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Flashpoint Checklist part 2 [Checklist]

July 2011

  • Flashpoint #3
  • Flashpoint: Batman Knight of Vengeance #2
  • Flashpoint: Secret 7 #2
  • Flashpoint: Abin Sur – The Green Lantern #2
  • World of Flashpoint #2
  • Flashpoint: Emperor Aquaman #2
  • Flashpoint: Deathstroke and the Curse of the Ravager #2
  • Flashpoint: Frankenstein & the Creatures of the Unknown #2
  • Flashpoint: Citizen Cold #2
  • Flashpoint: Booster Gold #46
  • Flashpoint: Wonder Woman and the Furies #2
  • Flashpoint: Deadman and the Flying Graysons #2
  • Flashpoint: Legion of Doom #2
  • Flashpoint: The Outsider #2
  • Flashpoint: Lois Lane and the Resistance #2
  • Flashpoint: Hal Jordan #2
  • Flashpoint: Kid Flash Lost #2
  • Flashpoint: Project Superman #2

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Cat’s in the Cradle

I didn’t get around to writing this properly in time for Fathers’ Day, but thought I’d share it with y’all today.

I learned a lot about my dad, about my relationship with him, while I was in college. Away at college. Toward the latter part of my freshman year and throughout my sophomore year, so many things seemed to finally make sense, or simply occurred to me that never had before.

I remember reading one of the Dragonlance books, and a character made a comment: “We raise our children to leave us.” And something about that hit me hard in a big way. I saw my parents, and all they’d done and were doing for me in a whole new way. Something simple, yet for me, it was huge.

I also recall the lyrics to the song “Cat’s in the Cradle” suddenly being very real and in-my-face. Just listening to it, and realizing what the song was about and what it meant. I don’t recall now, though if I picked up the phone or wrote in an email, but at the time I felt that sudden need to reach out, to NOT let time slip on by.

And I was reminded of this Satuday when a radio show host had the song going in the background and was talking about it.

And I got to thinking about comics, and Dad, and how much of who I am today is because of Dad.

I wouldn’t be where or who I am today without him.

Even with comics–same deal. I have related in the past how it was Mom and my grandpa who introduced me to comics.

But it was Dad who made “being into” comics a possibility, a reality.

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The NEW DC Universe

With the relaunch of DC’s superhero line in September, things start off with 52 #1 issues. Justice League August 31st, and the other 51 in September. The titles for this initial launch have been reported as follows:

  • ACTION COMICS
  • ALL-STAR WESTERN
  • ANIMAL MAN
  • AQUAMAN
  • BATGIRL
  • BATMAN
  • BATMAN & ROBIN
  • BATMAN: THE DARK KNIGHT
  • BATWING
  • BATWOMAN
  • BIRDS OF PREY
  • BLACKHAWKS
  • BLUE BEETLE
  • CAPTAIN ATOM
  • CATWOMAN
  • DC UNIVERSE PRESENTS
  • DEATHSTROKE
  • DEMON KNIGHTS
  • DETECTIVE COMICS
  • FRANKENSTEIN, AGENT OF SHADE
  • GREEN ARROW
  • GREEN LANTERN
  • GREEN LANTERN CORPS
  • GREEN LANTERN: THE NEW GUARDIANS
  • GRIFTER
  • HAWK & DOVE

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X-Men: Schism [Checklist]

The line has been drawn in the sands of Utopia. Prepare for a conflict between former teammates, brothers-in-arms, and friends as Cyclops & Wolverine go to war with one another! From superstar writer Jason Aaron and a ground-shaking ensemble of the industry’s best artists coms X-Men: Schism, the series that will split the X-Men down the middle! United No More!

JULY

  • X-Men: Schism #1 (Art by Carlos Pacheco)
  • X-Men: Schism #2 (Art by Frank Cho)

AUGUST

  • X-Men: Schism #3 (Art by Daniel Acuna)
  • Generation Hope #10

SEPTEMBER

  • X-Men: Schism #4 (Art by Alan Davis)
  • Generation Hope #11

OCTOBER

  • X-Men: Schism #5 (Art by Adam Kubert)

MORE disjointed thoughts on the DC Reboot

dcrelaunchAs I knew would happen, listening to one single podcast (a Comic Geek Speak special), I found my views on the DC announcement this week if not 100% changed, at least far more “open” with some positive thrown in. Plus, the whole thing is such a HUGE announcement with so many unknowns and waves of implications that it takes more than a few minutes to begin really processing.

