-believed-lost contents of the Library of Alexandria through the years. Their first mission is an incursion into the home of the Eternals. Here the protagonists discover there are other locations around the planet with further Alexandrian contents, including Wakanda and Atlantis. Bucking the silver Age trend of simplicity, here we see that it takes months and years for the protagonists to prepare to actually launch a mission to gain the knowledge they’re after, as well as the explanation that allows for what we’ve already seen in the last half-decade of continuity regarding these characters. As the issue closes out, we get some info regarding the Red Hulk, which actually intrigues me after never before this having any interest in even the concept of that character.

The story is pretty good in and of itself. It’s not spectacular, and I’m not a huge fan of retcons…but for my understanding of things, the backstory that is here inserted into existing continuity seems to work. Additionally, I feel like I have a better understanding of who The Leader and The Red Ghost are now than I ever did before.
The art is also quite solid…while keeping its own feel, it also evokes some of the feeling of the different eras the story touches upon.

Though I came to the issue familiar with little more than the characters’ names and visual representations (excepting Dr. Doom), everyone was quite recognizable, and I really enjoyed the visuals.
Even though I’ve not followed the Hulk side of the Marvel Universe since World War Hulk ended, I still really enjoyed this issue and found that I didn’t need to know recent events. I’ve often enjoyed stories that flesh out villain characters and give them depth and motivation, and true explanation for why they would door act as they do, and this is one such issue.

I expect this is little more than set-up in the grand scheme of things, but if you want a Leader story involving a teaming-up of supervillains (including death and betrayal) reminiscent of 1980s stories but with a modern feel, this is a great issue for that.

Ratings:

Story: 3.5/5
Art: 4/5
Overall: 3.5/5

Invincible Iron Man #500.1 [Review]

“What it was like, What happened, and What it’s like now”

Writer: Matt Fraction
Artist: Salvador Larroca
Colorist: Frank D’Armata
Letterer: VC’s Joe Caramagna
Editor: Alejandro Arbona
Senior Editor: Stephen Wacker
Cover:
Salvador Larroca
Published by:
Marvel Comics

Tony Stark attends an AA meeting, and shares his story, recounting in the vaguest of terms his history as an alcoholic and how it’s affected him throughout his career. After the meeting, we see how actually talking about things affects Tony.

The story of this issue is really that simple. I had my doubts about the accessibility of this issue, of what would make it such a good jumping-on point. And really, for this character…I can’t think of anything better. Telling his story at an AA meeting is a perfect vehicle for touching on some of the major points of the character’s history and if not exactly explaining everything to new readers, it provides a glimpse of what’s come before, as well as insight into the character–stuff that provides a bit of foundation for new readers, or reminds longer-time readers of where things have come in recent years in particular.

This sort of issue–a “breather” of sorts, a “slice of life” or whatever–where characters have a chance to reflect, to have “down time” and just be themselves without an actively-moving high-action story–this is the sort of issue I am extremely fond of. And yet, while do enjoy this type of issue, it’s not terribly deep nor overly insightful…and really is pretty formulaic.

The art is the usual style and quality–which is a very strong positive in my book. No real complaints from me on the visuals.

The issue ends with a double-page series of panels “previewing” what is to come in the next year in this title…reminding me very much of Booster Gold #1, an issue (or issues?) of JSA, and generally the way DC‘s done things. So it’s nothing fresh or new…and unfortunately, it does all of nothing for me. I don’t even know what it is we’re seeing, and it doesn’t do a thing to hook me or have me particularly interested/excited to see context/details of how the situation(s) come about.

Though this issue–as part of the Marvel.1 “initiative”–is designed to be a jumping-on point, and I’d intended to bail after #500, this also serves as a bit of an epilogue to Fraction‘s run on the character thus far…and if there’s a 2nd omnibus-style hardcover for his run, I would be quite satisfied if it ended with this issue.

Whether looking for a jumping-on or jumping-off point, if you’ve enjoyed any of Fraction/Larroca‘s run or have been curious about the title, I definitely recommend this issue.