Some more thoughts, questions, ideas, and musings:

Since there’s going to be day-and-date digital release…many people will acquire “issues” electronically without ever setting foot in a comic shop. BUT…what if each digital issue came with some sort of way to get ahold of a local comic shop for a print edition, or “for more information” about related material?

What if buying digital-only means any given issue is only 99 cents? BUT–if you buy the print edition, you get some kind of card or code good for a “free” copy of that issue in digital format? That way–the casual reader never going to a comic shop gets a cheap digital comic…the new generation of comic reader. But for the old generation of fans, who prefer to buy the print edition, there’s that chance to access an electronic edition, which might spur one to try buying issues that way.

The social networking thing would definitely need to be addressed. Have something where at time of purchase/download, one can send a post to Twitter, Facebook, Tumblr, and so on. “I just got BATMAN #1, written by _______ and art by _______!” (and associate a cover image, and perhaps the equivalent of solicitation text for the issue). Perhaps even allow a user to go back in and “rate” the issue and write a short review…which could then be posted the same way. Let the things go “viral” or some such.

I wonder what the relaunch and pursuing of the digital crowd might mean for the collectability of the comics. If “anyone” can simply acquire a “copy” of the issue digitally–does that largely remove the collectability even of a first issue (at least among “the masses”)? (Surely a certain amount of people will still see value and collectability in the print editions).

I am a collector in the sense of getting the long runs, and having full stories as single issues if I haven’t simply waited for the collected edition. I’d prefer to see the things enjoyed rather than hoarded for supposed value. (I thoroughly enjoy buying 25 or 50-cent copies of various issues that were THE big sellers and “hot items” in the ’90s, now relegated to bargain bins and otherwise forgotten.)

I don’t like the idea of the renumbering, but…they’re gonna do what they’re gonna do, and I’ve made my views on renumbering and variants quite well known…and will SURELY post to address my thoughts on that front as the general announcements are made in the coming months.

That said…I hope that WITH this relaunch, they take it all the way. Yeah, events and stories (Blackest Night, for example) happened, or can be referenced such that the reader who is new doesn’t need to read the other story/event…but where it might add depth to things for the older reader that did.

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The Return of Valiant (again)

image002Several years ago, I passed on pre-ordering a hardcover of the first X-O Manowar book from the “new” Valiant. I did get the Archer & Armstrong volume, and wound up picking up most of the singles in the months after that. I thought about them recently, though, idly, figuring it was another initiative that had shown plenty of promise, but fell by the wayside.

Then this press release showed up in my inbox this morning.


image003VALIANT COMICS TO RETURN; FORMER MARVEL CEO BECOMES CHAIRMAN

Company Announces Investment and Expansion of Management Team

New York, NY – June 2, 2011 – Valiant Entertainment, the character-based entertainment company with more than 1,500 characters in its library, announced it will reintroduce the critically acclaimed Valiant Universe in print and digital comics in 2012.  Valiant has hired accomplished industry executives and creative talent to expand its management team.  The first announcement is that former Marvel CEO and Vice Chairman Peter Cuneo has assumed the role of Chairman of Valiant.

Valiant Entertainment, co-founded by Jason Kothari and Dinesh Shamdasani, has received a capital infusion from private investment company Cuneo & Company, LLC.  Peter Cuneo, Managing Principal of Cuneo & Co., recently concluded ten years of leadership at Marvel Entertainment, which achieved one of the most extraordinary turnarounds in entertainment history during that period.  His tenure with Marvel concluded with Marvel’s sale at the end of 2009 to The Walt Disney Company for over $4 billion. Gavin Cuneo, Principal of Cuneo & Co., was an investment banker with Bank of America Merrill Lynch prior to the founding of Cuneo & Co.  He has spent over ten years working in investment banking and investment management and has been appointed to Valiant’s Board of Directors.  Peter and Gavin Cuneo are working closely with Valiant’s expanded management team to usher in the new era of Valiant.

“I am excited to be partnering with Peter and Gavin,” said CEO Jason Kothari. “Peter’s decade of leadership at Marvel, Gavin’s decade of experience on Wall Street, and their highly active roles with Valiant will be integral to our expansion.”

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Booking Through Thursday – Reviews

btt buttonDo you read book reviews? Whose do you trust? Do they affect your reading habits? Your buying habits?

When it comes to actual books (as opposed to comics), no, I don’t usually read book reviews–at least, not prior to purchase/reading. Occasionally while reading others’ blogs, if a title sounds interesting or a cover image posted grabs my attention, I’ll read a review. But my reading time is so limited overall that generally if I’m not already planning on reading the book, a review isn’t going to convince me to buy it.

I do sometimes seek out reviews AFTER I read a given book, as I’m generally interested in what OTHERS think of the book; how my feelings compare to their feelings, and often someone else will pick up on something that I entirely missed. So book reviews don’t really affect my reading or buying habits, and I don’t really have any one reviewer as a go-to before I acquire a book.

The primary exception to that is that in the course of listening to his podcast and reading other content he posts at Evertime Realms and cxPulp, Blake Petit turned me on to the Percy Jackson series as well as The Heroes of Olympus series (The Lost Hero) and The Kane Chronicles (The Red Pyramid).

Where my buying habits are most impacted and there are reviewers whose work will influence me is comics. At roughly $4 or under, a comic is a far smaller investment in the short-term, so if an issue is highly regarded, it’s usually not much effort to track it down and read it myself. When a reviewer highly recommends a series, similar deal–easy enough to track down an issue or a single volume (of a graphic novel series) to try it out.

As a reviewer at cxPulp I’ve found other reviewers often managing to get me to try new series, or plant the seed that eventually leads to a minor obsession with a given series. This happens both from actual reviews, and recommendations (which, while not formatted/intended as an official “review” accomplish the same end result).

There are podcasts that–in this context–I actually realize could technically be considered “reviews podcasts” (never thought about them specifically in that sense before). Whether it’s Blake & Co. on 2-in-1 Showcase, Michael Bailey & co. talking about specific issues on Views From the Longbox, or the Raging Bullets guys, I tend to enjoy hearing others’ thoughts on stuff I’ve read…but they also tend to get into talking about stuff I have not read, which often leads to a heightened interest for me such that I’ll end up going out specifically to buy something, or look for it the next week at the comic shop.

Another aspect to this topic: I find that there are times I find myself reading something I wouldn’t “normally” read, in the interest of writing a review of it myself, for others. And I’m confident that much of my comic-buying habits the last few years have been heavily impacted by being a reviewer…though what I actually get around to writing reviews for thends to be on the sparse side, these days.

And perhaps it’s merely pride, but I’m aware of occasions where my own reviews or recommendations have led to others trying something or buying into a new series. (I suppose there’s plenty of room for academic exploration within this topic as well).

The DC Reboot

dcrelaunchSo, DC’s apparently going to relaunch/reboot their entire superhero universe this September.

Black September II, maybe? (in 1995, Marvel/Malibu rebooted their Ultraverse superhero line in an event called Black September.)

50+ new #1 issues…in September. On twitter, I noticed that Erik (Savage Dragon) Larsen points out an interesting question: How is a store supposed to order that many #1 issues?

Another question: how is a CONSUMER supposed to afford to buy that many #1 issues?!? Even if DC “draws the line” at a $2.99 cover price (and even if they’re double-sized issues)…that’s $150+ for DC issues in September alone.

There are SO MANY facets to something on this scale that I wouldn’t even begin to be able to ‘cover’ them all in a quick blog post here. I have a knee-jerk reaction to the whole thing, but I also know that in the months to come, I may very well come to a different understanding or feeling on this.

But back in 2005, with the One Year Later thing…I used that “event” to jump off probably 2/3 the titles I was buying from DC, and that wasn’t even a reboot. This feels more like DC saying to me that I’ve had my fun, and it’s time to let a whole new generation officially jump on board to replace the likes of me.

And maybe that’s true.