Story: 7/10
Art:
8/10
Whole: 7.5/10

X-Men #7 [cxPulp Mini-Review]


Review posted to cxPulp.com
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Overall: 4/5

Age of X: Alpha #1 [Review]


Full review posted to cxPulp.com
.

 

Story: 3.5/5
Art: 3.5/5
Overall: 3.5/5

Wolverine and Jubilee #1 [Review]


Full review posted to cxPulp.com
.

 

Story: 2/5
Art: 3/5
Overall: 2.5/5

Fallen Son: The Death of Captain America #4 [Review]

Quick Rating: Good
Story Title: Chapter 4: Depression

Spider-Man mourns the loss of Cap, but still has to deal with stuff that life throws at him…

fallensonthedeathofcaptainamerica004 Writer: Jeph Loeb
Pencils: David Finch
Inks: Danny Miki
Colors: Frank D’Armata
Letters: Richard Starkings & Comicraft
From an Idea by: J. Michael Straczynski
Assistant Editor: Alejandro Arbona
Editor: Bill Rosemann
Cover Art: David Finch | Variant by: Michael Turner
Publisher: Marvel Comics

This story has certainly lost much of its impact–on me–by being stretched out so much. That’s not to say it’s entirely devoid of impact…but going through these "stages of grief" or "loss" or whatever the official phrasing is would work much better had this series been more immediate and timely. After all, I have had what? A quarter year (or more) now to get used to the idea of Captain America being "dead," and to partake in the online culture of communication that has really lessened the character’s death–as I have come to really agree that within a couple years or so, we’ll have Steve Rogers alive and well, having "got better" after this ordeal…or worse, turn out that THIS Steve Rogers was a certain alien poser.

That meta-textual stuff aside…this was a good issue. This issue’s focus is on a "depressed" Spider-Man as he deals with the loss of a man he’d looked up to as a hero–not just a "fellow" super-hero or colleague, but as an actual hero far above his own "level," by whom it was an honor to even be so much as acknowledged. And while spending time in a cemetary, Spidey/Peter realizes that he’s got an audience…and when his spider-sense goes off, he leaps into action, lashing out at the clear and present threat. The issue winds down with Spidey and Wolverine (which helps hold this series together, not merely "jumping" from one character to another, but maintaining some continuity as the characters interact).

There’s a lot that could be said and analyzed and "read into" the text, based on knowledge that’s been made public about events the writer has faced, and I’d like to acknowledge that fact without getting into it beyond this statement.

The story seems to fit Spidey…I haven’t followed the character all that much for a number of years, so I might be getting something that’s not there, depending on the nuances one pulls out. For me, though, this seemed to be a solid reflection of Spidey acting in context of having just lost a mentor/father-figure/inspiration…and that he’s in the black suit lends yet further loss based on what he’s apparently been dealing with in his own book(s). The threat faced in the cemetery elicits the expected reaction from the character, while simultaneously providing a nice twist, breaking just a bit from a clichéd sort of formula.

I liked the art here. Finch isn’t an artist I’m terribly familiar with of late, only dipping into Marvel here and there the last several years…but the art is definitely recognizable, and carries a certain realism to it that (while allowing one to still subconsciously recognize it as "just" 2-d comic book art) adds a lot to the visual enjoyment of the story. And I think that is the best-looking version of the "villain" I can ever remember seeing.

As a whole, this issue (to me) is an example of how enjoyable story arcs can be as a series of stories that CAN be taken alone, but are also part of a larger arc, rather than a series of chapters that FEEL like they are 1/6th segments of a single story…and that makes it certainly worth its cover price.

If you’re following the series already, this isn’t an issue to skip on; and if you’re just interested in Spidey…you’ve got a good dose of him dealing with another loss in his life, mixed with some action here, and I think it’s fair to say you probably don’t NEED to have read the earlier issues to get/follow/enjoy this issue. I do think these may read better in a collected volume in one sitting, though. Of course, you can do much worse by way of single issues.

Ratings:

Story: 3.5/5
Art: 4/5
Overall: 4/5