SOURCE: USA Today article (and surely tons of others, just google it)

Upping the random thoughts

I found myself up far too early this Saturday morning. It’s been a long week, and I’d certainly had zero intention of being up “early” on this long weekend.

But sure enough, woke before 7am and wound up staying up. Decided to check out Netflix, which I’ve neglected for about a week, and opted to “start” watching the film Grownups from last year. Wound up going all the way through.

Next searched for stuff to add to the instant queue, and then something else to actually watch and decided I wasn’t in the mood for anything else at length. But there was “Up,” sitting in the front end of the instant queue where it’s been for months. And I haven’t seen any of the film since I went to see it in the theater a couple years back.

Surely, knowing what the beginning held and having been moved in the theater, I wouldn’t ‘fall for’ it again.

But I found myself amused at the beginning–the kids playing in the old house. Smiling at the wedding, wistful as they built a home, crushed at her news, wistful as they moved forward. Nodding in appreciation as “real life” again and again interrupted their plans, and honestly in tears as their lives reached a twilight.

And all through that…really no dialogue past their being kids.

It’s just all this fantastic, recognizeable imagery or symbolism or whatever. It’s stuff that while watching you can follow along and “get” what’s going on. You can fill in the missing dialogue in your own mind, with your own experiences and thoughts and hopes and dreams. You might find yourself projecting a bit, or identifying with stuff. Maybe not exactly–this is a fictional, animated production–but it has such a sense of authenticity about it.

I turned it off after the opener. Oh, I’ll go back and rewatch the whole thing, but as said above–not in the mood for anything at length at the moment.

And then I found that it’s really burrowed into my head, and stirred up my thinking.

Unfortunately, despite all that I read and write, I can’t really find words for it. There’s just this feeling, that I can’t quite describe. And sometimes I think the best expression of it is an analogy that few but comic readers can “get,” and it’s also summed up by the Kurt Busiek (Astro City) story “The Nearness of You.” I know that’s not my life, it’s a fictional story.

But sometimes, with all the what-ifs and if-onlys and all that, it’s easy to imagine all these alternate lives that “could have been” or “might have been,” and all that.

This is real life, though.

And I have no idea what’s coming.

 

Booking Through Thursday: Rut

btt buttonDo you ever feel like you’re in a reading rut? That you don’t read enough variety? That you need to branch out, spread your literary wings and explore other genres, flavors, styles?

All the time. I’m a comics reader primarily the last few years. Between work, reading comics, writing reviews, obsessive 14-week runs through a 7-season tv series, and other distractions, I don’t read nearly as much as I tell myself I want to. And what I do read seems to be “more of the same,” even when I AM enjoying it and it engages me and all that.

With comics, after years of sticking primarily to DC with a bit of Marvel, and occasionally other stuff sprinkled in…last year, I decided to if not “branch out” at least “stick with the less familiar” stuff. Scaled back to mainly non-DC, non-Marvel comics; kept the superhero stuff in Invincible and Savage Dragon, with some diversity by way of The Walking Dead, Uncle Scrooge/Darkwing Duck (later adding Rescue Rangers), GI Joe: A Real American Hero, and Dark Horse’s “line” of comics with Doctor Solar Man of the Atom, Magnus Robot Fighter, Samson, and Turok Son of Stone.

I completely jumped off the Superman comics as those themselves seemed to be in a rut–at least as far as I was concerned. (I’m now back on Action Comics at least for the current “Reign of the Doomsdays” story…I love a good story involving the entire Superman/Superboy/Eradicator/Cyborg/Supergirl gang.)

Other than comics, my reading seems to be YA/fantasy-ish (The Lost Hero by Riordan right now, planning on The Red Pyramid and its sequel later this summer) and Authors I Read Whatever Their New Book Is (Grisham, Meltzer).

I’m not sure what other stuff I’d want to expand into…maybe there’s a rut, but darn it, it’s MY rut, and I’m actually honestly content enough with it so long as I don’t analyze it or myself and initiate temporary dissatisfaction.

And genre-wise with comics, not much there…I read what I’m interested in…it’s cool when there IS quite a diversity, but diversity itself in genres is not the key to what I actually read.

Well, again…out of time for the pre-work writing. Off to work I go!